The Day I Became a God – 06 – Magical Festival Dream Team

How does The Day I Became a God follow up its most emotionally effective episode to date? The same way it’s followed up every episode: with Something Completely Different. In this case, it goes full Slice-of-Life with a Festival Episode, something Hina has never experienced but is eager to do so. Youta was going to study, but if the world is going to end, what’s the point of that?

No, this Last Summer should be all about having fun with others, and the episode delivers that in spades, while serving as a kind of reunion episode for most of the ensemble cast (the hacker Suzuki excepted). Hina suggests Youta even call Tengan Kakou, and sure enough she arrives in traditional dress along with Jinguugi, and Kyouko. Sora accompanies Youta and Hina, and Youta’s best mate Ashura also attends.

From collectively tasting and enjoying Tamasen to fish scooping, prize-shooting, haunted housing and “cookie dislocation”, the group has a ton of fun together, even if characters like Tengan and Jinguuji are mostly background.

Hina certainly has a blast…until she turns to find that Youta isn’t by her side. She spots him being friendly with Kyouko (a nice follow-up to last week for once, as they mingle swimmingly here) and gets jealous, suddenly overriding the fun she had been having.

Her efforts to snag a lolicon pretty boy are unsuccessful, as the men she approaches are either put off by her old-fashioned manner of speaking, already have a girlfriend, or assume she’s a lost child. That last bit ends up being most apropos, as Hina finds refuge from the summer heat only to be shut inside a departing refrigerated van.

When the others regroup to find Hina nowhere to be found, they split up to look for her. Youta and Ashura find her candy apple, penguin doll, and tire tracks, and another truck driver mentions the truck being bound for Tokyo, so the BFFs hop on Ashura’s Yamaha to give chase.

After the cold open I thought we’d be in for a basketball-themed episode, but instead Hina ends up in a spot and best friends Youta and Ashura, former basketball teammates, team up one more time to save her. Ashura lost the ability to jump after a truck similar to the one carrying Hina hit him and injured his leg. Youta was there during his recovery, and they eventually played basketball together again.

Here in the present, Ashura wants “revenge” on trucks everywhere by getting Youta close enough to jump onto it (don’t try this at home kids!) and alert the driver to stop. The motorcycle chase is as well-executed and exciting as it was totally unexpected—a recurring quality of this show! They rescue Hina before she and her fish freeze, and make it back to the festival in time to join the others to watch the fireworks.

Notably, Youta doesn’t use the fireworks to confess to Kyouko, or anyone else. He simply takes them in with everyone else; sharing in the fun and the joy of the perfect capper to a summer festival. As he watches the fireworks, he can’t imagine that the world will really end in nine days…and yet that’s what the countdown indicates. Can the world still be saved by a fourth-quarter comeback? It’s too soon to say, but for now, Youta and his diverse array of friends can’t say they haven’t lived these final days to the absolute fullest.

Rating: 4/5 Stars

The Day I Became a God – 02 – The Skies, the Sun, the Earth, and Time

“Odin”, AKA Hina, makes herself at home at Youta’s, and to his shock neither his mom nor dad have a problem with her staying as long as she likes, both of them insisting she’s a relative without evidence we’re aware of.

Could the fact the Narukami’s all have god-like names be a hint that they’re related to gods? Whatever the case, her interactions with Youta, his parents, and his little sister Sora are wonderfully animated by P.A. Works and performed by Ayane Sakura.

Youta elaborates on his long relationship with Izanami, who became extremely introverted after her mother died young. Once preoccupied with basketball, Youta committed to spending more time with her, and that’s when he realized he loved her—and really had always loved her.

Barring a plan to save the world, Hina comes up with a fresh plan to help Youta win Izanami’s heart and help Sora with her film project. After the baseball fiasco Youta is reluctant to participate, but when beloved little sister asks if he’ll help with her project he immediately agrees.

