Wave, Listen to Me! – 10 – The Galactic Campaign

This week, which bears little resemblance to the last, starts with Mizuho asking a departing Kureko if he’s free for a meal sometime. It remains to be seen if Mizuho has feelings for the guy or simply likes and respects him as a friend and mentor, but though Kureko is too busy to commit to anything, Mizuho still wishes him well. All the while, Koumoto, who unsuccessfully courted Mizuho, watches from the shadows…which is kinda creepy!

Whatever Mizuho’s preference in terms of the age of a potential partner, she’s sad to hear that Minare has decided to move out sooner rather than later. Minare has learned from her recent experience that people tend to deteriorate as they come to rely on the kindness of others. She’s even observed that she’s someone predisposed to devoting herself to her partner, feeling as sense of pleasure from spoiling them.

While Minare exhibits signs of growth and self-reflection as part of a larger effort to avoid repeating past mistakes, she also exhibits a blind spot in her relationship to Nakahara. This blind spot is exposed by none other than Makie, who is not only frustrated by what she considers Minare’s continued “toying” with Nakahara, but Nakahara’s lack of interest in her.

There’s every indication Makie wants to move beyond indebted house guest (or refugee, or general object of pity), but whether she’s aware of it or not, Minare is an obstacle to that. For the record, Minare considers Nakahara incompatable simply because he’s so darned self-sufficient: not only is he not one to ask to borrow large sums of money, but he cooks, cleans, and even sows freakin’ leather!

That aside, Matou used Minare’s recordings of her date with Mitsuo (that’s right, she was wired for the whole thing!) in a way Minare did not expect. Rather than broadcast the date either in full or in edited form, he gave the samples of Mitsuo’s voice to a couple of legendary veteran sound engineers who go by the pseudonyms “Katokon and Kakoen”.

Masters of both foley and waveforms, they were able to create a synthetic voice that sounds just like Mitsuo, but can say whatever they require him to say in a broadcast. These two are a couple of colorful characters—you could also call them sound nerds—and Mizuho is delighted by their very old-school foley tricks like beads on fans.

The next episode of Wave, Listen to Me documents the “burial” of Mitsuo by fictional versions of Matou and Minare on a rainy day (to hide the burying sounds). The two foley masters work their magic while Mizuho and Koumoto provide support in this live radio drama.

Once Minare and Matou finish burying Mitsuo, they share a long and passionate kiss…only for Mitsuo’s hand to burst out of the ground and his formerly-lifeless corpse to move and speak anew with the synth voice the master techs devised. Matou’s ultimate goal is to also bury “Minare Koda”, and for a new legendary voice to rise from those ashes. All I can say is so far so good!

Musaigen no Phantom World – 02

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Some concerns going into week two included “can the show keep me engaged in its elaborate magical mechanics?”; “can Ruru’s schtick be consistently better than silent beats it replaces?”; and “is this a lovely show that’s simply trying too hard, riding the coattails of superior past KyoAni work?” Those concerns were somewhat allayed in an episode that built on the strengths of its first outing.

Haruhiko, Reina, and Mai demonstrate solid teamwork that exploits each of their skills, and this time there’s a fourth potential member added to the mix in Minase Koito. She’s talented, and she’s been talented for a long time, but her teacher wants her to learn how to work with others.

When Minase gives the others the cold shoulder and beats them to their job at an abandoned factory, she learns pretty quickly that going it alone is not always the optimal route.

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To whit, her sound-based attacks on the phantoms are cancelled out in the same way her headphones cancel out noise. To incapacitate the phantoms, the good old-fashioned brawn of Mai is needed. Haruhiko is the one to determine what’s stopping Minase’s attack, and directs Mai to smash it.

That leaves Minase free to use her shout to take out the multipliers, Reina to swallow them, Kirby-style, and Haruhiko to seal the sound-cancelling robot by sketching it in his new sketchbook. Not a bad days work…only it doesn’t have the effect of Minase changing her tune and deciding to join their team, nor should she. She levels modest praise on the others’ efforts (ignoring Haruhiko’s entirely) and slinks off, aloof as ever.

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The battle left Mai and Reina’s uniforms filthy, which leads to them showering at Haruhiko’s, but the show doesn’t go down the easy road of having Haruhiko intentionally or accidentally peeping on them.

In fact, the whole scene at his house (the impressive library in which is the source of all his trivial knowledge) was surprisingly innocuous, for what I perceived to be a gift-wrapped harem scenario. Oh, but wasn’t the little sight gag of Ruru sitting among Haruhiko’s figurines just perfect?

Even the next day, with Mai and Reina doing stretches in their bloomers in front of Haruhiko, he’s not sketching them, but a phantom he wishes to summon. He’s only accused of being a creeper when he reacts inappropriately to their next job, which will be at an all-girl’s dorm.

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This dorm, which is ridiculously pink and fuchsia, and its inhabitants are being harassed by a peeping phantom UFO with a camera. They stake out the place, but realize it won’t come until it has something to see, so Mai and Reina kick Haru out and change. Sure enough, the UFO arrives, but it proves a handful, dodging all of Mai’s swipes and stabs and scoring lots of juicy pics in the process.

Haruhiko, meanwhile, is in the catch-22 of his services as a member of the team being required, but the girls being embarrased about being just in towels, which turn out not to be Chekhov’s Towels as they never come off. I loved the physicality and architecture of the sequence, in which he’s constantly going out the window and back up the stairs and into the fray.

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He even uses blood from an inadvertent attack by Reina (for getting tangled up in too exciting a position for him) to summon his phantom, Marchosias. Again the show has a little fun with our expectations, as despite all of Haruhiko’s past accurate sketches of their phantom foes, Marchy turns out to be a fluffy little puppy with wings (that transition from flame-wreathed demon to pink skull cloud to pup was wonderful).

Marchy help—a little, I guess—in rounding up the voyeuristic lil’ stinker, and Reina gobbles him up. The show’s theretofore restraint with amorous material pays off and heightens the sense of surprise when Reina decides to suck on Haruhiko’s finger…and not because she knows her saliva has healing properties, but because she just felt like it.

As for Minase, she peeks her head in, but again claims to be #notimpressed with the team. Sure, they’re not the most professional and efficient, but they get the job done and entertain in the process. If she joined them, a good team might become great. One wonders what will end up swaying her, but I’m glad the show’s not rushing her initiation. Then there’s that strange device Ruru found…

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