Fruits Basket – 61 – The Cat Was Right

Totally Invincible

When Tooru leaves the hospital and first sees Kyou, whom she loves, nothing goes as planned. Even as her mind and heart want to go to him and smile, her body runs away as fast as it can…which is, of course, not nearly fast enough to lose the rather athletic Kyou! While Yuki visited, the mere mention of Kyou’s name brought tears to Tooru’s eyes that she quickly slapped away, risking further damage to her head.

Yes, Tooru isn’t running from Kyou because she’s afraid of him, but because of the usual: she’s afraid of being a burden; being unnecessary; causing people pain simply by being around them. She’s afraid of Kyou being disappointed in her. This is what happens when you say your piece and flee like Kyou did. It was a shit move, especially when he knew full well Tooru would take every one of those harsh words to heart.

So it’s as heartlifting to see Kyou get down on one knee and apologize and take back what he said as it was heartbreaking to hear him say those things in the first place to a desperately vulnerable Tooru who was ready to bear her heart but was met with a wall of stone. Kyou has learned a lot from being with Tooru, and one of those things he learned is being more aware of how his words and behavior affect people.

He knows how lucky he is to see Tooru again to apologize, and humbly asks for one more chance with her, because if he’s going to live, he wants to live with her by his side, because he loves her. Tooru responds by asking if it’s really okay for her to stay by his side, and hold his hand, and he points out she’s already holding it, gently places his hand on her face, and gives her her second kiss—the first being when he wasn’t sure he’d have this second chance.

When Kyou laments that being with him means suffering because of his “weird body” (let’s not forget, without that rosary he’s an odd, smelly beast), but Tooru simply tells him she loves him, that that love is “totally invincible”, and he starts thinking maybe he’s invincible too. They hug, both fully expecting him to transform. But he doesn’t, because the curse has been broken.

The Original Promise

It broke because Tooru was able to make a new connection with Akito, and show her that it was going to be okay even if it broke, and that it ultimately be better for everyone, including Akito, if it broke. We thankfully get to see a bit of Akito visiting Tooru in the hospital, where she confesses it all came down to her being jealous of Tooru and how goshdarn pure and pretty she is.

Rather than rightfully reply with a “guilty as charged”, Tooru is Tooru, saying she’s neither pure nor pretty, and if it isn’t too much trouble she’ll thank Akito not to sort people into categories based on “things like that” and use them to keep her distance. If Akito thinks Tooru is pure, then she believes Akito is pure too, and never more than she was when she approached in the rain.

As Tooru and Kyou hug without him transforming, Akito thinks about that visit, and how Tooru repeated her heartfelt desire to be her friend, and Akito’s willingness to be that, resulting in a new beginning, something she never thought possible all her life until meeting Tooru. She feels the hand of the original God on her head, and we’re sent back to time immemorial, and the genesis of the Curse, which was originally not a curse at all.

What it was originally was an effective coping mechanism for the crushing loneliness of the original God, living in his house on top of a mountain, too strange and different to interact with the humans below. The first being to ever visit him was the Cat, who promised to stay by his side and kept that promise.

The cat taught the God that perhaps others who were “different” would be willing to be his friends. He sent out invitations, and twelve other animals responded. The moon quietly watched over the banquets shared by those who were different—what a beautiful collection of words—but eventually the first of them, the Cat, became ill and neared death.

The God enchanted a sake cup that would make the bonds between him and the thirteen animals eternal; that even if they died, they’d be reborn and reunited. But the dying cat neither needed nor wanted eternity, which the other animals saw as a rejection and admonished the Cat.

But the cat was on to something, even back then, at the very first collection of the Zodiac. He beseeched God that they accept that things end, that mortality, while scary and lonely, is what makes life life, and makes love love. The Cat said to God he was fortunate to be with Him for even a moment, but after he died, the other animals ignored his calls for acceptance.

Still, they were still mortal, and one by one died, until only God was left, his house a ruin reminiscent of one of the deserted huts in the Boy’s village in To Your Eternity. Then God died, but was reborn with the others and the eternal banquet resumed. This original memory, which occurred so long ago, was forgotten by all…until it was told to us by the incomparable Iwami Manaka, whose voice moved me to tears on several occasions this week.

Cry With Me

But the promise endured, until present events now have Akito asking the original God if it’s okay for her to stop being special or a god, and just become Akito…to end the eternal, set down the extinguished torch, and begin her life.

As she asks this of her progenitor, the answer is revealed, as one by one the remaining Zodiac members are released from their eternal bonds. For many, like Kisa and Rin, it happens beside Hiro and Haru, respectively—those who already felt the pang of intense and all-encompassing sadness and loneliness that comes with the breaking of the curse. But Kisa has Hiro, Rin has Haru, Ayame has Mine, and Kyou has Tooru.

The coping mechanism is no longer needed. Both the animals and the god are now free to live among one another and with humans who love them and want to live with them. Free to make new beginnings and free to create new bonds. To commemorate this moment, Kyou rips the rosary off his arm and nothing happens. He’s now free to be Kyou, not the Cat, and free to love Tooru, who loves him more than she loves anyone else.

Thank You

All Akito asks as the curse is lifted is for everyone to “cry with her”, but they do more than that. Still sore from the breaking of their bonds, they are actually drawn to her—to Akito, not the God of the Zodiac—and when they do file in one by one, what had been a cold, foreboding, oppressive Souma compound is bathed in warm light.

