Golden Kamuy – 36 (Fin) – Not For Nothing

We were left hanging with the vicious knife fight between Kiroranke and Lt. Koito. Both use their arm or hand to block a knife from digging too deep into their vitals, but Koito gets a much-needed assist from Tanigaki and Tsukishima. Kiroranke, as dangerous as any wounded animal, produces one more bomb, but Koito is able to slice it away so it doesn’t blow everyone up.

They’re about to finish Kiroranke when Asirpa arrives in time to stop them; she wants to hear him explain why he shot her Aca. She doesn’t get an answer before he draws his last breath, but he dies happily, knowing Asirpa did indeed figure out the code, and their journey north wasn’t for naught. It’s also implied by Sofia’s reaction (prior to rejoining her fellow inmates) that she Kiroranke and Wilk formed a love triangle. Kiroranke’s body is buried in ice that will melt into the Azur river and flow back to his homeland.

Kiroranke and Asirpa try to go after Sofia, but find everyone’s favorite Stenka shoujo, Gansoku Maiharu. Kiroranke is the only one who ends up dying on the ice floes; Ogata remains alive and Tsukishima’s neck wound isn’t life-threatening. As Sugimoto returns Asirpa’s ceremonial knife to her, Sofia returns Kiroranke’s to him, confirming there was something going on between them.

Back at the Nivkh village in Ako, Tsukishima gets Svetlana to agree to write a letter to her parents which he’ll deliver as proof she’s alive, so that they can escape the black pit of uncertainty and know for sure their girl is okay. She heads to Russia with Gansoku, and the narrator indicates they’ll have a number of exciting adventures in the future.

This final Kamuy of the season wouldn’t be complete without another Ainu food session, so Asirpa explains mosu, a lucious-sounding treat made with fish skin, berries and seal fat. She describes the Nivkh, like the other tribes in Karafuto, as “a little bit different and a little bit the same”, and takes comfort in that.

Ogata is beyond Nivkh medicine, so everyone dresses up like Nivkh and reach out to the Russian doctor in Ako. He quickly recognizes Sugimoto’s Japanese, but still agrees to operate on Ogata. Unfortunately, no one thought to tie Ogata to the bed.

The moment he comes through post-op, he gets up, holds the nurse hostage, knocks Koito down, and escapes on a horse in nothing but his gown. Asirpa and Sugimoto are too late to catch him and the latter’s shots miss his horse, but Sugimoto is fine with that. He urges Ogata to get better so he can kill him fair and square later.

That need to do any and all dirty work, including killing, for Asirpa’s sake so she doesn’t have to bloody her own hands, defines Sugimoto. He withholds Wilk’s desire for Asirpa to be a guerilla fighter in the war between the Ainu and the Imperial enemies of Japan and Russia—but Sugimoto wants better than that for her. Maybe, with the gold, she can lead the Ainu into peace, not another horrible war that will claim her soul.

Sugimoto’s had his fill of war, but he’ll still fight all the battles needed to protect Asirpa. And as both of them are still in need of money to achieve their goals, Sugimoto renews their contract as partners, and Asirpa concurs. They remain on the same road together, with Sugimoto continuing to work with Tsurumi’s men per their agreement, and Asirpa hoping to learn who killed the Ainu and what ultimately became of her Aca.

So ends a another incredibly strong season of Golden Kamuy, a wonderful melange of a show that combines stylish, inventive, often brutal combat, enriching cultural and historical education, some of the best comedy of the season (with a prodigious side of beefcake), and many of the better characters and relationships. None were more compelling than Asirpa and Sugimoto, and now that they’ve finally reunited I look forward to a fourth season of their adventures together.

Golden Kamuy – 35 – Finding Warmth in the Shattered Ice

The reunion of old buddies Shiraishi and Sugimoto is appropriately gross, as the former’s nose snot ends up in Sugimoto’s eye. This is actually foreshadowing for another key reunion, but I’m getting ahead of myself.

