Fruits Basket – 16 – Her Kind of Place

This week’s cold open is perhaps the darkest scene since the show dove into Hatori’s dark past. It’s not just shot dark, it’s frikkin’ dark, full stop. A younger, short-haired, long white coat-donning Uotani Arisa comes home to a dad wreathed in TV light and surrounded by bottles who doesn’t notice she’s there. She goes to the room and sits in the dark, wondering, perhaps, why she’s even fucking alive; what the point of all this is.

The next we see Arisa, in the present, luxuriating in the pool during P.E., is as bright and upbeat as the cold open wasn’t. Despite their reputation for delinquency, both she and Saki love the pool and would never skip out on an opportunity to swim in it. But the sight of Tooru in the same school swimsuit she wore in middle school reminds Arisa of elderly people buying dinner at the konbini she works at: somehow just really sad and wrong.

So she does something about it, asking—nay, telling—the Souma boys that it’s about goddamn time they get up off their asses and show some gratitude for Tooru constantly cooking and cleaning for them, by coming along to help her and Saki buy Tooru a big girl swimsuit. After some brief Shigure lecherness, the kids hit the mall.

Yuki and Kyou are beyond embarrassed to even be in a store that sells skimpy bikinis, let alone to see one placed in front of Tooru, but Arisa demands they at least lend their opinion as to what color Tooru would look best in.

Naturally, the boys pick opposite colors: Yuki blue, Kyou orange. Saki corrects them: Tooru looks best in pink. Her mom was the Crimson Butterfly while her straightforward dad’s color was white; combine those, and you get pink. When Yuki remarks that Arisa and Saki seem to love Tooru very much, Arisa quickly confirms that assessment. After all, Tooru saved her.

That’s when three yankees spot Arisa and plan to jump her, but are totally distracted by the gorgeous Souma boys she’s with.

Tooru is very predictably reticent about accepting the swimsuit, claiming she doesn’t deserve such a gift or any gift for that matter, because she’s nuts—but Arisa and Saki insist, so a swimsuit it is. Yuki and Kyou will just have to wait until next time they’re at a pool or beach with Tooru to see what it looks like.

Yuki remarks about how much Arisa and Saki love Tooru (and vice versa), and asks if the three go back to grade school. Arisa says no, only since middle school, when she was still active in a women’s gang she joined in fifth grade. She beat the shit out of people and had the shit beat out of her, and absolutely idolized the Crimson Butterfly, AKA Honda Kyouko.

When her gangmates tell her the Butterfly’s daughter attends her middles school, Arisa keeps her eyes open for “Crimson Butterfly II,” a carrot-topped delinquent in the mold of her mom. Instead, she’s bumped into by Kyouko’s actual daughter: klutz, space cadet, and deeply kind and decent girl, Honda Tooru. Arisa can’t believe it.

When she finally gets to meet the total badass bike empress she placed on such a high pedestal, she was bound to be disappointed, but could never in a million years have thought she’d be a carefree doting parent. When Kyouko and Tooru invite her to dinner, Arisa suddenly feels very uncomfortable and out of place.

Arisa gets up to leave, and when they insist she stay, she lets Kyouko have it: she’s disappointed and embarrassed to see what has become of the Crimson Butterfly. Kyouko’s response is perfect: she “just relaxed a bit”, is all. But it’s just too hard a pill to swallow.

In her rush to leave, she left her trademark black face mask, and Tooru chases after her to give it to her, calling her “Uo-chan.” But Arisa rejects the nickname and rejects Tooru’s open hand of friendship. She can’t look at Tooru without being reminded of how low the Crimson Butterfly fell. So she goes back to beating the shit out of people and getting the shit beat out of her, because what else is she going to do?

That brings us back to the cold open when she comes home, shuts herself in her room, and can’t get the image of Kyouko and her warm, bright, happy life with her “strange” daughter out of her head. Lame as it might seem to her, it may nevertheless be something Arisa wants, but long ago thought she could never have.

After last week’s disappointing Ayame-stuffed lakeside excursion, Fruits Basket roars back into relevance with a much-anticipated look into the past of one of Tooru’s BFFs and one of the most lovable characters on the show, and it didn’t rush things, leaving its resolution for next week.