As the original God states, it would be a long, long time before the cat’s words about eternity not being the answer and the preciousness of mortality became true. But they finally did. Akito may not be a god anymore, but she’s not alone. Tooru makes sure she knows that when she visits with Kyou and the others.

It’s telling that the first person for Akito to embrace post-the breaking of the curse isn’t a former Zodiac member, but the first and best friend of her new non-divine existence: Honda Tooru, who it turns out freed Akito as much as everyone else from bonds none of them ever asked for, and never needed. It is true we mortals must accept that things end, even if that thing is Fruits Basket. But I can’t think of a better or more satisfying ending than the one we’re getting.

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Fruits Basket – 57 – Caught Up In a Fantasy

“I wonder how much time and effort it’ll take for you kids to find your answers…” Those are the words Kyouko said to a young Kyou. The answer? A fuckin’ lot. Only Kyou seems to be retreating into the answer forced upon him at birth. As Akito was born to be loved, he was born to be loathed and despised, his existence only causing pain.

Even if he didn’t believe those words, as far as he’s concerned they were proven true when his mother walked in front of a train, and then Kyouko died. In his dream, in his dark room in this mercilessly dark episode, he dreams of a third death at his feet, with his hands drenched in blood: that of Tooru. He believes his mother and Kyouko came to him for a reason: to tell him to know his place.

It’s ironic, then, that neither he, nor the other Zodiac members, would even be in this dreadful mess were it not for someone NOT knowing their place. Whether she genuinely loved Akito’s father Akira or was simply trying to get in on that sweet, sweet Souma fortune and prestige, I cannot say, because I have no reason to trust her. But Souma Ren was but a humble servant when she decided to approach Akira, saying she alone could see his pain and loneliness, and offered to take it all away.

Even if it was a cynical scheme at the beginning, Ren was profoundly attached and obsessed with Akira, so maybe she always was. And maybe Akira’s attendants would have found a suitable mate for him to produce a successor before he died…but maybe not. Instead, Ren overstepped her assigned bounds and stepped into that role, bearing the next family head. But it was she who demanded Akito be raised as a man…and a precocious young Shigure seemed to know what that was really all about.

Ayame, Hatori, and Kureno didn’t understand, but Shigure did, even then: Akito was always going to be someone to be pitied, for Ren was imposing upon her a life she never asked for, costing her access to a life where she might not have become a Machiavellian monster.

In the present, Ren thinks that she has a sympathetic ear (and possibly another lay) in Shigure, but he’s only there to fuck with her, as usual. He says he only looks at Ren “that way” because it lets him fantasize about whether Akito would look like her if she’d lived as a girl.

Meanwhile, Akito is sulking in her room, holding the box containing Akira’s remains, remembering her mother (who was never really a mother) challenging her to prove that nobody can break her little dream and rub it in her face. But the dream is dying; Akito can feel it. Bonds are breaking by the day. She’s interrupted by Ren storming in with a dagger, ready to use it unless Akito hands her beloved Akira over.

Akito, in a particularly nihilistic mood, tosses the box high into the air, and for a moment I thought there’d be a horrible cloud of ash. But the box is empty. It always was empty. The chief attendant prepared it as a charm when Akito was being consumed by grief after her father’s death.

As a bereft Ren stares into the empty box, Akito says she’s always been “Other”, and this has all been broken from the beginning. There will be no rubbing in the face of a victory, but she does seem poised to kill Ren with her own knife…until another bond breaks just then.

This time it happens to Hiro, who is playing with his siter Hinata and was probably finally swayed from Akito’s pull due to her. The first thing he does is hold her tight, and then his mom comes in and hugs him. Hiro is full of conflicting emotions, and his mom understands that “saying goodbye feels lonely” by nature. But ultiamtely, it’s a good thing. Hopefully Kisa can follow and these poor kids can start having ordinary lives!

As for Akito…I can pity her without forgiving the things she’s done. It’s not just a matter of her sticking to the “fantasy” that she was a god born to be loved by all forevermore. It’s that she herself was always fifty-fifty about whether Akira’s soul was in that box. No one ever gave her any other life to live than the one she had, and didn’t even know or think she had the ability to change any of it.

Kureno draws her in to comfort her, saying she can start learning the things she doesn’t know or understand. She can change, and escape the choking, crushing bonds of the Souma clan, and he’ll be right there beside her. But Akito believes they’re already past the point of “change”.

She blames Kureno for this, by staying with her out of “kindness”, while half-saving and half-rejecting her. She wishes he could have left her back when his curse was first broken. But it’s too late, and she demands he take responsibility with his life, stabbing him in the back. As Kureno collapses, there’s a devastating smash cut to Arisa looking at a dead bird in the rain.

With that, we return to Shigures, where Tooru and Kyou are just finishing up a meal. Kyou prepares to leave, but Tooru doesn’t simply let him go without a word. She stops him at the door and says there’s something she has to talk to him about. Judging from his face and the dream he had about Tooru, I doubt Kyou’s in the most perceptive mood. It’s going to take a little more time and effort for these kids to find their answers…

Fruits Basket – 55 – The End Comes So Suddenly

This final season’s ED pairs off all of the romantic couples, and this week we check in on a number of them, starting with Ayame and Mine. When Ayame asks Mine if she’ll leave him if the curse is never broken, Mine being Mine assures him she’s not leaving his side ever, so if he has a problem with that, tough!

Meanwhile at Mayuko’s bookstore, she and Hatori talk about maybe going on a trip, though Hatori pointedly doesn’t have anywhere in particular he wants to go.