These two men are still separated from Asirpa, just as Asirpa finds herself alone with Ogata—the only person who knows Asirpa has remembered the secret to Wilk’s code. Both groups have shattered on the ice floes, as Tsukishima finds Svetlana in the cold while Tanigaki and Koito are ambushed by escaped prisoners.

While Sugimoto uses his coat as a sail to steer their ice floe where they want (yet another lifesaving lesson Asirpa taught him), Tsukishima urges Svetlana to return home, only for her to tell him she willingly went with whoever would take her—anything to get away from the boredom of life in that lighthouse.

Live certainly isn’t boring for anyone on these ice floes, as Tanigaki and Koito successfully repel the bandits. However, an unlikely reunion occurs when Kiroranke emerges from behind an ice boulder. Tanigaki, who seeks revenge for the death of Inkarmat, gives Kiroranke his bone-handled knife back—by stabbing him with it.

As the skies seem to darken and the snow and wind intensify, so too does the tension between Ogata and Asirpa. He knows she’s figured it out, and asks her while they’re alone if she’ll tell him. He only wants a little gold; to have all of it would mean getting tangled up in war with all the parties who want it. He also believes she wishes to return home to her kotan and spend her days hunting in the woods.

When his methods of persuasion don’t work, he reveals that Sugimoto wasn’t quite dead when he saw him, and tells her his last words about giving some gold to his friend’s widow Tome for her eye surgery. Then Asirpa catches Ogata in a lie when she asks him if Sugimoto said anything about food, and Ogata says he wanted monkfish stew. Asirpa knows Sugimoto’s true final wish would be for dried persimmons.

She breaks Ogata’s grip and knocks her bow, but Ogata reminds her of when she stopped Sugimoto from killing him, and when she vowed never to kill for the gold or anything else. Ogata actually takes sick pride in trying to goad Asirpa into murdering him, since to him that would mean they were alike in their “impurity”. Sugimoto manages to arrive in time to shout out, but Asirpa is startled and looses the arrow straight into Ogata’s eye.

Sugimoto quickly administers first aid, purging the poisoned from the wound and bandaging it to slow the bleeding. He won’t let Ogata die. because he won’t let him make Asirpa a killer. When the ice floes split again, threatening to separate Asirpa and Sugimoto, he reaches his hand out, she leaps to grab it, and they successfully embrace. After an entire season of them apart, finally they’re together again, and it feels so good to see it!

Of course, this is Golden Kamuy, a show never afraid to follow up a tearful, touchingly cathartic reunion with some absurdly gross comedy. Asirpa says she “can’t let go”, but we soon learn she literally can’t, because her damn eyelid is stuck on Sugi’s frozen coat button! Shiraishi, who is holding Ryuu back from interrupting the lovebirds’ reunion, is quickly summoned for assistance.

As we learned, the best way to separate skin from cold metal is piss, and if there’s anything Shiraishi is always full of, it’s piss. This leads to perhaps the most hilariously fucked-up line in the entire Golden Kamuy series: “Piss on her face!” The snow lets up, the sky brightens, and the sun starts to peak through the clouds as Shiraishi, Sugimoto, and Asirpa revel in rainbow-making golden showers. It is utterly glorious.

The episode then jumps back a few minutes and returns to the darkness of the storm, as Tsukishima, Koito, and Svetlana find an injured Tanigaki, who tells them Kiroranke is wounded and on the run. While in pursuit, the two soldiers make the mistake of picking up Tanigaki’s rifle, which was rigged with a bomb by Kiroranke. Tsukishima’s neck is gashed in the blast, but Koito is relatively okay, and continues the chase.

He and Kiroranke eventually become locked in a bitter grappling match; Koito with his saber and Kiroranke with his rifle. Kiroranke has escaped worse scrapes in his long bloody history, but with Asirpa learning the truth about his treachery at Abashiri Prison and Sugimoto already knowing he’s bad news, whatever becomes of him, he can no longer hide his true colors.

