Sleepy Princess in the Demon Castle – 12 (Fin) – Back to the Way Things Were

The Sleepy Princess show, a surprise smash comedy hit of the Fall, closes out just how the title above says: with things back to where they were at the beginning. But at the episode’s start, when the demons find a letter to santa in Sya’s stocking asking to “go home”, they wonder if the princess has finally become homesick.

…She’s not, of course; she just wants to stop by Goodreste Palace to grab her special Christmas woolen undies. Rather than try to stop her (which would probably result in her going it alone), Twilight and the Cleric decide to transport straight into her palace bedroom. Predictably, Sya loses focus and has a quick nap in her lavish king-size bed.

When her mother the queen hears all the noise in her room she goes in to investigate, and lifts the covers to find…Cubey?! Yes, Cleric stowed Cubey away in case a body double was needed, and what do you know, the queen is convinced it’s her daughter! I was waiting for her to comment on how she changed her style while away.

The queen takes Cubey away, but Sya and the demons know they can’t just leave her, so the princess dresses up in one of her coolest dresses and strides down the halls without a care in the world. The three end up hiding in a giant suit of armor to avoid Paladins, but one of them, Evening Star, regales the comrade he thinks he’s talking to with super-embarrassing stories of Sya when she was little. Naturally, Twilight and Cleric can barely contain their delight.

Evening Star chases them until dawn, when he falls asleep instantly (he’s apparently a night owl). The gang regroups in Sya’s room, where she decides she’ll take responsibility as a princess and ensure things go back to the way they were.

Just as “Princess” Cubey is about to speak to the entire Kingdom of Goodreste (with TV feeds reaching to the Demon Castle), Sya cuts in with her own speech thanking her subjects for their love, which has helped her remember she is a princess, not a hostage.

Sya also speaks to how her experiences with the demons have not only helped her learn a lot about herself, but about the ways humans and demons can have better relations down the road. Then she somewhat undermines those words by accosting Cubey while wearing a hastily-scrawled Twilight mask and his cape, declaring he’s taking Sya back to his castle after all.

In short, Sya was only back for a quick Christmas drop-in and hello. In order for things to “go back to the way they were”, she needed to ensure she went back to her second home with Twilight, Cleric, and Cubey. Her mother, who recognized her voice during the speech, seems to understand her daughter’s intentions, and wishes her well on the adventures to follow. What a cool mom!

Sya & Co. return to the Demon Castle where she’s warmly welcomed, and the castle proceeds to throw one hell of a Christmas party. Twilight and Cleric than curse themselves for forgetting the main reason for going to Goodreste with Sya—to retrieve her woolen undies—but Sya seems unconcerned.

For one thing, she may have grabbed them after all before leaving, and is wearing them as they speak (though she’s thankfully grown beyond the skirt-lifting necessary to prove it). Whether she’s got them or not, she seems quite happy distributing other sets to her Teddy Demon friends as thanks for their loyal service. With that, she lets out a big ol’ yawn and drifts off to sleep with her signature “Syaaaaaa”, her final quest complete.

Sleepy Princess in the Demon Castle – 11 – Princess Popular

After waiting in line with the autograph-seeking Teddy Demons, Harpy invites Sya to a pajama party, somewhat disingenuously promising it will result in more cheerful sleep. Sya can’t pass that up, but she needs more information on what a pajama party is…so she hops into the Demon King’s bed to “practice” such a party.

Jumping in bed to practice is an extremely misinterpret-able scenario for, say, Cleric, who also overhears Sya talking about demons and humans falling in love. As a result, his devotion to protecting Sya’s chastity overrides his loyalty to his lord, and he attacks Twilight with lightning. The battle eventually gets too loud for Sya to sleep, but upon returning to her room she gets the cheerful sleep she sought…precluding the need to attend the real party.

Poor Harpy…she just wants to be friends with the princess! The succubus Cubey, on the other hand, has an ulterior motive: she wants to become more popular (popularity literally being the life blood of Succubi). When she learns she and Sya closely resemble one another, she seeks Sya’s tutelage on how to be more popular.