Finally, Machi is falling for Yuki, and hard, such that she’s actually taking her StuCo work seriously. Yuki knows he has to tell her about the curse at some point, but the right time keeps getting interrupted. Ultimately he may have to simply arrange a time—say, a date—for just the two of them to talk with no hangers-on.

Akito, still distraught over her fight with Hatsuharu, gets precisely zero sympathy from Shigure, who continues to mock her for thinking hiding in a dark room will solve anything. He knows that time, people, and emotions will move on in time.

Akito was sold a bill of goods about unchanging bonds and continues to cling to it, but that’s not Shigure’s problem. It’s not often I say this about the most despicable member of the Zodiac other than Akito herself, but…good for Shigure. Scratch that; I want neither of them to win anything, ever.

But Shigure’s not wrong. Would it surprise you to learn that these past four weeks when I watched both the OP and ED, I had no idea who the lanky blonde was, despite the fact that if you discount him, Momiji was nowhere to be found in either? Turns out that’s because Momiji had one hell of agrowth spurt. He’s a full-on man, complete with fully male school uniform.

Despite now looking like yet another handsome prince, he’s still the same playful, cheerful bunny boy who’ll take Tooru by the hand and walk around campus, completely oblivious to the fact it makes them look like a doting couple.

While Shigure is away getting his fix of Akito suffering, his house becomes a hub for all of the young Soumas, as Kisa, Hiro, and Momiji join Kyou, Yuki, Tooru, and Haru for a night of curry and family fun. I love how organically it all comes together; clearly these Soumas have had their fill of Akito’s gloom.

But while Momiji still puts on his usual adorable act, he makes clear to Kyou that as someone who has always loved Tooru and is now big enough to confess to her, he won’t accept Kyou continuing to be wishy-washy about her. If Kyou gives up on Tooru, someone else will come along and take her before he knows it—and that will surely sting.

Shigure, who acknowledges the various kinds of kindness doled out to Akito by Hatori and Kureno, but has no intention of becoming Akito’s “father”, quickly loses all the goodwill he built up kicking Akito when she was down by getting all creepy with a thankfully oblivious Tooru, whom he considers a more worthy “god” than Akito to be devoted to.

That night, Akito dreams of her father telling her how she was born to be loved and how there will be no loneliness or fear in her future, only to see another rope snap, waking her up in a panic.

It comes as both a huge surprise and entirely no surprise whatsoever that the next Zodiac member to be liberated from the curse is Momiji. Akito can feel it, and rushes to his place to beg him not to leave her, and in his newly liberated state he sees Akito for the pitiful, pathetic wretch she is and curses his former self for feeling otherwise.

Still, because he’s also a nice guy he tells her to leave for now; he’ll come talk to her once he’s sorted some things out. The next day at school he is aloof and elusive, but from the roof he catches Tooru gazing at an unaware Kyou in the hall. Kyou goes to the roof and finds him there, and Momiji says “my curse is broken” and tries to pass it off as a joke, all while telling Kyou that he, Momiji, is the one truly being stung.

Later, Momiji tells Akito that he can’t stay by her side all his life, and she can’t tie him down, either magically or emotionally. She tries her best to tell her that neither his parents nor anyone else will welcome him back, but he already knows that. He’s free now, and it’s lonely and terrifying, but he also feels a sense of almost infinite potential.

Even if he can’t find happiness with Akito, and even if he won’t get the girl he wants, he knows deep in his newly freed heart that he can find happiness somewhere, and with someone, at some point in the future. That happiness may only be waiting for him to catch up. But he won’t find it unless he walks his own life’s path.

He then asks Akito how long he’ll stay in that place, which I believe is the very first time someone suggested that Akito could simply give this all up and find her own path. Naturally, Akito ignores the questions and tells him to buzz off, but she’s only delaying the inevitable. I have to believe Kureno and Momiji are only the beginning. The curse is on borrowed time.

While walking to school, Momiji chooses a route that goes past his birth mother and sister Momo. His mom talks about going on a trip soon, and even though Momiji can’t and won’t be going with them, his mood is improved dramatically simply by hearing the words “take care” from his mom.

Fruits Basket – 54 – Coming Home

After a cryptic cold open in which Akito shows Kureno a black box presumably containing her father’s remains, we shift to Yuki asking Hatsuharu about Rin. Haru doesn’t know any of the details, but was unaware Rin had become close with Tooru, and gleams with pride. He tells Yuki to thank Tooru, and “if it all goes wrong”, to comfort her.

Kisa and Hiro, who are both taller now, head to Hiro’s house so Kisa can meet lil’ Hinata. Hiro admits that whenever he sees Hinata, he thinks of how stupid he is to always be wrapped up in his vanity and fear. He wants to be a brother who can protect her. That’s why even when he bumps into Haru to ruin the mood, Hiro is intent on apologizing to Kisa, since it was his fault Akito hit her.

He tells Haru that Akito pushed Rin off the balcony, but Akito and Rin both told him to keep his mouth shut. He also knows Rin is trying to break the Zodiac curse, which is why she left Haru—to shield him from whatever consequences she’d face. And as Haru tells these truths to lighten his heart, Kureno spots a maid delivering food to the Cat’s cottage, demands the key, and discovers a starving Rin imprisoned there.

