Tada-kun wa Koi wo Shinai – 13 (Fin) – On Second Thought…Screw Duty!

Tada-kun never fell in love…until he did. And just his luck, it’s someone who is not only from very far away, but whose hand is promised to another. Against as a monumental, implacable an obstacle as Teresa’s stated duty to her country, he feels lost, defeated; like nothing matters anymore—even feelings that got him on a plane.

As Alec basically lets Teresa cry it out one more night (and cries right beside her, owing to her own unrequited love) Kaoru emerges from the sidelines to encourage Tada not to give in to despair or give up on saying what he came there to say to Teresa. While messing around, Kaoru accidentally lets the royal invite Rachel slipped in Tada’s bag.

That’s all the stimulus Tada needs to spring into action, retrieving the damp envelope at all costs. He’s regained the will and the imperative to see and speak with Teresa one last time…even if he’s being a bother.

Turns out Tada is far more of a bother to Charles and Alec than Teresa, but while Alec is quick to call for Tada to leave, Charles, who puts Teresa’s happiness before his own, lets her and Tada have some more time together. Nothing he says or does can change the fact Teresa simply doesn’t love him.

It sucks, but it’s not at all unexpected when two people are arranged, basically at birth, to marry one another. Love can certainly develop in such a scenario, but in my personal view it’s definitely putting the cart before the horse, and such arrangements aren’t a match for organically developing love such as Teresa and Tada’s.

When Tada finally confesses he’s loved Teresa since they met, she accuses him of being unfair. She left Japan so she could lock away all of her feelings deep inside for all time, but all it took was him following her to her home and saying a few words to break that lock.  There’s no “last day of crying” for Teresa, as long as she’s not in a situation where she can live with the one she loves.

As the credits roll, we return to Japan, where aside from Pin-senpai graduating, is more-or-less the status quo…with one very important development: Charles broke off his engagement to Teresa, rightfully acknowledging that it wouldn’t be fair for either of them to follow through with something that was not their choice.

In a bit of a surprise, Teresa not only seems happy to be free of her engagement to Charles, but took it further by “running after” Tada back to Japan, either delaying or outright cancelling her succession to the throne.

Tada is shocked that she would all but abdicate for him, but once they’re in each others arms, the whys, wherefores, and consequences melt away, and it’s just the two of them, Teresa, and Tada, no longer having never fallen in love. Is it a bit too neat and tidy of an ending? You bet…but who cares!

Tada-kun wa Koi wo Shinai – 12 (Not Fin) – It’s Not You, it’s the Royal We

First, I have to applaud TKnS for shedding its comfortable Japanese high school milieu for something completely different that expands the story’s boundaries a whole hemisphere’s width and lends it a sense of occasion.

Second, I applaud Mitsuyoshi for getting over his aviophobia to make the trip to Larsenburg, for he feared something far more than flying: not knowing why Teresa left, and not telling her how he truly felt about her. (Kaoru also cheers his friend on, but keeps his distance)

Larsenberg is gorgeous, as one would expect of a fictitious Germanic-sounding miniature kingdom. You can’t help but notice how different it is from the Japan he left, right down to the fact it’s now wintertime.

Mitsuyoshi arrives at the address his gramps stipulated as the place where he’d find Reiko, AKA Rachel, but has trouble gaining access, because it’s a goddamn palace, complete with a Royal Guard that won’t answer his questions…or speak at all.

Meanwhile, Teresa, Alec, and Charles are busy with the duties of a royal couple and their bodyguard…only with a little bit of palace drama mixed in. Alec reveals her lifelong love for Charles when Teresa walks into find her hugging his recently-worn jacket.

Teresa also picks up on Alec’s tell, a grabbing of the arm that signifies lying. Alec denies and denies, not because she doesn’t believe Teresa knows about her feelings (she does), but because she knows nothing good could come of her expressing her feelings for Charles; he’s supposed to marry Teresa, not her.

Before Teresa and Alec can continue their discussion, Mitsuyoshi pops in. He had the good fortune of being spotted outside the palace by Rachel, who invites him in and tells him how she used to work at his gramps’ cafe when she was in college, before moving to Larsenburg to serve the royal family.