What results are three wonderfully blatant rip-offs of Armageddon, Rocky, and Edward Scissorhands. Hina’s scripts don’t just open Sora up to unwanted legal action, but the dialogue is written in a David Mamet-esque scattershot rhythm that saps any emotional resonance the scenes had in the movies they’re aping.

Nevertheless, Izanami is surprisingly game, though her movie dialogue seems sprinkled with lines that are actually her own words, like “Doesn’t your father have work?” I found these scenes, and both Youta’s and Izanami’s commentary, hilarious, Sora is licking her chops at the footage she’s amassed.

However, the project utterly fails to move the needle for Youta vis-a-vis Izanami, so Hina comes up with something knew. And again, Youta learns he doesn’t know Izanami as well as he should, as Hina tells him Izanami’s dream is to be a musical director for movies. She ends up writing a moving piece of music that Youta intensely practices at the music store over a period of days.

Youta asks if he can come to Izanami’s house to play it for her, and she seems genuinely intrigued. When he can’t quite get the tempo right, she sits beside him and plays it perfectly, revealing to him just how lovely a piece it is. More importantly, Izanami really seems to come alive, wearing a placid smile as she plays it.

When the time comes to again tell her how he feels, Youta isn’t able to do so, but he at least buys himself another opportunity down the road when she agrees the two of them should study more. I kinda wish he’d actually told her his feelings, so that if she rejected him again he could at least find out why—even if it’s as simple as “I don’t like you that way.”

That night Hina castigates Youta for choking, but just as his father is asking where Sora is and expresses his worry, his mom drops and shatters a plate, increasing the unease. Then Sora’s classmate shows up at the door with a bruised and barely conscious Sora. What could be afoot here, and with twenty-four days before the End of Evangelion?

Rating: 4/5 Stars

The Day I Became a God – 01 (First Impressions) – O Ye of Chibi Faith

From Maeda Jun and Key (Air, Clannad, Angel Beats!, Charlotte) comes a new show with a wonderfully simple premise. Ordinary high school senior Narukami Youta encounters a little girl in nun cosplay claiming to be a god, Odin specifically. She doesn’t explain why she’s approached Youta, just that she has, and that the world will end in 30 days.

Their dynamic is pretty predictable, and your mileage may vary on its level of irritating, but Youta is understandably skeptical of this kid with apparent Chuuniboyou, and his attempts to treat her like a kid are met with shrill tantrums. It works for me, and Ayane Sakura and Hanae Natsuki have good comic timing and chemistry. Then you have Youta’s childhood friend and unrequited love, Mikasa Ack–err, Izanami.

“Odin” hacks away at Youta’s doubting bit by bit, first by predicting rain, then a bus getting stuck in traffic, and finally the entire order of a horse race on TV. Youta removes her from the ramen stand and demands an explanation, but he’s already given him one: she’s an omniscient god.

Now that she’s with him, he has the power of the gods. When asked for his wish, Izanami’s heart comes to mind. Odin can’t make her fall for him, but she can help him to become someone she will fall for.

They start with her love of baseball, with Youta challenging the entire team to a one-out game. Odin correctly predicts every pitch but he strikes out looking since she was unaware you only get three strikes. When he approaches Izanami, who was watching, and asks her out with a dramatically gorgeous and romantic backdrop…she rejects him.

Youta remains in a heap as the sun sets, and Odin eventually says they should be heading home. When Youta declares his parents would never take her in, she has him call them, and his mother swiftly approves once he says she’s an grade schooler in a nun outfit. Does his mom know something he doesn’t?

All of Odin’s predictions indicate she’ll also be correct about the end of the world in 30 days. Maeda Jun’s works usually make you laugh at first and then cry a lot later, so the world’s end may be unavoidable. Perhaps the goal is not about preventing the apocalypse, but Youta simply living the last thirty days to the fullest, with the help and power of a god by his side. We shall see!

Shokugeki no Souma 5 – 01 – Tha Last Meal Begins

It’s a New Day, yes it is at Totsuki Academy. The rebellion is over, the evil empire fell, and now it’s time to rule. Erina does the ruling as the new Director, while Souma achieved what he set out to do back on Day One of Year One: claim the First Seat of the Elite Ten.