As of this tremendous episode’s ending, Ogata, Tanigaki, Tsukishima, and Kiroranke are all seriously wounded, while Koito may be about to be. Sugimoto, Asirpa, and Shiraishi are all fine. Sofia strangely plays no role in this episode, but I wonder where her loyalties will lie (I suspect with herself) while Svetlana just wants to go to St. Petersburg. Most importantly, Sugimoto and Asirpa are together again. That one fact makes my whole month.

Golden Kamuy – 34 – Hesitation is Starvation

The big day arrives, and while not everything goes according to plan—not all of the explosives planted in the prison walls detonate, and oh yeah, a frikkin’ Siberian Tiger complicates matters a bit—but Sofia is freed from Ako Prison. It’s a day she’s clearly been relishing, judging from the amount of fun she’s having. She even briefly rides the tiger!

Sugimoto’s team can see the explosion from where they are on the outskirts of Ako, meaning they’re catching up just as Asirpa’s team is heading out of the town across the ice floes. So tantalizingly close, and yet so far…

As Sofia trudges through the floes with Asirpa’s team, she seems glad to see the daughter of Wilk, whom she loved so much, and the bottomless pools of those deep blue eyes. With Kiroranke translating (remember, Sofia never bothered to learn Japanese), she tells Asirpa what a “pure and beautiful” man Wilk was, and how he taught a rich city girl about the minority ethnic groups and their plight in the rapidly modernizing world.

There’s no more impactful symbol of Wilk’s ethos and the natural order from which that world is retreating than a goddamn tiger, who also greets Sugimoto’s team when they arrive at Ako prison. When they fire shots to scare it off (killing it is bad luck), the unique report of Tanigaki’s old rifle catch’s Ogata’s ear all the way out on the ice floes. The dude really knows his guns, but he can’t quite believe that it means Tanigaki is following them.

Meanwhile, Sofia continues to tell Asirpa stories about Wilk, who believed the Native Americans couldn’t defeat the white man because they were at war with each other, necessitating the importance of creating a federation of all ethnic minorities to battle Imperial rule.

Sofia also regales Asirpa with the time they were on the run from the secret police and one of them was seriously wounded, slowing them down. When the police grew nearer, Wilk slit his throat so his moans wouldn’t give them away. He only ever did what was necessary exactly when it was necessary and not a moment later, which is what made him such a good revolutionary.

That ethos had been instilled in Wilk as a young lad, when he would often visit a wolf that had been separated from its pack by illness or “some other defect”. One day he found the lone wolf dead; killed by its own pack which he had called to with his howls. The other wolves in his pack saw his weakness as a threat to all of them, so they did what was necessary to survive. Young Wilk took that wolf’s pelt and wore it, leading his father to name him after the wilk, Polish for “wolf”.

Wilk taught Asirpa this wolfish way of living, which for those who live off the land like the Ainu is even more important: not to show kindness or mercy if it can become weakness. A bear cub too old to raise in the kotan is just as valuable a source of food as its mother. Hesitating to kill it out of pity could spell starvation and death. Beauty is strength, and strength is life.

This talk of Wilk’s name causes Asirpa to remember the night her father told him his Ainu name, Horkew Oskoni, which means “catching up to the wolf.” Asirpa then remembers the symbols on the prisoner tattoos, and seemingly solves the code right there in her head. Ogata seems to notice this.

As for Shiraishi, he became separated from Asirpa and the others when he ran off to take a piss and the floe he was on cracked and drifted away. He must therefore take the long way around to catch up to the others, but one sheet of ice he jumps on suddenly shifts, threatening to dunk him into the deadly frigid ocean.

