Boogiepop wa Warawanai – 01 (First Impressions) – Gather Ye Rosebuds While Ye May

The first Winter 2019 anime to pop onto my screen promptly impressed with its atmosphere, economy, and a nervy Ushio Kensuke synth score that quite simply OWNS. Those elements working in concert make even the most innocuous scenario—a guy in the city apparently being stood up—feel significant.

And oh yeah, the girl who stood him up? She shows up in a witch-like getup, helps a suffering homeless man, chides the bystanders for ignoring said man, and flipping a cop for good measure.

But while the witch-looking figure may have had Miyashita Touka’s body, it wasn’t Miyashita. As Takeda (the not-stood-up-after-all lad) learns when he encounters her atop a school roof, Miyashita’s body is being used as a vessel for an entity calling itself Boogiepop. If it helps Takeda, she likens it to split personalities, and Miyashita lacks any memories of when she’s “inhabited” by Boogiepop.

Both Miyashita and Boogiepop are voiced by the wonderful Yuuki Aoi, and she voices them very differently. Boogiepop speaks more slowly, at least an octave lower, and in a tone that’s an interesting combo of aloof, playful, menacing, and slightly bored. Miyashita sounds, well, more human.

Boogiepop explains to Takeda that she automatically appears whenever a threat to the school (or humanity) arises; in this case, a monster that may be inhabiting one of his classmates. Takeda reads up on split personalities and seems to enjoy his rooftop chats.

But one day Boogiepop appears before him dressed normally, as Miyashita, and tells him their time together is at an end: the monster has already been defeated by someone other than her. Takeda protests this sudden goodbye, but the next time he sees Miyashita, she’s back to being her usual herself, and Takeda almost seems…disappointed.

Peripheral to Takeda and Boogiepop’s interactions are swirling rumors about Boogiepop (some girls think she spirits them away at the peak of their beauty so they’ll die before becoming ugly) and a delinquent among them named Kirima Nagi whom some believe is murdering the girls officially reported as runaways.

So it’s a little unsettling when Kirima pops up out of nowhere to introduce herself to Miyashita and shake her hand. The timing seems too weird considering Boogiepop just “left”…not to mention one of the creepy quick cuts of carnage that dot the episode might just confirm Kirima is indeed what some of the girls suspect:

I guess we’ll find out. I’m certainly looking forward to watching how things unfurl, and to the inevitable return of Boogiepop once things inevitably go south for Takeda and Miyashita. Until then, this was a wonderfully calm, patient, moody start. Like gradually immersing your foot into the pool rather than raucously cannonballing in, I feel successfully acclimated.

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Netsuzou TRap – 03

Another five minutes of Hotaru fooling with Yume using “practice” as an excuse. Even Yume is starting to have her doubts, and while Takeda is totally unaware, Fujiwara has now caught the two kissing on the slopes.

Rather than elucidate Takeda on the situation, he decides to take Hotaru to his room for the night, leaving Yume little choice but to invite Takeda into hers, or leave him out in the cold. Not exactly forcing a choice, but certainly limiting them.

For the record, Fujiwara and Hotaru are (separately) in agreement that Yume has the power to stop this…but she has to want to. At least she knows Hotaru has the tendency to throw her off balance.

But at some point she’ll have to decide which way to tip the scales: first boyfriend, or best friend who seems to want more…or maybe she’ll continue to be in this state of limbo for the whole run of the show! Either way, if it’s all the same to ya’ll I think I’ll be stepping back from this.

Netsuzou TRap – 02

In its latest five minutes, NTR tries to get a little more granular with the relationship between Yuma and Hotaru. They go back years, and Yuma always played the protective role of shining knight when the Hotaru was teased.

Fast-forward to the present, and Yuma is still Hotaru’s only female friend. Yuma is still a little resentful that Hotaru found a boyfriend before her, but now that Yuma has one, Hotaru is being almost clingy with her teasing, and the kissing was a big deal for Yuma.

Yuma’s boyfriend Takeda is a pretty nice guy, proposing bold sleepover but changing it to a double date out of consideration for how close Yuma and Hotaru clearly are. But Hotaru was pretty blatantly manipulative with both Yuma and Takeda.

At the amusement park, we learn possibly why that is, and why Hotaru just might prefer Yuma: her boyfriend Fujiwara, has a bit of a temper, slamming his foot on the bench she’s sitting on when she refuses his advances. He’s also already suspicious about her and Yuma, while Takeda is blissfully unaware.

It would seem then, that Hotaru yearns to maintain the knight-and-damsel dynamic Yuma and her have always had. Hotaru just doesn’t seem that interested in Fujiwara. She seems to prefer Yuma, and wants her, whether Yuma has a decent boyfriend or not.