Hana, who is shy, is initially weary of Morita, who is taciturn. But once Morita straightens Hana’s curly hair, Hana warms up to her more. And that’s pretty much it. Hopefully soon the series will expand beyond the content of the OVA, because I’m still getting Déjà vu from this.
Because the title is pretty much the premise, I was wondering how the producers would fill twenty-odd minutes per week. Now I know: they won’t. The new anime version of Morita-san wa Mukuchi runs a scant three minutes – a veritable tic-tac of entertainment. It took longer to write this review.
But I can live with this show if all it asks for is three measly minutes of my attention. It even got me wishing there were a few more anime as brief this summer. Of course, Seitokai Yakuindomo followed a similar formula, but it was a string of three or four minute bits spanning a normal episode length.
So it looks like we’lll only be getting the tiniest tastes of Morita-san wa Mukuchi from time to time. This first episode was merely a rehash of the beginning of the OVA released back in February. This is anime superleggera! Rating: 2.5
This OVA is kind of a preview of an upcoming series of the same name airing this Summer. The formula is quite simple: this is a high school slice-of-life comedy with a quartet of girls at its core, one of which seemingly never says anything at all. Interesting, this very ‘taciturn’ character, the titular Mayu Morita, is voiced by Kana Hanazawa, who also voiced a similarly silent though more bookish character in The World God Only Knows. Obviously, everything she says is in Mayu’s head, not aloud. I don’t think she utters a single word to another character.
There’s nothing tremendously deep here, just nice, charming, lightweight slice-of-life. This OVA, and the forthcoming series, is almost a challenge to see how little a heroine can say and still be a functioning character. So far, so good; Mayu’s friends all seem to see something likable about her that’s beyond words (obvious, since she has none)…though as Mayu’s eyes are drawn very blankly (in Bleach this would mean she’s possessed, or an evil clone), so while in deep thought she can appear a little creepy. What I find refreshing is that Mayu isn’t shy or socially inept; she just takes too long to speak, and thus always misses her opportunity to do so.
One of the reasons I gave this a try is that Kana Hanazawa is one of my favorite seiyus,and even though she’s basically playing to type here (unlike, say, her Kuroneko in Oreimo), that type is tried-and-true earnest/cute/reflective. Saori Hayami (Eden of the East, Oreimo) and Haruka Tomatsu (Shiki, AnoHana) provide the voices of friends Chihiro and Miki. It’ll take a couple more episodes to fully tell their personalities apart, but basically, they talk a lot more than she does, but each have their own quirks too.
The supporting cast, including Yamamoto, who is irritated by Mayu’s silence; Mayu’s pink-haired admirer/stalker; and two male students who are always observing and commenting on the many affectionate embraces Mayu’s friends put her in, all add flavor to a an already colorful cast. The pace is a little leisurely, but that’s okay. Odder is the source of Mayu’s silence – her domineering mother, who warns both Mayu (and Mayu’s father) to never open their mouth unless they know exactly what to say, to avoid misunderstandings. Unfortunatly for Mayu, she never knows what to say – which can also cause misunderstandings.