It reminded me of another excellent backstory episode of another blonde delinquent-turned respectable civilian (Onizuka Hime from SKET Dance) as well as a wonderful exploration of how much a person can change in a short time—and how much Tooru can change them just by being Tooru. More of this, please!

Oh, and as an added bonus, the three delinquents who have a beef with Arisa have a hilarious post-credits sequence where they’re enthusiastically practicing their threatening techniques under a bridge, only for their first “victim” to be none other than Souma Momiji, who inadvertently scares them off with a his terrifying German friendliness. Very good stuff.

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Fruits Basket – 15 – Lakeside Detour

In a show that is very upfront of being just the first of several seasons—and a 25-episode first season at that—it’s going to move at its own leisurely pace, and there’s going to be the odd episode that feels more like filler than others. This week was one of those times, and it felt like a few disparate story lines were combined to fill the run time, none of which were resolved or even advanced all that much; only inched forward a bit.

Ever since seeing her hat and remembering when he last saw it, Yuki has been quiet and awkward around Tooru. Similarly, Kyou has been quiet and awkward ever since he seemingly kissed her as she napped. Tooru is very weirded out by their lack of arguing and naturally assumes she said or did something to offend them. Before they can assure her, she trips and falls down a hill.

Meanwhile, Hatori, who drove everyone to the cabin, passes the time reading Shigure’s books. Shigure claims he’s just teasing his editor by going AWOL for a couple of days, but Hatori sees a possible other reason: his former fiancee Kana is getting married, and perhaps Shigure just wanted to get his friend away from…all that.

Tooru’s tumble results in Yuki and Kyou transforming into rat and cat for the first time in a while, and it’s apparently enough of a shock to forget why they were so silent and awkward and start arguing again, which makes Tooru laugh with relief and joy. But they still don’t tell her what was bothering them, and because she’s so easily distracted (or relieved), she doesn’t press the matter.

That brings us to the most problematic part of the episode from where I’m standing: Ayame coming out of freakin’ nowhere. Ayame is just way to zany and hyper for the scenes he’s in, which feel like they go on forever: he says something that angers Yuki and Kyou, they react with hostility, rinse repeat. It just isn’t that interesting.

We later learn that Ayame came to give Hatori Kana’s wedding picture, courtesy of her friend Mayuko (whom Shigure dated for a hot minute but they broke up). Even if Hatori has decided there can be no going back to Kana, as his BFF Ayame isn’t satisfied. Shigure hopes Hatori finds happiness with someone else some day; he’s still very young after all.

Hatori just wants to make sure the likes of Yuki and Kyou don’t end up making the mistakes he did—by which I presume he means letting Akito control every aspect of his life, torch his relationship with his soul mate, and blind him in one eye.

Fruits Basket – 14 – A Selfish Wish

On the one-year anniversary of her mother’s death, Tooru announces her plans to visit her grave, but pointedly doesn’t ask anyone to join her, in another demonstration of her fanatical desire never to trouble anyone. Still, Yuki asks if he can come, while Kyon is more tentative…for some reason.

Naturally, Arisa and Saki will also be attending, as Tooru’s friends and effectively, her surrogate parents. Saki notes how Tooru can be so cheerful after losing her dear mother just a year ago, and can only chalk it up to very, very hard work for which Tooru should be praised.

As if Tooru didn’t have enough on her plate, a seemingly innocent question about which one of Momiji’s parents is German turns into a whole thing. Momiji’s mother is German, and he looks just like her, but she doesn’t remember him. When she gave birth to him (two months early, as is typical of zodiac births), both her body and mind rejected him (which can also happen).

The only way to save Momiji’s mother from suicide was to wipe all her memories of Momiji, something his father told him had to happen, and that he’d love him enough for the both of them. Rather than forget himself what happened to his mom, Momiji long ago decided to carry every memory, no matter how heavy. He would have preferred if his mom had “stuck with it” and tried to accept him, just as it seems Tooru had wished to be there when her mom died—but they both consider those “selfish wishes.”

