Owarimonogatari S2 – 01

Owarimonogatari is back, and promises to inch ever closer to the endgame of the sprawling story of Araragi Koyomi and the town “where a white snake once reigned.”

At some point after the “hell” he went through over spring break, Araragi Koyomi visits Gaen Izuko at the North Shirahebi Shrine…and she murders him. He wakes up to find none other than Hachikuji Mayoi (her usual age) there to greet him.

After his customary hug (this one being one of the more elaborate and extreme ones) and a lot of inappropriate contact, Mayoi punishes him with her signature pit bull-like chomp. She informs him of what’s going on: he’s dead and currently in real hell (specifically in Avici, the lowest form of hell, due to his vampirism).

Mayoi is in hell because both her parents outlived her, and so spends eternity stacking up stones by the riverbank. Especially for a little kid, she’s remarkably calm and fine with this, with a “that’s the way things go” attitude.

They then commence an epic, trippy ascent up through the layers of hell so that Koyomi can meet someone. He’s shown all of the moments that preceded his making key decisions in his life, from finding Shinobu to catching Senjougahara to everything else; and the recurring reaction is that if given an opportunity to return to those moments, he wouldn’t change a thing.

His only exception is the incident with Nadeko, but Mayoi assures him he’s being overly tough on himself for not being omnipotent, which no one is.

The long, reminicing journey finally brings him to another iteration of the Shirahebi shrine, where Tadatsuru Teori is waiting for him. It turns out Gaen Izuko’s murder was far from random, but part of a larger plan to exorcise Koyomi of his vampirism. Sending him to hell was merely a side effect.

Teori presents Koyomi with a white snake-like rope back to the world of the living where he belongs, and when he returns, he will no longer be a vampire, which if you as me is huge.

Koyomi worries if he’s really the most worthy person to be resurrected, and Mayoi, punches it into him that of course he is: he loves to be alive, and cherishes his girls and has done far too much for them to simply accept death and a life in hell.

Koyomi turns Mayoi’s own positive vibes onto her, grabbing her at the last minute to drag her back into the living world with him, which she doesn’t seem to have expected, but Izuko is nevertheless pleased he did. Izuko, by the way, is on the cusp of being killed by Shinobu until Koyomi returns; clearly the vampire wasn’t pleased about the stunt the specialist pulled on her master.

Teori also informed Koyomi of the person who requested he exterminate him: Oshino Ougi. Izuko leaves Koyomi, Shinobu and the resurrected Mayoi alone, looking forward to the “battles to come” where she hopes to enjoy a slight advantage.

In the meantime, after a mad, psychedelic metaphysical odyssey through the underworld, Koyomi heads off next for something as mundane as his college entrance exams. 

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Tsukimonogatari – 04 (Fin)

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Before they sneak into the temple where Tadatsuru is keeping the girls, Koyomi and Ononoki are met by Oshino Ouji, who reminds him what her ‘uncle’ said: “All you can do is save yourself on your own”…even though Koyomi following through on that would mean he’d be open for extermination.

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Ononoki surmises out of earshot that Ouji is the mastermind and ‘final boss’ that requested Tadatsuru’s extermination services. I’m not sure what to make of that since I’m still a bit fuzzy on who or what Ouji is, but in response, in the finale, Ononoki makes clear who and what she is, in spite of herself.

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Taking what Ouji said about ‘keeping things proper’, Ononoki lists all of the things she is that make her unproper: apparition, shikigami, corpse, tsukumo-gami. She also, seemingly intentionally, deepens the significance of what could have been a simple matter of saving three girls from a hermit without being detecting, because while the girls will be safe, the basic problem of Tadatsuru being after him would remain.

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That’s…just…gorgeous Winter environs.

 

She also tells the story of how she came to be: Kagenui, Kaiki, Oshino and Tadatsuru all collaborated on her production, which was “something like a Summer research project by bored college students”.

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The trouble came afterward when Tadatsuru and Kagenui fought over who would have ownership over her. Kagenui won, because Ononoki chose her. Ononoki can therefore say, and be technically correct, that she was the one who causes a rift between the two, even if she was merely the straw that broke the camel’s back.

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So many easter eggs…

 

Ononoki mentions this heretofore untold story because she wants Koyomi to know that he can offer her to Tadatsuru in exchange for the girls. In other words, she’d give up her life to save him from spending his.

Koyomi reacts to what he deems a stupid offer by doing something stupid: flipping Ononoki’s skirt…then holding it in a flipped-up state.

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The message he means to convey with his sexual harassment is that Koyomi doesn’t value his own life above hers, even if she’d be fine with him doing so. Ononoki concedes, then offers to kill Tadatsuru herself. He balks at that too, worried she’d lose whatever humanity she had gained in the time he’s known her. She even suggests he could get away with the girls by giving Tadatsuru Shinobu, knowing Koyomi wouldn’t go for that either.

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Ultimately, she makes Koyomi let go of her skirt, and she agrees to go by his original plan where he acts as a decoy and stalls Tadatsuru while she swings around back and rescues the girls, leaving him on his own. It’s a plan we see Ononoki will unilaterally tweak once in motion; again asserting her humanity.

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Tadatsuru himself…well, he’s a bit underwhelming, aside from being an origami folder par excellence. He seems impatient with Koyomi’s banter, but he’s also in no hurry to kill him.

