Mieruko-chan – 02 – Wrong Line

This week’s Mieruko-chan starts with Miko and Hana changing. Hana overhears other girls talking about a TV show featuring a severed head, and is scared there might be a head in her locker. Miko checks, and it looks clear…until she looks up at the top shelf, where there’s a severed ghost head only she can see. It’s all she can do not to react to it.

In the next segment Miko has to watch in horror as her airheaded friend Hana is slowly enveloped by pervy ghost limbs she can neither see nor feel. They don’t seem to be hurting Hana, but Miko still tries to get them off of her, even going so far as to douse Hana’s blouse in hand sanitizer. Ultimately, the ghoul shifts to their buxom teacher, spurning the slighter-chested Miko.

The next segment is a quick one involving a long line for half-off donuts. Miko, distracted by the menu on her phone, steps into what she thinks is the right line, but it’s actually a line of dead people waiting to get devoured by a larger ghoul. Hana grabs her and puts her in the right line. Miko is eternally grateful.

In the most heartwarming segment of the series yet, Miko and Hana find an abandoned kitten in a box on the street, but both live where pets aren’t allowed, so they put an announcement on social media. The handsome young man who responds is rejected by Miko, since he’s surrounded by what look like evil cat spirits and God knows what else.

Rather, it’s the huge, super-scary looking yakuza who gets the kitten. He may look scarier than the handsome guy to Hana, but Miko can see good cat spirits on the yakuza’s shoulders. After the credits they’re joined by the spirit of his dearly departed loved one.

Re: Zero – 43 – Run Lia Run

From last week’s cliffhanger with Regulus we take a brief detour to a weakening Ryuzu Shima tell Subaru & Co. a tale about her progenitor, Ryuzu Meyer, who lived in the Sanctuary before it was a Sanctuary. There, she met Echidna, Witch of Greed, and her daughter, a young Beatrice.

Meyer endured Beako’s unyielding haughtiness and the two went on to have “quite a heartwarming friendship”. Meyer also met a generations-young Roswaal, whose eyes were the same color back then. Getting down to brass tacks, Shima says the former Sanctuary “collapsed”, and then the true reason for the Sanctuary’s existence came about.

Just when Shima’s story is getting good, we shift back to Emilia’s trial. Considering the trial isn’t even done introducing people, I would’ve probably preferred to pick up where we left off, since Shima’s story and Lia’s past don’t really connect (at least not yet). New to the stage and flanking Regulus is the Witch of Vanity, Pandora, who—surprise, surprise—resembles Echidna, Satella, and Emilia.

Pandora wants the seal, so the Witch’s Cult can “fulfill its long-cherished desire.” Regulus seems to be her muscle, but as always has his own agenda and is an exhausting stickler for “authority” and “permission”. As Fortuna runs off with Lia, Geuse stands his ground and whips out the Witch Factor he was holding onto for just such an occasion.

Apologizing to someone named Flugel-sama, he presses the factor to his heart and undergoes a painful transformation. Pandora grants him the title of Sloth, Geuse uses Unseen Hands to fight Regulus (and puts extra emphasis on “desu!” For the first time).

The resulting stalemate enables Emilia and Echidna to shift to young Lia’s perspective. Fortuna gets her as far away from the fight as she can before entrusting Archi to her care, but not before giving her a loving, tearful goodbye, insisting she loves her like a daughter. Indeed, present-day Lia comes to believe Fortuna is her “real” mother after all, though it’s still not crystal clear if she means biological.

Archi carries a weeping Lia, aiming to leave the forest as Fortuna commanded, but he’s tripped up by the Black Serpent, a plague-bearing mabeast. The wound quickly spreads across his leg, which he amputates and freezes, but the spread doesn’t stop, it only slows. With what time he has left he orders Lia to head to the field of flowers and keep running straight and forward.

Fortuna reunites with Geuse, and the two have a very lovey-dovey moment that tests Regulus’ already virtually non-existent patience for being ignored. When Pandora gently asks him to remain calm, he turns her into a bloody mist.

She returns without a scratch moments later, drives Regulus into the ground, and then uses her ability to rewrite reality itself.  The purpose for Regulus entering the forest has been achieved, so she returns him to his mansion, which also undoes all the wounds he inflicted on Geuse. It’s as if he was never there!