The day of the grave visit arrives, and Uo is resplendent in the “Crimson Butterfly” bike gang coat she inherited from Kyouko. Yuki also learns why Tooru was so upset about him catching cold: Tooru the tragedy magnet’s dad died of complications from a cold. And yet despite losing both parents, rather than radiate despair, she’s always smiling and exuding cheerfulness. He just doesn’t get it, but he’s glad to be close to such a person.

As for Kyon, he acts super-shifty and suspicious throughout the grave visit. When he stalks off, Saki follows him, and he asks her if she can talk to ghosts (she can’t). She proceeds to explain the difference between waves (to which she’s attuned) and spiritual energy (of which she has none), and she can sense from his waves of “chaos” that he feels some kind of regret in this place.

Uo and Saki are glad Tooru is doing so well with Yuki and Kyon, but the two lads’ minds remain “ruled by dark troubled thoughts” which will, for the interim, prevent either of them from romantic thoughts (which is fine with Saki as she’s not yet ready to give Tooru away as a bride).

Kyon’s actions later that day seem to bear that out. As the wind blows the hat either Yuki or Kyon gave to Tooru off its perch, Kyon leans in close to Tooru’s face, not to kiss her, but to tell her he’s “sorry”. About what? Did he, perchance, have a part in Kyouko’s death? Is that why he had waves of regret at the cemetery, and why he feels the need to apologize?

As many mysteries still swirl around Yuki and Kyon’s past, present, and future with Honda Tooru, the one constant is that she’s not going to let anything keep her spirits down. Not losing both parents, and probably not learning someone close might’ve had something to do with one of those losses.

Fruits Basket – 13 – Yuki-kun, Adult Version

I always get antsy whenever Tooru’s hanging with Yuki in his garden, wondering what new devilry will come afoul of them. In this case, it’s a snake, but it’s okay, that snake is Souma Ayame, The Snake of the Zodiac. Being cold-blooded, he doesn’t do well when it’s cold, but you still have to wonder if he just used that as an excuse to hide inside Tooru’s shirt dress.

Ayame, who is actually Yuki’s ten-years-older brother he never once mentioned, is quite forward and ebullient, ordering Tooru to serve him lunch, then taking her out for gyoza when she doesn’t respond (due to Yuki telling him to check his rudeness). Turns out Ayame didn’t come to meet Tooru. He heard that Yuki interacted with Akito at school, and was checking in on him, knowing the terror he feels around Akito is on a whole other level as the other Soumas.

When he talks about how hard it’s been to reconcile his younger self (who was less interested in connecting with his baby bro) with his older self (who wants to repent for that younger Ayame) Tooru naturally parrots her mother’s advice about parents not knowing how to be parents…until they’re parents. But also the importants of remembering what it was like to be a child, such that as an adult one can empathize with the next generation.

Ayame is impressed with Tooru’s wisdom, and while Tooru doesn’t take credit, she definitely deserves it simply for absorbing every last iota of her mother’s wisdom (not something most kids do) and being able to so effortlessly apply it to others in order to sooth their troubles.

But as much as she might want Yuki and Ayame to close the yawning rift between them, it just doesn’t happen this time around. Part of that is Ayame is usually an unapologetic cad, and has been one since school when he was classmates with Shigure and Hatori.

He’s also possessed of a particularly silver tongue; whenever he broke the rules, either by growing his hair out or getting caught in a pleasure district, he could talk his way out of it with colorful oratory that would either inspire or annoy his foes into submission.

As Ayame and Shigure reminisce—and Yuki and Kyou sit there and stew—once gets the sense that all his bravado and good cheer on the surface is hiding that deep-seated regret for not being there when his little bro needed him most. Even if he was beholden to Akito like everyone else in the clan, shouldn’t he have put everything on the line to save Yuki…even exile or worse?

He didn’t, and that, much more than his salacious past and forwardness with Tooru, probably keeps that rift between the brothers as wide as it is. In the end, Shigure was more of a big brother to him than Ayame, since he at least got Yuki out of that hell.