The lovely, innocent exchange between Hiro and Kisa is a preemptive balm for the harsh events that follow in this episode. This is an episode full of beautiful and terrible moments. As soon as he takes his leave of Hiro and Kisa, Haru becomes Dark Haru, and storms right into Akito’s rooms to confront him*—decorum be damned.

*While we, Kureno, Shigure, and Tooru know the truth about Akito’s biological sex, Haru is one of the Zodiac members still in the dark, hence the male pronouns I use for Akito when interacting with Haru.

We’re reminded how scary Hatsuharu can be when he’s pissed off, and he has every right to be, especially when Akito denies he pushed Rin off the balcony and pretends not to know where she is now. Haru is about to get violent with him when Kureno comes in and tells Haru that Rin is in the hospital under Hatori’s care.

Then Kureno scolds Akito for doing something so monstrously cruel. He may have vowed to remain by her side forever, but he didn’t say anything about standing by and letting her pull this kind of shit. For all the shading we’ve gotten into Akito’s own background and trauma, she continues to sabotage any chance of sympathy by being so goddamn villainous.

When Akito’s demeanor changes and he tries to play the victim of Kureno’s betrayal, Haru violently grabs him, but Akito is ready with the gaslighting, saying it’s Haru’s fault Rin is suffering; he dug her grave when he decided to fall in love with her, knowing full well how Akito would react.

Akito tries to turn Haru’s love for Rin against him, into a defect that rendered him worthless when he felt Rin needed him most. And it works—at least at first, as Haru punches the wall instead of Akito, and warns him not to say anything else lest he kill him and then himself.

As he storms off, Kureno urges him never to return there, but instead to go to the hospital to see Rin, who surely wants to see him more than anything. While she was malnourished and barely conscious when Kureno found her, Rin’s first word was “Haru.” Upon hearing that, the rope representing the curse binding Haru with Akito begins to fray.

Rin, meanwhile, ends up escaping from her hospital room, as is her habit, lamenting that she has “no home to go to” anymore. She wanders the streets barefoot and frail, remembering how she ended up in the cat prison in the first place. While sneaking around the Souma compound, Rin was caught by Ren, who agreed to tell her the secret to breaking the curse if she retrieved a “treasure” from Akito’s room: the box Akito called “father.”

Rin is caught red-handed by Akito, her hair is roughly snipped off, and she’s thrown into the Cat’s cottage to rot. As for Ren? She never knew the cure to the curse, and was only using Rin, whom she always dispised. Last week didn’t show us a short-haired Rin; it was Akito with those scissors. Akito warns Rin to go into exile or Haru will lose his eyesight. Rin decides to stay in the prison and waste away, deeming herself “no good” for failing to find the secret to Haru’s happiness—i.e. the cure for the curse.

In her delirious state Rin believes she’s still imprisoned, and wishes that if she’s going to die, that at least her final dream will be of her beloved Haru, spoiling her with his kindness. She gets her wish, except that it’s not a dream: he finally found her collapsed on the sidewalk. Haru was always Rin’s true home—and vice versa—so when she “returns” from her long journey, it’s only appropriate that he say “Welcome Home.” He needs her to come home to him, or it’ll be too lonely to bear.

He scoops her up (she can’t weigh more than 90 pounds). She protests, saying she can walk on her own, but he refuses to let her go, not when he came so close to losing her! When he saw her on the ground years ago, he did nothing, but now he’s older, and wiser, and stronger, and loves her so much more, so no matter how many times she needs to be carried, it would never be a burden for him.

As two random elementary school kids gawk at the powerful, adorable romantic scene unfolding before them, Rin says “I’m home”, and she and Haru embrace tightly as one, her long journey finally at an end. Thank God. Not Akito though…a better god!

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Fruits Basket – 48 – Love is In the Air…and On the Stage

Just like that, it’s the day of the festival and the class play, totally reworked into something “Cinderella-ish”. After Kisa and Hiro arrive to join Momiji and Haruhatsu in the crowd, the first two-thirds of the episode is given over to the play…and it’s wonderful.

The scriptwriter did a masterful job rewriting the script to complement the cast, from making Tooru kind and meek stepsister to letting Saki just be “Sakirella”, regarded by the crowd as “sassy” and “a boss”. The crowd favorite is Yuki, who is resplendent as the Fairy Godmother—Ayame and Mine knocked it out of the park with the costumes.

By the time the big ball scene arrives, Saki is far more interested in Yakiniku than dancing with the prince (her first wish was to burn the castle down, but she settled for Yuki making her dresses for her stepsister and mother). As for Prince Kyou, the actor’s general reluctance to participate is used in the story, making the prince reluctant to find a princess despite his fellow prince (Arisa) helping him out.

Midnight comes, and Black Cinderella must flee, leaving a glass slipper behind and wishing she’d eaten more. At Arisa’s urging, Kyou visits every house in the kingdom until she comes to Cinderella’s house. Saki asks if he’s there to marry her sister (Tooru), which causes Kyou to explode. This works in the context of the play, but is another among many instances of reality seeping into the play.

When Saki launches into a dark monologue about the prince continuing to deceive himself and lock himself away in the castle forever, Tooru is compelled to speak out of turn, yelling “I don’t want….!” Of course, it’s not just her character who doesn’t want the prince to be lonely. This is Tooru expressing her objection to Kyou being locked away by Akito just for being the Cat…as well as her objection to Kyou being okay with it. Their dialogue’s close proximity to their real-life situation isn’t lost on either Tooru or Kyou.