Considering that there’s nothing stopping the witch from turning that terrifying, reality-altering power onto Geuse and Fortuna, their chances feel so much more hopeless against her than Regulus, and yet they won’t run. Protecting Emilia and the Seal is everything, and if they have to die, they’ll die together. Of course, as we know, only Geuse ends up living to encounter the likes of Natsuki Subaru—albeit in a profoundly twisted form.

As for Lil’ Lia, left to her own devices, all the thoughts about everyone hating her and not wanting her around flow back, and she soon becomes lost. This despite the fact that Fortuna, Geuse, and Archi never stopped telling her how loved she is or how good a girl she is. She believes the only way to fix things is to give the pretty witch what she wants: the key. The lesser spirits guide her to the Seal.

When she arrives, Pandora is already there, which indicates not only that Fortuna and Geuse didn’t last long, but that Emilia is the key to the Seal (duh). Moreover, Pandora was expecting Emilia to come to the Seal. The shit has officially hit the fan in this trial…but it’s not over yet.

Re: Zero – 42 – Memory Spring

Echidna accompanies Emilia into her recently unsealed memories, ever ready for stinging vitriol (she really is notably more hostile to Emilia than Subaru…but that would be Envy, not Greed!). After a literally cold open in which a naked young Emilia first meets Puck, Emilia and Echidna begin the journey in earlier, warmer, happier, and distinctly more fairy tale-ish times. Lil’ Lia, we find, is often cooped up in the “Princess Room” within a tree, but is otherwise lovingly cared for by Mother Fortuna (Tomatsu Haruka).

Fortuna is not her actual mother but her aunt; her brother’s younger sister. One day, while particularly bored, a lesser spirit—Lia actually refers to it as a “fairy”—leads her to a loose stone in the room. Takahashi Rie does a masterful job making her sound not just like a higher-pitched Emilia, but adopting the speech patterns and weird little sounds of an actual little kid. No one does that better than Kuno Misaki, but Takahashi is pretty damn good here.

The space behind the stone leads out of the tree, and the spring Lia revels in being able to stretch her legs. It’s while she’s sneaking around the margins of the elf village that we non LN readers receive the first genuine shock of this flashback: our boy Petelgeuse Romanee-Conti, back then a humble bishop, not only looked normal, but seemed like a pretty nice guy!

“Geuse” and Fortuna go back decades, and you can sense that long history in their effortless chemistry and gentle flirtation. Whether of the Witch’s Cult or some other order, Geuse and a group acolytes apparently make regular visits to the village in Elior Forest, both to deliver supplies and so Geuse can receive confirmation from Fortuna that “the seal is intact.”

Lil’ Lia knows she’s not supposed to be out and about, so even after the fairies help clean her up a little, she spills blue ink on her outfit to hide the dirt and grass stains. If Fortuna doesn’t buy it, she doesn’t tell Lia, instead hugging her and telling her she missed her even in the brief time they were apart. Lia, even back then someone quick to comfort others, places her little hand on Fortuna’s head.

While this is a helpful introduction to the places and players of the past, this initial stirng of memories isn’t yet enough for present-day Emilia. Fortuna and Geuse mentioned a seal, so Lia needs to keep soaking up these memories. They include the elf Archi giving Lia some nuts to snack on, and another visit from Geuse, who inadvertently flirts more with Fortuna. They really do make a cute couple.

Geuse also mentions that affairs outside the forest are “dubious at the moment”, so it’s more vital than ever the seal remain intact. He mentions Emilia, but also “the two of them”—her mother and father, perhaps. Emilia and Echidna follow Lil’ Lia to the famous seal itself, an ornate black door in a glade carpeted with snow all year long. Lia pushes the door, but it won’t budge…which is probably for the best at that point!

Outside, Subie cries about Gar having seen his supportive etchings for Emilia before she did, but both Gar and Otto tell him to buck up. As they wait outside the Graveyard for Lia to return, Ram comes by to tell Subie that Ryuzu Shima wants to talk to him about “a subject that is unavoidable if you wish to liberate the sanctuary”. Wait, Lia passing the trial won’t be enough to do that? What am I saying; of course it won’t be…

Back in the flashback, Lil’ Lia is sneaking around the woods when she’s spotted by Geuse, who I thought was about to say something that would reveal that he’s actually evil, but nothing ever comes of that. Instead, he acts more “Geuseian” (at least as we know him) than he had to that point when he spots Lia and realizes who she is.