Filling out the other seats are chefs he’s fought beside and against. For the final exams, Erina puts the new Elite Ten at several disadvantages as they attempt to make 3 million in profit with a ramshackle beach hut on the dark corner of the beach.

Erina seems genuinely happy in her new role leading the academy to educational and creative freedom. Similarly, she’s never had an easier or warmer manner with Souma. The two are two peas in a pod right up until he tells her she’s prettier when she smiles (she did not solicit such explicit flirting!).

Erina also learns a little about how Souma’s mom used to man the kitchen with his dad. I imagine we’ll learn more about this mystery mom this season. If not, we’ll never learn…this is the final season, isn’t it?

As for the exam challenge, the Elite Ten bounce off each other and bicker for the first two days as they try to get the hut in usable order, but they’ve been in stickier situations before, and as Souma tells a camo-bikini’d Ikumi (who has a lot of screen time this week—not complaining!) it’s the Elite Ten’s job to inspire the rest of the students by achieving the impossible.

In this case, that’s clearing over 3.5 million in just one day’s serving, thanks to putting their heads together and crafting a yakisoba with an irresistible Hayama-developed aroma that ensnares all of the customers on the beach at once. It’s a very quick and rushed challenge, but it’s fun to see everyone working together again without the threat of expulsion looming.

Two new antagonists emerge from this opening episode: first-year rich kid Dakekanba Ken, who vows to make Souma’s Elite Ten reign as brief as possible. Souma for his part admires the kid’s spirit—Ken’s doing exactly what he did, after all! A far larger threat seems poised to emerge in Suzuki-sensei, who shares Erina’s dad’s ghostly white complexion and hair, to the point I initially thought it was Azami with an assumed identity (for whatever reason)!

In any case, this new Defense Against the Dark Culinary Arts teacher admired by all for his good looks wouldn’t look this much like Azami if he wasn’t related. I’ve heard mumblings that the Food Wars manga kind of crashed burned with a disastrous final arc, but my completionist nature precludes me from not finishing the anime adaptation to the end, whether that end is bitter, sweet, salty, sour…or umami.

Chuubyou Gekihatsu Boy – 05 – Chuunibyou Brilliant Park

It’s summer vacation, and Mizuki is glad to be away from the hero club and free to work on her true love: jigsaw puzzles. I’m glad we finally get to see her be as passionate about something—she even puts her hand on her face in a chuuni-ish manner similar to the others!

She longs for a 10,000-piece puzzle she can really dive into, but they’re expensive. Enter a call from Kei, who summons the Hero Club for a job. A summer cold has created numerous absences at the theme park where Kei’s big sister works. Since she has a hold on Kei, he makes him reach out to his friends to fill in for a day.

As the Hero Club members take their positions around the park, amusing situations ensue, as expected. I don’t ask much of a comedy beyond making me laugh, and CGB did that often this week.

Whether it was watching Yamato go off-script at the “Blasto Rangers” live hero show, Touga and Futaba providing entertainment as well as food service, or Kei slowly going mad at the constant stream of “Meow Meow Trains,” everyone has something to do, and none of them compromise their quirks whilst doing the jobs they’ve been given.

Nowhere is that more evident than Tomoki’s job at the lost child center. With his encyclopedic knowledge of Sora-chan (who is, after all, an idol for kids), he’s able to put sad and crying little ones at ease while their parents are tracked down. He unexpectedly gets a shot at the Big Time when the cool grizzled vet under the Sora-chan mascot mask tweaks his back, and trusts Tomoki to take the stage in his stead.

While he makes a rookie mistake of treading on the wire providing the piped-in voice and music, one of the lost girls he interacted with (and who called him “Sora-chan-san”, which is delightful) starts to sing, and the others join in to help Sora-chan out. Everyone has fun and gets paid, which means Mizuki gets her puzzle money…but little do they know they’re being observed by a rival group of weirdos. To be continued…

Karakai Jouzu no Takagi-san – 09

You’d hope Nishikata getting a cell phone would be a chance for him to grow up a little, but he only sees it as the trump card in his futile quest to successfully tease Takagi.