After a deliciously feminist ending to the play (Cinderella doesn’t marry anyone and opens a yakiniku business with Tooru), the play is over, and Kyou couldn’t be happier…only to find that his Shisho is there, but Saki is flirting with him hard, using her sweetest demeanor and most dignified diction while around him.

Tooru meets up with Kisa, Hiro, Haru and Momiji, the last of whom capture the play on his camcorder. Tooru is glad for this, because it means Kureno will get to watch the DVD of Arisa. However, when Hiro lashes out at Haru (despite his efforts not to lose his temper), Kisa gets the wrong impression that Hiro likes Rin (Isuzu).

Released from his acting duties, Yuki checks in on the StuCo and is placed on patrol duty by an angrier-than-usual Nao. He overhears Machi being hassled by members of his fan club for her comments about Yuki not being a prince. He’s about to intervene, but Kanabe wisely restrains him; this is something Machi needs to work out for herself.

Eventually she does speak up for herself, first offering a curt apology when it is demanded, then elaborating on her read on Yuki, which is not only far deeper than the fans’ shallow infatuation, but also resonates with Yuki a great deal. She alone can tell that despite being around so many people, Yuki seems lonely. She can tell because she’s lonely too. Yuki blushes in the way a man blushes over a woman.

Kyou ends up joining Tooru with the others, but before they do, they share a quiet moment with each other, with that scene in the play still vivid in both their memories. But right at the edge of acknowledging their mutual feelings for one another, the two withdraw, neither allowing themselves to think about “it.”

If this were a one or two-cour romance, I’d say they were spinning their wheels, but Fruits Basket will continue for at least an entire third season and I’ve heard it could even extend into a fourth. So it’s so far so good with these two with two episodes left in the second season. I also continue to be intrigued with the Yuki-Machi connection, though I do hope they get to actually interact more down the road.

Check out Crow’s thoughts on the episode here!

Fruits Basket – 43 – Having Nothing in the End

Hiro is talking with Kisa about his yet-to-be-born sibling, whose gender will be a surprise, when he spots Rin in her school uniform. He’s concerned about her ashen appearance, but she gives him basically the same treatment as everyone else who tries to reach out: Buzz off. Go have your happy life with your nice parents and leave me alone with my misery.

The episode then revisits the time Rin approached Shigure, and we learn that she seeks a means of lifting the Zodiac curse, just like Tooru. She’s willing to give him her body for the info, but Shigure—in a rare instance of not being a total slimebag—rejects her offer. But he also refuses to help in any way, while stating he’ll enjoy the benefits Rin’s and others’ efforts, because, as he himself says, he is the worst.

Spurned by Shigure, who may or may not possess the answers she seeks, she goes through a Souma storage room in hopes of finding something, anything related to the curse and a way to lift it. Exhausted and nauseous, she collapses on the ground, then remembers one of the happiest moments in her life—in bed with Hatsu post-coitus, wishing she could be his heart—followed by one of the worst: her parents telling her they “don’t want her”.

Around dusk, she returns to Shigure’s house, strung-out almost beyond belief, but nobody’s home…until Tooru comes through the door. Even that act of opening a door sends Rin into a hysterical fit, repeatedly begging Tooru not to yell at her. Tooru being Tooru, she does the only thing the situation calls for in that moment: giving Rin a warm, gentle hug to try to calm her down.

Shigure may believe he’s the worst, but delving into Rin’s horrific childhood establishes some healthy competition for the title. By all accounts, Rin’s parents tried for years to put on a happy, fun façade as they raised her. It wasn’t until it started to feel like a performance to her, and she asked them why that was, that they snapped. This is not at all to blame Rin for breaking the façade; it was doomed no matter what she said or did. But it’s clear she blames herself.

Verbal and physical abuse followed, until one day Rin collapsed from the injuries the marks of which her clothes concealed. Kazuma and Hatsu are with her in the hospital, and that’s when her parents tell her flat out they no longer want her. Hatsu responds not by turning into Dark Hatsu, but simply by getting extremely pissed off with the parents, and lays into them, getting no response in return.

From then on, Rin lived with Kagura’s family, and the mere fact it was a genuinely happy household caused her intense emotional and physical pain, since she wonders “what she did wrong” to cause her to lose her own home. The only person in whom she found true peace and comfort was her white-haired knight Hatsu, who eventually confesses his love, and she reciprocates.

For the one person with whom spending time was not painful to also be a Zodiac member only adds fuel to the all-consuming flame of misfortune that is Rin’s life. Akito finds out, and when Hatori’s eye is brought up, Rin declares that she was the one who seduced Hatsu.

Akito doesn’t hold back on the verbal or physical wrath, calling Rin wicked and devious “like all women” and calling her flowing black hair “repulsive”. Seemingly feeding off Rin’s fear by grabbing her, Akito tells her she has no value other than filling one of the Zodiac slots before throwing her out the window. This is witnessed by Hiro, and if he hadn’t, Rin might well have bled out. Instead, she’s still alive…and wishes she wasn’t.

For all of those times I misinterpreted Rin’s standoffish, quick-to-anger nature in the few scenes in which she interacted with others, I can only beg for the character’s forgiveness. She’s had every right to act the way she has. It’s now crystal clear she broke up with Hatsu in order to save him from Akito’s wrath, as well as her own belief her love for him would be so heavy it would one day crush him.

