Re-Kan! – 03

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Last week Franklin mentioned the formula Re-Kan has gotten down: “Funny, Funny, touching, funny resolve!” This week it switches that formula up, to include a lot more touching with its funny in the form of some seriously moving drama. After the cold open I was convinced it would just be an episode about how un-used to cell phones Hibiki is, but I would end up being…dead wrong.

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Harumi may be being a tsundere about it, but she wants to be friends with Hibiki, despite her apparent connection with the dead, which creeps her out. Hibiki’s a good person, so when she hears Harumi is determined to get Yuuki, her terror of a younger cousin to eat the fried eggs she prepares, Hibiki offers to help out, sensing an in; she wants to be friends with Harumi, too, after all.

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Hibiki’s eggs are fantastic, but Yuuki still rejects them, deeming them “gross” and “wrong.” We’re thinking, ‘well, Yuuki’s just a petty little shit and an ingrate, isn’t he?’ Then we learn his dad was killed in an accident, and his very pregnant mom is in hospital, which is why Harumi is taking care of him. Just like that, the kid is sympathetic. This makes Hibiki want to help Harumi even more, but Harumi snaps at her, saying “it has nothing to do with her.”

When Harumi talks to Kana at school, she assumes Hibiki learned how to make eggs from her mom, but Kana tells her Hibiki’s mother died when she was very young. Harumi knows she was wrong to snap at Hibiki, but now she knows why Hibiki was so intent on helping with Yuuki.

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Harumi visits Yuuki’s mom, who can see the exhaustion in Harumi’s face as she lies about Yuuki being no big deal. When Harumi brings up the eggs, his mom tells her there was a way his dad used to make them for her, which is why no matter who makes Yuuki eggs right now, he’s going to reject them as wrong because they’re not like his dad’s.

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So where does Hibiki factor in, besides sharing Yuuki’s situation of losing a parent early in life? Glad you asked! As Hibiki is outside Harumi’s house, ready to help despite being yelled at, she gets a call on her brand-new cell phone, which she handles extra-carefully and daintily as if it were honed from delicate crystal. It’s Harumi, calling to apologize and ask for Hibiki’s help with the eggs again. Harumi is extra-impressed Hibiki didn’t stop caring about her and Yuuki just because Harumi told her off. It’s as if she knew Harumi didn’t mean it…because she didn’t!

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Hibiki proves especially useful to Harumi here because she’s able to commune with the ghost of Harumi’s Nana, who taught Yuuki’s dad how to make the eggs the way Yuuki likes so much. Hibiki interprets the instructions to Harumi, but leaves Harumi to do the actual cooking: her Nana wants her to learn after all, something she never wanted to do when Nana was alive because she thought it was too girly.

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The moment of truth: when Yuuki tucked in to the new, Nana-approved eggs, I knew some tears were going to come…from Harumi, from Hibiki, definitely from Yuuki when he tastes a taste he hadn’t tasted since his dad died—and from myself!

Yuuki actually ends up bawling his eyes out in a moment of catharsis, and Harumi lets him cry it out, which was the favor his mother asked of her, knowing it had to happen sometime, but Yuuki was holding it in, trying to be strong in preparation for being a big brother.

Even Yuuki’s mom tears up and has to turn away while asking Haurmi that favor; she is, after all, someone who very recently lost her husband and the father of her children, one who will never see his face. Despite her tears, she comes off as tremendously strong and brave for her family.

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Despite all the tear-jerking moments, this episode never felt sappy or maudlin, because it stayed true to its characters, tapped into their unexpected stores of emotion, and presented the drama simply and elegantly.

It even managed to stick a few jokes in the mix (While the perv-cat’s shtick is starting to wear thin, his voice actor Kujira sells the hell out of every line).

Hibiki and Harumi also emerge from this episode closer friends than ever, even calling each other by their given names. Re-Kan doesn’t just excel at comedy, but drama as well. It’s one of the better pure storytellers this Spring, and when it wants to, never fails to get you right here (points at heart).

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Re-Kan! – 02

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Some guys in Amami’s class wonder out loud why she isn’t bullied by the other girls. She’s very strange sticks out like a sore thumb; not exactly qualities that make you popular in high school. But this week answers that question, beyond the obvious fact that if girls bully Amami, they’ll have to answer to her ghostly friends.

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It’s not fear or deference that make Amami surprisingly popular in her class; but rather gratitude for making their humdrum high school lives much more interesting. Inoue constantly denies the existence of ghosts despite overwhelming evidence to the contrary (including the circling spirit of her own beloved Grandma), but she sounds more like she’s trying to convince herself.