Perhaps he grew up a bit in spite of his intentions, since it doesn’t take long for him to cave and spout his whole plan to Takagi, who saw it coming from miles away. In any case, Takagi wants his contact info anyway, so they exchange it, and she promises to use it.

For calling him out on his attempted tease, Takagi appeals to Nishikata’s general honor by telling him he should make it up to her by helping her with classroom day duty; Nishikata does not resist. He’s tired because he couldn’t sleep after watching a scary video on his phone.

When he sends it to Takagi, she first teases him by showing him a picture of a woman in a bikini, asking if that’s what he sent, then watches the video, only to not be that scared at all because it’s not nighttime (and because let’s face it, it’s a dumb video).

That night, at the same time Nishikata is about to send her another scary video, she calls him to head it off, again correctly predicting his behavior (though that isn’t that hard at this point).

What results is what she wanted all along: to simply talk on the phone with Nishikata, for the first time at night, even saying it makes her heart flutter. Because of that, Nishikata can’t sleep a second straight night, though for a totally different reason!

Nishikata’s efforts to take a phone photo that will beat his friends’ lead him to beg Takagi to do her patented funny face so he can snap it; Takagi’s cost is high: he’ll have to do “whatever she says.” When she finally does the face, Nishikata isn’t ready. Then Takagi pulls out a toy snake and snaps three pictures of his reactions.

While she’s laughing at those pics she’s so happy to have taken, Nishikata tries to take her picture, but she snaps immediately into a normal peace-sign pose. Nishikata proposes they each delete the photos of one another, but Takagi refuses, and tells him not to delete her picture off his phone, though also asks him not to show it to anyone else, as it’s “embarrassing.”

While he may have thought he’d have a new weapon to even the odds in his cell phone, the truth is Takagi is far more adept in its use. It’s a tool, after all; it’s all about the talent of the person wielding it. So he’s merely given her another avenue to “tease” him, though it’s mainly a means for them to get a little closer.

Karakai Jouzu no Takagi-san – 08

This episode is bookended by instances of Takagi making physical contact with Nishikata and Nishikata having to deal with it. He seems to be mostly fine with her holding onto him while they bike, but it was a long, tough road, and his ribs are ticklish.

Now that they’ve mastered the skill, Takagi says they won’t have to practice anymore, and gets Nishikata to say he’s both relieved and bummed out (though in truth its probably mostly the latter).

The second term starts in a typhoon, and Nishikata stands in the wind and spouts giddy shonen lines like a chuuni. Naturally Takagi spots him doing this, and gives him a chance to win her silence. He fails, yet again because he dismissed his first, correct guess as to why she didn’t have her bike.

The marathon segment is an apparent test of wills, as the two have stakes on winning – having to do what the other says, as usual. When Nishikata’s classmates ask if he’s going out with Takagi, his reaction is Pure Girl-from-100%UL.

He’s also been training extensively in order to be good at long distance, and initially employs a “mind emptying” running mentality, but emptying his mind only makes it easier for him to fill that space up with Takagi.

He gets trapped in a mind game in which he tries to run far enough ahead to spook Takagi, only for her to pull the very same trick on him, only successfully. And again, she gave him an honest chance for him to win (he merely had to touch her) which he simply did not take.

On another trip to/from school, the touching theme continues, with Takagi taking the initiative (of course) by starting a habit of poking Nishikata in the ribs, with the very clear implication that he is welcome to poke her back.

When he doesn’t, she beats him in another match (making a funny face to make him laugh), and rather than forbid him from eating rice or reading 100%UL, she has a simple punishment: all he has to do is poke her ribs.

He gives one half-hearted tap against Takagi’s side after much hemming and hawing, and Takagi reveals that while she’s not ticklish in the ribs, she is ticklish in the armpits. Again, Nishikata is welcome to test her claim, but he’s too embarrassed.