His face contorts just a bit as he sheds tears of joy for being granted “salvation like never before.” Is this because of Lia’s resemblance to more than one Witch of his cult, his regard for Lia’s importance to the seal, or both? In any case, Lil’ Lia learns from him that people can cry out of happiness too, and because she’s such a good girl, she gives him a hug and strokes his head, telling him it will be okay.

It’s at this point Echidna tells Emilia she’s quickly approaching the end of the “warm-up round” and the beginning of the part of the trial that utterly broke her before. While Emilia knows Subaru wouldn’t think any less of her for depending on him, and she’s scared of what’s to come, she won’t cower any longer.

She’s going to take this as far as she can. Rather than voice her esteem for Emilia’s determination, Echidna tells her she’ll “find satisfaction” in her “suffering”. Looking every bit like a dreamlike fairy tale for its entire runtime, the warm pastoral greens of the beginning shift to a cooler, moodier, more foreboding purples and blues.

Emilia insists that Fortuna and Geuse play chase with her. Geuse is out of breath, so Fortuna snatches her up and imparts in her the importance of making and keeping promises. Emilia then summons her fairy friends, which identifies her as a future spirit user. Geuse tells her they’ll be her strength when no one is by her side, but Fortuna would just as soon not think about such scenarios, promising she’ll always be there for Lia.

When Geuse accidentally lets slip something about Lia’s parents (mentioning the days they were “well”, implying they aren’t well now), Fortuna has Lia run back home to the Princess Room…but before she can go, someone approaches, wearing a fancy white cloak. He gets pissy and verbose about Fortuna asking who he is before introducing herself, but he eventually tells her.

He’s an Archbishop of the Witch’s Cult, representing Greed: Regulus Corneas. This marks his second appearance in the anime, but his first since he attacked Rem and Crusch’s wagon back in this season’s first episode. As Echidna warned, the tough portion of this stroll down memory lane has arrived in earnest.

Fate/Grand Order: Absolute Demonic Front – Babylonia – 03 – Getting Situated

It doesn’t take long for Gilgamesh to determine that Mash, Ana are a waste of his time, as he easily deflects their attacks. He also reveals that the Holy Grail is already among his treasures, which is why the Three Goddess Alliance is attacking Uruk. But as it’s one of his treasures, Gil is unwilling to give it to anyone; not the goddesses (including Ishtar, who makes a brief appearance) and not to Chaldea.

Merlin suggests they stop asking for now; Gil is a moody man, and leaving him alone could bear fruit later. Gil’s attendant Siduri suggests Mash and Ritsuka gain his favor through achievements not in battle, but simply in soaking up the capital and its people, rhythms, and work. If they play ball and show due deference to the king and his city, maye he’ll be more receptive.

To that end, Siduri shows them their modest but adequate new base of operations, where three additional Servants in Benkei, Ushiwakamaru, and Leonidas come to visit, eat, drink, and be merry with Mash, Ritsuka, Merlin and Ana as part of the larger “Uruk Experience.” Siduri also confirms that Enkidu is indeed dead and has been replaced by a fake who answers to the Alliance; but Gilgamesth has yet to meet him in person.

From there Mash, Ritsuka and Ana make themselves useful performing all manner of tasks that while generally menial and perhaps “above” time travelling warriors, are nevertheless tasks that are crucial to Uruk’s survival.

That means not just making mud bricks, harvesting wheat, shearing sheep, and tending to the children and the sick, but also joining Ana in the caverns below Uruk to dispose of evil spirits she believes are contributing to a wasting epidemic among the populace.

Ana doesn’t initially get why Ritsuka and Mash are interacting so closely with that populace, but Ritsuka very logically explains that getting to actually know the human beings he seeks to save helps to motivate him, as well as to more fully empathize with their fate should they fail. And Fake Enkidu and his goddess mother very much want them to fail.

Youkai Apartment no Yuuga na Nichijou – 02

This week Yuushi settles into his strange new life in the titular Youkai Apartment by meeting several of its eccentric tenants, from a painter with an awesome dog and some kind of wizard to a beautiful hard-drinking woman who’s “not ready for heaven.”

Yuushi also meets Ryuu-san, a psychic whom everyone, human and youkai, seems to greatly revere. When he speaks, everyone listens, including Yuushi, and he points out to Yuushi how long his life is, how far out the world stretches, and that the most important thing is to relax, man.