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In fact, Tadatsuru simply sits there above an offertory box as he and Koyomi chat, giving Ononoki the time she needs to sneak up behind him and cast Unlimited Rulebook at point-blank range, killing him. It’s something he almost expected, even requesting she do it with “human compassion” and deliver her catchphrase, “I said, with a posed look.”

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So Ononoki ends up a killer, albeit one who acted on her own, against his wishes. She also quite likely saved his life and that of the girls, and Koyomi and Shinobu didn’t have to use any power. But it occurs to Koyomi that, all along, this was meant to drive a wedge between him and Ononoki.

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After the girls are safe and sound, Koyomi pays a visit to Senjougahara, who reminds him with a chocolate to the mouth that it’s Valentine’s Day. He informs her of his present state, and she essentially shrugs it off: as long as she can see him with her eyes (and he does see himself reflected in them), why should he care about being seen in mirrors? If anything comes of it, he won’t have to deal with it alone.

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Back home, Tsukimonogatari exploits one last sequence of Koyomi walking in on his half-naked sisters, who ‘coincidentally’ won Ononoki on the crane game earlier that day. To counter the objective of creating a fissure in Ononoki and Koyomi’s relationship, Gaen and Kagenui decided the best thing to do would be for Ononoki to move in with Koyomi and become even closer and ‘more intimate’ until the town stabilizes.

This, of course, creates an entirely different kind of tension, which may not be as serious as losing one’s humanity or being targeted for extermination by specialists, but a tension all the same: that of yet another girl in Koyomi’s life, competing for his time and affections, when he already has plenty.

But to put it another way, Ononoki is one more girl to protect him so he won’t have to vamp up…and the only one with UNLIMITED RULEBOOK!

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Tsukimonogatari – 03

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Oh, right…there’s another reason Koyomi probably shouldn’t let himself become a full vampire. As vampires are kind of the head honchos of apparitions, it will fall to Kagenui to destroy him, a duty she will not hesitate in carrying out. Even Ononoki, who considers Koyomi a friend, would be forced to turn on him.

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Ononoki doesn’t want this, and so asks Koyomi to promise he won’t use his vampire powers anymore. Koyomi promises, but Ononoki detects his uncertainty.

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It’s one thing to promise when nothing is on the line, but if Senjougahara or Hanekawa or his sisters were in mortal danger, he wouldn’t hesitate to break that promise and use all his power to save them, consequences be damned. The thing is, Kagenui is making the consequences to this very likely scenario quite clear: she and Ononoki will kill him.

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Shinobu and Kagenui with their ‘bring it on’ faces

 

Shinobu weighs in on the discussion, saying once Koyomi is dead she’ll be fully released, and will waste no time exacting her revenge upon Koyomi’s killer. The two stare each other down, and suddenly, the conversation looks like it’s about to turn into some kind of duel.

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“In the name of the moon…I will punish you!”

 

The cooler heads—Ononoki and Koyomi—talk their partners down. It’s a great way to underline just how tenuously close Koyomi is to the boundary between human and apparition; between friend and target. But, as Ononoki says, they’re not at that point yet; not all is lost.

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Kagenui seems intent on keeping her phone as far away from her as possible, one of her many character quirks

 

After briefly getting into why Kagenui specializes in immortal apparitions, during which time she mentions that there’s at least one other specialist like her who does so, but is a hermit he needn’t concern himself with, when Gaen calls her on the phone. Kagenui relays to Koyomi that he should rush to Kanbaru’s house without delay.

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There, they find Kanbaru and his sisters gone, and a string of paper cranes left as a message, perhaps symbolizing Tsukihi (who was a phoenix). Already, Koyomi is finding it tough to even withstand the environmental extremes of riding Ononoki as she performs Unlimited Rulebook; unable as he is to tap into his vampowers.

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The group ends up somewhere more…abstract, where Kagenui informs Koyomi that the one who took the girls is Tadatsuru Teori (apparently a very trigonometric name in Japanese), a dollmaster and the very hermit she was talking about before Gaen called. However, she doesn’t think the girls are in any particular danger yet, as she believes Tadatsuru is only using them to get to Koyomi and Shinobu. Unlike Kagenui, Tadatsuru isn’t held back by someone like Gaen. He’s operating under a different rulebook.

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Far less static than some other Monogataris, we get a nice incidental snowball battle between Shinobu and Ononoki as the others yap

 

So, just when Koyomi learns that he can no longer use his powers, that hypothetical but highly likely scenario of him using his vampowers instinctively to save those he loves, which would lead to his demise, is quickly becoming a reality. At this point, Koyomi becomes rather resigned to his fate as a matter of the universe ‘calling in all his tabs at once’; something he can accept without complaint considering how much he used his vampowers in the past. Regardless of intentions, he knew was always going to exact some kind of price for that power.

Kagenui, in almost a supporting tone, warns him not to get ‘drowned’ in the why of what is happening. Forget divine punishment; maybe Tadatsuru just planned the whole thing to get his hands on him and Shinobu, and chose this specific because he knew Koyomi would be neutralized. Thus, Koyomi must rely on Kagenui and Ononoki a bit more than he usually would in order to save the girls.

Perhaps it is possible after all for a powerless, reliant Koyomi to exist. Never mind; knowing the alternative, it has to be possible…or he’s a goner. We’ll find out in the final installment.

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