His wooden dick talisman saves him momentarily only to snap off in the ice, but he’s then saved by the outstretched arm of none other than Sugimoto Saichi. He seems happy to see his old pal. It’s just too bad that old pal got separated from the person he really wants to see…

Golden Kamuy – 30 – The Flag-Bearer

The dead Russian doesn’t just have a wanted poster with a sketch of Kuroranke, but Wilk as well, as we learn the two worked together to kill the emperor. Ogata’s game of cat-and-mout with Vasily concludes when he makes the Russian shoot first—at the wrong thing.

Vasily saw signs of covered footprints leaving the unmoving cloaked figure, which led to an Uilta coffin in a tree. But it turns out the coffin was the decoy, and when Vasily shoots it, thats when Ogata, the cloaked figure after all, shoots Vasily through the face.

Ogata masked his breath by eating snow, but hours of that and sitting in the bitter cold take their toll, and he end up with a horrible fever. He starts to have delirious dreams of the past when he was still trying to recruit his ultra-pure of blood and heart half brother Yuusaku, the flag-bearer for their unit.

There’s a superstition in the army about the flag-bearer being a virgin as a form of protection from the bullets. Ogata never cared for that, but he can’t really complain when Asirpa and Shiraishi participate in an Uilta healing ceremony designed to draw out the “wicked thing” causing his fever—in his case, lingering memories of his failed attempts to corrupt Yuusaku.

During the ritual, Shiraishi meets with Asirpa outside, telling her it’s not safe for her in Russia, particularly when their guide killed the emperor. Kiroranke leaves the tent too and comes as clean as you’d expect, telling them his old name was Yulbars, and he and Wilk killed the emperor who forged a treaty that threatened all far-east minority peoples. Asirpa decides not to run away, hoping to find the gold “when the killing is done”.

Ogata’s dreams resolve in a revisiting of the episode 19, when we first learned of Ogata’s unfortunate family situation. When Ogata notes Yuusuke hasn’t killed a single Russian during his tour, he offers up a prisoner for him to execute, but Yuusuke refuses. The next time he marches into battle bearing the flag, Ogata shoots him in the head, ending the failed mission to bring him into the fold with Tsurumi and negating the superstition of the flag-bearer’s invincibility in the same shot.

Because ultimately, Ogata is right: surviving bullets on the battlefield has nothing to do with chastity, nobility of one’s blood or the purity of one’s heart or soul. Yuusuke may have been the most moral man on the battlefield, but that made him an easy target for any bullet, not just Ogata’s. When his blood spilled, it was just blood, like anyone else’s.

After an Uilta fortune-telling ritual involving reading the cracks in burnt reindeer shoulder blade (that apparently goes well), Asirpa joins Kiroranke and a recovered Ogata further north, but Shiraishi is poised to stay behind. They say their goodbyes, but when Shiraishi remembers Sugimoto urging him to keep Asirpa safe, he runs after them.

When we first saw the bone cracks indicating “someone approaching from behind”, I took it to mean Sugimoto’s group was closing on them and they’d eventually meet up. But here it’s revealed Shiraishi, was the person from behind foretold by the bone. Then, after they leave, more cracks appear on that same bone, turning the good sign into a bad one.

Rating: 4/5 Stars

Golden Kamuy – 29 – The Way of the Sniper

Sugimoto & Co. put on that big show for nothing; Asirpa & CO. were, as was hinted by the closing poop scene, already far to the north. We don’t check in on Sugimoto this week, and the possibility of the two groups reuniting anytime soon remains remote.

On one level, that’s a shame, because the relationship of Asirpa and Sugimoto forms the emotional heart of Golden Kamuy. Put simply, I care about the two of them more than anyone else, and the prospect of them being apart all season is…frustrating.

So far, Golden Kamuy has ably tempered that lingering frustration to a tolerable trickle, because on another level, the two groups together would simply be too many characters in one place. Separate, the two groups and their unique dynamics have room to breathe.

Also, while the main duo are a critical piece of the whole, they are not the only piece of interest by a long shot. The two split groups also mean double the cultural education and immersion, as demonstrated when Asirpa & Co. enter the lands of the Uilta, whose traditions include suspending the coffins of their dead in the air with planks rather than bury them.

