The sudden murder of Detective Terada in the middle of the night has made things way more difficult for Kotoko, Kurou, and Saki. Whereas before they had to deal with a moderately nasty spectre spreading fear and havoc within a relatively small sphere, now they must contend with a nationally known monster who has truly gone viral, only increasing the strength of its existence.
In her hotel room, which she bitterly resents is separate from the one in which her boyfriend resides, Kotoko taps away at her laptop, gathering as much information—as much truth—about the rapidly expanding fantasy of Steel Lady Nanase as possible. Time is of the essence; if they wait just one day, her legend will be too powerful to overcome no matter how convincing the logical fiction.
I’ll be honest: not a heck of a lot actually happens this week. The three leads basically sit in a hotel room and discuss things until Kotoko lands on some possible solutions to the problem. The thing is, In/Spectre is able to draw us into its world so subtly yet completely, even an actionless episode such as this feels consequential.
That’s due in no small part to the show’s hauntingly beautiful soundtrack. It’s a shame the anime’s composer isn’t listed anywhere obvious, because this wouldn’t be half the show it is without the music, which I find casts a kind of wondrous spell on me during otherwise interminable exchanges of exposition.
Through the lengthy scene in the hotel room, Saki observes that her ex has developed a nice rapport with Kotoko, depsite his protestations that the last thing he wanted was to go out with her, along with the fact that Kotoko is nowhere near his type. As for who is his type, Saki introduces the woman who was 100% Kurou’s type: his older cousin Rikka, a frail woman who nevertheless had a profound impact on the lad. We’ll see next week how she figures into this tale.