Rachel and Charles present Mitsuyoshi to a very shocked Teresa. He apologizes for surprising her, but she knows she’s the one who needs to apologize and properly tell him what the dealio is. Their reunion came far later in the episode than I expected, and it’s almost painfully brief and cordial.

In a sumptuous gilded drawing room the two sit across from one another, Mitsuyoshi expresses his relief that she’s okay and relays Teresa the others’ regards. Then Teresa comes out with it: she’s the future queen of Larsenburg, and thus there is, in her mind, “no way she can live the life she wants”, i.e. either as an ordinary woman in Japan, or as queen, but getting to choose her man.

In the latter case, Teresa drops a second bombshell on Mitsuyoshi: her lifelong betrothal to none other than Charles. We never see if or how he reacts to this verbally after his initial pained look; we only see the aftermath, with neither Alec nor Charles able to approach a sobbing Teresa in her darkened chambers, while Kaoru finaly reveals he followed Mitsuyoshi here, only to watch his friend crying for the first time.

And it’s about here when I was wondering “Wait, really? You’re going to end it like this, show?” But the show didn’t. MAL misled me into thinking this was the last episode, but there’s one more. Thus, there’s hope everyone can walk away with some kind of closure!

Tada-kun wa Koi wo Shinai – 11 – Decluttering

The sudden departure of Teresa and Alec for vague “family reasons” comes as a shock to all, especially when the reality of their absence sinks in via their now-empty apartment and desks at school. But no one is hit as hard as Mitsuyoshi, who is constantly encountering things that remind her of Teresa, and of the fact he had his chance to say something to her and blew it.

I don’t think Mitsuyoshi is mad at Teresa—nor should he be—so much as he’s angry at himself. He can’t hide his change in behavior post-Teresa from his best friend Kaoru, who quickly comes to suspect Tada liked Teresa and has been shaken by her disappearance. Kaoru wants to help him, but doesn’t have enough info, and it’s too sore a subject to broach lightly.

One friend who has no compunctions about broching sore subjects is Nyanko Big, who despite lacking thumbs is able to get into his closet and rifle through the box he filled with mementos of his time with Teresa.

Mitsuyoshi goes off on his own, and senses a great emptiness from all of the spots he’d previously visited on their last day together. Like the new tenants in the apartment, everything has changed, and there’s nothing for it but to move on. Mitsuyoshi tosses his Teresa Box in the trash.

That practical and emotional “decluttering” continues in the photo club, where he unceremoniously erases Teresa and Alec’s names from the whiteboard. Then they find an extra memory card filled with all of Teresa’s photos. They’re mostly of rocks, but the greatest treasure is the sole video file of their game of photo tag.

That’s the day Teresa and Alec truly became two of the gang, and she also managed to capture Hajime and Hinako’s unspoken love. Those memories of Teresa laughing and smiling just keep rushing through Mitsuyoshi until he can’t take it and flees home to retrieve the box from the trash, only to find it’s already gone.

He sulks in his dark room until Kaoru confronts him, though not before showing him the photo he was looking for, which Hajime submitted for him, and which won an Excellence prize. In it, Teresa is beaming, her hair flowing in the wind, rainbows reflected in her eyes. It’s an absolutely gorgeous image full of love—the photographer’s love for the subject in particular. Kaoru says there’s no way such a photo could have been taken if Mitsuyoshi didn’t feel that way about her.

Mitsuyoshi finally opens up about how angry he’s been since Teresa left, and how stupid he was to stay silent and close love out of his life. All he wants is one last chance to see Teresa and talk to her so he can tell her how he feels—even if she rejects them. Gramps comes in with the un-tossed box, telling Mitsuyoshi that now that it’s “stopped raining in his heart” it’s time to search for the rainbow that comes after; i.e. Teresa.

Tada-kun wa Koi wo Shinai – 10 – The Larsenburgian Princess Makes an Irish Exit

This was a simple, quiet, beautiful episode focused mostly on Teresa and Mitsuyoshi’s date (there’s no other word for it) to the Rainbow Samurai show, which begins with the two meeting where they first met, by the gates of the Imperial Palace.

It’s an episode with a beginning and middle that will warm your heart and an ending that will break it—assuming you’re invested in these two.

It’s obvious how much fun both Mitsuyoshi and Teresa are having, but while they’re both smiling, there’s an underlying romantic tension that neither of them is bold enough to remark on with words.