Luckily for Yuki, Haruhatsu learns that Ayame is hanging around Yuki, and he informs the only one who Ayame listens to (since he’s always loved and admired the guy): Hatori, who shows up to collect Ayame, ending his reign of terror at Casa Shigure. Later at school Yuki makes sure to thank Hatsu.

And yet, just because a rift will never close doesn’t mean it can’t narrow a little. Yuki learning about Ayame’s devotion to Hatori does that somewhat, which Tooru takes as a sign they’re not an entirely hopeless cause.

Fruits Basket – 12 – Someone Scary This Way Comes

This episode starts out so harmlessly…and silly. It’s a new term, Tooru, Yuki, Kyou, and the others are all second years, and the new first year girls are extremely aggressive in making their existence known to Yuki. Tooru is targeted as an “easy mark” by first year boys, and Kyou scares them off with a move that hilariously befuddles her. New first years Momiji and Haruhatsu brazenly flout the dress code: Momiji by wearing half of a girls’ uni; Haru with jewelry and white-over-black hair.

They are immediately singled out by StuCo President Takei Makoto, who seems like a character from another show, even if FB is not above slapstick. This bespectacled dingus has a thing for Yuki, and his two nearly identical female lieutenants are soon won over by Momiji’s cuteness, while Haruhatsu proves he didn’t illegally die his hair by showing him his pubes in the men’s room.

Unfortunately for this half the episode Tooru is just kind of off in the background as all these Soumas bicker and test authority. I’m well aware Tooru was not always the focus of the source material and in some cases was totally absent as the cast expanded, but the broad goofy comedy on display here doesn’t really make a strong case for keeping her out of the anime spotlight.

Tooru does not play a small role in the second half, when she’s confronted by none other than Souma family head, Akito (voiced by Sakamoto Maaya in her best honey-poison imperiousness). Tooru is caught totally off guard by the sudden and very casual encounter, and Akito never says a single thing I am inclined to either take at face value or believe.

The one person Yuki doesn’t want near Akito less than himself is Tooru, so he comes to her rescue, only to be utterly neutralized by Akito, who after all threw him in a dark room and psychologically tortured him for years until Shigure finally put a stop to it by letting Yuki live with him.

So it’s up to Space Cadet Tooru to rescue Yuki-hime, demonstrating quicker thinking than would usually be expected of her in explaining an action that could’ve cost someone else their life (shoving Akito away from Yuki). In the moment, she knew Yuki was in pain, and she did what she had to do to stop it.

In his report to Hatori about the car ride home, Shigure says Akito would later call Tooru “ugly” and not a threat to him, assured that one day Yuki would come crawling back, citing his fear of him as proof. But Akito seems like the kind of person whose threat assessments vary from day to day, or mood to mood. In any case, Tooru is far from safe, nor is Yuki.

Still, Tooru tries to refocus a clearly traumatized Yuki by joining a big ol’ badminton game with the gang. She doesn’t want to waste, or let others waste, the precious time they have, and she has no illusions about that time being infinite, or even indefinite. Something cold could come out of the shadows and freeze these poor warm people and warm life in which they’ve never been happier. But not today. Today, for a little while, they’ll forget their fears and have fun volleying a shuttle around.

Fruits Basket – 11 – Giving Everything

For those who haven’t been paying attention, Tooru is a giver. She gives and gives and gives, sometimes without thinking; sometimes with quite a bit of thought behind it; and always, always without regard for any consequences that might crop up as a result of that boundless generosity. The only one she’s not generous to is herself. As has been said about her, she plays by a different set of rules.

Two of the unintended effects of this: it’s hard for her to accept anything in return, and it’s hard for anyone else to give to her without her wondering if that’s really okay. But after Valentine’s Day, you have White Day. It’s tradition. It’s the rules of society. So she’s expecting something in return for her chocolates. She just wasn’t expecting a hot spring trip, courtesy of Momiji.

As with most things offered to her, she feels unworthy, or at least feels she’d be an expensive burden. An onsen is costly, no matter how you look at it! And this, despite the fact she spent so much of her own money buying ingredients for the chocolates she gave everyone, she’s fallen behind on school trip payments. Kyou, just barely moderating his temper, asks Tooru to go have a bath, then turns to the issue at hand: just how stupid is Tooru to be so selfless with her money?