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It’s also counterproductive to resent Amami when she’s so kind, going so far to interpret and meet the needs of the ghosts around her with such dedication she neglects her own life and health. As such, Amami needs friends and Inoue in particular to dry her off from the rain, take her to the nurse’s office to catch up on some rest, and generally look after her.

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We see that the fruits of Amami’s kindness are a double-edge sword (she attracts Pervy Ghouls along with Roll Call Samurai or Faceless Umbrella) but it’s typically a net positive: she helps those in need even though they’ve passed on, because no one else can. Because she can see and hear them, she can’t ignore them; it’s just not her.

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I suppose I should also mention that this was another fun and hilarious episode. Many laughs are to be had, mostly in reaction to Amami or her ghostly friends’ gestures, actions…even texts! Also good for some chuckles: the recurring joke of the only guy in the circle having stuff thrown at his face.

The evident 4-koma roots give the show a “grab-bag” structure and the eyes-through-the-hair designs of the “cool girls” is odd, but those are minor niggles. The well-timed and varied comedy of Re-Kan is enriched by the profound decency of Amami’s character, and the sincere desire of her classmates to root for and support her.

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Kekkai Sensen – 02

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A giant Nausicaa-style beast flying over a Gothic/Art Deco alternate NYC skyline as if it were the most mundane thing in the world: This is one of the iconic, “nutshell” images of Kekkai Sensen, which joins the 10 Club this weekend with one hell of a second episode.

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After last week dropped us in the middle of Jerusalem’s (or Hellsalem’s) Lot with Leo and had at it, this week starts with formal introductions to his new co-workers at Libra, and they’re a fun, colorful bunch that also feels like a tight-knit family. Leo’s the ‘new adopted kid brother’ to Zapp, who is always butting heads with his ‘sister’ Chain, while Klaus has an undeniable dad-like quality to him. (He also looks like Beast from X-men.)

Rounding out the core of the Libra we know is organizer Steven A Starphase and Combat Butler…yes, Combat Butler, Gilbert F. Altstein (Alfred, anyone?) Leo seems a little overwhelmed with all the new names, but thanks to the helpful HUD-style character labeling, and the sheer variety of colorful personalities, it was a cinch for me to remember them.

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There’s more great world and character building as Leo continues his pizza delivery route, as the untold numbers of Libra members are all over Jerusalem’s/Hellsalem’s Lot but keep a low profile like the Dollars of Durarara!!, so it makes sense to keep living his regular life. The only thing is, every pizza he tries to deliver is intercepted by Zapp, who seems to be testing Leo’s reflexes (and patience!) while simultaneously keeping an eye on the boy with the Eyes That See All, a valuable new tool in the Libra arsenal.

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Those eyes pay immediate dividends, as while Leo is on his pizza route with Zapp in tow, he detects a dry cleaning van that doesn’t look right. In fact, he’s just seen past a form of camouflage previously unknown to and undetected by Libra, hiding a demonic courier van illegally transporting live humans.

Leo decides to retreat and regroup when he accidentaly meets eyes with the baddies, but it’s too late, and swiftly pounce on his Honda Gyro and nab him, leaving Zapp out of commision in a pool of his own blood. Tellingly, Zapp makes sure to get some of that blood on Leo’s clothes before the crims take him.

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From here we see the true awesome ability of Libra in action, utilizing far more than just brute strength to maintain the balance in the city. As a tied-up Leo protests the bad guy’s blatant violation of the “Chrysler-Galadona Accord”, Zapp is in contact with Chain, Klaus, and Steve. Chain has eyeballs on the van, but when it turns into a far less conspicuous vehicle (a Toyota Camry, LOL), she loses it. But Libra’s not done yet.

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The whole reason Zapp is in such a bad way, and furthermore seems to absorb every blood transfusion the hospital gives him, is that he’s got a thin strand of blood tied to the van that nabbed Leo. When Leo manages to stop (read: crash) the van by using his eyes to overwhelm the vision of his captors, all Zapp has to do is ignite that blood thread, but since he can’t move, it’s up to Chain to follow the fire to paydirt. Klaus, Steve, and Gil also follow in their jersey-barrier-busting, badass LXG-style custom pursuit vehicle.