I can only breathe a sigh of relief that Rin is now in the safest possible place: in Shigure’s house and in Tooru’s care. She may act like every bit the wounded horse upon coming to, and stubbornly reject any and all offer of help from Tooru, but the fact is the two share the same goal, and they’ll need each other if they’re going to make any progress.

So ends the darkest and most devastating episode of Fruits Basket to date, an absolutely unrelenting look at the destructive effects of the Zodiac curse on its members. Few episodes of anime hit me as hard as this one. Rin is at absolute rock bottom, neither wanting nor feeling she is deserving of love, happiness, or anything at all. But if anyone can help her, it’s Tooru. As long as Rin is alive, there is still hope. And I hope to hell she gets the redemption she needs and deserves.

Fruits Basket – 33 (S2 08) – Quiet Voices

In summoning the Zodiac members to the annex, Akito intends to gradually isolate Tooru, the “Ugly Girl” with whom Akito locked is in a one-sided competition. Tooru isn’t trying to take anyone from him, just get along and help out with their problems if she can.

Of course, simply by existing and being kind-hearted and caring, Tooru is an affront to Akito’s authority as “god” of the Zodiac. The members and their souls are Akito’s property. To put it crudely, Tooru is fuckin’ with Akito’s shit, and he will only tolerate it so far.

All we know is, none of the Zodiac members dare oppose Akito…except for Yuki, who thanks to Tooru has developed a more rigid spine and thicker skin. Tooru is worried about what Yuki said to her on the beach, especially the part spoken in such a “quiet voice” she couldn’t hear it even when she strained to do so.

The next day Yuki apologizes for making her worry, but won’t apologize for the kiss. In exchange, he’s fine with her forgetting everything he said, but she won’t. What was said (what she heard anyway) was important, after all.

Kyou is a little different in that he’s no so much in open rebellion against Akito as simply not worth his time or trouble, being the Cat and all. It’s because of this Akito doesn’t summon him, allowing him to continue hanging out with Tooru. What Akito doesn’t realize (at least until witnessing the two having fun on the beach) is that as long as Tooru has Kyou, she won’t be lonely and miserable, which is what Akito wants.

Previously, Akito assumed Kyou was a monster who even Tooru couldn’t have fun with, but he is ignorant to just how much growth Kyou has gone through. Rather than be tight-lipped about his rosary, for instance, Kyou tells Tooru how it’s made of bone and blood of “some great monk”, making it a constant reminder that someone was sacrificed so that his true form could be controlled. Just telling Tooru this, and letting her comfort him, is immense growth.

Meanwhile, someone who is clearly not only an emotional prisoner of Akito but of her own emotional complexes is Isuzu AKA Rin, whom Tooru finally meets by chance while chasing down a sheet.

She meets Rin in her Horse form, as Rin is exhausted from walking to the beach. In the cold open we see she’s crashing at Kagura’s house, but like virtually everyone else she has no intention of letting anyone know about her desires or problems.

Despite being exhausted, Rin transforms back into human form through sheer willpower after nearly kicking Tooru’s head in as a horse. She takes Tooru’s change of clothes, but otherwise doesn’t give her the time of day, and not-so-kindly asks Yuki to butt the hell out of her business. Seeing her as she is now reminds me of much earlier versions of Yuki and Kyou, but without the slightest interest in knowing Tooru.

When Rin calls Yuki Akito’s toy and Yuki doesn’t so much as flinch, it angers her even more, and she storms off in a rage, later stomping the sand castle Tooru and Kyou built. Yuki assures Tooru he’ll take care of Rin, but for now has to return to the annex from which he snuck out. He’s continuing to play Akito’s game, even as his hold on him is diminishing by the day.

But now that Akito has seen how well Kyou and Tooru have gotten on, which means a new avenue for antagonism. Thus he finally orders Hatori and Shigure to summon Kyou, in an effort to complete her isolation. Shigure is excited at this development as it no doubt fits within whatever twisted scheme he has, while Hatori is not amused.

As for Kyou, he has no idea what’s coming down the pike. Yuki warned him not to risk hurting Tooru by being too impertinent if and when Akito summoned him. Hopefully he got the message even though he hates the messenger…

Fruits Basket – 32 (S2 07) – So Hard Because It’s So Simple

This week’s cold open features Akito, who has followed Shigure’s advice and arrived at the seaside, confronting Yuki and whispering something in his ear. While we can’t hear what hesays, Akito is likely using the exact same ammunition he’s used in the past—trying to cover Yuki in a hopeless pitch black, warning him any glimmers of happiness or warmth are mere delusions.

But there’s something different about Yuki here from previous confrontations with Akito, and the fact Yuki’s voiceover is all we here is key to that. First of all, he’s not having a goddamn panic attack, so that’s good! While Akito approaches and launches his attack, Yuki is testing a new “armor” he has developed as a result of “opening the lid”—the armor of his memory of saving Tooru.

When Momiji proposes a watermelon splitting contest, Tooru starts to bring up her mother, but stops herself, awkwardly saying “gumshoe” instead of “mom”. She doesn’t want to trouble people with stories of her mom when she knows nothing about their own.

Hiro, who learned that morning that his mom is pregnant, can now see the effect of his harsh words to her, while Kyou can again sense something off in Tooru, and suspects it’s Hiro’s fault.

While Momiji, Hiro and Kisa are napping, Kyou asks Tooru about it, and she in turn asks Kyou about his parents. As expected, there’s not much to say: his mom was killed in an “accident” (holding back that it was suicide) when he was very small and he and his biological dad are estranged.

