Takt Op. Destiny – 12 (Coda) – Addio, Signor Disperazione

After one more look at the OP, beautifully animated but for the fact Anna and Cosette lack toes (that always bothered me), we go right into the final boss battle. Orpheus packs a punch and has a suitably calm yet menacing voice, but by making it a two-against-one fight, she allows herself to be distracted by a kick to the fact from Takt, allowing Destiny to blast the top half of her away.

She eventually regenerates, but it takes enough time that Takt is able to continue on to Sagan. It then becomes a duel between Destiny and Orpheus, and the lack of a frail human in their midst means they can really let their bedazzled hair down and have a proper brawl, captured with all the requisite concussive Mappa/Madhouse sakuga.

Turns out Orpheus really is the final true boss; Sagan can’t do anything but try to convince Takt that his cause is right and just. Oh, and the show finally lets us in on the secret of why exactly he’s doing all this: he wants to lure all of the D2s in the world to a sacrificial North America so he can take them all out at once, thereby saving the remaining six populated continents. Uh, my dude … Antarctica was right there!

Turns out both Heaven and Hell, and thus Orpheus, aren’t really trying to save the world so much as save their Conductor, whom they love despite his fatal flaw of choosing the wrong continent to sacrifice. Just as Takt isn’t hearing Sagan’s excuses, Destiny most emphatically Does Not Care what Orpheus says or thinks, and somehow powering up, manages to pummel the hell (and heaven!) out of her. Destiny just wanted it more, I guess!

Destiny joins Takt, cementing Sagan’s defeat, as Takt uses her sword to kill him, which shuts down all of the D2s running amok in the crippled Symphonica. Sayonara Sagan…you were never much of a character, and the little bit of pathos the episode tries to squeeze out of your situation in the eleventh hour didn’t really work. You were just another of the dime-a-dozen villains populating lesser anime. Takt Op. Destiny deserved a better baddie.

It’s main duo won me over, however. Destiny has been showing more and more emotion as she’s come into her own as an individual and not just an musical alien inhabiting Takt’s dead soul mate. She basically becomes another soul mate to Takt, staying beside him, holding his non-existent right hand as they lay on the beach, then giving him a farewell kiss before vanishing in a cloud of rose petals. It’s a beautiful scene filled with bittersweet love.

That brings us to the brief epilogue, which indicates Takt made it into suspended animation alive. Anna has joined the Symphonica, trading her belly-bearing tops for the organization’s marching band-y uniform. She also looks after a gold trinket with red trim, the only thing Destiny left behind, and which seems to allow Anna to transform into the next Destiny. As her out-of-left-field kiss hinted, she’s dedicated herself for being there for Takt when—not if—he wakes up. There’s still a lot of D2s out there.

Rating: 4/5 Stars

Takt Op. Destiny – 11 – Con Molta Forza

Lotte tells Anna that the last best chance of saving both Takt and Destiny is to put them in cryogenic stasis in order to buy time to counteract the effects of their contract. It could be years or decades before a cure is found, but if they do nothing, Takt may not last the month.

With Takt in such a precarious state, the last thing you want to see is Sagan causing the Symphonica to be completely overrun with D2-spawning giant purple crystals. Why, do you ask? Because Sagan = Bad Guy. It looks like the crystals engulf and kill him, which I guess makes this his magnum opus…?

Whatever his motivations to destroy everything he’s built and off himself(?), Sagan’s actions are the perfect excuse for some serious Musicart ass-kicking. We get glimpses of various other heretofore unseen Musicarts, but the only three who can truly save the day are Takt and Destiny, backed up by the now Maestro-less Titan, who has more of a sharp edge to her now.

Anna and Lotte end up trapped deep in the Symphonica’s labs by the crystals, and here Anna shows how awesome she is by carrying her paralyzed big sister on her back in order to find a way out. It isn’t long until they encounter a D2, but they’re saved in the nick of time by Walküre.

Eventually Anna, Lotte, and Walküre end up in the same mezzanine as Takt, Destiny, and Titan. The Musicarts successfully defeat all of the D2s in the immediate vicinity, but at a seemingly heavy cost: Takt can barely stand, and the battle has surely shortened his life from a month to mere days, if not hours. Even so, he orders Titan to take Anna, Lotte, and Walküre to safety while he and Destiny press on to Sagan—whom they assume is still alive.

When Anna tells him it’s a suicide mission, he says he knows, but he’s got his mentor Lenny’s work to complete along with his own music, none of which can exist as long as Sagan and his machinations are still going on. Somewhat curiously, Anna gives Takt a big old smooch, then makes it clear she has no idea why. I can’t say I can either, aside from the fact that the big sister act was to hide her feelings for him? This development has come far too late in the game!