Since losing his parents, Yuushi adopted a resting aggro face that kept most people away, especially women, but Yuushi finds that since he moved into the YA he’s able to speak with people more easily, like his classmate and clubmate Tashiro.

He also learns about a power he didn’t know he had: a kind of precognition that Tashiro is about to be hurt, then a “synchronization” that allows him to take the pain from Tashiro when her leg is injured by a passing motorbike. Akine then takes his pain and disperses it.

What had seemed like a six-month chore has become a kind of journey of self-discovery for Yuushi, as he learns to befriend people other than Hase, whom he is writing to throughout the episode but is certain he’ll find the conditions he describes crazy. YA remains watchable Monday feel-good fluff.

Youkai Apartment no Yuuga na Nichijou – 01 (First Impressions)

Inaba Yuushi, newly graduated from middle school, intends to move out of his aunt, uncle, and cousin’s house, where he’s lived since his parents were killed in a car accident. When his high school’s dormitory burns down, he moves into a grand old apartment building that turns out to be populated by both humans and  youkai, which he didn’t know existed. Thus, Yuushi’s “first step toward independence” has landed him “somewhere incredible.”

That’s a pretty elegant premise, and the simplicity works in Youkai Apartment’s favor. The enjoyment of this premise is to be found in the details, like a seemingly normal, cute Kuga Akine who is actually an exorcist-in-training, or Yuushi’s favorite author being a resident, or his gradual realization that things in these apartments are something other than normal.

There’s a distinct Spirited Away atmosphere to the apartment, especially once the youkai start to appear, mill around, and interact with each other and Yuushi. But rather than not belonging in this nook of the “spirit world”, Yuushi and other humans (albeit weird ones) are welcome to coexist.

At the same time, while Chihiro learned what it meant to grow up, the message to Yuushi, who has always felt like a burden to his relatives, needs to relax and not worry about growing up too fast. He’s just a first-year in high school, after all!

The pleasant, easygoing, whimsical world of Youkai Apartment is, despite the presence of a few scarier youkai, a very warm and cozy place to spend time, and the slice-of-life nature of the narrative makes YA perfect Summer comfort food.

We’ll see how things go with Yuushi, his best friend/rival Hase Mizuki, Akine, and all the other characters human or otherwise we’re sure to meet in future episodes. This first one was an effective hook to draw us into its world.

16rating_7

Re:Zero kara Hajimeru Isekai Seikatsu – 25 (Fin)

rez251

This was an episode full of tying up loose ends, the most important of which being Subaru presenting himself before Emilia a better and more useful man than the last time he saw her. He even gets to be a badass action hero! But as a loose-ends episode, it works very nicely, even if it’s not perfect, and leaves a lot hanging in the air (likely for another season, but not anytime soon).

rez252

The first loose end is Betelgeuse, who very annoyingly won’t go down much of the first act. I was pleased Subaru used the Witch’s curse to expel Betelgeuse from his head so Julius could finish him, especially since we got a good look at the witch Satella herself. She does look a lot like Emilia…if Emilia were all black with a purple outline and glowing eyes!

rez253

I rolled my eyes a little when moments after defeating Betelgeuse, Juli and Subie get a call from Felix about another problem fresh out of the blue: an unaccounted-for sack full of fire stones.

There wasn’t any doubt that sack would be stashed in the wagon Emilia and the village children just happen to be riding in, nor was there the slightest chance, even in an often sadistic show like this, that this latest particular bomb would go off.

When Subie and Otto are acting like a comedy duo in a wagon Otto has nitrous’d with his magic in the last episode, it’s reasonable to assume things will work out.

rez254

The whole rescue attempt felt like an excuse for Subaru to confront Emilia as the one who led the army, something she only just learned about from some snot-nosed kids who don’t know how to keep their damn mouths shut. Betelgeuse’s extended demise further delayed the inevitable reunion, and by the time Betel had become a Ghibli Goop Monster with his head on fire, I had long since had my fill of the manic bastard.

rez255

But the how of how Subaru came to triumphantly reunite with Emilia didn’t mar the fact that this episode took great strides to repair what had been an estranged relationship not just between these two, but between myself, representing the non-manga-reading audience, and Emilia. Takahashi Rie does a great job reintroducing Emilia-tan to us, as she gets to express a good number of powerful emotions during the final ordeal.

rez256

Subaru basically gets to make the perfect series of gestures to reunite with Emilia, swooping in, grabbing the bomb, and running off to get it away, but not before telling Emilia he loves her. After smashing the whales, the giant fallen tree is the gift that keeps giving, as its trunk largely shields Subaru from the blast he’s still pretty close to when the stones detonate.