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From there, the chase is on, which we follow both by watching Chain fly along the rooftops, in the crazily-driving butler’s instruments, and a nifty 3DCG map that tracks everyone. It’s a fantastically set-up and thrillingly staged chase scene that really capitalizes on the complexity of the city and the super-abilities of the cast. And it’s all set to Jazz. This show knows what it’s doing.

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So does Libra, and so once they catch up to the van of couriers (who weren’t prepared to be detected in the first place, let alone for serious combat), it doesn’t take long to take them out and recover the missing people, along with Leo, who was badly injured in the accident.

Still, by taking it upon himself to fight his captors rather than just sit and wait for help from others is something his Libra-mates admire, and they congratulate him on a job well done, which they couldn’t have done without him in the first place.

Leo also realizes Zapp was stalking him because it was his way of serving as his bodyguard, something Libra would never let Leo go around without, considering his valuable eyes.

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Having been officially accepted into Libra and proven both to them and himself that he belongs there and has something unique to offer, Leo wanders the hospital grounds while completing his convalescence.

In a gorgeous, ‘I so want to go to there’ cemetery, he meets a philosophical ghost, White (Kugimiya Rie!), who asks him whether it’s best to fear death despite is inevitability, or not fear it out of the belief it isn’t inevitable? Some interesting food for thought from another intriguing new character, and yet another layer from among Kekkai Sensen’s elaborate multitudes to explore.

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Kekkai Sensen – 01 (First Impressions)

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There’s so much stuff in Kekkai Sensen, and so many neat concepts and ideas and details, I couldn’t help but almost constantly be reminded of all of the stuff I’ve seen before that it reminded me of; none of it bad: from the obvious structural and stylistic parallels to Durarara!!, FLCL and Space Dandy, to the retro-futuristic New York and L.A. of Fifth Element and Blade Runner, respectively.

Put the crazy aliens of Space Dandy in a big city and you either have Star Wars’ Coruscant or the New York of Men In Black. Heck, let’s throw The Matrix in there for good measure, since we have a group of humans with super-powers who are also interested in lookin’ correct.

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Yet for all the stuff that flies by the screen, and all the other things all that stuff reminds me of, there are two themes that bind it all together and make Kekkai not only approachable, but compelling, and those are love and family. The same kind of love and family that Kyousogiga was suffused with in the midst of all its chaos and zaniness and colorful characters and places.

As it jumps back and forth through the timeline of the first episode, there’s a keen surefootedness in play. Kekkai keeps track of all of its pieces and knows exactly where it wants them to end up, and what to do with them when they’re there. In this way, hapless protagonist Leo Watch ends up right where he wants to be, either by luck or clever fate.

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New York/Jerusalem’s Lot is a bit foggy, but it’s also gorgeous, and the architecture just won’t quit. Even better, the show isn’t afraid to carve and peel and chop those comely skyscrapers up like vegetables for a chili.

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There’s a nice irreverent atmosphere to the proceedings, nicely demonstrated with some superb back-and-forth camera panning across the penthouse office atop one of those carved-up buildings. The three members of Libra whom Leo encounters take the building’s “haircut” pretty well.

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But back to love and family. Leo is pretty sure he and his family came to New York hoping to find a miracle. Specifically, to heal his sister Michella (Mizuki Nana…Hi Ange!) so she could walk. Things didn’t turn out so well: some kind of demon offered a pair of super-powered eyes to one sibling, but the other had to go blind. Ironically, it was Leo who was paralyzed by fear in that moment, and his paralyzed sister who sprang into action, telling the demon to take her eyes.

It’s an act of selflessness and unconditional love for her brother, but ever since that tragic day, Leo has also been acting out of love, searching for the answers that could lead to the restoration of his sister’s mobility and sight. And he’s spent enough time in New York to see the abnormal—and there’s certainly a lot of it—as the normal.

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As their name suggests, Libra works to maintain a balance between the underworld entities vying for power and the remaining normal human population. Their work would seem to never end, as guys like the self-styled “King of Depravity” Femt are always stirring up heaps of trouble. Fortunately, thanks to their “Blood Martial Arts”, Libra is able to keep those entities honest.

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They bring in Leo thinking he was “Johnny Landis”,  but because an upside-down photo of him closely resembles a right-side-up photo of a demon, it was an honest mistake. It’s a fortuitous one, though. Not only does Leo find just the people he wanted to talk with, but they gain someone with eyes powerful enough to detect a gate the size of a flea on a monkey and squish both gate and flea, leaving the monkey unharmed and ruining Femt’s “fun.”