In this part of the island reindeer are the main game, and Ogata immediately commits a cultural faux pas by shooting one. It was a kept Reindeer that, along with the rest of its herd, comprises the sum total of a Uilta family’s material wealth. Their first contact with the Uilta consists of an apology followed by a cooperative reindeer hunt to make up for the lost property.

Kiroranke was hoping for just such an encounter, because Asirpa’s father Wilk made the same mistake as Ogata back in the day. Watching the Uilta’s way of hunting wild reindeer—using their own reindeer as a decoy to mask their approach—awakens more childhood memories for Asirpa and her aca.

Ogata impresses the Uilta elder with his prowess with a three-shot rifle, killing the entire herd of wild reindeer without letting any escape. The Uilta only have a single-shot bolt-action rifle, but as they put it following Ogata’s success, if he lived there then there soon wouldn’t be any reindeer left to hunt!

That night Asirpa gets to satisfy her brain-tooth (and give us a Hinna Face) with the reindeer brains—which taste just like those of the southern deer she’s accustomed to. They also partake of freshly-baked bread and the equivalent of reindeer butter—no part of the animal is wasted, of course.

The nomadic Uilta may be nominally Ainu, but in their game, hunting methods, dwellings, and cuisine, they’re very distinct from their southern cousins, accentuating the cultural diversity that still endured during that time in one of the more remote parts of the world.

The group lucked out by making contact with the Uilta and helping them take down a herd. Hiring the dogsleds to take them north left them broke, but the Uilta don’t care about money, only reindeer. Kiroranke also knows that nomadic tribes are tacitally allowed to cross the Japanese-Russian border, so they disguise themselves as Uilta to cross the border by reindeer sled.

Things go pear-shaped due to an unforeseen development. Turns out Lt. Tsurumi’s maccinations can reach northern Sakhalin from Otaru, and he has no intention of letting Kiroranke move freely. Tsurumi learned that a young Kiroranke was one of the revolutionaries responsible for the assassination of Russian Emperor Alexander II in St. Petersberg back in 1881.

The Russians very much want to catch everyone involved in the regicide, so Tsurumi tips them off that one of them will be crossing the border in Sakhalin. Sure enough, border troops are  hiding in the woods, and a sniper shoots the Uilta elder in the head. Ogata realizes he wasn’t the one shot because he’d switched rifles with the elder, lending his new three-shot model to him.

This also tells Ogata that the sniper who fired isn’t just a good shot, but a suspicious one. Asirpa and the others hide behind sleds and reindeer, but they’re well and truly pinned down. Even so, Kiroranke exposes himself to fire in order to grab the wounded but still breathing elder, and the Russian sniper, Vasily, lets him, later citing “respect for someone risking their life for a comrade”.

That moment of Vasily’s hesitation gives Ogata the opening to shoot Vasily’s comrade, Ilya. He doesn’t shoot him fatally in the head, but in the stomach, which ensures the Russians will be slowed down in caring for him enough for them to give them the slip into the woods. Ogata also seems invigorated and even a little giddy at the prospect of a serious playmate with which to fight a two-man “Part Two of the Russo-Japanese War.”

What follows is an intricate and fascinating chess match between Ogata and Vasily. While the cultures of Russians and Japanese are wildly different, the mind and disposition of a sniper is pretty much the same no matter where you’re from: whoever has the colder ice water in their veins will prevail. Ogata knows the ideal sniper will only be interested in “murder and pursuing their prey”, and so Vasily would soon split off from his unit and wounded comrade for that second thing.

It dawns on Vasily it wasn’t respect that kept him from shooting Kiroranke, but the lack of agency: a sniper kills at a time of their choosing, not when the target says so. Similarly, when Vasily’s men fall for a simple gunpowder trap set by Kiroranke, they start screaming in pain, but Ogata isn’t surprised his opponent doesn’t react—a good sniper can listen to his comrade’s screams all night and not be fazed.