Tooru then shares the details of her watermelon splitting contest with her mom. Neither of them had any aim to speak of, as her mom smashed both a flowerpot and Tooru’s dad’s shrine, but they still had a lot of fun, and the warmth and love of that memory brings a smile to Kyou’s face.

But amidst all these happy feels, you can’t help but wonder: what is missing from Tooru’s almost impossibly ideal childhood with her mom prior to her death? Why doesn’t she remember (or claims not to remember) anything about her dad, from whom she inherited not only her kindness but her very manner of speaking?

Akito, Kureno, and Hattori arrive, and arrangements are made for the Zodiac members to formally greet her at the annex. Before that, Akito spends some time by the ocean, with Kureno not far away. Yuki encounters them while on a walk, and we’ve now reached the events of the cold open.

Predictably, Akito fires shoots some lies Yuki’s way—telling him he’s “all alone as usual” and “such a lonely boy.” Akito’s idea of Yuki as an individual might as well be frozen in amber. That’s who Yuki was, and those barbs don’t cut nearly as deep as they once did, when Akito’s influence on him was stronger.

Shigure rounds up Momiji, Hatsu, Kisa and Hiro, and all of them are gloomy because none of them are in a particular hurry to meet with Akito, especially if it means leaving Tooru behind (not to mention Kyou, who never sees Akito). Momiji in particular seems at peace with the fact he’s “disliked” by Akito, but he can deal with that if he can continue having fun with Tooru.

Back at the beach house, Tooru is determined not to be glum, and stirs into action making pancakes with Kyou, who’s never had them before. Kyou can sense Akito’s reason for coming as putting a damper on their good times.

When Shigure arrives with the Zodiac members, he’s received by Akito, Kureno, and Hattori. Akito sends Kureno away without meeting with anyone (deeming it “unnecessary”) and proceeds to launch into a villainous rant, boasting about how she discouraged Yuki and laughing about his attempts to separate from her.

Shigure takes all this in stride, and is his usual polite self as Akito goes to receive the others. While Hattori isn’t pleased with Shigure’s methods (i.e. “scheming” and “shaking things up”) he lauds him for at least trying to do something to exact change.

I may not know exactly what Shigure is up to, but I do know that Akito is more a means and not an end to his plans. That Akito doesn’t seem aware he’s being manipulated seems to be working in Shigure’s favor.

While Yuki weathered his latest confrontation with Akito well, it still left him feeling as gloomy as everyone else who has dealings with the pale little shit this week. So it’s fortuitous that he and Tooru meet on the beach at dusk, just when he’s feeling his most alone.

Just then, there’s a beautiful meteor shower in the sky above them. They’re only visible to Yuki because he was able to survive dark clouds and pelting rain of Akito’s bitter mind games, which in turn was possible due to both his memory of and friendship with Tooru, twin totems in his efforts to cast away the darkness.

Akito tried so hard to make Yuki think he was useless, but when Yuki encountered Tooru and helped her out, it was the first time he felt needed. In that regard, she saved him just as much as he saved her, because it turned his world upside-down and let him dream of a better one, of which he’s now privileged to be a part.

Akito’s dark clouds never stood a chance against the dazzling showers of kindness, warmth and joy that Tooru so generously shares with him every day. They’re why he won’t lose to Akito. When Tooru asks why he looks sad, Yuki tenderly takes her shoulders, kisses her forehead, and tells her she’s “so dear” to him. So it’s official: Tooru is the Dear of the Zodiac!

Puns aside, Yuki compares Tooru to the sky: i.e. something he’ll never reach. It’s clear Kyou is making more progress with Tooru, and Yuki knows if he becomes bitter or possessive about it, he’s no better than Akito. Just as he’s liberated himself from Akito’s now-hollow lies an manipulations, he must move past the memory that helped him do so, and shrug off the comfy blanket that is Tooru in order to keep moving forward.

Fruits Basket – 31 (S2 06) – It’s NOT Okay!

In the midst of a bad storm, Momiji announces that he’s secured a Souma beach house for everyone to stay during summer break. He’s invited everyone but the Horse, the Rooster, and Rin. Tooru wants to go, but she hasn’t yet finished her summer homework. One wonders why she can’t just take it with her and finish it there…though I imagine with all those Soumas there will be too many distractions.

Leave it to Yuki, who is happy to help Tooru out. While in her room, he notices the old cap again and finally asks her about it. She keeps it because it represents a happy memory when a boy helped her out when she was lost. That she doesn’t remember what the boy looked like doesn’t change the fact that it’s a cherished memory, and why she still has the hat. That seems to comfort Yuki, who is on the cusp of discussing it more when Momiji interrupts.

The next day everyone clears out of Shigure’s house, and he prepares to join them after taking care of some “work” first. It seems Rin has paid him a visit, and wants…something from him. As tends to be the case when Shigure meets with someone in secret, the words spoken don’t always reveal what’s truly being said.

While what that “something” is isn’t 100% clear, one can make an educated guess from the way she kneels and draws closer to him, and Shigure’s gaze lingers on her low-cut blouse. Her addressing him as Gure-nii suggests they’re brother and sister, but this is the Soumas we’re talking about…so who the heck knows!

Down by the sea, Tooru revels in the sun, sand, and water, showing off her swimming skills (though she needs to learn how to breathe while doing so!) and playing with Momiji and Kisa. Kyou and Yuki eventually join in the fun, with Yuki even complimenting Tooru on the adorable swimsuit they all picked out for her.