Summer may have given Takagi a few new opportunities to tease Nishikata, but it also brought the two much closer together. We’ll see what the new term will bring.

Fuuka – 05

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Fuuka continues to cement its role as my guilty pleasure of the Winter, thanks to its utterly shameless tendency to put protagonist Haruna Yuu in the most favorable situations imaginable, and still have him complain about it. That might sound unpleasant, but it’s actually pretty fun.

Adorable childhood friend coming by his house to reminisce? Sure, why not? Flipping through photo albums, where most of the pics are of Koyuki yelling at Yuu for various reasons, most of them related to him being a pushover? You got it! Yuu managing to blurt out that he liked her then…b-b-but not now! Seriously! (Now as well.)

Koyuki leaves suddenly, which Yuu takes as meaning he said the wrong thing, but little does he know she’s weeping tears of joy at the news her love wasn’t one-sided. I still don’t see her beating Fuuka. Fuuka’s the title.

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You know what this show didn’t need? Another girl! Especially not one who is impossibly tall and gorgeous, like she just jumped out of a magazine or something. But we get one nonetheless in the person of Iwami Sara, who seems very standoffish and aloof but I’m sure is really sweet deep down.

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She also happens to be the sister of Hisashi, one of the members of Hedgehogs (styled as HEDGEHOGS…because you have to YELL IT) who also graciouslly offers the use of one of his studios for the new light music club to practice…free of charge. Where’s this guy’s sense of entrepreneurialism?

In any case, the band…kinda sucks, particularly Yuu and Fuuka, but Sara is kicked off her third band and Fuuka decides to invite her into theirs, and the girl can not only play, but look very cool doing it.

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After practice they head over to Denny’s, I mean Danny’s, which—wait a second…

Kuzu no Honkai – 03

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Oh, that was Banny’s, not Danny’s. Nevermind…

…Back to Fuuka – 05

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Anyhow, the whole band is at some Denny’s ripoff, when all of a sudden everyone has somewhere to be…except Yuu and Sara. Did I mention Yuu’s face accidentally made contact with Sara’s boobs? Yeah…that happened, and then she smacked him in the face with a guitar, which should have caused a lot more damage to Yuu than it did. The magic of anime!

I’ve been ragging on this episode up to this point, but I have to say, I did not expect Sara to end up being one of Yuu’s best Twitter buddies, @0704-yamato.

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It happens so subtly as you expect Sara to be bored and checking her phone with just Yuu there struggling to find words to say. Turns out Sara’s the same way: finding it far easier to communicate through tweets than with her vocal cords, which so often uses the wrong words, or the right words the wrong way, resulting in misunderstandings (and getting kicked off bands).

When Yuu first started tweeting I was like “Oh great, this gimmick again,” but it paid off big league here, from the sundae, to Sara’s sudden change of character, for which she actually apologizes for by saying “sorry for the sudden change in character!”

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The next practice, held not at the full-up studio, but at Nachi’s ideal place (which he withheld so it didn’t look like he was as into this band thing as he really was), everyone has practiced a lot more, and they play a much smoother version of the show’s theme song, “Climber’s High!”

When Sara’s praise of Yuu’s progress is interrupted by Fuuka’s praise, and Yuu thanks her, Sara punishes him for allowing the interruption by jamming her guitar into his back. So this is how it’s gonna be, huh? Look out Koyuki: you’ve got more competition. (Note: next week’s episode is titled “Hinashi Koyuki”. Should be interesting.

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Fuuka – 04

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In what was for most of its running time the quietest and most emotionally engaging episode of Fuuka yet, Yuu gets caught in his web of omission, then the two have their first fight, as they both stumble over how to properly make up.

First of all, Fuuka has every right to be upset that Yuu was on a dock in the rain embracing her favorite idol. However close he is to her, Fuuka at least felt that at this point in their friendship he could tell her about Koyuki.