It is here when Emilia, still processing everything Subaru has done for her these last few days/weeks, completely unbidden, springs into action, rushing into the danger, desperate to find Subaru alive and alright. And perhaps because the show is finally done torturing us, he is!

rez257

From there, there’s no long, sprawling epilogue, showing what becomes of who. Just a simple scene of Subaru lying on Emilia’s lap, the two of them overjoyed to be together again.

The way Subaru describes it, Emilia is made happy for the first time by the prospect of “special treatment.” This can’t quite match the Rem Confession episode in emotional power, but it comes darned close with much less time to work with.

rez258

I also appreciated that Emilia doesn’t have an instant reply to Subaru’s confession. It’s all well and good to say “I love you too”, but loving and being loved are so new to her it’s going to take time. Time Subaru assures her she has.

Subaru doesn’t wake up back in front of that convenience store, but merely admires Emilia’s tearful, radiant smile, as the episode fades to white and we’re treated to an extended mix of the original ED.

All in all, an imperfect but still solid and satisfying, and entertaining finale. If a second season comes along one day (April 2020!—Ed.), I’ll surely be tuning in. If not, it was a fun ride. Often stressful, enraging, and heartbreaking…but also fun.

16rating_9

Alderamin on the Sky – 11

ald111

Jean Arquinex appears far more frequently this week, but the episode remains at heart The Ikta Show, as even Jean concedes, though he doesn’t know the “brilliant general” he’s up against is only a first lieutenant. Presented with a mind equal to his own and with far inferior numbers, Ikta himself begins to doubt if he’s really his generation’s greatest hero, or if the “bloom is about to come off the rose.”

His inner thoughts, and his own doubting voice whispering inside is his head, are the latest in this show’s consistently successful efforts to humanize and deepen Ikta’s character. When he unwittingly tells the voice to shut up out loud (in earshot of Suya), Ikta snaps back into serious Strategy Mode. That voice inside may wonder if his plans will succeed this time, but it’s not going to stop him from carrying it out.

ald112

When the Aldera army sends units down a narrow path, Ikta & Co. are ready, but they’re only 600 Imperials and 120 Sinack against 10,000; even slowing down such a force is a tall order, and one not without costs. When the Aldera put up barricades, Yatori and Nana agree that they have to go out and take them down.

Ikta lets Yatori’s unit and Nana’s Sinack detachment across the wall, but they suffer numerous casualties when Jean’s air rifle units open fire. Instead of letting the units get mopped up, Ikta decides to go out himself with everything they’ve got in order to protect the wounded before retreating.

ald113

It’s a bold move, with Ikta and Yatori fighting back to back and working as one unit, and in the end, the Sinack and Yatori’s wounded are evacuated successfully. Ikta has a huge fire hit behind their retreat to seal the path, buying a little more time.

Jean is impressed by the enemy commander desperately making shrewd, effective moves to forestall Aldera’s advance. Suya, who loses two valued comrades, isn’t as enamored. She doesn’t see why they had to give their lives so the Sinack they were killing just days ago could live.

What kicks this episode from an 8 to a 9 was the ensuing exchange, which played out like, well, a play, with the stage populated by Ikta, Nana, Suya, Haro, and eventually, Yatori, who claims it is she, not Ikta, who should bear responsibility for the casualties incurred.

ald114

Yatori asserts that Ikta ordered the charge because he knew she’d charge anyway to save her allies (a term she doesn’t take lightly). She also points out that feelings cannot interfere with a soldier’s duty. When Suya asks if Yatori would kill Ikta, I already knew the answer was yes before she opened her mouth, but she still said it in a very cool way (“That question is 300 years too late.”)

That cold assertion hangs in the air after Suya runs off, leaving Ikta to ask what would have to happen for her to actually be able to kill him if ordered to do so (though the word Ikta uses, is when). Yatori replies that she’d have to utterly destroy…Yatori first; leaving only the Igsem steel behind. It would be Igsem, not Yatori, killing him.

Ikta then tells her until the moment he died he’d think of nothing but how he’d lost her, bringing a tear to Haro’s eye (and almost one to mine as well). So if Ikta was to die, she’d die too, and she’d die first. That’s some heavy shit right there, and yet another layer to the already wonderfully rich, dense relationship that has been carefully built between Ikta and Yatori.