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In a continuation of the show’s irreverent tone (except where Michella is concern, in which case things are more sober and serious), Leo ends the day by trekking back to the diner where he’s a regular, which is still open for business even though it’s been leveled by the recent ruckus. He promised his busybody waitress Vivian (Sawashiro Miyuki) he’d wash dishes, after all!

Kekkai Sensen is a lot of fun, and its opening episode really paralleled Libra’s role by balancing zaniness and chaos with heart, soul, and humor. If they can maintain that balance, and keep of the quality of the eye candy, it’s a Spring keeper for sure.

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Kyoukai no Rinne – 01 (First Impressions)

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Sakura-chan is a freshman who can see ghosts. Rokudou is the frequently absent student who sits next to her in class. He’s poor and can turn invisible to everyone except Sakura when he wants to.

Together, they resolve small time between the living and the dead.

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The premier introduces us to Rokudou’s weird life, which includes sending a gigantic Chihuahua to the afterlife while only Sakura can see them in in the middle of home room.

Later, they exercise a fellow student’s cell phone, which is being called by a 7-years-dead student who they discover was a classmate with their homeroom teacher and died before he could get his beloved track suit back behind the gym and… and the whole story plays like a run on sentence.

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All the elements of humor are here: the weirdness, the Sabagebu style narrator, the misbehavior only one character can see being done in front of (or to) her friends. Unfortunately, it’s not very funny.

There’s no punch to joke delivery or the micro-drama. There’s barely any sound design (let alone music) playing behind it too. KnR is just a quiet, mildly weird, string of stuff happening inoffensively for 24 minutes.

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It actually reminds me of community theatre, in that budget stage work often involves an actor to be on stage where we can see them, even when the other actors must portray characters who can not. We see Rokudou, as Sakura does, and their is no special effect to visually separate his spirit-state that makes him invisible to the other students.

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You may like it: if you set your expectations low. The humor really is here, it’s just so dead pan and the characters are played so unemotionally, that I found it hard to laugh with OR at.

You may want to skip it: because it’s unremarkable on every level. KnR is not ugly, but plain and discount quality animation and has no audio presence. It’s not dull either, or not funny. Rather, the lack of excitement and simplicity of the visual elements snubs the delivery.

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I’m definitely not going to follow this show but I am curious: was this a manga that converted very poorly to Anime? Or am I totally missing something that should make this special?

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ISUCA – 03

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On the realization that last week’s romp wasn’t that bad, I’ve decided to share reviewing duties with Zane. And this episode wasn’t that bad either. It wasn’t great, but it wasn’t bad. I can’t speak to how ISUCA compares to similar shows Franklin dropped, but I’m not willing to revisit those, and neither is Zane. Also, there are only seven episodes remaining, so it’s not like we’re wasting our lives here.

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Shinichirou (lets go ahead and shorten that to “Shin”) is excelling at his job as Sakuya’s trainer, to the point Nadeshiko has him move into Sakuya’s house full-time, something both of them are a little apprehensive about, because of the romantic tension and all. Their classmates can see the two have become an item; they’re just unaware of how strange an item they make.

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Anywho, we delve a little deeper into Sakuya’s family politics. Specifically, her cousin Suseri is going after her top spot. She’s also caught wind of Shin’s power, so despite being a sheltered girl unaccustomed to dealing with men in any way, it isn’t long after she introduces herself that she slips into his bath and starts washing his back with her boobs. She’s really sheltered.

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Okay, that’s pretty damn terrible, I know, but so damn cheeky and ridiculous that it circles back around to being kind of good, if that makes any sense (if it doesn’t, tough ^_^)

Also ridiculous and bizarre? When Suseri attempts to kidnap Shin (of course), her limo is suddenly pulled into another dimension where they are attacked by a pack of carnivorous gloom cars, the leader of which is a Honda S800 (thanks Zane). The badass Shimizu-trained driver is suddenly gooshed, raising the stakes nicely.

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Suseri isn’t strong enough on her own to defeat the Honda, so she demands Shin kiss her so she can power up. Before they can kiss, however, Sakuya looses an arrow between them, having broken through the barrier into this otherworld.

Nadeshiko then gets the bright idea to pile everyone into the limo, but doesn’t have the keys to start it (certainly a car that old could be hotwired?) Anyway, the Honda starts to crush them, and Sakuya conveniently ends up in the position where only she, not Suseri, can kiss Shin. When she does, the resulting powering-up destroys the evil Honda, and they return to the normal world.

