Chihayafuru 3 – 20 – Sticking Around

On a luck-of-the-draw that would have sealed Dr. Harada’s victory, he faults, giving he win to Master Suo and forcing a fifth decisive match. It’s really the closest of close outcomes, but Harada tries not to let it get to him, and retires to his chambers to rest. But the moment Suo won, I knew not only that he’d win it all, but that he’d be back for more next year.

Between matches, Shinobu unties the tasuki Chihaya gave her and notices the bear motifs. Just as the cards ultimately decided to side with her, Chihaya’s good wishes were always there under her arms, letting her move freely and confidently. She says as much in her post-victory interview, giving Inokuma her fair due while also saying she won today because of those beside her.

As for Chihaya, she goes off on her own, cursing herself for not being born a man so she could teach that nasty Master Suo a lesson in her own arena. That’s when Arata arrives—at the exact moment Taichi finds her—resulting in Chihayafuru going into Full Soap Opera Mode for a few fleeting moments, as an enamored Oe and Sumire watch. Suffice it to say Chihaya is in no position to respond to Arata’s confession yet.

Harada’s best chance of becoming Master slipped thorough his fingers when the fourth match ended in a luck-of-the-draw, but he still had a chance if Suo played as lazily as he did in the first two matches. Yeah…that wasn’t gonna happen. Due in large part to the older Harada’s unrelenting intensity, Suo is shaken from his apathy, and after scarfing down a whole box of daifuku, ties his hair up and shaves his beard, getting correct before his swift and almost foregone victory to clinch his fifth win and successful defense.

Surely Harada saw how he gradually poked the karuta monster that is Master Suo awake simply by wanting to take his throne so badly. The sting of Harada’s defeat is softened by two factors: his wife never actually cared about him becoming Master, just in having fun; and the young bucks who watched his epic duel with Suo now have more ammo for going after him in the future. After all, Harada is a player, a teacher, and a mentor. You could even say he taught Suo a lesson by playing him so damn hard he almost won.

When Suo is phoning in his live interview, Arata beats Chihaya to the punch and loudly urges Suo not to retire, but return next year, so he can beat him. Suo doesn’t tell his interviewer how much goddamn fun he had playing Harada, but he sure as hell is thinking it, and Arata provides the little nudge Suo needed to reverse his decision to retire. This, after Taichi was expressing inner relief that he wouldn’t have to deal with Suo, in another stark contrast to Arata.

Inokuma Haruka is pretty sure she’s done too, and even comes to believe she’s finally carrying her first daughter after two sons (she told god a third son was fine as long as she won, but alas). But Sion’s grandmother isn’t buying it. From her perspective, Haruka is still a spring chicken, and it’s ludicrous to her to think she’s done with competitive karuta. It’s all about perspective.

After ten long hours of tense karuta, the Mizusawa gang rushes to catch the last Shinkansen out of Kyoto, but in their haste, Chihaya neglects to notice Taichi didn’t board the train with them. That’s because he’s staying behind to play in the Takamatsu Memorial Cup tomorrow. I guess his thinking is if Arata’s going to go behind his back and confess to Chihaya, he’s going steal a march on Chihaya to jump back on a different train: the train to karuta greatness.

Re:Creators – 22 (Fin)

With Altair, well, not defeated per say, but ceasing to be a threat to the world last week, Re:Creators can relax and do a leisurely victory lap. The five creators remaining on the battlefield accept their supporting roles in a story that ended up being primarily about Altair and Setsuna. The other creators congratulate Souta for his achievement, even if, especially for Matsubara and Takarada, it hurts that their heroines had to die in order to win.

But Meteora steps in to assure Matsubara that only one possible Selesia’s story ended there; there are countless others that remain alive, and more still as long as he’s committed to keep adding to her world…coffee, for instance.

After a celebratory feast at a down-home restaurant, Meteora also points out to the other creations that they will all have to return to their respective worlds soon, as her magic will eventually cease to work as the world restores its proper order (an order in which her magic doesn’t exist).

After the creations and their creators spend one last day together, saying what they want to say and suggesting what they want to suggest, Meteora opens a return gate.

One by one, the Creations say their final goodbyes and walk through the gate, disappearing from the world in physical form but not in the hearts and minds of their creators and fans. I was kinda wondering where Magane was in all of this, and I really wish we’d been able to see more of her…did she de-coalesce off-camera after using her ability to help Souta?

In any case, Meteora has one more plot twist in store: she’s staying. I mean, even if she wanted to go back, she can’t go through a gate she is keeping open any more than she can pick up and throw herself. But she loves this world, and has always seemed quite comfortable here. So while she loses the rest of her magic as soon as the gate closes, I have no doubt someone as strong and brilliant and charming as she will land on her feet.

A bit of time passes, marked by the emergence of several new advertisements around the city promoting new seasons of the creators’ creations, each with new stories that reflect their experiences during the Chamber Festival: Shou and Yuuya fighting side by side, Blitz with his daughter by his; Hikayu’s new martial-arts master alter-ego; Magical Slayer Mamika meeting Aliceteria.

Everyone continues to create. Whatever problems people had with the story of the Chamber Festival (and it did kinda go all over the place, if we’re honest), creators can’t look up to a standard they worry they’ll never approach; they can only keep moving forward, and keep creating. That’s the surest way to achieving happiness not just for themselves and those who consume their work, but for their creations too.

I’m also heartened to see Souta and Meteora exchanging texts in much the same way Souta used to do with Setsuna, only now he’s a little older, a lot wiser, and more importantly, confident enough in his ability as a creator in his own right, to be anything but proud and supportive of his friend’s efforts.

Meteora has pivoted to creation herself, and has decided to name her first work Re:CREATORS—the very work we just spent 22-plus weeks watching.