Instead, they simply enjoy their time together, winning each other prizes at the cork gun stand (Teresa hitting hers thanks to an assist from the Yakuza-ish cafe regular), interact in the live show as “hostages”, and enjoy a rainbow-themed meal.

Meanwhile, in a rare cut from their date, Kaoru asks Alec if she’ll go on a date with him, expecting her to reject him for the umpteenth time…only she doesn’t! Not immediately; she gives him a chance to choose where they’ll go, but he’s too consumed in utter shock to suggest anything, and she retracts her offer.

The two encounter one another at the Tada cafe, where Alec delivered a letter to Gramps from Reiko, AKA Rachel, Teresa’s nanny, who introduced her to the Rainbow Samurai in the first place. What a weird coincidence…

When Mitsuyoshi and Terea scale the Sky Tree to the observation deck, it’s suddenly all gray and rainy, as it tends to be whenever the two meet up (or so Mitsuyoshi jokes). The weather, and the sight of a happy family beside them, reminds him of the last time he saw his parents, on a day just as gray and rainy.

He tells Teresa how he blames himself for not telling his father his true feelings; delaying them just a little could have prevented the accident. This is something he knows is ridiculous, but he’s always felt that way regardless, and hasn’t been able to tell anyone…until Teresa.

As the clouds part to reveal a humongous double rainbow, Teresa tells him if he regrets not sharing his feelings in the past, simply try to share them from now on. If that’s meant to be a hint, Mitsuyoshi doesn’t take it.

After that, the two part ways at the cafe, and Teresa can barely hold back tears when thanking Mitsuyoshi for their wonderful day together, for a souvenir he got her, and for the photo of them posing with the Rainbow Samurai. He asks if she wants some coffee, and she shakes her head and returns to her hotel next door.

The next morning at school, the teacher announces that Teresa and Alec have returned to Larsenburg for “family reasons.” Mitsuyoshi and Kaoru are stunned. His entire day with Teresa turned out to be the last they’d spend together, and he didn’t even know it.

There were ample chances for Mitsuyoshi to take Teresa’s advice and share his feelings. On the other hand, every time she shared hers, it was through muttered words he never quite heard, and followed with “oh, it’s nothing at all.”

I would’ve gone a different way than basically ripping off a relationship like a band-aid, but ultimately it was her choice to decide how to say goodbye to Mitsuyoshi. Perhaps anything more would have only made it harder for her to leave at all…and she has to leave, for he good of her country.

Tada-kun wa Koi wo Shinai – 09 – Various Things

Teresa’s head maid/nanny/governess-whatever warned her; if she went to Japan, she may encounter “various things”…Teresa just never knew that those various things would include falling in love, and not just with Mitsuyoshi, but with his friends, a simple life of school, having fun, and occasional cafe work…and with Japan.

At the airport Teresa all but confirms to Alec what Alec had suspected; that she has indeed fallen for Mitsuyoshi. But Teresa hasn’t abandoned her plan to marry Charles and become queen. That duty remains extremely important…but now it is competing with…various things.

With the air between the girls cleared, the next time Teresa is near Mitsuyoshi, she stiffens up and becomes conspicuously…formal. Mitsuyoshi does not change in turn; he merely continues being the kind fellow he’s always been, plucking a caterpillar from her hair, picking up her eraser, and lending her and Alec his umbrella (though it eludes me how someone as meticulous as Alec would forget hers).

Mitsuyoshi had hoped Kaoru would be able to share his, but neither of them have an umbrella, so they run through the rain. And the chances of someone in an anime getting a fever after getting stuck in the rain always hover somewhere around 99.999999999%, so Mitsuyoshi collapses. Teresa blames herself for taking his umbrella, and works a shift at the cafe with Alec so Mitsuyoshi can rest and recover.

Yui serves Mitsuyoshi her Special Red-Hot Rice Porridge (I’ll call it Reho-riho), but when Yamashita and Hajime leave his bedside, they neglect to bring down the dirty dishes, so Yui sends Teresa up to his room to fetch them.

There, Teresa finds herself all alone with the guy she’s fallen for, and the wind scatters his photos, all of them beautiful and full of love. Even with his fever, she can’t resist bending over to kiss him, but immediately tears up upon doing so, cursing herself for being unable to “stop.”

