What comes suddenly but never leaves? Well, that would be death, right? And not just the death of a person, but the death of innocence. Once death enters one’s life—as it does every assassin—it also never leaves. Some say murdering takes pieces of one’s soul. If that’s the case, Class Black’s rep Kaminaga Kouko yearned to separate herself from death, to try to preserve at least part of her soul. But to be granted her wish of walking away from assassination, she had to take one more life: that of Ichinose Haru.
While last week Haru mostly took care of herself against the very impatient Takechi, Kaminaga is a different kind of animal: in short, she’s not a very good assassin, and doesn’t even like killing. She was simply born into the business, and does it because it’s all she knows how to do. But her peers mocked her and she accidentally killed her mentor with a car bomb gone wrong. It’s not surprising that she’d strike as early as possible, out of a desire to get this nasty business over with so she can retire; the exact opposite of Takechi.
To that end, Kaminaga attempts a series of passive attacks via booby trap bombs. Tokaku either detects and disarms them all, and in one case shields Haru from the blast. This earns Tokaku back some points after dropping the ball last week. Once Kaminaga is cornered and forced into close combat with Tokaku, it’s over for her. Because she’s not a sadistic serial killer, I actually felt kinda bad for Kaminaga, even if it hardly made sense for her organization to bother training her when she was neither practically nor emotionally cut out to be an assassin.
What’s red but not read, and dead but not dead? The Red Sea and the Dead Sea. Azuma’s role as Haru’s protector is accepted by the gamemakers and the mission begins in earnest, with the first advance warning being given by Takechi Otoya. Needless to say, her assassination attempt fails, so she drops out of Class Black by the end of the episode. That leaves ten assassins and ten episodes remaining.
Takechi starts her morning smashing her roommate’s glasses, and it’s gradually revealed she only gets sexual release from murder and is thus a serial killer. If she succeeds in offing Haru, she’s asked for bulletproof insurance that she’ll be able to murder as much as she likes in the future without consequence. She kills her prey slowly, taking after spiders but substituting scissors for fangs. Her buddy-buddy routine with Haru before striking is pleasantly unsettling, but she isn’t convincing anyone.
What’s really interesting about this first attempt isn’t that Takechi failed to kill Haru, but that Azuma failed to protect Haru. Receiving her first warning unsettles Haru, but it also steels her resolve to protect herself, which is what she does, with a little luck: when Takechi lowers her guard, Haru kicks the hell out of her, sending her signature scissors flying right into Haru’s binds, cutting them. Azuma has her chance to take Takechi out, but her gun’s knocked out of her hands and she ends up on her back with a saw blade mere millimeters from her eye when Haru rescues her with a nifty sleeper hold.
In this regard, Takechi gets a pretty raw deal, as she’s expelled for failing, but Azuma isn’t. One thing’s for sure, both of them agreatly underestimated Haru’s propensity for survival. I imagine we’ll learn a little more about that propensity with each successive assassin. It may well be that Azuma is the one who’ll continue to need protecting from increasingly sinister adversaries. Bring on Number Two.
I can’t say I’m the biggest fan of the sketchy guy who wears sunglasses in a dark office and is always rolling dice, talking to himself, and occasionally texting Azuma riddles. But despite the ridiculousness of its premise, the show is keeping me invested with it’s thick, threatening atmosphere, and a few interesting twists that surface this week.
Four of the assassins decided to be fashionably late—literally, as there’s no apparent dress code for the Black Class—and a fifth waits all the way until the assassins’ orientation to introduce herself, and mention how she only sits on her own furniture. It’s weird quirks like that I hope to see more of as the other eleven girls besides Azuma come into focus (assuming they won’t start dying off right away).
But first, Haru invites Isuke, whom we met last week, over for tea, which Isuke provides and is poison, of course; hoping to get a head start on the assassinating. But the first twist occurs: the poison doesn’t kill Haru. There’s some kind of spell (or curse) keeping her alive. When Azuma storms in we get a nice spot of hand-to-hand combat, but Azuma can’t close the deal, leading to the second twist: she’s never actually killed anyone. Furthermore, it seems as though a distant memory is keeping her from doing so.
When Azuma arrives at the assassin’s meeting, she drops a third twist: she’s siding with Haru, and won’t let anyone hurt her. Events this week, and the emotions they stirred up, propelled her to abandon her original mission far earlier than we (and possibly Kaiba) thought she would. So, we’ve got a target who can’t be killed (or at least is determined not to be) and an assassin who can’t kill (or at least has considerable difficulty) surrounded by eleven assassins who can. The lines are drawn; let the battle commence.
Claude forbids Yune to join Alice for a trip to the department store, and she obeys, once again saying one thing while possibly thinking another. Instead Claude, Yune and Oscar go to the park for a picnic. Oscar impresses her with a “spell” that stops the rain and sleight-of-hand tricks, but they remind her of a similar “spell” she put on her older sister that she believes made her blind and weak.
Who would’ve though Yune had a Dark Past She’s Not Proud Of, eh? Well, a dark coincidence at least. Yune’s sister Shione had pale blue eyes, which would have been no big deal in Paris, but in Japan, people gave her looks and even feared her. Lil’ Yune insisted that Shione only look at her, and otherwise keep her eyes closed, sparing her from the looks. Anime eyes tend to be all the colors of the rainbow, but in this realistic period piece, color matters.
It’s an innocent enough sentiment from a concerned lil’ sister, but when Shione grew frail and went blind, Yune blamed herself out of superstition. Shion’s plight is a dreadful shame – but not Yune’s fault. It turns out every time she sees Claude’s eyes, she thinks of Shione. She finally stopped holding everything in, let it all out, and experienced a catharsis. Another cute chapter of a cute series that has just one more cute episode to go.