Don’t Toy with Me, Miss Nagatoro – 06 – RPG Dreams and Triple Teams

Naoto wakes up in a heavenlike place, assigned a mage’s staff, and before he knows it he’s falling from the sky into a fantasy RPG world, complete with Nagatoro in skantily-dressed catgirl cosplay.

He manages to protect her from the fire breath of a dragon (who turns out to be Gamo-chan) and Nekotoro rewards him with a peck on the cheek—which would be his first kiss, were this not obviously a dream.

Because it was only a matter of time before things took a turn when Gamo and Yosshi showed up, the four arrive at the Demon Lord’s castle, where the three girls change into even skimpier outfits and reveal that collectively they are the Demon Lord.

They prepare to make him their toy, and he wakes up screaming…in the middle of the family restaurant, just as Nagatoro and her friends spot him. He quickly flees, but leaves behind his sketchbook…full of drawings of Nekotoro, which Nagatoro is surely secretly happy about.

In the next segment, Naoto is simply relaing in the miracle of air conditioning when he gets a call from Nagatoro—that’s right, a phone call—urging him to join her at the beach. When he meets up, he learns Gamo-chan and Yosshi are also in attendance, which serves as some nice symmetry to his RPG dream.

When they arrive, Gamo does what anyone who arrives at a beach would do: take off her shirt and shorts to reveal her black string bikini. When she notices Paisen gawking, she makes it a point to flaunt her bod, and Yosshi joins in with her frilly pink bikini.

Not to be outdone, Nagatoro removes her oversized undershirt to reveal her black-bordered white bikini…as well as her swim club tan lines. That’s right: no one-piece school swimsuits among these cool girls. Naoto retreats to buy the girls drinks.

Nagatoro, Gamo and Yosshi go swimming in the ocean, but Naoto remains under the beach umbrella sketching, worried about sunburn. Nagatoro engages him, offering to apply sunblock to her Senpai … “gently.” When he says that’s something only people dating should do—and he and her aren’t that—Nagatoro is clearly hurt.

She dispenses swift punishment, in the form of liberally squirting sunblock on Naoto, then rubbing it into his back…with her foot. As she does so, she starts to smirk and blush, and Naoto blushes too, indicating this is something both of them are into.

But when Yosshi puts her foot on Naoto as well, observing that it looked liked fun, Nagatoro makes clear she’s not having fun; she is doing her duty as a domme, putting her sub in his place for putting distance between them.

Gamo also joins in, which means Naoto has three beautiful girls pushing him into the sand with their feet. Once he’s sufficiently sunblocked, Nagatoro takes the lead in pushing him towards the water.

While Naoto is not the strongest swimmer, he’d buoyed—literally—by the fact that it’s easier to float in salt water. He, Nagatoro, Gamo and Yosshi proceed to have a blast swimming and splashing in the ocean and then having ramen at the seaside cafe.

That night, when Naoto is back home, Nagatoro calls him to ask if he had fun, and Naoto admits that he did. Of course he did! Not only did three drop-dead gorgeous girls deign to spend time with him and sully their feet so that he wouldn’t suffer sunburn; he also managed to sketch Nagatoro in a moment of pure joy. Thus his summer was not wasted.

Naoto and Hayase may not be “dating” per se, but it’s made abundantly clear by both his dream and the beach trip that the pair are good friends who enjoy hanging out, and her friends have fully accepted him as someone she genuinely cares about. Sure, they can go overboard in messing with him, but at the end of the day they enjoyed his company and he enjoyed theirs.

Rating: 4/5 Stars

Episode 6 “Senpai” Count: 29 (+6 “Paisens”)
Total: 227

Koufuku Graffiti – 03

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This week’s warm open (calling it ‘cold’ wouldn’t do it justice) is a three-way: with Shiina joining Ryou and Kirin in gastronomic bliss over some particularly delectable-looking omelettes designed to flow over rice just so. I’m already hungry.

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After the credits, it is now April, Ryou is in ninth grade, and her parents have just sent her a 5kg bag of rice and a note telling her to study hard, among other things. Ryou is fired up about both written and practical exams…

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…But when it’s time for the practical, she sees ingredients displayed for the still life motif and she can’t help but draw a dish that encompasses those ingredients, rather than drawing what’s actually there. It’s a pretty bizarre screw-up, but one that was apparently impossible to avoid, what with the way food makes Ryou’s mind work. It’s not enough just to draw them; she has to draw their potential.

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That compulsion gets her third in her class…from the bottom, and generally ruins her day. Not to worry: Kirin springs into action, grabbing the bamboo shoots from class and grabbing Shiina to accompany her to Ryou’s so she can cook them food, and they can eat it and cheer her up.

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The bamboo blanched in water and rice bran then added to rice, looks absolutely outstanding, and the taste and texture are so spot-on, it changes Shiina’s very character design! By the time the meal is over, it’s late, so Ryou invites Shiina to stay over, and the usually possessive Kirin has no objection.