On their way deeper into the Symphonica, Destiny notes how quiet Takt has become post-kiss, and even seems to display a slight measure of jealousy about it. That’s the last bit of comedy in the episode, however, as they soon enter a huge area absolutely crawling with D2s. Hell is waiting for them there, holding Heaven in a princess carry, and Heaven then stabs both of them with her tuning fork.

They both turn into a puddle of black goo, which then turns into several floating machine gun emplacements that destroy all of the D2. Then the guns transform into a new Musicart boss Orpheus: an unholy merging combination of Heaven, Hell, and the crystals. Considering how strong she’s likely to be, I suppose we’ll have to suspend our disbelief Takt has enough left in the tank. The question is, win or lose, will the show really kill him and/or Destiny off?

Rating: 4/5 Stars

Takt Op. Destiny – 10 – Keepers of the Light

This week’s Takt delves fully into Lenny’s past while throwing multiple death flags in the present, meaning this episode really only has one conclusion. That, and the lack of depth in Lenny’s development to this point —not to mention the relatively thin relationship he has with Takt and Destiny—kinda left me wanting on this one, and I don’t feel good saying that!

First Lenny, Titan, Takt, and Destiny meet in Central Park where Lenny will reveal the secret of the Symphonica and the Boston Tragedy, but before he can say anything Sagan shows up, says “Yes, I’m Evil too”, asks the others to join him, and has both Heaven and Hell attack them when they don’t. I usually don’t mind getting down to the exciting action, but for an episode full of exposition they could have gone into a little more detail about what Sagan is trying to accomplish.

Yes, there was every indication that Sagan was evil too, but the fact that he’s evil…just cause kinda flattens the conflict. It would have been more interesting if he’d presented his side of what the world should be, or give a good reason why he’s riling up the D2s. But nothing. His Musicarts fight Lenny and Takt’s, Takt runs out of gas, Lenny takes three bullets and uses what’s left of his life to put Titan in Overdrive.

With a fusillade of bullets that would make Tomoe Mami proud, OverTitan manages to disable Heaven. Whether she didn’t feel conficdent taking Titan on herself or read the room that her laughing and mugging was growing stale, Hell withdraws with Sagan and Heaven, and the fights over just like that. The remainder of the episode is saying goodbye to Lenny, and…I don’t mean to be callous, but there’s an art to death scenes.

If the character is someone you care about and their death was set up, you’re on the right track. Lenny seems like a swell guy and all, and I liked him, but the show never made me get all that invested in until this week, when they rushed through it all. The inevitability of his demise from start to finish, and trying to land payoffs with inadequate setup made this turning point of an episode fell far more hollow than it should have.

Takt Op. Destiny – 09 – New York, Old Problems

While it’s a shame they skipped Baltimore and Philadelphia, there’s definitely a sense of sudden, profound accomplishment when we see Anna’s trusty blue 70s sedan rumble down Times Square. They’ve made it! Now Destiny can get tuned and stop sapping Takt’s life and everything’s going to be okay!

The sense of having arrived at one’s destination after a long road trip (with several exciting detours) is reinforced by the fact that Anna and Cosette’s elder sister Lotte and their parents live in NYC, which means reuniting with them feels like returning home. Anna, having finally gotten Destiny and Takt to the Symphonica, deserves a rest.

Unfortunately there’s no rest for the deserving, as Lotte’s tests on Takt and Destiny bear no promising fruit. Their contract between Conductor and Musicart, while more symbiotic than parasitic, will nonetheless soon result in both dying, confirming that Takt’s corroded arm is not only permanent, but cumulative.

Lotte tells the pair that their only hope is…to not fight. If they settle down, stop hunting D2s and live normal lives, they’ll live far longer. After a full-on New York Day of food, drink, shopping, sightseeing, and aquarium-ing, Takt and Destiny get a pretty decent taste of what that life might be like. The problem is, like everyone else in the city, their lives are constantly dependent on the Symphonica’s protection.

Neither Takt nor Destiny refuse the possibility of settling down out of hand, rather its just that Destiny still can’t imagine a life without battle, which is not only her duty, but purpose. Not to mention neither of them probably like the prospect of being “intentionally useless” by letting others fight and die for their sake. They still have the power to fight, and so they’ll keep hoping that the fighting will end and they can enjoy live music in the park together.

Except…they suddenly have to leave NYC immediately and takt Anna and Cosette’s family with them, according to Lenny sounding as grim as we’ve ever heard him. When Takt assures him he’s not an “outsider”, Lenny agrees to tell Takt the truth about everything: even the infamous incident ten years ago in Boston.

It all starts with Destiny hearing another tuning fork, which means Felix was far from the only Symphonica member using the D2 to fuel his own ambitions. From that musical stab as the camera locked on Heaven’s eyes, the trouble could go all the way to the top. Do Takt and Destiny retreat with their family as Lenny urges, or remain New York, where everything is happening, to see where the cards fall?

Rating: 4/5 Stars

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