When Kiroranke, Asirpa and Shiraishi double back to the wounded Russian Ilya, he presents the wanted poster featuring a sketch of a young Kiroranke, shocking Asirpa and Shiraishi. But Ogata and Vasily are in their own little Sniper World, waiting for one another to make the first move. Vasily thinks he has the cloaked foe in his sights, but it looks for all the world like a decoy.

The episode ends leaving us in that suspenseful moment before Ogata presumably emerges from an angle Vasily didn’t expect and does him in, clearing their path to the prison where Kiroranke’s comrades are imprisoned. But how will Ogata, Asirpa and Shiraishi react to that wanted poster? And will this incident at the border slow their group down enough for Sugimoto & Co. to gain a little ground?

Golden Kamuy – 28 – Big Top, Big Turd

There’s no shortage of deep, dark, horrible stuff in Golden Kamuy (see: last week), but what keeps the audience from descending into despair is its well-integrated, irreverent, and sometimes gross comedy. Yet the comedy almost always serves and propels the more serious and dramatic central story, rather than simply serving as isolated points of relief.

Take Kiroranke introducing Asirpa to a opokay, a fanged deer that was her father’s first kill. He has her smell the musk glad, giving us another wonderful Asirpa Face (Ogata’s face, funnily enough, barely changes upon smelling it). Kiroranke tells the tale of how he and Wilk not just hunted this deer, but were called musk deer due to their wandering.

Our sense of smell is most closely tied to memory, so Asirpa remembers the beaded hohchiri her dad gave her to wear until her first kill (which is typically only for boys). This is how Kiroranke hopes to uncover the mysteries Wilk left in his daughter’s head: by continuing to familiarize her with the man her dad was, and that above all she can trust him, her father’s friend.

Comedy returns to the fore in a big way this week as Team Sugimoto ends up in Toyohara, the cultural capital of Karafuto, and fall victim to a circus acrobat who snatches bags in his spare time. Despite the kid’s speed and agility, Koito is up to the task of chasing him down with the Japanese equivalent of parkour.

When the circus’ ringleader Yamada hears the boy was thieving again, he whips out his sword and appears to cut his face, only for there to be no cut, only blood. Turns out the sword is part of Yamada’s show-stopping fake harakiri act, which was so good in Russia that he was declared dead in the newspapers.

This gives Sugimoto a fresh idea for reuniting with Asirpa: by performing his “Immortal Sugimoto” act in the circus, he’ll be putting himself out there in front of a huge crowd as well as the local media, meaning there’s no way Asirpa will miss him.

The other three soldiers also join the circus temporarily, as they are all united in the goal of finding Asirpa. Koito is an instant hit with Yamada and the girls for his considerable and effortless acrobatic feats. When asked what circus he came up in, he proudly proclaims “The 7th Division of the Imperial Army!”

Tsukishima and Tanigaki, who lack any acrobatic talent, are shunted off to join the dancing girls who perform between acts. Tanigaki reveals how sensitive he is to harsh criticism by the stern battleaxe of a choreographer, but is comforted by one of the older girls, Beniko, who cheers him on as she contemplates her final performance before the circus cuts her loose.

Then Sugimoto is taught the harakiri act by Yamada, who not only reveals what a good showman he is, but how damn big his nipples are! In truth, the sword has a grove containing red dye, and the water splashed on the body to “purify” it is really the liquid the dye turns red upon contact, leading the audience from afar to believe real cuts were made.

The day of the big show arrives, and the soldiers must before to a packed house, only with their natural or acquired artistic skills, not their fists. Koito performs almost perfectly until he finds a photo of his beloved Tsurumi on the tightrope.

Later, Tsukishima confesses he put it there worried Koito’s performance would overshadow Sugimoto’s, and thus their objective to find Asirpa. But Koito’s resulting improvisation ends up bringing the house down anyway. As for Tanigaki, he turns in a performance he can be proud of, and is finally acknowledged by the tough choreographer.