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Proving his inexperience in such matters, Yuu only makes things worse with his first attempt at an apology, inadvertently likening Fuuka to a “stranger”, which would be cruel if he weren’t so clueless.

For his inability to explain himself, Yuu gets the cold shoulder from Fuuka, making every moment of the day that follows a living hell where food tastes like ash and the beach at sunset is lonely as hell.

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Neither Yuu nor Fuuka want things to go on like this, so Mikasa takes Yuu aside and asks him to tell him straight up what’s going on. Yuu is able to articulate things, and also how upset he is he and Fuuka are fighting and how badly he wants to make up. Fortunately for him, Mikasa brought Fuuka along to eavesdrop, and she heard everything, and they finally exchange apologies.

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Fuuka also thanks Yuu for having her back when her track senpai shows up to harass her, then questions her designs on a band. Yuu has heard her sing and knows she’s good, and she proves it again when three of the five members of HEDGEHOGS (who were hiding in plain sight, including the restaurant owner) let her perform vocals while they play an impromptu trial concert that not only calls off the track senpai, but attracts a small audience from the beach.

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Fuuka even recruits the senpai as the drummer of the band, pegging Mikasa for the keys, herself for guitar and vocals, and Yuu for the bass (which he has no idea how to play…yet). All’s well that ends well, as Fuuka and Yuu, free of their row, are able to sit on the beach and admire the stars.

Fuuka even snuggles up beside him in his sweatshirt, but he panics, slips, and ends up with his hand up her shirt, ruining the lovely mood, both for Fuuka and me, the viewer, as I was enjoying the subtlety of their interactions to that point.

Naturally, when Yuu returns home, who is in his house waiting for him but the triangle’s third vertex Koyuki, no doubt unwilling to let some loud blue-haired girl snatch away her Yuu.

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Fuuka – 03

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Why don’t you just do what I dragged you here against your will to do?

So, we’re doing this, are we? Yuu seems to ask, as Fuuka founds a light music clu-excuse me, association, with him as a member, right before his eyes, with minimal resistance? Yes, yes they is doing this, because he let himself get swept away in Fuuka’s energy. So did Mikasa, but he’s a go-with-the-flow kinda guy. Yuu is complaining, but only to himself.

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LIVING THE DREAM

Things seem to get even worse for him as he tags along with Fuuka and Mikasa to the beach. Wait, we’re going to the beach in the third episode? That seems early for a show that doesn’t take place near the sea. Whatever; Yuu finds himself waiting tables. He tells himself he can’t do it, and so he sucks at it. (Is he getting paid, by the way, or is this just child labor? No one says.)

He’s rewarded by getting to push a giant inflatable orca around, with a Fuuka on top – a Fuuka who in past episodes thought this guy was taking pics of her undies somehow doesn’t see how Yuu might be flustered by the angle he’s viewing her from.

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(Non-romantic first kiss)…or is it?

Of course, the flustering takes them too far out to sea (of course) and the extremely athletic Fuuka suddenly develops a cramp and sinks like a stone (of course) and Yuu has a perfect opportunity to save Fuuka’s life. The show redeems itself somewhat when it’s Yuu, not Fuuka, who ended up passing out and requiring mouth-to-mouth. Fuuka also freaks out about how he almost died.

The “kiss” gets Yuu all riled up and confused; he knows it was rescue breathing, and even hears how Fuuka doesn’t mind indirect kisses since she’s “not a kid”…but later Fuuka tells him to keep the kiss a secret, since it was her first.

SO Yuu decides not to tweet what would have been the most interesting thing he’s ever tweeted. It would be as if the Dos Equis guy wasn’t constantly followed around by cameras.

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You’ve grown so pretty—though I should tell you this right here isn’t the most flattering light angle!

Speaking of celebs Koyuki is headed to the same one as Yuu for work, but wants to get together post-haste. Sure, why not. There are only so many beaches in Japan, right? That being said, I enjoyed the relaxed nature of the two meeting – for the first time since grade school – and slipping right back into an easy interaction, only now, as Fuuka said, they’re not kids.