Things are desperate right now; the victories available are small and costly. But I know who I want eventually coming out on top, and it ain’t Jean Arquinex. So I have to believe Ikta, with Yatori, Nana, and everyone else’s help, will find a way.

16rating_9

Re:Zero kara Hajimeru Isekai Seikatsu – 24

rez241

So, the first attempt to save the village and take out the Witch’s Cult was met by some mishaps, such as the time-consuming misunderstanding that led to a confrontation with Ram, the killing of villagers before evacuation was complete, Emilia taking the field of battle, putting herself at risk, and oh yeah, Subie getting possessed by Betelgeuse.

But when Julius and Felix killed him, he died and came back just like he always did, without any twists due to his possession. And fortune not only smiles, but beams on him, as he wakes up right in the middle of the planning phase, allowing him to casually introduce the new information he gleaned about body-snatching, the traitor in their midst, and Ram.

rez242

His new plan revolves around convincing Emilia to go along with “Crusch’s plan” to evacuate the mansion and village, including Emi-tan herself. She agrees, because she believes the plan put before her, while not entirely or even partially of her own making, is the best plan as far as she can tell.

So she’s put on a wagon with some enthusiastic village kids, and sent off to safety, while Subie and the knights capture the traitor and take the metia he was using to pass information to the cult. It’s important to note Subaru himself wore the recognition-blocking robe Emilia threw at him, so she had no idea he planned all this.

rez243

Suffice it to say, thanks to learning the lessons of last week’s ‘dry run’, everything goes off without a hitch, as Subaru once again confronts a Betelgeuse now weakened by a lack of fingers nearby. Subie also allows Juli to cast a spell, Nect, that lets him see with his eyes, allowing him to see the unseen hands and cut through them.

This achieved one of Subie’s secondary objectives: to properly make up with Julius. He is, after all, a crucial part of the plan and why, when the episode ends, it looks like the end is near for the Sin Archbishop, and very good for Subaru, who has once more learned from his past mistakes, put pride aside, planned carefully, and relied on and trusted in others.

This is how he has truly become Emilia’s knight.

16rating_9

Alderamin on the Sky – 10

ald101

This tenth Alderamin begins with a flashback from nine years ago, and the show is hardly timely in revealing that the fiery Sinack chieftain Nanaku Daru was childhood friends with Ikta.

It’s also hardly subtle in juxtaposing her paying a visit to Ikta’s bedroom of her own free will—but too young to know the true reason woman would do such a thing—with the present, where she suddenly finds herself in a huge heap of trouble, surrounded by three enemy soldiers who plan to rape her.

ald102

Who comes to her rescue in the nick of time but her old friend Ikta, whom she doesn’t yet recognize? Ikta is pissed, not being one to suffer “beasts.” Nanaku is taken into safe custody. It’s a sobering glimpse of what war often boils down to, and what depths the battle-weary and under-supervised can stoop to when their enemy is demonized and dehumanized by their superiors.

The war is over between the Empire and the Sinack, but before they can even catch their breath, a new, mutual, and well-rested enemy arrives at their doorstep in the form of “La Saia Alderamin”, a once-neutral, highly religious country Ikta suspects is being used as a Kioka pawn as part of the wider conflict.

ald103

What made this episode so strong, and, for me, eliminated any concerns about plot convenience or retconning, was how Ikta handled things with “Nana,” knowing they’ll need her help to cover their retreat from Aldera, and he’s the only one who can negotiate with her.

He gets her attention and reveals who he is by carrying out the Sinack tradition of cutting digits off one’s hand; a legend she told him about nine years ago. He cuts his entire left pinky off in a visceral, powerful scene, and you can tell he’s not putting on a performance, but dead serious about his role as agent of apology and olive branch.

That last part is important, since Nana agrees to help because she knows the religious Alderamin will never tolerate their “heretical” religion, but the Empire will. Obviously it’s not what she wanted (to be rid of both), but she has to compromise, because Aldera won’t.

ald104

Our Knights all get promotions this week – Yatori and Ikta to First Lieutenant, the others to Second, and after Matthew and Haro protest, they agree to stick together in the force that will delay the Alderamin advance. That is achieved by creating a fire line at a crucial forest crossing.