At this point its almost assured she’ll have to take a significant emotional hit in order to follow through on her royal duty to marry Charles, whom she simply does not love (though could presumably fall in love given enough time, as with some arranged marriages). But “in love now” tends to win out over “in love down the road, maybe.”

For now, once he’s better, Teresa seems poised to invite Mitsuyoshi to a day of Sky Tree Rainbow Shogun fun. And once she’s done having her fun, she’ll presumably return home and do her duty.

Tada-kun wa Koi wo Shinai – 08 – Growing Up Quickly, Venturing off the Path

As their days in Japan grow less numerous, Alec might’ve hoped Teresa will gradually ratchet down her lingering glances in Mitsuyoshi’s direction. Instead, after a lovely trip to Lake Kawaguchi to photograph Fujiyama and the stars, the opposite seems to be happening, and Mitsuyoshi finds himself glancing back more and more.

The subject of the group’s conversation turns to love when they visit a shrine and purchase their fortunes. Ijuuin continues to quixotically flirt with Alec, while Hajime continues to make remarks about HINA when she’s standing right beside him. Pretty standard TKS stuff.

Teresa probably also hoped Charles’ continued presence would steer Teresa back on course, but Charles is drawn away from the fun by work from home, and has to stay at the inn while everyone else sets out for the lake to make camp and wait for the stars to come out.

Everyone ends up dozing off except for Mitsuyoshi and Teresa, who end up talking a lot about their respective pasts. While Mitsuyoshi losing his parents was certainly more tragic than Alec getting wet and crying, the fact of the matter is both of them reacted the same way: by regretting mistakes they made and wishing they could go back and fix them.

But they can’t so Mituyoshi opines that regret is a means of reminding themselves not to repeat mistakes that were made but can’t be unmade. The symbolism of the clouds parting to reveal the stars just as the two possible soul mates open up to one another was not lost on me.

Unfortunately, any further developments between the two are curtailed when Ijuiin pops out of the darkness, though Teresa instinctively grabs hold of Mituyoshi’s arm, turning beet red when she realized what she’d done.

The photo club gets their star shots, and before you know it the trip is over and Charles is headed back to Larsenburg. When he kisses Teresa’s hand and bids her goodbye, her hilarious lack of emotional response is conspicuous, but Charles doesn’t let his disappointment show until he has his back turned to Teresa and Alec.

Alec, meanwhile, doesn’t have the same faith Charles does that Teresa will end up fine eventually; perhaps because she’s been by her side in Japan far longer. So she confronts Teresa right there at the airport, preparing to ask, no doubt, about what exactly she’s doing falling in love with Mitsuyoshi.

I doubt the question will be phrased quite that way—nor is there a version of such a question Teresa will be able to answer easily—but when the hair of anime characters whips around that emphatically, you know drama’s afoot.

Tada-kun wa Koi wo Shinai – 07 – If You Give Up, Then That’s That

Nyanko Big, Pillar of the Tada family since the loss of its mom and dad, is missing. Mitsuyoshi’s little sister Yui takes center stage in the search for him, riffing off of her favorite manga that chronicle the cases of Hercule Poirot’s half-Japanese granddaughter…which doesn’t sound like a half-bad anime!

Everyone joins in the search, even Sir Charles, who was the one who saw him last with his “girlfriend” (a raggedy foxtail toy). During the search, Yui is happy to be partnered with Yamashita Dog, on whom she’s been maintaining a crush. (Hinako and Hajime sit this one out).

When we first see Charles reacting to something earlier on, and Yui’s gramps mentions how pets “take a trip” when their “time has come”, the episode is trying to tint the proceedings with foreboding, but while the thought briefly occurred to me they might kill off the cat, that thought didn’t last due to the search’s lighthearted tone.

Sure enough, they find Nyanko attempting to woo the disinterested Cherry, who happens to be the pet of “Chia-nee”, a lovely woman who knows Yamashita and pats him on the head as he coos. The joy of finding her cat is replaced by the revelation the guy she likes likes someone else, and says as much later when they’re enjoying celebratory festival snacks.