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The next morning, after watching a show they all love in which omelette rice play a large role, Kirin and Shiina run out to grab ingredients so Ryou can make some. And make some she does: omelette rice a half-dozen ways, all of them positively mouth-watering. I for one love using leftover Golden Curry rice to make mine, though I’ve yet to find a ketchup bottle that allows for precision writing.

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Ryou is an old hand at these omelettes. Her holy grail is the soft-cooked one, which is solid on the outside, but when sliced down the middle, runs down the sides of the rice mound and covers the rice. Many failed attempts dozens of eggs, and many grams of cholesterol later, she finally succeeds, leading to the warm-open triple foodgasm up top. Most importantly for Kirin, Ryou is fully cheered up.

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When Ryou takes stock of her rice supply—lowered a surprising amount, but all for a good cause—she notices her parents’ letter doesn’t just tell her to study, but to make good friends, too. She’d already made one in Kirin; now Shiina makes two. Kirin has also warmed to Shiina…though she’s not about to let her and Ryou “cheat” on her by going out for cake without her!

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Koufuku Graffiti – 02

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Two episodes in, and KG is definitely my cup of tea…and my tamagoyaki, and my grilled squid, and my corn on the cob…and my Russian Roulette sandwiches. This week is bursting with gorgeous sights, smells, and tastes, but while last week Ryou learned that her food tastes infinitely better when she shares it with someone, this week the food is a medium for Ryou and Kirin to learn more about each other and grow closer as both family and friends.

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Like last week, the joy is all in the delectable culinary details. Ryou carefully, lovingly prepares lunches for the sakura festival (damn, I wish it was Spring already), and Kirin contributes her own bento: one that at first seems to be a pure white void, but then the seams of delicious-looking sandwiches become visible. The fact that Kirin’s mom helped her shows that the two have made up, in part thanks to Ryou’s hot pot recipe.

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Food doesn’t just taste better depending on the company you keep, but the environs. And what better place to eat than in a city park exploding with cherry blossoms?

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Kirin meets Ryou’s Aunt Akira for the first time, and while she’s initially shy, Akira’s wild, laid-back, but friendly demeanor puts her at ease. However, Ryou is a bit cross that Akira brought plenty of Asahi Super Dry for herself, but contributed no food. Akira makes up for it by presenting the girls with cash and sending them out into the fair.

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It turns out to be the first real fair Kirin’s ever been too, and thus encounters several different and wonderful fair treats for the first time. Ryou tells Kirin she used to look forward to Spring like no other because she got to enjoy a picnic with her mom, dad, grandma, and Akira. Now only Akira is here…and Kirin.  It may not be exactly the same, but it’s still good.

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We formally meet Ryou and Kirin’s fellow cram schooler Shiina (Komatsu Mikako), who has come to the festival with very clear goals in mind: “sketch it all (including drunk salarymen) and eat it all”. Her encounter is marked by a classic slo-mo Shaft Head-Tilt™, followed by an impatient Akira doing the same thing in short succession.

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Kirin, exhibiting a child’s weariness to strangers to match her small stature, seems to see Shiina as a rival for Ryou’s affection, but more than anything she’s envious that Shiina knows a side of Ryou (the super-focused side she shows in class) she doesn’t. Shiina apologizes for assuming she’s a grade-schooler with a candy apple—a somewhat juvenile food—but the thought is what counts, and though she may not know it yet, Kirin has made another friend just like that.

Back at the picnic blanket, Akira jumped the gun and paid dearly, having gotten the sandwich with gobs of hot mustard; Kirin’s mom’s contribution to the meal.

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Ryou and Kirin return, and a three-way FOODGASM ensues, complete with very specific food sound effects, extreme close-ups, and precise yet flowery descriptions of the mouth-watering food being scarfed down. I wanted to jump into the TV and scoop of a dollop of that cold, crisp potato salad, or crunch into that perfectly-charred corn.

At this point I feel I point out I make a clear distinction between highly enthusiastic consumption of food and any potential sexual acts either the act of eating or description of the food might conjure. KG dances on the edge with these fetishy sequences, but never crosses the line into ‘ew, gross’ territory, IMO. Don’t be like George Costanza: There is sex, and there is food. This is food.

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When the two set up another blanket under the blooming cherry tree outside Ryou’s place so Kirin can sketch, Ryou surprises her with the steamy, sweet and fluffy tamagoyaki we saw her enjoying in the cold open, it’s obvious that food is far more than just sustenance for the body. It’s also the mortar used to build the friendship blooming between two sweet, formerly lonely souls in Ryou and Kirin.

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P.S.: I’m really digging the Alice in Wonderland-themed OP, with Ryou as the White Rabbit and Kirin as Alice following her down the culinary rabbit hole. The stirring opening theme, “The 5 Ways I Know to Become Happy”, is structurally and thematically similar to “No Need for Promises”, the theme of Escaflowne (one of my favorites). As it happens, both are passionately performed by Sakamoto Maaya, more than eighteen years apart.