But it would seem Ikta has finally met his match in the form of newly-introduced Kioka Army Major Jean Alkiniks, he of tirelessness to Ikta’s sloth; white hair to Ikta’s black. Both seem excited to have met strategists who will really challenge them for once.

One of the weaknesses of the show has been the appalling ineptitude of the brass, but Jean here is high-ranking enough to do what needs to be done at a larger scale. He’s come further than Ikta so far, but will no doubt be the catalyst by which Ikta continues to advance and progress to become the hero Princess Chamille believes him to be.

I also hope we get to see a little more Nana.

16rating_9

Re:Zero kara Hajimeru Isekai Seikatsu – 23

rez231

False Alarm: No Fresh Hell, just not completely dealt-with Old Hell on this week’s menu. Hell leftovers, if you will. Ram puts the convoy under an illusion spell because she fears Subaru switched sides and the convoy is his invading force. This is due to a misunderstanding: the letter sent to the mansion was blank, usually a declaration of war.

rez232

No harm, no foul, then, right? Ram accepts Subaru’s explanations, and while she’s not in love with him like her sister, he and she still have quite a bit of history which enables her to withdraw her aggressive stance with confidence.

It’s also confidence Subaru needs in order to tell the people of the village they need to evacuate. At first a couple of malcontents curse the “half-elf” who brought this upon them, but with Ram’s help, Subie successfully persuades the villagers, even the racists, to cooperate.

Just when Subie is about to head for the mansion with Juli and Felix, the latter discovers one of the merchants has been possessed by a member of the witch’s cult. The man self-destructs, nearly killing Felix and Subie, and the remnants of Betelgueses fingers attack the village.

rez233

Smoke (and Unseen Hands) fill the sky, blood stains the ground, and the scene starts to resemble one of Subie’s past nightmare scenarios. But this time, at least he isn’t singularly responsible for failing to detect the cult’s inside men. He’s just one part of an alliance made up of far more capable people than he who also missed this one.

That being said, and in spite of her earlier warnings to the villagers falling on deaf, non-pointed ears, Emilia arrives to help deal with the threat and protect the villagers who still live.

rez234

She and Puck manage to take out all of the fingers…that they know of, all of whom talk and move and act like Betelguese. But even Lia’s last defeated opponent isn’t the end. When one of Juli’s lesser spirits, deployed to protect Subie, leaves Subie’s body, Betelgeuse possesses him.

Since we’ve never seen Betelgeuse leave a body that went on to survive, it sadly looks like the end for this version of Subaru, as he compels a reluctant, emotional Felis and Juli to kill him before Betelgeuse completes his hold. When the curtain falls on the episode, it would seem they obeyed him.

Will we shift to the focus of everyone but Subaru now that he’s left this world, or will we continue to following him as he respawns…wherever it is he respawns? Whatever the case, I doubt this turn of events will be resolved as quickly as Ram’s misunderstanding…

16rating_8

Alderamin on the Sky – 09

ald91

For a show in which some people are aided by pocket-size elemental spirits, Alderamin is fairly down to earth. And if it was glorifying, say, the daring rescue and return of Princess Chamillie in its early episodes, it is just as careful to downplay whatever glory and honor is to be had in the Sinack campaign, which is precious little.

Indeed, Ikta and his pals are lucky to have a commander unwilling to order them to participate in the wholesale slaughter of the enemy, instead making them burn their villages and march them to new homes. It’s also a show whose heroes may not agree with the horrible strategy they’re a part of, but are either unwilling or currently unable to do anything about it.

When a little kid starts attacking Ikta, he flicks him in the nose. I doubt he intended to draw blood, but the noble knight Deinkun immediaely punishes him for striking the child, doling out a degree of justice so the other villagers don’t riot.

ald92

Suya, who has clearly gained not only respect but affection for Ikta, is angry that Ikta let himself be punched like that, but Ikta takes responsibility for his error. Sometimes one can separate oneself from undesirable actions to such an extent, one can forget that there are things that can be done to lesson suffering, whether it’s taking a punch, or burning a village after it’s been evacuated. Not big things, but things.

When Matthew asks Ikta and Torway how they’ve been dealing with their sexual “needs” on the front, Ikta puts men into two columns: “heroes” who need bonds, and solitary “warriors”, avoiding any details about his own persuasion. But it’s just as true of the two ways knights go through life. Deinkun, a warrior, prefers to put as much on his broad shoulders as possible.

ald93

Ikta may be a rare bird when it comes to strategic or tactical thought, but he’s no hermit. He needs bonds, not just to survive and keep himself in check (See Yatori) but to acknowledge and define his existence. He dosn’t care if his personal honor is besmirched by a punch to the face; he does care when he’s too late to say what he wanted to say to Kanna or protect her when she needed him.