All that remains is the big closer: the Immortal Sugimoto Harakiri Show. His assistant Cikapasi (whom we learned received a hohchiri from Enonoka that he won’t be removing anytime soon) douses him with water in the right places, but Sugimoto soon learns that the sword he has is real—Koito switched out the fake as revenge for trying to sabotage him (before Tsukishima claimed responsibility).

Sugimoto shows he has a bit of a gift for showmanship by drawing the sword close and pulling it back with a chuckle, allowing the audience to let out the collective breath they were holding in. But this only works a couple times; they want to see blood. So after cutting his wrist, he cuts his leg, and prepares to cut his chest in a place where it will bleed a lot but not damage anything vital.

Right then, he’s bailed out from having to cut himself when one of a trio of suspicious Russians pulls a gun on him. He slices the assassin’s hand off then slashes him across the mid-section. He then takes out the other two, all to the rapturous delight of the crowd, who of course think this is all fake.

It’s delcious irony that just as Tsukishima’s attempt to sabotage Koito’s act made his act much better, the same happens when Koito tries to sabotage Sugimoto’s. More than that, if Sugimoto hadn’t had a real sword, he could have been in real trouble against those three Russians.

After the show, which was an undisputed hit, ringleader Yamada reveals that the Russians were likely hired to assassinate him, as he was an Imperial Army spy embedded in Russia before the war and provided intelligence to Japan.

Yamada’s intelligence bonafides also make him an ideal source of intel for their search for Kiroranke and Asirpa, as the newspaper only had two sentences mentioning Sugimoto. Yamada tells them about Alexandrovskaya Prison, where a large group of “eastern minorities” were recently transferred there for plotting a resistance.

As the four soldiers prepare to head further north to the prison, Sugimoto holds out hope Asirpa’s beautiful blue eyes will read those two sentences about him in the Toyohara paper, and learn that he is still indeed alive. Instead, in another irreverent comedy aside, we see that Asirpa is actually, in that moment, looking at poop she mistakes for that of big game, when it is actually the recent leavings of one Shiraishi Yoshitake.

Maybe it’s just as well she’s staring at a turd…what if the paper had erroneously reported Sugimoto’s death? In any case, the ED sequence in which both Sugimoto and Asirpa see the same snowflake glide by gives me hope that one of these days he’s going to finally catch up to her, and with some amazing new stories to tell.

Rating: 4/5 Stars

Golden Kamuy – 26 – Some Like it Hot ‘n’ Punchy

After winning his first stenka, Sugimoto approaches Gansoku Maiharu, the tattooed ex-prisoner, and they heartily shake hands in expectation of facing off in a future stenka. Gansoku, an otherwise civilized and affable man, was simply born to punch people in the fucking face. He’s lived a life of violence and likens his passion to that of a painter or dancer.

This philosophy is why Sugimoto doesn’t accept the Russian tavern owner’s demand that the Japanese fighters throw the next match so he’ll make more money. Intentionally losing won’t let them get anything out of Gansoku, whether it’s the gold or the info on Asirpa, but the four of them fighting him honestly could, so Sugimoto accepts another stenka.

While Sugimoto, Tanigaki, Tsukishima and Koito again dominate, defeating three of their four opponents, Gansoku is in a whole other league, and takes even Sugimoto’s best punches like a champ. This is a guy, after all, who even beat Ushiyama back at the prison in punches-only contests.

This stenka surpasses the ultra-fun madness of the first one thanks to Gansoku’s participation. It’s particularly hilarious that he acts like a character in a shoujo manga, complete with sparkly eyes and playfully beating his fists on Sugimoto’s back when he turns away from him. He’s having an absolute blast.

