Magia Record – 03 – My Friend Whom I Hate

As Iroha finds herself witnessing a friendship of three girls strain against deep-seated resentment, she has another dream about Ui, this time with her two friends Toka and Nemu. The three are very smart and build amazing things together (which also make amazing messes) but Ui is constantly the glue holding Toka and Nemu together; the Momoko to Kaede and Rena.

Before Iroha can investigate the lead her new dream has provided, her new Kamihama friends Momoko and Rena have a more pressing problem: Kaede is trapped in a Staircase!

The three visit Coordinator Yakumo Mitama, who offers to “adjust” Iroha’s Soul Gem to possibly awaken more power, and also connects them with Nanami Yachiyo, the unfriendly magical girl who already warned Iroha not to return.

Yachiyo puts aside her animosity for Iroha (whom she believes to be so weak as to be a nuisance) and agrees to help the others rescue Kaede. The four have their Magical Girl transformations, all of which are very cool and very stylish. Yachiyo’s sandals and Iroha’s sheer top are particular fashion standouts.

 

Yachiyo and Momoko attempt to draw out the Witch by writing their names on the steps and then apologizing, and when that doesn’t work, Rena tries to apologize to Kaede, but it’s insincere. Finally she goes off on a rant about how she actually hates Kaede, and she’s sorry for “making” Kaede her friend.

That brings for the Witch and an elaborate Labyrinth of branching staircases. They find Kaede, and she and Rena eventually reconcile, promising to compromise in their relationship so that Rena isn’t always made out to be the villain.

Momoko and Yachiyo detach the Witch’s core (in the form of a bell) from the Labyrinth’s summit, and Rena and Kaede combine their powers to eradicate it. But oddly, there’s no Grief Seed, which means the entity they just defeated might not be a Witch.

Rena disguises herself to gain access to the medical center, and learns that while no one remembers Ui, they do remember her friends Toka and Nemu. They were eventually discharged, though they don’t remember where. It’s the first concrete proof Iroha’s dreams aren’t just dreams. They contain truths about the past.

That brings us to a post-credit sequence in which a Magical Girl from the original Madoka series makes an appearance: Madoka’s mentor and friend, Tomoe Mami. Kyuubey has summoned her to investigate the strange goings-on Kamihama City—including the phenomenon that renders him unconscious whenever he tries to enter.

We know that Iroha interacts with a “Baby” Kyuubey in Kamihama of whom “Adult” Kyuubey isn’t aware. It seems inevitable that Iroha will cross paths with Mami at some point. As mysteries continue to be revealed and twist together, my enthusiasm for this new series grows.

Magia Record – 02 – With Friends Like These…

Iroha keeps dreaming of her little sister, Ui. Kyuubey questions if Ui is or was even a real person, wondering why anyone would bother erasing her. But let’s not forget: Kyuubey is a trickster and can’t be trusted! Iroha’s apparent wish was to cure Ui, a wish that might result in Ui being cured, but doesn’t preclude her from disappearing, both from Iroha’s physical world and her memory.

There’s a medical center in her dream that’s a real place in Kamihama, so she sets off in the off-chance Ui is still a patient there. Her bus ride is interrupted by a Witch, who charms all of the passengers and lures them into a Labyrinth. Iroha transforms and follows, but again she is outmatched, as is a red-haired magical girl Akino Kaede. Fortunately Kaede has friends in Togame Momoko and Minami Rena.

Momoko, ostensibly the Mama Bear of their Kamihama trio, offers to help Iroha find her sister. Iroha supports Momoko, but Rena is opposed to any activities that deviate from their mission to investigate and stop the Chain Witch.

Iroha inadvertently serves as the catalyst for a huge dust-up between Rena and Kaede that leads to the latter saying their friendship is over, and Momoko only makes things worse trying to smooth things over. It’s clear that it’s hard in any universe for magical girls to get along, let alone maintain amicable friendships.

The thing about Rena is, she can shift her form to someone else, making a search for her the next day difficult. Momoko and Kaede want reconciliation, and so does Rena, but she’s held back, be it from pride, shame, or regret.

That’s when the infamous “Chain Monster” arrives, fulfilling the urban legend about writing your name and the name of a friend on a certain staircase to formally end your friendship. Just two episodes in and things get dark in a hurry, as the most cheerful and innocent of the magical girls is swallowed up by chains and dragged into the staircase. Rena and Momoko can do nothing to stop it.

The question is, is the Chain Monster the same as the Chain Witch, is the staircase a Labyrinth? If so, perhaps they can go in, rescue Kaede, and defeat the witch in one stroke. Or maybe Kaede is gone, forever. You just don’t know with this show!

Sword Art Online: Alicization – 15 – Books and Covers

This is an episode of jumping to conclusions with regard to one’s opponents…or is it? Eugeo and Kirito are seemingly caught off guard when the two young Axiom nuns plunge their paralyzing poison daggers into their chest and back, respectively. Linel and Fizel are not merely nuns, but Integrity Knights in their own right. And they both revel in having been seen as nuns just long enough to draw in close enough to attack their prey.

The girls drag the paralyzed guys up to the fiftieth floor Hall of Ghostly Light, where the Four Whirling Blades and Vice Commander Fanatio Synthesis Two are waiting. The nun knights, the last two sheltered survivors of one of the Ponfex’s resurrection experiments, don’t want the other knights stealing their thunder, but still need witnesses when they behead the criminals.

Unfortunately for them, Kirito only mistook them for harmless kids for an instant; far less time than they thought. When he noticed apprentices were disobeying orders (an impossibility in the cathedral) and wearing ruby oak sheaths (for poison daggers), he quietly recited a poison-dissolving art, which completed in time for him to stop them and give them a taste of their own medicine.

