TONIKAWA: Over the Moon For You – 03 – Not Your Usual Bath Episode

Tsukasa is impressed to find Nasa has a fully-stocked fridge, but her opinion goes down a peg when she learns he cooks only for optimal nutrition and minimal waste, and after exhaustive research determined the only thing he should ever make is hot pot!

She remedies that monotony by using the same ingredients to whip up an eclectic feast that shows her hubby that cooking can and should be as much art as science. Nasa even references Food Wars while watching his wife work her culinary magic!


After breakfast, it’s time to hit the bathhouse, but Nasa’s taste in toiletries (i.e. the bare necessities) again fall short, necessitating a quick stop to the store for skin toner, serum, and lotion. Nasa is amazed at the complexity of a woman’s skin grooming routine, as it explains both why her skin is so beautiful and why she smells so nice.

The extra characters dam finally opens this week as we’re introduced first to Kaname, who despite being a year younger than Tsukasa practically runs the family bathhouse with her sister (who is Nasa’s age). Naturally, someone who’s known Nasa for years is shocked that he’s suddenly married, but even more upset that he hasn’t properly proposed, or bought Tsukasa a ring, or planned a ceremony!

When Nasa brings up the fact all of those things are wasteful and inefficient, Kaname, wise beyond her years, responds that’s irrelevant. No one will hold him to account if he doesn’t make those gestures, but he still has a primary responsibility to make his wife happy however he can.

Nasa assures Kaname he’ll do just that, because, and he proclaims this loud enough for all to hear, he loves Tsukasa. She comes back to grab the toiletries from him just as he’s saying this, and while she tells him it’s embarrassing, it also makes her happy. Her delivery and face are enough to make both Nasa and Kaname blush!

Once in the bath, Nasa is soon further teasted by Kaname, who for some reason has to clean the part of the bath where he is. She overheard his childhish monologue about this being a “bath episode”, but thankfully that’s not what he or we get. Sure, Kaname gets a good look at Nasa, but that’s nothing new; they go way back.

While there are subtle shots of legs and cleavage, the fan service is kept to a minimum, and instead Tsukasa is introduced to Kaname’s older sister Aya, who is gorgeous but easily mistaken and confused, and has a low opinion of herself, as she repeatedly promises to kill herself for walking in on Tsukasa’s bath.

She ultimately offers to make up for it by washing Tsukasa’s back, during which time she likens her skin to “silk” before questioning why the secretion of a worm is appropriate compliment, then goes too far in the other direction by saying her skin is like “an IPhone X,” which I’ll just say is a really good joke!

Nasa dreams of when he was laid out on the pavement bleeding to death in the cold when he suddenly wakes up in a massage chair to the cold feeling of a bottle of milk on his cheek, put there by his wife. Then Tsukasa watches Nasa and Aya interact, and witnesses the blatantly easy chemistry and bonhomie between the two.

Aya, for her part, isn’t aware they’re married; she just knows they’re “family”, but Tsukasa understandably gets a little self-conscious, as despite her quirks Aya is a true beauty. When she mentions Aya’s looks, Nasa proceeds to gush about Aya. He noticed the change in mood, which he chalks up to the fact he and Tsukasa just walked past a church where a wedding is taking place.

Because of this, when Tsukasa comes right out and says it would be nice if “he called her pretty”, he mistakes it as being in the context of being a bridge in a wedding gown at a ceremony. That means Tsukasa doesn’t understand his response—that he needs to think about it, and even runs off to do some research and “make the impossible possible!”

It’s the first misunderstanding between the two, and yet nothing that should cause bad vibes going into next week. Instead, there will be bigger fish to fry, as a straw-blonde girl in a huge limo has found Tsukasa, someone she’s apparently been seeking. Marriage is all about balance, so after Tsukasa met Nasa’s people it’s only fair for him to meet Tsukasa’s!

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 02 – Prima Nocta-kun

The cynic in me was waiting for the other shoe to drop regarding Tsukasa suddenly leaving Nasa alone to “take care of something”, but it turns out she was simply going to get her suitcase from a coin locker. It doesn’t answer the question of why she’s homeless at 16—nor rule out the possibility she is the Real Princess Kaguya of legend—but it does allay some suspicion that this is anything other than what it appears to be: the story of two young newlyweds.

While the first episode dealt with how the couple met and the practicalities of Tsukasa and Nasa getting legally married, this week deals with the immediate requirements of sharing a living space, and in the process learning more about each other. It starts with Nasa asking why Tsukasa married him, and her answer is refreshing in its simplicity: same reason as you; ’cause I love you, goofball!

While Tsukasa was out, Nasa started testing ways the two of them could fit on his narrow single bed. Tsukasa doesn’t think they’ll be comfortable enough, and doesn’t want Nasa to have to sleep on the floor. As she leaves for a capsule hotel, Nasa flags her down and tells her he wants her to stay. In his mind to which we have full access, he’s worried she’ll disappear on him again.

It’s not the most logical thinking, but it’s understandable for a newlywed to want to stay close to their new spouse, especially on the first night. So they make it work; heading to a furniture store to find a futon that will be Nasa’s first gift to his wife. When it dawns on him they’re pretty much on a date and takes her hand, Tsukasa totally gets it.

Tsukasa learns that her husband is very studious when he lists off all there is to know about the various futon types. While lying down beside her to try out her futon is a bit too much for Nasa, they then realize she also needs bedwear and toiletries. He offers to hit up a konbini, but she also needs underwear, so they head back out into the late night together.