It’s got to be an exhilarating feeling, and it would make another interesting tweet, but for the fact the Twitterverse would not believe him if he simply said he was meeting up with his childhood friend Hinashi freaking Koyuki, and if he provided photo proof, a lot of people would have problems with it, because…it’s Twitter.

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One person, I imagine, already has a problem with it: Fuuka, who goes out in the rain at night to look for Yuu perhaps forgetting about things called cell phones (Koyuki, for the record, had just gotten done saying how if it weren’t for cell phones, she and Yuu might never have seen each other again.).

And she finds him: on a dock, with her favorite idol in his arms after a freakish wind blew her umbrella away. She also seemed on the verge of saying something important to Yuu. Will Fuuka be upset Yuu never told him (not necessarily fair, as their relationship has so far been, essentially her making him do stuff and him quietly assenting), or will she just be happy to meet Koyuki, even if she’s a rival for Yuu’s heart?

As for the music clu-er, association angle, well, there’s almost no movement, though the beach restaurant guy tells Mikasa not to touch his drums, and Yuu tells Fuuka he can’t play an instrument, but is ignored. And we’ll probably never know if Mikasa got that hot bodyguard’s number…

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Dagashi Kashi – 03

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On a hot day, as kids we’d usually go for a soda (or pop, depending on what state we were in), snowballs, soft serve, or frozen yogurt. It never occurred to me how great it can be to eat hot things when it’s hot out. Hotaru demonstrates this, I think, by firing up a stove to the shop and cooking up some tonkatsu Butamen; kind of a a mini ramen cup.

Tou, who’s back after a week off, put together what was going down and invited himself, knowing that in return for the intense heat, he and Kokonotsu would get to watch a cute girl eating noodles, not to mention getting so hot her dress gets see through. Naturally, Hotaru is totally oblivious to all of that.

Her only concerns are candy, snacks, and acquiring You for her father’s company. And that’s the other side of it: she doesn’t realize the power she has over Kokonotsu, courtesy of her looks and close casual manner with him. As far as she knows, the battle will be won with her convincing arguments for the primacy of candy.

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So rather than seduce him, which just isn’t in her character, Hotaru continues cockamamie plans, one of which involves You pretending to be a lifeguard to make extra bucks on the side, since the shop doesnt’ do. She’s unaware of her ability to seduce, so instead she tries to guilt trip.

She and You (also back after one week off) are awfully proud of their plan and are regarding one another in a better light all the time, but snagging him all comes down to her ability to convince Koko to take over the shop. Alas, an attempt to show the wonder of candy through strategic placement of kurukurubu jelly sticks in the pool backfires when Koko, Tou, and Saya see the “no food or drink” sign.

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The last segment is somewhat strange, in that Hotaru’s interaction with Kokonotsu is minimal. Like Hotaru with You in the previous segment, this looks like an effort to explore each two-person combination in the lean five-person cast. Hotaru curbs her suspicion that Tou is a pathetic confectionary tourist and shows him the proper way to deliver a Botan Rice Candy (with its edible wrapper) to one’s mouth: the same way one delivers a fastball to the plate.

Finally, after Koko shoos her off while the shop’s A/C is fixed (which seemed kinda mean; though Hotaru was somewhat in the way), Hotaru interacts one-on-one with Saya a little more. Just as Hotaru thought Tou might be testing her (though he wasn’t; he’s just an idiot), Saya sees Hotaru’s desire for “girl talk” that starts with a quesiton about Koko has her thinking Hotaru is testing her.

She is, but it has nothing to do with Saya’s crush, only the fact she’s never seen her with candy, something Hotaru cannot stand by and allow. She gives her some “Neon Seven”, a very cryptic kind of candy that Saya initially picks at wrong (both of their close-up expressions are hilariously rendered) but eventually learns to eat properly.

Saya is amazed and entertained by Hotaru’s wealth of knowledge (as anyone would be), and the two end up talking so long Hotaru never goes back to Koko’s…which kinda serves him right for shooing her off!

