How Heavy are the Dumbbells You Lift? – 12 (Fin) – The Friends We Met Among the Weights

The final episode takes most of the cast to Tokyo’s fictional insular island “Nikunoshima” AKA “Muscle Island” where there is an annual contest for bodybuilding and a talent show. Due to the Summery climate the gang gets to show off their new swimsuits in the Spring, though the heat is a bit much for Gina. Hibiki and Akemi only came to see some hot guys and muscles, respectively, so both are crestfallen to learn that part of the contest is cancelled due to lack of participation.

Still, all four girls participate in the talent section, though another Russian steals Gina’s Cossack dance routine, while Ayaka decides to wear to little for her dragon flag demo and gets disqualified. Akemi wows the crowd with perfectly-executed handstand push-ups, while Hibiki demonstrates her superhuman punching power once more.

The two end up in a draw for the win, so they have to face off against one another to break the tie. Akemi relishes the opportunity to compete one-on-one against Hibiki in a bench press-off, but alas, Hibiki is too hungry to attempt even one rep, making Akemi the winner by forfeit.

Jason and Mr. Director had an overarching plan to film the contest “Candid Camera”-style, but the boat they used to try to get their ahead of the girls ends up breaking down, and they end up stranded at sea in a parody of Titanic that, while completely out of left field, is still pretty funny (Barnold ends up rescuing them, though who knows how).

Meanwhile the girls celebrate another successful contest by playing with fireworks on the beach, and Hibiki and Akemi affirm their strong friendship, which for Hibiki meant getting into healthier, better shape, and for Akemi meant meeting new friends who shared her passion for fitness.

Like last week, this episode suffered from a distinct lack of momentum and energy in the storytelling (as opposed to the always-game characters and seiyus) as well as a rehash of elements already used better (Hibiki’s punching, the contest format, swimsuits).

While it didn’t end while at its strongest, Dumbbells was still a fun, unique, quirky, and above all inspiring little show packed with lovable characters. Next month I’ll be joining the gym to try to build a better me. That would not have happened were it not for this show!

How Heavy are the Dumbbells You Lift? – 11 – Bridge Over Troubled Ratings

After a string of ten straight solid “8” episodes, the eleventh came off as somewhat sparse. As the teachers celebrate New Years Eve by drinking at home, the girls head to the Shrine of the Muscle God, which has a truly epic staircase for training purposes and is also maintained by none other than Machio.

After watching the sun come up and descending from the shrine, the girls still have enough energy to train. Gina suggests they use the equipment at a local park, but to her horror (and my surprise) most of the equipment on which to train has been removed from most parks in Japan, so they do a number of isometric exercises that require nothing but their own bodies. Handy if you’re training (as I plan to do upon completion of this show) but lacking in excitement.

Gina tries to spice things up by registering the group for a live TV talent show (directed by Deire Kutarou, from the idol competition) but the sum total of their performance is some poses and a perfectly-executed “Wrestler’s Bridge” from a masked Satomi. Deire is surprised to find the girls boosted his show to second-best in the time slot, and the producer and president want to see more of them.

Jason shows up and takes Deire aside to propose a “Nikunoshima Tour,” whatever that is, which will be covered in the twelfth and final episode. But I couldn’t help but feel like this was the weakest of the Dumbbell outings so far; unlike the others it felt more meandering, even listless, like it was running out of gas. Hopefully the finale can restore the lost momentum and bring things to a satisfying close.

Carole & Tuesday – 07 – Whatever Happens, Happens!

C&T rebounds nicely this week, thanks in part to a new, more proportionate opportunity for the girls: this time, instead of playing in front of 100,000 people, they join the 200,000 who want to be contestants on the popular Mars Brightest talent competition, a sure way to jump-start their careers.

This week also marks the first real connection between C&T and Angela’s storylines, as Tao has Angela entered as a “special guest” contestant on MB, putting her in competition with the other two protagonists. This could mean the three could be in the same room together, or maybe even talk to each other!