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There, Suseri asks Sakuya once more if she’ll give her Shin. Sakuya refuses, but Suseri lets it go, but only for now; she still intends to usurp her. As for the man in the middle, Shin seems slightly more beholden to Sakuya, but if he had met Suseri first, I imagine he’d be more beholden to her. Still, as a high school guy with a cat-girl familiar who doesn’t wear underwear and two rich, powerful girls fighting over him, Shin doesn’t exactly have it that bad, does he?

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ISUCA – 02

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Every once or twice in a decade, the fates conspire to bring us a truly great and unique work of art that is so bowl-you-over astonishing, it captures the imagination of the entire planet. I think I speak to all who have experienced it that Isuca episode two is that…and more.

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High school girls undressing in the locker room? Pretty standard fare. But a carpet of rats suddenly bursting out of a locker, knocking the half-naked girls over, and proceeding to eat them alive as they’re sexually aroused? We’re at the pinnacle, ladies and gentlemen. Savor it…for it will never be this good again.

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Yes, that review above was just an illusion, borne from ISUCA sucking your life force right out of you. In reality, Preston has punted this to me. The thing is, it’s(uca) not as an excruciating ordeal as it sounds. This episode was mostly harmless, and surprisingly fun. Devoid of any semblance of weight or significance, yes; simple and innocuous, sure…yet sometimes rubbing up against something resembling slyness. In other words, it was a pussycat. A pussycat going commando.

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Tama, the two-tailed cat specter Sakuya is about to pierce with an arrow last week, becomes Asano Shinichirou’s familiar when he happens to learn her true name, after recalling a stray cat in a box that he must have cared for. She tries to help him deal with the Rat King baddie, but runs out of go-juice, AKA life force.

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Now that is simply a masterful landing, worthy of song; not to mention Tusk’s approval. To not only land face up from such a great height without breaking one’s back, but to have one woman’s face land on your crotch, and another girl’s crotch landing on your face, all inches from the bones of eaten classmates…I ask you: What else is there to say? #weareallasano.

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We learned from visiting her house that Sakuya is a hopeless slob, and so her and Shinichirou’s teacher (and associate of Sakuya’s family) appoints Shinichirou as her maid. But despite the squalor she’d lived in up to that point, she harbors an unreasonable fear or rats and cockroaches, rendering her fairly useless. This week she’s one of the people standing around while others do something.

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And that something is…making out, complete with tongue and drool. ISUCA would be a pretty workaday fantasy action joint, only it aims to distinguish itself by inserting sex pretty much anywhere it can, like a shoplifter stuffing Slim-Jims into their many trench coat pockets. This is not a new concept. But even with the silly ecchi elements, the danger has a nice sharp edge to it.

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Shinichirou’s life force turns out to be SURGE to Tama, who takes out the Rat King with laughable ease, and a fair amount of badassery. Only, when she’s back to her normal self, she’s holding her pray in her mouth like a cat, proud to be presenting a gift for her master (I know, it’s debatable whether that’s what cats do, but let me dream, man!). 

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So we have Sakuya the Slob hiring Shinichiru as her housemaid, and Shinichirou having Tama, whom he names “Tamako”, as his eternal retainer, who’ll have to periodically make out with him to stay alive, which is a pretty good deal, as they’ve each saved each others’ lifes at least twice at this point. That brings us to the fact that Tama is Special; a vessel for freakishly high-level spiritual power. And he makes a mean stir-fry.

Wait…is that RAT MEAT? WHAT IS THIS, SKYRIM?

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ISUCA – 01 (First Impressions)

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The rundown: One night Asano Shinichiro is captured by a specter but is saved by a mysterious ponytailed archer, who turns out to be his classmate Shimazu Sakuya, head of a clan tasked with sealing specters. When a powerful specter attacks the school, Sakuya is overpowered (and stripped down), but Shinichiro is able to rescue her. After they accidentally kiss, she levels up and successfully seals the specter.

What worked: Frankly, not a lot. After watching an episode of the caliber of Tokyo GhoulISUCA felt a bit…lobotomizing. The properly creepy centipede woman marks a promising start. There were also a few moments (just a few) in which the dialogue reached that difficult-to-nail Akame ga Kill! combination of peril and comedy. I also liked the two-headed cat design.

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What didn’t work: Hmm…where to start? Well, how about the beginning: We get a woman flashing her (censored) boobs in the first ten seconds. The school scenes prior to messed-up things going down are pedestrian at best. Shinichiro is a fairly valiant fellow and Sakuya is feisty and cute, but let’s not kid ourselves: we’ve seen these archetypes umpteen times, and ISUCA brings essentially nothing new to the table.