It stands to reason they’re both disoriented enough from the excitement of their sudden change in lives that they forgot that stuff their first trip out. There immediate signs Tsukasa has less hang-ups about privacy, as Nasa leaves the room so she can change, but she doesn’t mind if he changes in her presence—though when he brings up his embarrassment, she empathizes. They’ll be comfortable nude together someday…but not today!

Nasa learns still more about Tsukasa even as she sleeps. Turns out she’s a bit of a free-wheeling restless sleeper, kicking her feet up, wresting loose from her cover, and exposing her stomach to the night chill. Even her hair buns become undone! Nasa puts her back under her blanket, then leans down to kiss her, but reconsiders; on second thought he wants them both awake for their first kiss.

It’s a good thing he withdraws, since a half-awake Tsukasa springs up so quickly she might’ve cracked their skulls! Upon returning from drinking a glass of water, she falls face first onto his midsection, then hilariously slides down, taking his blanket along with her. Rather than try to fix the covers again and risk something else happening, he’s content to sleep without cover.

The next morning Nasa meets Morning Tsukasa for the first time, and is quietly entertained watching her notice her hair is down and she has Nasa’s blanket. She then cavalierly starts to disrobe as if he’s not there, which causes him to speak up and warn her that he is. And yeah, Nasa: sometimes women don’t wear bras to bed! It’s pretty common!

While he’s changing and talking to himself, Tsukasa notices that he referred to her as “Tsukasa-san”, which leads her to pick an official nickname for him: “Nasa-kun”. When he tries to suggest “Tsukasa-chan” as a cuter choice, she blushes uncontrollably, but allows it, though it may be a while before she can say “Nasa-kun”, and for now sticks with “Dan’na-sama” (“husband”). At last: something she’s more embarrassed about than him! He’s not alone in his bemusement of their new status quo!

TONIKAWA is definitely hitting the rom-com spot. So many anime deal with unrequited or will-they-won’t-they scenarios, and while they have value they can get torturous, which makes shows like this that give their characters quick and early wins in the romance department so important. I’m looking forward to the newlyweds’ next adventure in domestic life, previewed in a ridiculously heartwarming ED.

Rating: 4/5 Stars

As for the excellent OP, here’s the opening video, featuring the song “Koi no Uta(feat. Tsukuyomi Tsukasa)” by Kitou Akari (who voices Tsukasa). It’s RABUJOI’s Undisputed Top OP of the Fall:

TONIKAWA: Over the Moon For You – 01 (First Impressions) – Wive’d Up

Yuzaki Nasa is a third-year middle schooler who has always had an inferiority complex tied to his strange, spacey name, at which everyone always seems to snicker. That led to him becoming an overachiever on the fast track to adult success…until one chilly winter night he spots a girl and falls in love at first sight.

That sudden surge of love is so disorienting, he walks straight into the path of a passing truck, which strikes him. However, he wakes up to find he’s not dead; the girl saved him, and looms over him backlit by a majestic full moon. As she turns to leave, leaving the truck driver to call an ambulance, she appears to him to be returning to that moon, like Princess Kaguya.

Rather than accept that like Kaguya the girl must return to the moon, Nasa makes the most of his post-accident adrenaline and follows her to an enclosed bus stop. She’s impressed he was able to even move, and gives him her coat to stay warm before bidding him farewell once more.

But Nasa won’t let it end this way. Even with two broken legs, he gets up and chases after her once more, declaring his love and asking if she’ll go out with him. She agrees that they can be together…but only if he’ll marry her. Since Nasa is already in love (and adrenaline’s a hell of a drug) he quickly agrees before passing out.

He wakes up some time later in the hospital, and doesn’t hear from the girl for years as he completes middle school but declines to pick a high school and enters the workforce as a konbini clerk. He turns eighteen and gets an apartment on his own.

It would seem that a combination of his injury and the girl’s tacit rejection-by-absence cost Nasa a more prosperous life, but only until his doorbell rings. Who could it be at the door at this hour? Why, Tsukasa, who by night’s end will be his lawful wedded wife!

There’s a charming matter-of-factness to Tsukasa’s interactions that border on alien-or-robot-like inhumanity, but I preferred to take a less cynical tack throughout my viewing. Suffice it to say, Tsukasa is ready to honor their hasty agreement from years ago to wed, because she offered it and he accepted.

As she suspected, Nasa isn’t one to back down from his word; indeed, upon her sudden unexpected return to his life he’s compelled to recite his credo “I’ll go faster than light before NASA!” In other words, while his professional ambitions may have been dashed as an indirect result of meeting her, in exchange he gets to marry an exceedingly cute young woman. It’s a fair deal!

There’s also a sense of quietly brewing vicarious excitement as the process gets realer and realer, first with the filling out of mundane forms, then the visit to the ward office (open 24 hours for weddings), to the moment the two are officially married and simply holding hands for the first time is more than enough excitement!

Setting aside the possibility of this work’s creators intending to deliver a not-so-subtle message to the youth of Japan to get married and have kids already!, the ward official is absolutely right that young love and marriage is indeed portrayed as beautiful, joyful thing.

There’s still the big questions like why exactly Tsukasa is so okay with suddenly marrying a guy who fell for her at first sight, why there was zero contact in last couple years, and what exactly the new Mrs. Yuzaki had to “take care of” on her own before heading home with him. But for now I’m content to revel in the elegance of two hearts finding one another.

Rating: 3.5/5 Stars

P.S. The OP absolutely whips. I love how it starts so simple and bittersweet then captures the chaotic whiplash of suddenly sharing your life with someone.