The main issue is Tuesday, or rather Tuesday’s status as a runaway, which she doesn’t realize until they’re already in line for the auditions (which are about as weird and woolly as one would expect from such a large pool of potentials). If her family catches her on camera, she’ll be made, and they’ll come for her. Mind you, Tues doesn’t know her bro already found her, but chose to leave her alone.

This brings us to the best part of this episode, and why it was so much better than last week’s: We don’t actually hear Carole & Tuesday sing anything. This might sound counterintuitive, but the worst element of this show about a musical duo getting their start is their music—their first guerrilla performance at the music hall being the sole exception.

Mind you, just because the songs stink doesn’t mean all the music of C&T is bad. On the contrary, the incidental score is above average, and we get a particularly nice melancholy synth suite that plays along as we watch Angela decline to move back in with her Mama (who was her Papa before gender reassignment).

Instead, Angie chooses to live alone in her sparse, modern place where she can breathe, away both from Mama and all the trappings of her past that threatened to “suffocate” her. Her annoying AI only gets four “ANGELA!s” in before she shuts him up. Somebody needs friends, and I can think of no one better suited than Carole & Tuesday, even if they’re artistic and professional rivals.

As if hearing me say “your songs are bad and you should feel bad,” after auditions Tuesday slides into a slump, brought on in part by learning more of Carole’s story as an Earth refugee and orphan who had to survive on her own.

Tuesday’s family may be loaded (with cash) but she’s also loaded—with all the problems being the daughter of an important politician and little sister of a Harvard elite. She admits she’s a little jealous of Carole’s lifelong independence and self-sufficiency.

In light of her new friend, who has helped her in this new world, Tuesday resolves to hold her head up and stop cowering in front of the cameras. If her mom finds her, so what! She’s going for it, side-by-side with Carole.

After learning that Gus spent all their modest Cydonia earnings (980 Woolong) on gambling (not a good look Gus!), he, or rather Roddy, give them the good news: They’re among the eight contestants for Mars’ Brightest! As we saw, a good portion of the competition were horrendous, but considering there were 200,000 of them to contend with, this feels a bit neat, tidy, and easily done.

But it’s not like they weren’t going to get in, because this means they’ll be facing off against Angela and Tao. Even if I’m not particularly looking forward to hearing what new syrupy-sweet drivel they’ll sing next, I think I can tolerate it for the sake of watching those four characters, who have been kept apart thus far, finally collide.

Isekai Quartet – 05 – A Talent Show of Ice and Fire

No more messing around: it’s time for the class talent show, with participants chosen at random by Roswaal. First up is the TA, Mr. Rerugen, whose tortured rendition of his country’s national anthem evokes pity and disgust to a degree Darkness deeply envies.

Subaru thinks he can do better with a cat’s cradle shaped like Tokyo Tower, but if the other Japanese are impressed they don’t mention it, while nobody else (including Rem) knows what the heck a Tokyo Tower is. Rem, meanwhile, impresses Cocytus with her flail skills.

Poor Lt. Grantz learns the hard way never to get involved in a talent show skit with Darkness, who urges him to punish her with a whip in front of a mortified class, all of whom label him a scumbag despite the fact he didn’t do anything. When it’s Aqua’s turn, she almost takes out Ains’ crew with a Turn Undead spell, but Kazuma stops her.

The KonoSuba theme continues, including three distinct riffs on the KonoSuba bumper card, only they say “IseQuar!”, and with Megumin doing what we all knew was coming: showing off her Explosion magic to a legitimately impressed (not to mention power-obsessed) crowd. The KonoSuba contingent may be the smallest at four persons, but they’re no slouches in the magical department.

Of course, while Megumin’s Explosion even impresses Ains Ooal Gown, she can only do it once a day, which gives Ains the opportunity to end the talent show not with a bang, but with icy briskness, summoning a shitload of magic circles and changing the weather from a temperate spring/summer day to clouds and snow flurries.

I enjoyed how everyone, well, enjoyed the sudden coming of snow…and Subaru for his part doesn’t bring up the fact that Lia beheaded him in similar weather once upon a time, in a different timeline. Mostly, everyone came away knowing each other and their abilities (or lack thereof) that much more.