I won’t decry the abundance of fan service, seeing as how that’s one of ISUCA’s listed genres…but there was an awful lot of convenient physics in play, from lightning with the precision of a tailor to the face-crotch and kiss-fall. Also, the fact that having the life sucked out you being a pleasurable experience is clearly a shameless excuse for Sakuya to tilt her head back and make funny noises.

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The verdict: ISUCA has a few moments that are genuinely fun and entertaining, and quite a few more moments that are either exceedingly dumb or derivative or both. The ecchi elements vary from eye-rolling to smirk-worthy, while animation varies from crappy to passable.

I won’t be overly hyperbolic: this show wasn’t patently terrible, just…disposable. It’s just not anything that sets my heart ablaze. I’ll have no trouble waiting for the next episode. It’s watchable…if nothing else is on, and I don’t feel like using my brain for a half-hour.

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Seiken Tsukai no World Break – 02

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What really sets World Break apart from other shows is how openly it accepts ridiculous tropes of its genre, and anime in general, yet how it also feels so halfhearted when it presents them.

There’s even a tasty-looking crepe shop in this episode that the girls go to for no particular reason…though buying a crepe is immediately interrupted by a gigantic monster, which prompted the animators to just stop drawing the crepes that should still be held in the characters hands.

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Forgetting about the crepes, forgetfulness seems to be the thrust of the episode over all. It opens with kissing from various girls, including a loli-chan for ‘magical healing reasons’ but quickly shifts to the romantic tensions of the three main characters, who don’t seem to have any need for tension since they all seem to actually like each other…

Then it shifts to two of the three being invited to the school’s sports team* then a training montage, then some T&A on a sleeping girl, then shopping for a present, then fighting a monster, then saving the day — it just keeps shifting and shifting from one theme to the next in a forgetful sort of way.

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On the upside, World Break was funny-bad again. I really wasn’t expecting a HYDRA to attack a shopping mall for no reason while our love interests were buying crepes.

Additionally, while our hero has zero personality, at least he’s reasonably nice about it and a little more attuned to the emotional needs of the harem building around him.

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On the down side, the HYDRA fight was dull to say the least. The heroes basically walk along the serpent’s body with their swords out to cut it, and even when the hero shows up, he basically floats through the air finger-painting his goofy magic spell until the hydra is all dead.

Everything about the visuals comes off as lazy or budget. Frankly everything about the storytelling too, but if it doesn’t even look that good, who cares right?

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World Break isn’t going to survive its semi-finals match against Junketsu no Maria but I’m not holding that against it. It’s not trying too hard and I don’t get the sense that it thinks we should try too hard to care about it either.

At the end of the day, it’s just a silly, almost ironically by-the-numbers action/magic/harem show and that’s all it wants to be.

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Seiken Tsukai no World Break – 01 (First Impressions)

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World Breaker is the third generic magic-school-battle-harem anime I’ve reviewed this season and in many ways, it’s the worst. However, and this is a deeply subjective opinion on my part, I found it so bad I was laughing my ass off for the first half of the episode — and that should count for something!

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In a nutshell, World Breaker’s… world… revolves around a small group of people who inherit the memories of their ancestors… and magic. Each student’s magic (yes this is a magic school anime) manifests in the form of some sort of energy field armor, as well as being able to materialize historic weapons around the student’s dog tags. Also, some people can cast dark magic in the form of spells or something.

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At school, this means that students will know each other, even though they’ve never met… sorta. Many of them have spent past lives together, after all. Though, in the protagonist’s case, he doesn’t have a strong sense of memory and only barely remembers his sister and lover of old.

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Summarizing the first episode is pointless. It’s more or less like Absolute Duo, except with more interesting character relationships, but delivered more (or equally) generically. There’s a lot of boob-grinding and flapping of arms and who cares.

The important details are: the protagonist’s ancestral sister and lover are in his class, both want his sexual attention, and that he’s very powerful all of a sudden. Possibly a dragon. Somehow…

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The good: What sets this otherwise idiotic show apart from the others in its genre is how absurdly terrible it is — and how enthusiastically it pursues its terribleness. In fact, it spends an uninterrupted 90 seconds AGGRESSIVELY GRINDING the protagonist’s face into some deep breasts at lunch time to prove that point.

World Break takes it’s lack of visual style and general ugliness seriously too. The character design really is weird and abstract but it’s damn well going to make them flail around and show off their skins as much as possible if you’re going to bother looking at them in the first place.