Teresa knows something’s up, and when asked what’s up, Yui cannot hide her tears of frustration, asking Teresa if falling in love with someone is always so painful. Like Nyanko Big, Yui is meowing up the wrong awning, but Charles later confides in Nyanko that he senses he may be doing the same with Teresa.

That aside, Teresa is the one who once told him “if you give up, then that’s that!”, when he tried to give up looking for his cherished gold bracelet (perhaps given to him by Teresa). She didn’t give up, ended up finding it, and he still wears it to this day. He, in turn, won’t give up, and neither will Nyanko and Yui.

As for Mitsuyoshi? Well, once again he’s a non-factor, only managing a momentary awkward meeting of eyes with Teresa. You can’t give up something you haven’t started, and with only five episodes left, he’s running out of time to do so.

Tada-kun wa Koi wo Shinai – 01 – Meet Cutes and Coincidences (First Impressions)

“Oh Hai! I’m not weirded out by you taking my picture AT ALL!”

There are three basic kinds of anime rom-coms: those that do something totally unique and/or unexpected, those that hew close to the well-worn conventions of the genre, and those that stride the two extremes. From the moment Tada Mitsuyoshi catches his love interest Teresa Wagner in his viewfinder, it’s clear we’re dealing with the well-worn variety.

That means it’s up to things like the execution of the romance, the quality of the comedy, the likability of the characters, and the technical aspects that determine whether I’ll watch it. And if I do, I’m still looking for surprises somewhere to liven up an otherwise boilerplate affair. So let’s see what TKS has going for it, and what it doesn’t.

“We meet AGAIN? It’s almost like we’re supposed to be in the same anime!”

Regarding execution of romance, the title says it all: “Tada doesn’t fall in love.” That doesn’t mean he shouldn’tcan’t, or won’t, mind you; it just means he usually/typically/classically…doesn’t. But it’s almost immediately clear from the Imperial Palace Sakura Photo Meet Cute that Mitsuyoshi is struck by Teresa’s beauty, if nothing else. First impressions matter, and can make the difference between “doesn’t” and “could.”

Mitsuyoshi is most likely someone who has never fallen in love because a.) he’s young,  b.) hasn’t found the right person, and/or c.) he’s focused on photography and school. I’m glad he doesn’t fall head-over-heels for Teresa from the start—he knows next to nothing about her—but at the very least, the air-headed foreigner is an intriguing  new presence in his life.

Alec kicks the overcaffeinated sidekick (THANK you…)

As coincidences continue to pile up that bring the two together, Mitsuyoshi brings Teresa before his whole family, consisting of his cafe-running grandfather (who likes the same old samurai tv show as Teresa) and little sister/waitress Yui (obligatory Minasi Inori presence). The shrine in the Tada residence indicates the loss of one or both Tada parents, one of whom was a photog like Mitsuyoshi.

Before long, Mitsu’s best mate and self-professed “Adonis” Ijuuin Kaoru shows up and tries to put the moves on Teresa as soon as Mitsu tells him she’s not his gf, but he’s quickly thwarted, not just from the cafe cat Nyanko Big (who amusingly resembles a friend’s cat), but by Teresa’s traveling companion, Alexandra “Alec” Magritte, who assumes Kaoru is attacking Teresa and swiftly deploys her itchy trigger leg.

Alec and Kaoru look like a dead ringer for the “opposites attract” trope, but while I appreciate what Miyano Mamoru does with his voice at times, his performance as Kaoru feels a few notches too extreme for this milieu (which is probably intentional).

If you were surprised by this development, you don’t watch many anime rom-coms

Why, do you ask, do two Luxembourgish women in Teresa and Alec have perfect command of Japanese? I imagine it’s the same reason Teresa almost gives another surname other than “Wagner”, and why Alec is so well-versed in martial arts and is protective of Teresa: it’s likely she’s royalty, and Alec is her bodyguard/valet.

She’s come to Japan, likely her favorite foreign country, to soak it all in. That means transferring to Mitsu and Kaoru’s school, and even their class. Ye gods, the coincidences…

Of course, they don’t want to broadcast that fact, but it will be interesting if a.) I’m right about this and b.) it creates a conflict with Mitsu, because at this point, there are no conflicts beyond Mitsu’s general normalness and heretofore non-existent love drive. Maybe she has a betrothed? In any case, this was an establish and introduce episode, and for the most part I’m on board.