Yatori may want to be a solitary knight like Deinkun, but the fact she goes into a berserk-like state only Ikta can bring her out of denies her that status. She too is a hero, whose brawn, along with Ikta’s brains, and the various talents of the others in their circle, comprise perhaps their empire’s best hope at avoiding self-destruction, which people like General Safida are inadvertently hastening.

ald94

But still, neither Ikta nor Yatori have any designs of overthrowing Safida’s leadership. Indeed, Yatori’s Igsem heritage and conditioning make such a choice unthinkable, even if Ikta was pondering such a rebellion. No, these heroes, must work within the system into which they were recruited; play with the hands they were dealt. It’s yet not their turn to decided how the game is played.

So Yatori saves Safida from an ambushing Nanaku Daru, who learned how to fight from Mugen in Samurai Champloo. Yatori bests her, only to let her go when a group of shady assassins takes advantage of the chaos. They fail to kill the general, but slay Deinkun in the attempt.

He joins Kanna and the scores of other Imperial soldiers who gave it their all despite having to serve under a terrible general in a ridiculous war that isn’t quite over yet.

16rating_8

Alderamin on the Sky – 08

ald81

A splendid victory, brought about by his command, and a bitter conclusion brought about by his choice.

The show, courtesy of narrator Princess Chamille, provides a concise but accurate synopsis of this episode. It’s an episode loaded with the consequences of the stupid decisions of Ikta’s superiors, all in the name of a show of force.

The General has completely bungled this “punitive” campaign against the Sinack, and due to the chain of command Ikta & Co. can only do too much to mitigate the damage that has been done. But Ikta & Co. still doe what they can, which does make a difference.

ald82

Ikta’s splendid victory to come is prefaced by a splendid defense of their camp in which the attacking force is totally annihilated without a single casualty on his side. But things would have gone far differently—and badly—had Ikta not been there to put orders in the commander’s words.

While he’s on a resupply mission to a position that’s been taken by the Sinack, Kanna Temari, in a different unit led by an even dumber commander, learns just how tough she is. In a scene riddled with death flags, she waxes nostalgic about the liberating, expanding power of books, and the fact Ikta is like a book, and someone she’s looking forward to seeing again.

But as sad as it made me, the fact that her unit made camp in a fortress deliberately abandoned by the Sinack, and the commander fell for an obvious trap, made me doubt Kanna and Ikta would ever meet again. The events of the episode all but eliminated that possibility, and it followed through with the threat it presented.

ald83

Even Ikta can only do so much about the incompetence of the military leadership. But he engages his CO in such a way that he gets what he wants: a chance to score a victory. He gets it thanks to the prototype rifles designed by his mentor; in other words, thanks to science.

But the science that won him such an easy, splendid victory, also ended up dooming Kanna. For Ikta makes his unit rest for two days in order to avoid suffering altitude sickness, which is what Kanna and her comrades are going through thanks to their dimwitted superiors.

For the record, Ikta makes the right choice. Even if he knew Kanna, a girl he liked (and whom he suspected liked him back) was in danger, he wouldn’t endanger his entire unit to rescue her, especially after seeing what the altitude has done to the health of the army.

ald84

Of course, making the right choice doesn’t make it any easier to choke down the bitter result of following science to the letter. The fortress wasn’t able to hold out long enough for his platoons to relieve them, and all they find is a fortress full of corpses, including Kanna’s.

It’s a gut punch, both for me, and for Ikta, who is often so laid back and casual and jokey that when he finally gets serious, it’s that much more powerful. This wasn’t just some girl he had fun teasing or flirting with; this was a kindred spirit; someone for whom science resonated; someone he could both teach and learn from.

She was looking forward to seeing him a third time, and so was he. Instead, she joined her late husband in the afterlife, leaving Ikta in a recklessly ignorant world. To be fair, it wasn’t just his choice that doomed her—the brunt of the blame falls on the superiors—but that’s woefully inadequate consolation for a character who left us far too soon.

It will be interesting to see how Ikta deals with this loss. Will he shrug it off in a few days, or resolve himself to pushing ever harder against the morons who caused it?

16rating_9