To Aru Majutsu no Index III – 14 – Glowing Fists For All!

Carissa’s Coup Arc is brought to a suitably ostentatious and splendid end, as Index III truly BRINGS IT this week. As Itsuwa safely delivers Touma and Vilian to the gates of Buckingham Palace, Touma gives Vilian his typical spiel of helping out for “no special reason” except that he won’t abandon all of the people “running around for their lives”, trying not to lose what’s important to them.

Carissa awaits with Curtana Original, which she uses to summon a fleet of unmanned aerial fortresses. Touma has a bear of a time keeping up with her sword’s pandimensional fragmentation, but while he was thrust into the final boss battle far quicker than he’d hoped, he’s obviously far from alone. Kanzaki, Index, Amakusa, and Sherry all arrive in turn, though Carissa isn’t cowed by any of them.

Even a Saint like Kanzaki has trouble against Carissa and Curtana, while Touma has to time his right arm just right since the weapon has a brief lag between slash and effect. He manages to strike true before Carissa can kill Vilian, who uses her crossbow to rediredct the flash bombardment from Coven Compass to land a direct hit on Carissa’s position.

Unfortunately, it only gives her a couple light scratches; more will have to be done to defeat her, which means more allies must take the stage. As Carissa picks up the idea of bombardment by having bunker-buster cruise missiles launched on the palace grounds, elder Princess Rimea broadcasts a message bringing the forces of Knights back to their feet…including Knight Leader.

Carissa soon finds she can’t launch any more missiles, since Acqua has destroyed all military antennae. This is why you have a magical backup to a vital scientific device, or vice versa, but of course Carissa hasn’t thought anything through beyond “I have Curtana Original, I am invincible.” Now she has three Saint-levels fighting her in Kanzaki, Acqua, and Leader.

And then Mom shows up. Queen Elizard casts aside her own Curtana Second, knowing it’s powerless against the original, but whips out another magical treasure of the royal family: the Union Jack, which she uses to redistribute all of the power imbued within Curtana to each and every one of the millions of British people.

This essentially turns every British citizen into a hero in their own right, with the mandate to “do what they will.” It’s essentially a re-imagining of that iconic signal from Admiral Nelson’s ship during the decisive Battle of Trafalgar: England expects that every man will do his duty.” Only this time it isn’t just England, nor is it just men.

With over 90 million now aligned against her, Carissa can’t help but hesitate for a moment, which is the one thing she can’t do. In that moment, Index (yeah, her!) delivers a simple incantation to cause Curtana to swing upward and hold in place just long enough for Acqua to launch Touma at it with his right arm. He shatters the sword and delivers a devastating punch to Carissa, and suddenly the coup d’etat is all over.

Unfortunately, Touma’s troubles are not. The beaten Carissa is confronted by Fiamma of the Right, who is there only to check on those items which he desires to possess: Touma’s own right hand, yes, but more importantly, Index. A magical item he steals before heading off to Russia was a kind of safety device that allowed Index to live a normal daily life despite having memorized 103,000 grimoires.

In the Tower of London, Stiyl, Elizard, and Touma look over a bedridden, unconscious Index. If Touma is to save her, he must get that device back, which means he’s headed to Russialand. No rest for the weary.

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Houseki no Kuni – 03

Land of the Lustrous continues to be, one of the strangest and most otherworldly beautiful anime of the Fall, and I am loving it. After their encounter with the Lunarians’ giant snail, Phos has…changed. That is to say, they no longer have a humanoid body. They’re still “alive”, as much as all of the Gems of this land are.

But while the standard rules of flesh-and-blood humans don’t apply to Phos or any other gem, there are other considerations that do: their “humanity”, i.e. the network of interpersonal relationships that define Phos to others.

Despite being shiny gems, these people have the same social structure as any normal human group. Which explains why the overriding reaction to Pho’s apparent transformation into some kind of semi-sentient invertebrate is…indifference. Apathy. ¯\_(ツ)_/¯-ness.

The Gems are largely a pragmatic and practical bunch; if you’re not part of the solution, you’re part of the problem; if you don’t have an immediate, measurable use, you’re of no value.

Diamond, perhaps the most altruistic of the Gems, scoops up the creature believed to be Phos and seeks help first from the doctor, but Rutile only knows how to heal Gems, and would only dissect and kill the creature if left alone with it. When presenting it to other Gems, most see Phos’ metamorphosis as an improvement, and in any case wouldn’t know where to start in terms of changing Phos back.

There’s an almost Christmas Carol quality to this…if Scrooge were a slimy slug being carried around by an anthropomorphic diamond, and the Gems were the various ghosts who visited him. So, basically, A Christmas Carol exactly. :D

Dia ends up far out in the country, and their observations of “Bio-Phos” indicate Phos might not care or want to change back. The creature eats plants, poops them out (like watermelon seeds), then curls up and falls asleep, like any biological organism would do. Dia laments that Phos had such crappy connections to the others that they’d care so little about Pho’s present situation.

Where is Cinnabar, I kept asking myself, what with their unique poison gooey properties. Well, Cinnabar is where they always are; far. far away from everyone else, on the night watch. They spot a bright light they believe to be Lunarians, but turns out to be a dozing, but still dazzling, Diamond.

Despite not taking any active role, just being in contact with Dia proves crucial to Phos’ return to corporeal form. You see, on the isolated shores of the country there are a good number of snails, and Cinnabar observes that those snails eat stone to restore and harden their shells.

The snails who eat red stone turn red. Those who eat white stone turn white. So a snail who ate phosphophyllite would have a minty glint to their shell. That’s when it hits Dia: the creature isn’t really Phos. Phos’ crystalline structure is now in the shell at the bottom of the pool back home. We saw the answer, those green crystals, in the opening moments of the episode.

Now knowing what to do, Dia rushes back as fast as their diamond legs can carry them in a gorgeous, lyrical sequence that really illustrates the great distance that must be covered and neatly establishes the scale of the land, along with Dia’s determination to cross it and save Phos. Even the stern Bort can’t refuse that determination; indeed, Bort averts their eyes at the sheer brilliance of it.

And so Dia, who unlike Phos has strong bonds to all of their fellow Gems, calls upon everyone to assist in heaving the great shell to the surface, carving out the Phos deposits from the shell, and delivering them to Rutile, who reconstructs Phos in another gorgeous sequence that makes full use of the 3DCGI.

Phos awakens, surrounded by the other Gems, and is immediately off on the wrong foot, attacking and yelling at the creature Diamond is holding rather than, you know, thanking everyone for saving them once again.

And yet that act of communicating with the creature and responding to its noises reveals a new and potentially groundbreaking fact: Phos can understand what the creature is saying. That makes Phos unique and potentially valuable…for once.

Phos endured quite a bit over the last couple episodes—to an extent worse than the routine smashing into pieces—and seems to have made some kind of connection that may even prove useful in future dealings with the Lunarians. If only Phos would take their ordeal to heart and start mending relationships with others.