Zombieland Saga – 07 – A Truly Shocking Performance

(Apologies for the horrible pun that titles this post.—Ed.) Last week’s episode proved ZLS is far more than just a venue for Miyano Mamoru’s manic voice performances or a showcase for idol-dancing CGI. It can also do serious character drama. How would it resolve the generational rift between Franchouchou’s dual aces?

With Junko unwilling/unable to continue in this new and scary idoling world and holed up in one of the mansion’s many rooms, Ai commits to doing Junko’s part as the days to Saga Rock count down, even as the strain causes her head and limbs literally fall off (kudos to the foley artists for appropriately gross sound effects as the zombies move about).

Even Lily admits there may be nothing any of them can to to convince Ai to come back. Sakura asks Tatsumi for help, but he shouts her away. Even so, Tatsumi later breaks down the barricade Junko had built over the door and, surprisingly enough, provides the sober voice of reason. He acknowledges Junko’s fear of how things have changed in the last thirty years, but assures her the calling of idol is no less noble than it was in her time.

He also suggests something Junko didn’t consider a possibility: that if she doesn’t want to get so close to her fans…that she just shouldn’t. She can still sing and dance with the others while continuing to carry the Showa flag and live the life she’s most comfortable with.

He also reminds Junko that she’s not the only one with fears as a result of waking up a zombie in a strange time and place. He informs her how Ai died, and the weather forecast for the festival, and how Ai is going forward to face her fears. Considering she’s already dead, what harm would it do Junko to give this idol thing one last try?

With that, Tatsumi leaves Junko with her outfit for tomorrow’s festival…and a casual order to fix the door he busted (hey, this is still a comedy first and foremost). The next morning everyone waits as long as they can, but then pack into the van without Junko.

Just as they start off, Junko heroically leaps over the mansion gate lands in front of the van…which absolutely pummels her, in such a similar fashion to Sakura’s own demise it sparks a vague memory for her. Like a zombie horror movie, Ai slowly gets up…but not to eat brains; to join her fellow members of Franchouchou, all of whom but Ai run to embrace her.

Still, Ai decides to bury the hatchet as the group prepares for their show, promising Junko she’ll have her back. Tatsumi liberally sprays shoe waterproofing all over the girls so their makeup won’t melt in the coming rains.

The others join Ai as she watches her old group Iron Frill knock it out of the park (without anyone getting roasted by lightning). Why the more popular band would open for unknowns like Franchouchou, I have no idea, but that plot contrivance is only one of a long chain of them that, IMO, somewhat mar the group’s biggest moment yet.

While Iron Frill’s dancing and singing was 2D animation, the show breaks back out the smoother-moving but still far creepier CGI models of the Franchouchou members. I remain mostly unconvinced this was the best way to animate them performing, as it really pulls you out of the otherwise 2D world of the show.

Technical aspects aside, I liked how the storms made Ai so frightened she couldn’t sing properly, threatening to make their big break a disaster right from the start (the rain also forces much of Iron Frill’s crowd to flee, combined with the fact they don’t know who Franchouchou is). I liked Junko having Ai’s back even better, especially when Ai said she’d have hers. Junko may have nerves too, but they don’t relate to performing in a thunderstorm.

The idols regroup and finish out their first song strong, but the entire stage is suddenly destroyed by lightning, making real Ai’s worst nightmare: a repeat of the events that killed her. However, due to them already being dead and zombies (and perhaps the thick coats of spray Tatsumi applied), their exposure to lightning only makes them glow, and makes their voices distorted.

The group proceeds to perform their last song in “autotune” remix mode, their bodies providing the only light on the stage, and occasionally shooting lightning beams out of their fingers. This sequence of events represents a new level of preposterous-ness for the show.

While a show about zombie idols already demands one to suspend disbelief about quite a number of things, the piling on of absurd events culminating in glowing idols shooting lasers while singing autotune…was just a bit much.

The attitude that created this sequence seems to be: “So we carefully crafted a nuanced character conflict between Junko and AI rooted in generational differences…but SCREW ALL THATAnything goes when they take the stage; nothing has to make sense!” Never mind the fact that there were zero consequences for Junko not practicing with the group for weeks. I know she’s one of the best from her time, but no one’s that good!