Unfortunately for Cubey and like most things regarding Sya, she isn’t popular on purpose, it just happens. Also, Sya misunderstands Cubey’s intentions from the start, believing her to be a potential body double in need of elite training. This results in Sya tying Cubey up and dragging her around the castle causing havoc, from murdering ghost shrouds to plucking Quillodillo quills to…well, actually, brushing Teddy Demons is delightful!

By the time Sya has Cubey on a cliff overlooking the lava lake impressing upon her the importance of staring death in the eye, Cubey’s struggling and yelling causes the cliff to collapse, and Sya falls into the lava and dies…again. Cubey fails to become more popular or learn anything useful from Sya, but Sya’s quest to get better “rest” succeeds.

Finally, Twilight and the Big 10 are having another important meeting when Sya again busts in like she owns the place, parks herself at the table, and tents her fingers like a petite, adorable Gendou Ikari. Whatever they’re discussing in this meeting is irrelevant: she has a task for them: to determine why the quality of her sleep has been lacking of late.

Twilight brings in Hypnos, noted sleep expert, to determine the cause. He arranges so the group can watch Sya’s dreams in real time, and the culprit to her crap sleep is revealed: “D-Whatsit”, AKA Dawner, AKA Akatsuki, the hero. Out of a desire to hang out, he is relentlessly pursuing Sya in her dreams.

While Cleric has known for a while now that Sya’s fiancée D-Whatsit and Dawner are the same person, both Sya and the rest of the Demons only come to this realization while her dreams unfold. Regardless of who he is, Sya doesn’t want anything to do with him, and shifts between attacking him and running from him. But like a chipper T-1000, he Just. Keeps. Coming.

Eventually Hypnos determines that Dawner is in Sya’s dream thanks to a letter bearing Sya’s signature…which Twilight learns he himself let fall out of his cape and into Dawner’s belt when he was redirecting the Hero’s party away from the still-under construction area of the Demon Castle grounds.

Once Twilight retrieves that slip of paper (not depicted on camera), Sya’s sleeping demeanor instantly improves dramatically to her usual tranquil “Syaaaaaa”-ing. And so, due to her acute aversion to the Hero, Sya further delayed her own rescue. But as we’ve seen, she’s not in any particular hurry to ever be rescued. She’s got the place on lock!

Rating: 4/5 Stars

KonoSuba – 09

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KonoSuba has made it a point to never play any fantasy/adventure convention straight, but that doesn’t mean it always results in ridiculous farce. Sometimes, when it turns a quality or trope of its genre on its head, it ends up more like real life than fantasy, which actually makes the world of KonoSuba more relatable than some of the shows it lampoons.

Take the boy-girl dynamic in KonoSuba. It’s a party of one guy and three girls, but the show has always successfully resisted the urge to pit them against each other with Kazuma as the prize only one of them can claim.

This isn’t a group of love rivals, it’s a group of comrades and friends, where gender isn’t an issue so much as the strange brew of personalities, be it Aqua’s haughtiness, Megumin’s megalomania, Darkness’ eccentricity, and…all of Kazuma’s myriad issues.

Often in fantasy adventure shows, party members of the opposite sex will start off not liking each other, and end up in sexily compromising positions that nonetheless end up bringing them together in some way. Naturally, KonoSuba aims to take that convention and put its own personal twist on it, and again succeeds.

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Of course, before we get to that inversion, we’re faced with another one: Kazuma follows his horny male friends into a den of succubi, where men sign contracts to be given dreams that provide “necessary release.” In exchange, the succubi get to take a small amount of the client’s vitality, though not enough to interfere with their day-to-day function.

In another show, this would be a clear racket and/or trap our horny protagonist gets tangled up in due to his inability to control his raging hormones; a predicament his female comrades would rescue him from, even as they hold their noses at the protag’s perversity.

But…this isn’t a racket, or a trap. As usual with this show, Kazuma is in no physical danger whatsoever. The succubi are simply running a business, performing mutually beneficial transactions with consenting customers. Nor is Kazuma patronizing a den of inequity where women are objectified or exploited – they’re succubi. Seducing men is what they do.

That being said, they still resemble women—shapely, sensual women—wearing next to nothing. As such, after purchasing a dream from them, Kazuma can’t help but start looking at his female comrades in a different light after all that, er, stimulation.