Momiji regails Kyou and Yuki with a “Funny Story” from a book he once read in school, about an “idiot” traveler who was constantly being swindled and duped out of possessions, until she wandered the forest naked. There, a bunch of demons duped her out of her body, all except a head with no eyes (shades of Hyakkimaru), leaving her only a piece of paper that read “idiot.”

First of all, this is not a funny story, WTF is wrong with Momiji’s classmates? But secondly, the fact the traveler never despaired, but only wept with joy that the things she gave up went on to help people (even if they lied about needing them). Like Tooru, her warped perspective is just something that works for her, and you can either accept it or consider not hanging out with her anymore, because she’s probably never going to change!

For all of this shows’s demonstrations that the Soumas can transform into animals, Tooru may be the most bizarre creature of them all, and especially out of place in modern Japanese capitalist society. Yet like Momiji, Kyou and Yuki, what initially, by my own less lofty set of standards and different perspective, might seem like idiocy could also be described as nobility; of representing the best of what a person could be; someone who, if everyone emulated them, would make the world a so much better place.

The proprietor of the onsen, a woman of frail health whose off-camera son is the Monkey of the Zodiac, was initially suspicious of Tooru, an outsider, of being a potentially disruptive or harmful force to her cursed child. But that was before she met her, or saw her soaking in the spring with her dead mother’s picture in a plastic bag to keep her dry. She can tell she had no reason to worry; Tooru is One Of The Good Ones.

It’s amazing Tooru agreed to go at all, considering how kingly a gift she considers a hot spring trip. By blowing everything nice other people do for her out of proportion…it can be challenging, at times perhaps even trying, to contend with that. But everyone has fun at the onsen trip.

Tooru plays the quickest and funniest round of ping pong, gets a lovely hair ribbon from Yuki, along with his full-on Prince Act, and Momiji gets to sleep beside Tooru, even though she’s just a year younger than Kyou or Yuki. But the night before she learns this, Tooru simply lies in bed thanking her mother for making all this happiness with the Soumas possible.

That may seem macabre—essentially thanking your mom for dying—but like I said, Tooru doesn’t play by those rules. Everything that happens to her, and everyone she meets, good or bad, is a miraculous gift, and she takes absolutely nothing for granted.

 

Fruits Basket – 07 – On the Outside Looking In

Tooru arrives for her mysterious meeting with Hatori and is brought to her office by Momiji. Hatori doesn’t mince words: when most of the members of the Souma clan aren’t aware of the Zodiac members’ secret—only around fifty “insiders” do—it’s an “outrage” that Tooru knows, and she should leave the Soumas and never have anything to do with them again.

It seems like a classic case of trying to scare someone off by making things sound far worse than they are, but when Momiji explains why Hatori is so resolute. He once had a girlfriend named Kana, who was a Souma but an “outsider.”

They loved each other deeply, and asked Akito for permission to marry, but Akito blew up at them, resulting in Hatori being blinded in one eye by glass from a shattered mirror. Kana blamed herself, and that blame turned into an obsession and an illness. The only way Hatori could save her was by wiping her memories of loving him.

Tooru is empathetic of Hatori’s position, but doesn’t want to leave Yuki, Kyou, and Shigure, the latter of whom suspected Hatori was up to no good and comes to put Tooru’s mind at ease, as Hatori is prone to over-drama. Still, he and Momiji have New Years-related matters to attend to, so Hatori escorts Tooru back to the front gates.

While doing so, Tooru gets lost in thought and slips down some stairs, and Hatori catches her, which technically means hugging her, and transforms into his zodiac animal: a dragon. But not a big dragon; a tiny, defenseless seadragon. As Tooru rushes to get him in water, he remembers this is exactly how Kana first reacted when she learned his secret.

That takes us down memory road, to when Hatori’s ice-cold heart was warmed by Kana’s warmth. A man who neither knew nor felt he needed love suddenly found himself not just receiving it, but giving it back in return. Kana accepted him for who he was, and if anything only loved him more because of it.