Strange praise I know, but it’s already a strange season.

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The bad: About half way through, World Breaker runs out of manic steam and it settles in for a run of the mill magic school fighting story. The protagonist stands up to the bully who bullies his sister and loses until he remembers he’s the best he’s the best he’s the best and then wins with superpowers.

Also, did I mention there are already two other completely generic shows in this genre this season? Beyond the laughably bad, made me shit my pants giggling opening flash-forward where our hero is casting magic through finger painting, there isn’t anything new here.

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My first impression is actually hard to pin down. On the one hand, I thought World Break tried so hard to be bad that, at times, it was actually really funny. However, it can’t escape the fact that it is a terribly generic show fully of tropes and soft-ball ecchi that pales in comparison to all the free hentai Google-san will provide for 30 seconds of effort.

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I really can’t imagine caring about this show but, I suppose, if you are going to watch any of the shows in this genre, at least it put in the effort. Keep in mind that effort was to be actively bad, but it’s still effort and worth some small respect all the same.

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Gugure! Kokkuri-san – 09

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Gugure! Kokkuri-san sees a rather quiet week. No one new is added to the cast and none of the central cast see much development. Kohina and Kokkuri-san’s relationship in particular has taken the back burner, which is kinda a let down.

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The run down: Kokkuri-san thinks he’s balding even though he’s probably shedding and freaks out. The result is over-use of hair-grow tonic and a giant puffy mess. Later, Inugami is bored and ultimately realizes no one cares about him. So he runs away for good. (maybe)

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The good: Giant, fluffy Kokkuri-san is adorable, the weird happy cat-cameos were amusing, and Inugami running away at least did something for the narrative. (even if he will obviously return in next week’s episode)

This episode also had a strong visual style. Not only were many of the characters exaggerated (giant fluff fox, tanuki in a wig and school girl outfit) the framing and positioning of the characters was more playful, and often aligned to emphasize Kohina’s size in the world. The adults are taller and break out of the frame above her, while the animal forms are close like imaginary friends or stuffed animals. It’s very charming.

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My favorite moment is when Kohina reads Inugami’s run away letter, which is an obvious ploy to get the household to come after him, and somehow identifies it as a fake that implies he’s been kidnapped. It’s a cute, if not totally bizarre event. I only wish the episode had done something with it…

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The not as good: nothing stood out this week. Worse things can be said about a show but everything leading up to the final line of narration was a rehash of previous stories and themes, gently inflated to be more extreme.

Kokkuri-san’s hair falls out in greater quantity, Kokkuri’s counter measures result in a bigger mess, Kohina ignores everyone to a greater extreme, and Shigaraki’s heart of gold comes through ever so slightly more.

None of these things are exciting and Kokkuri’s balding freak out is only funny at the end when he turns into a puff ball. ho-hum?

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The verdict: At its core, GKs is a show about 4 room mates hanging around the house making fun of each other. 2 room mates have one-sided crushes on other room mates, 1 character is a perv with a heart of gold, the oldest character is wracked with stress over aging and losing his beauty, etc. If you strip away the japanese spirit motif painted over it’s surface, GKs just isn’t that original.

So, even though I recommend watching GKs, if you haven’t already started, there are plenty of similar shows that are funnier anime you could look into.

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Gugure! Kokkuri-san – 08

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Gugure! Kokkuri-san picks up more or less where it left off last week. Kokkuri-chan is a woman, Shigaraki is head over heels drunk in lust with her, and no one else really cares.

I probably shouldn’t be so surprised that Gugure! Kokkuri-san carried this theme over from last week. This show has been all about its consistent, evolving, development driven plot after all. However, for some reason, I just expected Ono to be back voicing a male Mister Fox, with no real explanation.

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I couldn’t find who voiced Kokkuri-chan, but the voice sounded vaguely like Club President Miou from Sabagebu!, which I’m very okay with. Whoever it was, she captured Kokkuri-chan’s slightly timid, flustered voice very well, which worked well and really made me empathize with the character. (YES PRESTON I HAVE EMPATHY!)

I guess I would have been more impressed if the voice was done by Ono, or the show runners had found someone who could capture an Ono in female tones. Maybe I’m asking for too much but Ono has a very specific pentameter and a sort of dryness to his pallet that is very specific. (It’s almost like he has a perpetual summer cold).

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Understandably, Kokkuri is not especially interested in staying a woman. Knowing this, and knowing he can exploit the situation, Shigaraki wins some tickets to a hot spring in a town that is rumored to have a curse-breaking-hot spring.