He does so after remembering Akito’s past words about having to live a “pitch black path without potential or hope.” Rather than despair from those words, Yuki rejects them. He believes he can walk in the light, and that light is Tooru.

It looks like the summer fun will never end until Hiro ends it like a needle scratch after picking up Tooru’s wallet with her mom’s picture in it. He calls her out for not having a photo of her dad, and for always going on about her mom like she’s got some kind of complex.

If Hiro expected Tooru to come up with a retort or to defend herself, he doesn’t know Tooru! Instead she smiles a sad, defeated smile and gets saved by the Momiji bell. But Kisa can and will defend her friend, and asks why Hiro even came if he was just going to shit on poor Tooru!

That night Hiro apologizes to Kisa for being so harsh, and she apologizes for getting angry with him and questioning his motives for coming. Both these cute kids have grown quite a bit; I know that because time was it would take a whole episode to make up, now it’s adjacent scenes.

Meanwhile, Hiro’s words still ring in Tooru’s head, as do images from her memory: her mom at her dad’s shrine, a cup with two toothbrushes, suddenly finding herself with neither parent. They flash by so fast and yet carry so much seering sorrow and longing, and Tooru can only tell herself again and again that “it’s okay”, even if how she’s choosing to handle this isn’t particularly okay.

The next day Momiji’s regimen of summer fun continues with a beetle hunt, and Tooru is hiding behind a mask of cheer and enthusiasm, letting herself get swept up in Momiji’s flowery energy…anything to avoid burdening others with her grief. While Hiro initially sees her smiles and thinks all must be well, Kyou can tell she’s down, because he knows by now that sometimes it’s when Tooru looks most happy that she’s really the most depressed.

Meanwhile, Shigure stops by Akito’s before joining the others at the beach. Akito hates everything about the summer and curses the “ugly girl” and the others for getting cocky and deluding themselves. Akito wants to “teach them a lesson”, to which Shigure suggests Akito accompany him to the vacation house so the lesson can be taught in person.

Whether Shigure is plotting against Tooru and the others or merely being deferential to remain on Akito’s “good” side (as if such a thing existed), these interactions always makes my skin crawl and fill my heart with dread.

It’s a good thing, then, that the episode ends by replacing some of that dread with tenderness. Yuki comes down with a low-grade fever, but he is notably smiling the whole time. When Hatsu leaves him with Tooru, he takes a bit of her hair in his hands and gently, lovingly twirls it about as he tells her that one day he’ll have something important to tell her, and hopes she’ll listen when that day comes. It’s the day he plans to “open the lid” on a shut box.

That’s both the pitch black box Akito stuffed him in, and the boy-with-the-cap mystery box. Will Yuki’s avowal here spur Tooru to explore opening the lids on her own boxes containing the painful things she’s ashamed to share? Will she tire of carrying those burdens alone? Will she be a match for Akito’s curelty and scorn…or will her light get snuffed out like so many others in this wretched family’s history?

Fruits Basket – 20 – Sickeningly Immature

Yes, it was wonderful that Tooru was able to become good friends with Kisa, and through that friendship, encourage her to talk and go back to school. And yes, it’s also nice that Tooru gets to meet the Sheep (Goat) of the Zodiac and assure him that with his smarts and courage to admit to his own failings and weaknesses, he will one day be a splendid “prince” to Kisa’s princess.

BUT. But but but but but. But. God DAMN is Souma Hiro an immensely annoying brat! One who comes into Tooru’s life out of nowhere and immediately starts treating her like dirt. And he never, ever, ever shuts the fuck up. While I realize his importance to the story, his presence almost always detracted from my enjoyment of the episode.

In this regard, I identified with Kyou, in that I really wanted to slug the little punk at times (though I would have probably not made that known to Hiro as Kyou did, as owning up to the deside to knock Hiro’s teeth out doesn’t make things any more pleasant for Kyou).

Yes, there’s a reason Hiro is such a little shit: he’s just in sixth grade, and while he’s an otherwise sharp kid, the fact of the matter is he’s intensely jealous of Tooru spending so much time with Kisa, even as he spend much of recent weeks ignoring Kisa and pretending he doesn’t want to hang out or watch anime with her.

We eventually learn the reason for that, as well, and suddenly Hiro’s frustration and lousy attitude come more into focus. Hiro blames himself for what happened to Kisa, because before she was bullied at school, she was badly beaten by Akito, all because Hiro told Akito he loved Kisa.

Once more Akito emerges as the bogeyman, the uber-villain of Fruits Basket: vicious, cruel, wildly unpredictable, and utterly determined going to make sure every Souma is as miserable as he is, if not moreso. As Shigure and Hatori discuss Hiro’s case and the toll of Akito’s wrath, Shigure not-so-subtly declares that one day Akito will be sorry for doing as he pleases all this time.

So yeah, it makes sense for a kid like Hiro to act out as a result of hating how helpless he was to spare Kisa, as well as how easily Tooru managed to comfort and heal her when she’s such a damn space cadet. At times, I was almost glad someone was finally calling Tooru out on her constant apologies and modesty, but at the same time, Tooru’s apologies are always genuine, as is her modesty.

She’ll never admit she’s good at sorting out Soumas. She helps them simply by existing as herself, even if that self is deeply flawed and troubled. This episode did as good a job as it could rehabilitating Hiro into someone sympathetic and understandable, but likable? He’ll never be that for me. Not until he grows up a bit more, and stops kicking Tooru! Damnit!