I’m not sure what the prevailing cliche is vis-à-vis high school rock concerts/competitions: the protagonists winning in a stunning upset, or not winning but never shied away from the challenge. The latter ocurred here, as all three Sket-dan members’ bands had to back out of the concert. The natural solution was for the three to form their own band, and they did: “The Sketch Book.”
Cliches aside, this was a nice little episode. It didn’t try to do to much. Too often one cannot take Sket Dance episodes too seriously because the guest characters are so over-the-top or ludicrous that it’s hard to emotionally invest yourself. These past two weeks, not only was Bossun emotionally invested in the “mission”, but we were too becase Sugisaki was such a likable, sympathetic character.
She was kind enough to help coach Bossun to play bass even while struggling with her courage and confidence as the date to travel to Germany to study drew near. We learned a lot from her, how the promise of her early breakout seemed to be fizzling out. Little did she know that her support and encouragement of Bossun would lead him to turn in a performance that moved her to pull up her sleves and go to Germany after all.
What a weird episode…for Sket Dance, anyway. What starts out as just another slapstick fest where the hilarious voice-acting really carries the day, turns into a more conventional school romance drama by the end. Bossun feels left out when Himeko and Switch join bands for the upcoming school rock fesitval (the origins of which are steeped in rich historical bunk).
However, once he picks up a guitar (later a bass), he turns out to have a knack for it, even though something as basic as tuning initially escapes him. Frustrated with the conditions in the club room, he “escapes” to the school’s music room, where Sugisaki Ayano bumps into him. She’s a very cute, earnest, friendly violin prodigy who helps him practice. The two establish an immediate rapport, and find it very easy to open up and discuss things with one other.
When their session wraps up with the promise of another one tomorrow, Bossun returns to the club room to find a very uncharacteristically serious Himeko on the phone with Yabasawa (we don’t quite learn what she’s on about). So what’s going on here? What’s with the sudden shift to playing the show straight? I don’t know, but it was deftly handled. Bossun is funny when he’s trying to be, but showed good range this week.