Koyomi Stone is the first in a 12-episode miniseries of short stories involving Araragi Koyomi and all the other various characters in his orbit. First up is Hanekawa Tsubasa, whose dealings with Koyomi pre-date his girlfriend Senjougahara’s. Tsubasa presents him with a mystery of a stone in a shrine and asks him to report it to Oshino to see if it’s an oddity.
Oshino’s reply is for Koyomi and Tsubasa to study the high school’s curriculum. Tsubasa picks up on the clue and deduces the stone was once on its own until someone was about to toss their failed woodworking project into the nearby garbage, but placed the stone in it instead.
As a result, both objects changed: the stone became something that resembled an object of worship, and the failed house became a successful shrine. With the case closed, Koyomi remembers it was he who built the crappy house and put the stone in it; he later tosses the house and discovers the stone is really just a hunk of concrete.
The usual Monogatari style is all there to be seen and heard, adding weight to an otherwise slight and superfluous mystery, while the shorter runtime makes for easy watching.
Akabayashi Mizuki doesn’t like drugs. He doesn’t like them so much, in fact, that when some kids taking after Dollars and using the net for their rootless drug-dealing operation set up shop in the bathroom of an Awakusu Group nightclub, he feels the need to impress the lesson upon said lads: drugs are bad. Don’t sell them. Don’t do them. Flush them down the toilet. They and their jonesing customers will be better off; he’s sure of it.
Why is he sure of it? Because drugs ended up killing the woman he loved, who happened to be Sonohara Anri’s mother, Sayaka. He fell for her when she slashed his eye with Saika six years ago, and though she had to refuse him because she already had a husband and family, her affection for her endured. When Sayaka’s husband became a violent drug addict (thanks to Akabayashi’s boss) and started abusing his family, including Anri, Sayaka killed him and herself, leaving Anri alone.
When his boss, a particularly nasty piece of human garbage, shares his plans to adopt and pimp out Anri, it’s too much for Akabayashi to bear, to the point that when Sayaka’s kid brother shows up to stab his boss, Akabayashi does nothing to stop it, and his boss’s death is a victory for all decent humankind.
These events six and five years ago transformed Akabayashi from the wild “red demon” he was known as to a far mellower fellow, and it’s not hard to see why: after spending so long on the side of the night, Sayaka showed him the day, and he liked it. Now, in the present, he walks the thin line between night and day, protecting not only Anri but Awakusu Akane as well; and never passes up a chance to teach misguided youths that they do not want to be walking in the night.
This episode is called “Life is But a Dream”, which may not come from the most sophisticated or subtle song, but does manage to encapsulate the lives of Harima Mika and Yagiri Seiji. Considering everything these two have been through, having an ordinary life where they can go see movies and eat sushi together must feel like a dream. Too bad for Mika, then, that Namie isn’t done trying to wake her beloved brother up from that dream, and turn Mika’s into a nightmare.
This episode also focuses in on the Namie-Seiji-Mika triangle that wasn’t really visited in the Shou cour, telling a relatively self-contained story that nonetheless depends on little assists from the rest of Durarara!!’s sprawling cast who are periphery this week. With Izaya in the hospital and his sisters feeding her good intelligence about her brother and Mika, Namie decides the time is right to lure Mika into another dark warehouse where she can rid herself of her once and for all.
What neither Namie, nor I, expected was for Mika to put up such a good fight. Not only is she more athletic than either of us thought, she’s a lot shrewder, self-aware, and well, abnormal, to the point that Namie accepts her as a worthy rival rather than just trash. She ends up on top of Mika and is about to pour acid on her face, but Mika is able to keep her distracted long enough (by reciting all the secrets of the show, the protection of which keeps everything status quo) so that Seiji can figure out where Mika is, rescue her, then give Namie a calming not-kiss and scold her for “going too far.”
The status quo is maintained, Seiji and Mika remain an item, and Namie is appeased by the not-kiss for the time being. But both Namie and Seiji (and we) are also now more aware of what kind of person Mika is: the kind of person who would eat Celty’s head if it meant being able to stay by Seiji’s side.