Kazuma starts to see Aqua, Megumin, and Darkness as the temptresses whose wiles he must withstand, since he was warned not to drink too much the night he’s to have his dream, and the girls are trying to ply him with choice crab, sake, and hot sake with crab guts. Just when his thoughts seem about to lead him to cutting loose, he calls it a night, and everyone, particularly Darkness, is disappointed.

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That brings us to Kazuma’s erotic dream involving Darkness in the bath, which it’s pretty obvious from the start…isn’t a dream. Still, Kazuma is convinced this is what he ordered from the succubus, and even when Darkness acts in ways different than what he specified, he kinda just goes along with it, simply happy to be having the “dream” (while also chalking it up to mild clerical errors).

Poor Darkness is of the disposition that no matter how raunchily Kazuma acts, she still feels compelled to do what she says. The sceneis obviously played for comedy, and it works, yet I was also intrigued by how Darkness is not made the butt of the joke. In fact, as the one person in this situation who knows this is not a fantasy, we’re more on her side. Furthermore, she doesn’t just turn into a puddle of masochistic goo at Kazuma barking orders.

Rather, she expresses a wide range of understandable emotions: mostly embarrassment and bewilderment. Sure, she may talk about having things done to her, but for it to actually happen, and for Kazuma to do it? It all but switches her Masochism Chip off and snaps her into emotional coherence. Basically, ‘this is not okay’. ‘Please, Kazuma, realize this isn’t a dream before you do irreversible damage!’

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Kazuma is bailed out not by sudden awareness, but by an intruder alert; Aqua and Megumin have captured a young, inexperienced succubus; the very one sent by her guild to give Kazuma his dream.

Obviously, the girls don’t know that, and as a goddess, Aqua is compelled to exorcise the succubus. But more than duty, it’s Aqua and Megumin’s loyalty to Kazuma that drive their actions. They know she’s here to drain their male friend, and they won’t let her.

The thing is, they’re operating under several understandable—but in particular case, inaccurate—assumptions: that succubi in this world are a lethal threat (they’re just running a business); that Kazuma’s a victim (he arranged for this); and that Kazuma is presently in this succubus’ thrall (when she never actually got to him).

The latter assumption is courtesy of Darkness, who just had an experience with a Kazuma that couldn’t possibly have been in his right mind. And yet, for all their good intentions, and the fact they give Kazuma the benefit of the doubt (and he knows they do), Kazuma believes his comrades are in the wrong, and won’t let them kill the succubus who was only doing her job and screwed up because she’s new.

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Again, the girls see this as the succubus using Kazuma himself as her shield, and “grudingly” beat the shit out of him to try to get to her, but Kazuma stands his ground. Whatever misunderstandings the girls harbor, he’s not going to let someone get caught up in it, even if it means sacrificing himself. It all makes for a wonderfully complex and funny confrontation, that’s far more entertaining than simply making it all a dream, or having the girls rescue Kazuma.

It’s also more satisfying, because Kazuma now has to deal with the consequences of totally freaking out Darkness. In this, Kazuma exercises self-preservation by lying about not remembering any of it because of the succubus’ power, and in doing so reinforcing their original misunderstanding while avoiding undue awkwardness with Darkness.

But then he gives away details of the bath, proving to Darkness he actually did remember what he said and did last night, so the awkwardness endures. For her part, Darkness said she didn’t necessarily dislike any of it, staying true to who she is, but with a clear intention to maintain certain boundaries in their relationship.

This was a surprisngly rich, deep episode that breathed new life in the “compromising position” trope (with accompanying titillating fanservice) by making it a meaningful exploration of Kazuma’s relationships, now that they’re all living together in a huge fancy mansion with private areas where misunderstandings are inevitable, succubi or no.

Just to add one more layer to this onion, the show doesn’t make it explicit that the succubi are running a legitimate (or harmless) business, and it’s definitely within the realm of personality that Kazuma and the other males who gave them their business actually were being unfairly influenced. Caveat emptor, and all that.

Kazuma said in the beginning (while Aqua was trying to commandeer the fireside couch): they’d satisfied the essential need for shelter and protection from the bitter cold of Winter. It’s only natural other…needs be addressed in turn. And they were, just not the way Kazuma or anyone else expected.

But never mind that shitDESTROYER ALERT!!!

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