He cures Eugeo, then tells him to quietly recite a perfect weapon control art when he can and wait for his signal. Then he drives past the Four Whirling Blades and crosses swords with Fanatio one-on-one. Perhaps impressed by his cheek, Fanatio orders the subordinates to stand back as they duel.

Fanatio learns that despite a sword that contains the reflective power of the sun itself, Kirito and his black sword are no slouch. He chips off a piece of Fanatio’s helmet, endures the heavenly sword’s beam-like strikes (to non-vital areas) and eventually knocks her helmet off. That’s right: Fanatio is a woman. The look of momentary shock in Kirito and Eugeo’s faces pisses her off to no end; they’re faces she’s seen all her life.

But the one who seems most upset that Fanatio is a woman is…Fanatio herself. It is Fanatio reading her own book by its cover, and reading Kirito’s cover as Just Another Guy who won’t fight her with everything he has. As with Zel and Nel, Kirito quickly moves beyond his instinctive surprise and fights her on equal terms; as he says and we know, he’s no stranger to being beaten by swordswomen.

A splendid duel ensues; one that Fanatio almost seems grateful for, as for once she isn’t being underestimated or not taken seriously, despite her “detestable” face. Kirito asks her if she thinks she’s so detestable, why does she doll herself up so; it’s strongly implied she loved/loves Commander Bercouli Synthesis One.

But there’s no room for love, or anything else, for Integrity Knights. Only “glory” through obedience to the Pontifex. And so even when Eugeo unleashes his Blue Rose Sword upon her, he can’t quite finish the job. Part of that is that he trying to beat her with his hatred, and as Kirito calls for his own weapon enhancement, he corrects Eugeo’s thinking.

They’re not there to kill the enemies they hate, but to save the people they love—as well as those enemies themselves—and end the tyranny of Axiom so humans can live normal lives. And he’s going to do it or die trying.

Sword Art Online: Alicization – 14 – Opponents Without Pasts

SAO: Alicization commences its second half with an end to the Cardinal infodump, a return to the action, and a new OP that still, unfortunately, prominently features Kirito and Eugeo’s painfully lame secret handshake, which I believe they have yet to actually use in the show itself.

Ah well—no sooner do the two break into the cathedral armory to retrieve their weapons (and some new threads) than they’re attacked by the bow-wielding Crimson Integrity Knight Deusolbert Synthesis Seven. He sends a hail of arrows their way, but the lads are barely able to dodge them all without injury.

Deusolbert then takes off the kid gloves, using his Perfect Weapon Control art to unveil his Conflagration Bow. Kirito manages to slow his first shot with a series of ice shields as well as the sword skill Spinning Shield, allowing Eugeo to get close and unleash the full power of the Blue Rose Sword.

In this ice-vs-fire matchup, the Blue Rose wins, and Eugeo’s Veritcal Arc delivers decisive freezing blows to the knight. It’s perhaps the most jacked up we’ve ever seen Eugeo, no doubt taking a page from Kirito, as it’s absolutely essential in this world to believe you can do what you’re setting out to do, and trust in the source of your weapon to boot.

Defeated, Deusolbert asks Eugeo to finish him off, before he is stripped of his armor and knighthood and essentially frozen indefinitely by Administrator. Eugeo, recognizing his name as that of the knight who arrested young Alice, bound her, and took her away from Rulid, is almost enraged enough to oblige him, but Kirito asks him to stay his sword against one who will no longer fight back.

He also deduces that Deusolbert doesn’t remember capturing Alice, because Administrator erased his memories of doing so, then reassigned him to guarding the cathedral. They leave him on the staircase landing to choose whether to go back to his boss to accept punishment, heal his wounds and come after them again, or…perhaps try to remember more of the dream he always has of a young woman’s ringed hand on his arm. Integrity Knights may not have pasts, but Deusolbert definitely did.

Kirito and Eugeo continue their climb to the fiftieth floor, where a host of Knights await them who have orders to take them dead or alive. But before they can get far, they encounter two mysterious girls. Are they a form of Integrity Knight we’ve yet to see, some other kind of foe…or perhaps not a foe at all?

Another – 03

Misaki removes her eyepatch to reveal an artificial green eye. Misaki tells Sakakibara the story of the Misaki from Class 3 26 years ago, whom she claims to be her cousin. Whenever he asks his classmates about it, they react with shock and dread, and tell him never to ask about such things, and to not worry about things that don’t exist. Misaki herself tells him he’s the only one who can see her. Not long after asking Sakuragi, she sees him in the hall while he’s talking to Misaki, runs in the other direction with her umbrella, and trips and falls down the steps, impaling herself through the throat.

Third time’s the charm…or in this case, the horror. For 9/10ths of this episode, we didn’t know what to expect, and were contemplating the ramifications of a ghost student traipsing around who only Sakakibara can see. Well, now we know; the episode’s climax was quite emphatic: it’s not fucking good. Poor kind, innocent, big glasses-wearing student officer Sakuragi meets a most grisly death – the first blood of the series. And looking back, it was subtly foreshadowed through the use of umbrellas as well as long shots of the staircase – not to mention Misaki asserting “she doesn’t dislike the rain.”

Sakakibara must now feel partially responsible for the death of a classmate. That, combined with the realization he can see a dead person no one else can, will deal blows to his sanity. And he partially caused it by going against the warnings of his classmates. Still, if I were him, I couldn’t help being curious about just what the hell the deal is with that old, scratched-up desk in the classroom where no one sits, and why no one’s allowed to talk about it. Well, now he knows. And now, when we see that calm, soothing, beautiful ending sequence which reveals each character one by one, we’re left wondering who’s next…


Rating: 3.5