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Koufuku Graffiti – 06

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After having a blast compressing a Summer’s worth of activities into one day at Shiina’s estate, this week finds the girls mired in acute Summer Fatigue, a state that would have had more impact if I were watching this in the actual Summer, rather than in the dead of winter with sub-zero winds howling outside my window.

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After snapping a rare picture of Kirin with no appetite, Ryou decides that broiled eel is the answer: a tasty meal that will give them the stamina to stand up to Summer. Personally, I’m a huge fan of eel (I usually acquire it in the form of unagi maki rolls) and this dish looked as delectable as ever.

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But even after the eel, Kirin still feels like her “body is asking for something” she hasn’t yet eaten. Then the A/C goes out, and they retreat to the bath to wash off their sweat. Kirin then gets the idea to eat ice cream in the bath, which is, as she says, a very luxurious thing to do, like doing anything in the bathtub that isn’t bathing (watching TV, for instance, is pretty fun. Just keep the cord away from the water!)

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Yet even that doesn’t hit the spot bothering Kirin. Once out of the bath, she spots a can of sweet beans and Ryou makes her a quick Azuki bean soup with mochi, which turns out to be what her body was asking for. Ryou acts against her better judgement and tries some soup too, and pays for it with a stomachache. There’s no way eel, ice cream, beans and mochi will go well together in any stomach (other than Kirin’s, which seems to be perfectly fine.)

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This episode was more about the tastes and textures of food, but the whole sensory experience of cooling off in the Summer, which consists of a variety of specific sights and sounds. The color of the sky, the smell of a mosquito coil, the sound of a wind chime, the waving of a fan; all these little things contribute to the cooling sensation that made non-A/C Summer days and nights not only tolerable, but pleasing.

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Glasslip – 11

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—She’s kind and indecisive. She gets pushed around. She has trouble with it. And I’m making her even more confused. She made me realize I don’t know anything.
—I see. You like her.

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That’s one hell of a great line by Kakeru, followed by a great response by his mom. The description of one’s love for someone can and has filled great libraries throughout the ages, but at the end of the day, love is just love. As the Oracle said, you just know when you’re in love, through and through. Kakeru’s heart knows, even if his busy brain hasn’t caught up.

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Hina’s such a good sister. Lucky for her, Touka isn’t up to anything THAT bad.

First of all, this was a great episode for people who don’t like everyone being miserable and mad at each other for extended periods of time in these kind of shows, for every couple is where they should be: together, and more to the point enjoying being together, whether it’s Yuki going to see Yana dance, then running together, Sachi and Hiro going on a hike together, or Kakeru and Touka for nearly the whole episode.

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After their kiss, which neither regrets, Kakeru wonders if he’s just trying to make himself think he likes Touka. All due respect, Dr. Kakeru, Ph.D., but you’re still in friggin’ high school. I think you’re overthinking things. But then again, when you’re seeing what may be flashes of possible futures, perhaps you can’t afford not to be serious.

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When the two decide to watch his mom play piano with her family present, like when they spend the night in the art room, Kakeru and Touka are experimenting; attempting to experience conditions that might stimulate Touka’s ability. But when Touka’s parents (and Hina, who really went to bat for Touka the previous night) actually come, and mingle pleasantly with Kakeru’s, he also wonders that maybe that’s enough.

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All these supernatural flashes and visions are really a more direct manifestation of the fear of loneliness Kakeru would have anyway. Life has given him a choice: his mom is willing to take him abroad with her, or he can go to school and get closer to Touka. But that choice is set aside for now, and they hold hands listening to his mom play, and a vision of snow falling on the town takes over. Is winter coming?

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I don’t want to discount the awesomeness of the other two couples; while they got less time, they made the most of it. During a blissful mountaintop picnic, Sachi apologizes to Hiro, while Yuki and Yana are now much better, to the point Yana isn’t even upset when Yuki says he has to talk with Touko one more time. The couples are all together now, but whether they stay that way depends both on circumstances and the choices they’ll have to make once they run out of summer.

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