Kohina implies that Shigaraki spent almost all his allowance on the lottery in order to win the tickets. So it seems like Shigaraki may be doing this as much because he really is a friend to Kokkuri-san as he is a lecher. He did save Kohina from the spirit and get a nasty scar after all…but I’m not really sure. Shigaraki’s pretty lusty and it’s a perfect setup for some ogling and heavy petting.

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So it’s going to be a hot spring episode, which I guess makes sense for the middle season, even if it does feel a bit out of left field. We get plenty of the things you’d expect: well drawn bodies, skin, decent angles, conventional girl-on-girl boob feeling and peeping-tom jokes.

It’s cliché but harmless by most standards. In fact, I’m almost willing to give the show extra credit for playing with the conventions: the girls are wearing Bikini’s because they know Shigaraki will peep, by girls I actually mean mature Women, and we can’t forget that two of them are basically male in female form.

The whole thing is reminiscent of 4Chan dare to fap games… which I’m not going to explain in any greater detail than that :(

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On the topic of unexplained, Yomomoto the alien and Tama the cat god are both in this episode because why not? When you have a big cast of one-off characters, making fun of their continued reappearance without context can be a joke in and of itself. Almost.

To be fair, I did enjoy Kohina, Inugami and Kokkuri’s conversation after running into Yomomoto in the hall. There’s something honestly funny about the characters not knowing which one of them is supposed to be friends with the alien. Everyone assumed it was Kohina, since she’s in his class, but she insists the alien likes Kokkuri… who doesn’t really like him back.

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It’s cute and works well enough. Certainly Yomomoto works better than Tama being there. Tama doesn’t even have jokes to tell or to be told about or anything. She’s just there for a bath, to fight with Inugami once, and provide a pair of legs and boobs.

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As for the primary lot and character developments? In between fine meals and baths Shigaraki… takes Kokkuri-chan to more baths. They play a carnival style shooting game and win prizes and have a bit of fun with each other but nothing brings Kokkuri closer to being male again, which is obviously the point.

That’s not really a complaint — these characters have good chemistry. Kokkuri is so feminine to begin with, and all his/her demands to be self reliant and stand offish and vulnerability just entice Shigaraki more.

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The best moment shows us that Kokkuri is so much smaller than he/she’s used to, he/she can’t even carry the bags of prizes they won at the shooting range. However he won’t let Shigaraki carry them for him. So Shigaraki picks Kokkuri up instead.

Then they kiss and turn back into men.

Without that resolve, which deliciously pokes fun at true love’s kiss as a convention, it would have been decent but typical. With the resolve, and the narration that this brutal resolve was the intent of Kohina’s ancestors, who appear to be a bunch of malicious prankster jerks, I was sold.

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So, basically, this week’s entire joke structure revolves around Kokkuri-san already being a woman. In fact, Kokkuri notes that he stopped transforming into a woman ages ago even though he loves house work, cooking, and skin care products because men couldn’t leave him alone.

I suppose everyone’s response to him as a her is as cliché (or at least as predictable) as it was in his other gender. Still, I can’t help but agree with Kohina-chan. I’d find Kokkuri-san more interesting as an actual woman…

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Gugure! Kokkuri-san – 07

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Gugure! Kokkuri-san episode 7 introduces Tama the Cat God, who owns a Japanese Café called Nennekotei. It only has a 1 star online rating and she’s obsessed with dolls, which means Kohina-chan is all she has eyes for and, when it hits the fan, Kokkuri-san has nothing to take away from her.

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Obviously Tama snatches Kohina and hides in the cafe and Kohina’s trio of spiritscan not break through the barrier. Fear not! Kohina escapes on her own and I’m sure we’ll see Tama in future episodes…

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Then Kokkuri-san opens a box that has many warnings written on it and is turned into a woman. Kohina is upset because Kokkuri-san’s only notable feature is that he’s a man that does house work, which is sad.

Regardless, the episode doesn’t change him back.

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This week’s most out of context came during Tama’s cafe scenes, where the Halloween horror movie theme was playing totally out of place with the otherwise, non-horror moment. Not exactly non-horror I guess — Tama’s place is inexplicably a spirit nightmare setting, not unlike Kohina-chan’s place in the opening of the first episode but kinda weird choice all the same?

Over all it was a cute episode of G!Ks. Nothing special, exactly. Just a few good jokes and a new character with a straight forward reason to be connected with Kohina.

Carry on…

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