Otherside Picnic – 07 – Queens of the Seaside

Those curious about what became of the American Marines get no answers this week, as the girls are on to their next adventure, this time on a beach. Sorao wakes up in a posh hotel room, having shared the bed with a naked Toriko. She can vaguely remember going shopping and bar hopping, and is proud of her drunk self for plugging in her phone.

While taking a taxi to the beach, both Sorao and Toriko nod off, and when they come to, the taxi is derelict and covered in plants and sand, as if it had been sitting there for years. It looks like they’re still in the Otherside, though with a very Spirited Away vibe with a lush blue and green palette.

The duo do a thorough search of a long-abandoned beach shop that, while creepy, contains no active threats, so on Toriko’s urging they change into the bikinis they bought yesterday(?) and proceed to have a fun time on the beach, drinking beer and practicing shooting. The Okinawan afterlife of Narai Kanai is also referenced as the two discuss the Alcatraz-like ruin on the horizon.

Sorao’s been letting her have her way so much, Toriko is worried Sorao could get sick of her, but that’s not the case. Indeed, Sorao again tries to bring up her feelings, only to miss her chance once again. Regardless, she’s happy to be having fun on the beach, a place she never felt was her scene. It’s also a welcome deviation from the standard Otherside aesthetic.

Their solitary fun is cut short when they hear odd noises and discover zombie-like punks beating up little kids. When Sorao and Toriko are rushed, Toriko freezes up, but Sorao shoots them all down before they can get to them. Toriko is impressed: Sorao can shoot and kill to protect herself and Toriko, but she credits Toriko with helping steel her resolve.

Sorao can also see with her eye that the punks weren’t human, but reanimated piles of washed-up beach detritus. Suddenly, the skies turn blue and brooding, which Sorao remembers the captive Toriko saying was the most dangerous time to be in the Otherside. A legion of creepy child-dolls bursts out of the beach shop while huge walrus-like beasts appear on the beach. The girls are well and truly freaked out.

They also don’t have enough ammo to deal with all of these creepy monsters great and small, so Sorao arranges for their exit, using her eye, Lady Hasshaku’s hat, and Toriko’s hand to open a portal. A great light flashes from the dissolving hat, turning all of the monsters back into garbage, and the girls fall through.

They emerge back in the normal world, apparently still on the beaches of a populated, non-ruined Okinawa, and perhaps where they had their day and night of shopping and drinking. Before the portal closes, Sorao spots a woman with flowing black hair. Could it be Uruma Satsuki, mentioned by one of the monster boys as part of the “Queen of the Beach” urban legend?

If it was, Toriko didn’t see her, and Sorao doesn’t bring it up. Instead, they have some beers and enjoy the fireworks, even though they’re broke and not sure how they’ll get home. As always, because they’re living in the moment together, nothing else seems to matter as much.

With its fun girls trip to the beach-turned-freaky seaside monster convention, Urasekai Picnic again scores high marks for its mastery of mood and atmosphere, and the cozily-infectious chemistry of Sorao and Toriko.

Rating: 4/5 Stars

Kaguya-sama: Love is War – 12 (Fin) – The War Continues

Last week ended on a hopeful note, but there was still a lot that could go wrong with Kaguya and Miyuki’s big night at the fireworks festival. And what do you know, it does! Just as she’s ready to head out, one of the butlers not named Hayasaka vetoes her outing as too dangerous, so she has to text Chika that she can’t go, and she’s sorry.

Kaguya enters heretofore unplumbed depths of dejection, but Hayasaka tells her to regain her Kaguya attitude that would have normally had her trying to sneak out by now. Hayasaka aids in all the ways she can by posting a tweet to Kaguya’s feed that Miyuki picks up on, then disguising herself as Kaguya so she can swing Tarzan’s Jane-style over the wall and to a waiting taxi.

While getting out of bed and sneaking out of the house was a big win, Kaguya still has to get to the fireworks before they’re over…and she isn’t able to succeed. The taxi is stuck in traffic, and there’s only so much ground she can cover in yukata and geta. She’s able to glimpse the fireworks closer than ever before—between buildings—but by the time she reaches the meeting spot, the display has concluded and the crowds are cleaning up after themselves (what a concept!) and heading home.

Of course, all this time, we know that Miyuki has been racing around on his bike, attempting to intercept Kaguya on her ill-fated solo mission to reach the fireworks. He manages to pick the right alley where she’s chosen to cry, then takes her by the arm and tells her he’s going to make sure she sees some fireworks. He accomplishes this with help from Yuu and Chika, who are waiting with the same taxi  Kaguya took before, driven by one of the Four Ramen Kings.

The driver takes liberties with the speed limit and gets them under the Aqua Line towards Umihotaru, where the fireworks display will still be going on for another twenty minutes. There’s an action thriller flavor to their undersea tunnel trip, and an ultimate feeling of triumph when they emerge at the other side to a sky full of gorgeous fireworks. Only now, that she’s closer than ever to those fireworks, all Kaguya can watch is Miyuki’s face, and all she can hear is the beating of her own heart. Daaaaaw.

While the fireworks night turned out to be a great victory for everyone, pulled from the jaws of defeat numerous times, the real proof in the pudding of whether Kaguya and Miyuki’s relationship has grown would come in the aftermath. We get a glimpse of that as the new school term begins, and both of them are so bashful and self-conscious that every time they try to approach each other, they end up sailing by like ships in the night—or two dogfighting planes.

Again and again they swoop by, with Chika eventually getting into the spirit of things with an “asterisk” before Yuu arrives and unwittingly makes it a “triangle.” Kaguya and Miyuki then banish both Yuu and Chika (“shooting them down”, as it were) in order to get the privacy they need to finally confront each other about last night.

Kaguya just wants to thank him for everything he did, but as they finally meet and end up bumping into a kind of half-hug, her broomstick juts into his chest, and she says the very words he feared she’d say as an appraisal of his “egotistical” behavior and “cringeworthy lines” the other night: “it must be painful.” Of course, she was talking about the broomstick, not his behavior. But he runs off anyway, and Kaguya gives chase, and henceforth everything is pretty much back to normal.

Surely other situations will come in the future where the two will be able to hang out and do fun stuff and experience moments of beauty and honesty together—but due to their stubborn pride and persistent self-consciousness, any such interactions will only come after much hand-wringing and hesitation. Perhaps, given enough time, it will get easier. But as long as they think something that manifestly isn’t a war is, it’ll remain akin to pulling teeth. But hey, a romantic can hope!