Things went seriously pear-shaped when they attempted to ask for Akito’s approval, an absolute must, considering he’s the boss. But Akito sees Kana as nothing but an outsider, not someone who would do anything about “the curse.” He says a great many terrible things to Kana that day, including that she’s to blame for Hatori if he goes blind.

That sets Kana on a downward spiral that leads to her memory being wiped, which was probably what Akito was going for. I must say in my limited exposure to him I’m not a fan of Akito…but hey, I wasn’t a fan of Hatori last week and here we are, seeing him in all his humanity, passion, and tragedy. Perhaps Akito’s story is even worse than Hatori’s!

Hatori comes to on a bench beside a worried Tooru, who then runs off to find his shoes that she dropped. While she’s gone, a newly-engaged Kana walks past as her friends congratulate her. From her perspective, Hatori never loved her, but it doesn’t change the fact she finds him more handsome than the man she’s going to marry; his dream man.

Tooru returns, it starts to snow, and when Hatori asks what Kana told her, she has the same answer Kana had: when snow melts, it doesn’t simply  mean water, but that Spring is coming. Tooru reminds Hatori of Kana on more than one occasion; he just hopes she doesn’t suffer the same fate.

As for “the curse,” Tooru tries to ask Shigure about it but he demurs, stating it’s not quite time to tell her, should he choose to do so. Then again, she wasn’t supposed to learn the Soumas’ secret; perhaps she’ll learn about the curse through plain happenstance…

Fruits Basket – 06 – Not One to Ask for the Moon

After a particularly narratively and emotionally heavy episode that ends with Tooru back where she belongs, we get something much lighter, starting with the cultural festival at school, the great success of Tooru’s onigiri, and Yuki giving his upperclassmen the going-away present of cross-dressing for them.

We also meet a Souma relative somehow more annoying than Kagura (though mercifully less violent): Momiji, the pint-sized half-German who is brazen enough to hug Tooru in the middle of school and transform into his Zodiac form, the rabbit. Thankfully Yuki manages to distract the class with his charms.

We also meed Momiji’s minder, Souma Hatori, whose animal remains a mystery for now (my money’s on Ox), and who was the one who altered memories the last time Yuki’s secret was exposed to normies. Once he and Momiji are gone, Yuki laments to Tooru how unmanly it is to be called “cute”, and she can’t deny she thinks he’s cute-looking too.

Yuki throws her for a sudden dokidoki loop when he tells her he’s sure she’d look much cuter than him in his princess dress. While heading inside, Tooru is confronted by her BFFs Uotani and Hanajima, who are concerned she’s hiding something from them from the way she’s acting around the Soumas. When she says she’s living with them, she assures them there’s nothing to worry about.

Uotani and Hanajima decide to determine that for themselves, leading to an impromptu visit and sleepover at Shigure’s house. Tooru learns (and is duly #impressed) that Shigure is an author, of both “high” and “low” literature. While Tooru is grabbing some playing cards, Uotani and Hanajima wonder if they’re actually useful friends to her anymore, considering in her dire need they weren’t there to help.

Kyou and Yuki tell them she doesn’t sweat things like that, nor does she “ask the moon” of her friends. It’s more than enough for Uo and Hana to be by her side, like they were at her mom’s funeral, like they are at school, and like they are tonight at her new home. Tooru confirms this by telling them the story of her baseball cap, which a boy (that looked an awful lot like Yuki or Kyou in silhouette) gave her when she was feeling sad and lonely years ago.

After a good night’s sleep in Tooru’s awesome bed, Uo and Hana have some breakfast and give the Soumas their official approval. Not only are they kind gents (despite their spirited cat-and-rat rivalry), but they already know Tooru well, and appreciate her. Yuki and Kyou also agree that Uo and Hana can come back anytime…as long as the Souma family secret is maintained.

Speaking of which…Souma “Memory Modifier” Hatori is Tooru’s latest “Ominous End-of-Episode Phone Call,” basically ordering her to report to the main house on her next day off school to speak to him and possibly meet Akito, the family head—who admits in a scene with Shigure that he does ask the moon. Now what could they want with Tooru?