All that criticism aside, the festival, ridiculous as it was, had the intended effect of getting Franchouchou much-needed publicity, as news of their “illuminating” performance at Saga Rock ends up published in a magazine. We’ll see how that translates into cash to fund their operation, but more importantly how it heightens their statute in the idol world, and how they’ll respond to that increased fame.

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Zombieland Saga – 06 – Not Ready to Be History

Let’s face it: as quirky and hilarious as Tatsumi is, he has technically been holding the zombie girls in a kind of servitude. As such, they find themselves compelled to rebel now and again, as Ai does when she sneaks onto the internet during Tatsumi’s long baths.

She lets the others in on her little act of resistance, and they even find a potential new gig for Franchouchou: the famous Saga Rock Festival. Here, the differing philosophies between Ai and Junko (already shown when Junko can’t quite keep up with Ai’s faster, more modern dance moves) are laid bare.

Junko thinks incremental improvement is better in the long run than aiming too high, while Ai’s past career and present purusal of the ‘net has taught her that you have to strike while the iron is hot; stiving for perfection is a luxury they can’t afford.

The next gig Tatsumi lines up for FSS is the kind of even that is commonplace in the present day for idols: a mini-concert followed by a swag sale and photo-op with fans (and yes, they have a good number of those now, as hilariously reported by an oddly kabukiesque Tatsumi).

Everything goes swimmingly—as their gigs tend to do—until its time for the picture-taking. Suddenly, Junko is completely out of her element. Idols in her time would never dream of closing the distance between their fans to such an extreme. She walks out of the job.

Because Junko and Ai are two idol veterans living in the present, they both believe they are right in their views on what an idol should and shouldn’t be. But because they’re from different eras, they end up clashing, and because they’re both stubborn, it flares into a lasting fight the other girls can’t extinguish.

Junko goes to the beach for contemplation, but Sakura catches up to her. That’s when Sakura learns why Junko is so loath to interact so closely with fans: it would be crossing a boundary and going against what she believes an idol is supposed to be: a timeless dream to aspire to, not a fallible chum.

That brings us to how Junko died: while on her way to her next gig, her plane crashed into the sea. Sakura’s death was presented as a joke, but Junko’s is treated far more soberly.

That brings us to the most tragic (and, incidentally, most metal) death to be revealed thus far: Ai’s. We learn what her fate was when Saki finds her cowering in a thunderstorm. Unlike Junko, in less than a year Ai’s Iron Frill was performing in front of tens of thousands in packed arenas. At her biggest show yet, which happened in an open-air venue, it started to rain.

One moment, she was lighting up the crowd with her energetic performance…the next, a lightning bolt zapped her into a cinder. Her charred remains, still holding her final pose, simply stood there in front of her stunned fans. It was a deeply traumatizing experience for all, and a national tragedy.

Most distressingly for Ai, it was history. She became history because of the completely bonkers, completely heartbreaking way her life was snatched away at the very height of her powers.

She may be deathly (undeathly?) afraid of lightning to this day, but she’s not ready to be history quite yet. She’s back, and she’s going to make the very most of it. I liked Sakura and Saki, who each heard the sad tales of Junko and Ai’s respective demises, meeting up when neither could sleep. After all, being told what they were told would unsettle anyone.

But neither of them have an answer for how Junko and Ai can make up. Right now, Junko isn’t even sure she can be in FFS, if they have to do things like the photo op. It’s as much a question of pride and identity as shyness. But by episode’s end, Tatsumi has already made another decision for them: he’s booked them for Saga Rock, just as they had intended to do anyway.

That means Ai will have to perform in an open-air venue, which literally killed her the last time she did it. Even worse? Her old group, Iron Frill, will also be there. Will they recognize her (if they’re even the same members, which is doubtful after ten years)? Will Junko participate? Can they find a way to put their generational differences aside? We shall see.

Really strong and emotionally resonant outing for Zombieland Saga, showing it can be just as adept at serious drama as madcap comedy.