Then Sugimoto throws a kick, and proceeds to beat on everyone, even his own comrades, and the brawling pours into the crowd. An old Russian guy declares “This is real stenka!” until Sugimoto takes things too far and whips out a hammer and sickle, then declares “This is not stenka!!” Make up your mind, Pops!

Despite Koito’s hopes, this is not all part of Sugimoto’s “plan” to get everything they want; he’s simply taken too many blows to the head and has gone into Immortal Sugimoto Preservation Mode (ISPM). When in his frenzy he mentions gold, Gansoku realizes they’re after his tats and flees with all the adolescent emotion of a scorned high schooler.

Tanigaki, Tsukishima and Koito pursue Gonsaku, who ends up tangling with a damn wolverine. The four of them seek safety in a shed, but it’s actually a banya, or Russian sauna, which is so hot everyone has to strip down. Gonsaku, no stranger to banyas, starts whipping them with a venik or white birch branch, which increases circulation and makes the air even hotter.

This is one of the rare times I knew exactly where Golden Kamuy was going with its cultural snapshot. Prior to Covid, me and my friends would semi-regularly go to a local Russian spa to sit in 160°-190° F hot saunas, jump into 40° F water to cool down, repeat that process, then eat kickass Russian food, drink Russian beer, and watch goofy Russian music videos. A Russian spa basically the best place in the world, but Gonsaku intends to sweat the others out so they’ll get eaten by the wolverine.


Meanwhile, Cikapasi and Enonoka are able to free the captured lead sled dog and lure the wolverine away while escaping via sled. When Cikapasi falls off the wolverine pounces, but both Ryu and a still-crazed Sugimoto save him, while a still-naked Tanigaki helps him line up a shot to kill the wolverine.

That leaves Sugimoto and a steaming nude Gansoku to slug it out while the others watch. Gansoku can tell via Sugimoto’s fists that he’s carrying a great deal of anger and rage, but not directed towards him, but within. When Sugimoto says he’s “useless”, as images of his beloved Asirpa flash through his addled head, Gansoku tells him to forgive himself. He’s clearly working as hard as he humanly can.

Sugimoto then delivers an almost knockout blow that pauses their duel long enough for the other (still naked) men to intervene, but then they discover they’re all walking on ice, which cracks and gives way, sending them plunging into the cold. Turns out this is just what was needed to snap Sugimoto out of his ISPM, and he’s back to normal, but now at great risk of hypothermia, along with the others.

There’s only one thing for it: everyone piles back into the banya, which after being in frigid water, must feel absolutely magical. This absurdly masculine scene of naked sweaty swole men is where Sugimoto reveals they were never trying to kill Gansoku, merely copy his tattoos. But others will try, and they’ll bring guns (or katanas) to his fistfight, so they strongly recommend he leave Karafuto and head west to Russia. Since it’s the birthplace of stenka, he can still live a happy life there.

Gonsaku rewards Sugimoto’s peaceful offer by bringing up a name Sugimoto mentioned while in his violent trance: Asirpa, whom Gonsaku saw back at the tavern with Shiraishi. Specifically, he overheard Shiraishi saying that Sugimoto may not have gotten out of the prison dust-up alive, and Asirpa confidently declaring that he’s goddamn Immortal Sugimoto. She believes he is alive, and he is. It’s now just a  matter of reuniting.

With that, we’re treated not only to a heroic shot of Asirpa descending upon a massive sea lion (headshotted by Ogata but not killed due to its thick skull), but our first official Asirpa Face of the season, as she scarfs down the extremely fatty, stinky, tasty meat.

It’s one of so many images in this episode that brought me laughter and joy. When it’s letting its hair down and/or stripping off its clothes, there is no anime out there having more ludicrously infectious fun than Golden Kamuy. I just hope the good times can keep rolling.

P.S. There’s a new OP and ED for the season, and they are both kick-ass and beautiful, as expected.

Golden Kamuy – 25 (S3 E01) – Russian Beef Bonanza

Golden Kamuy picks right up where it left off, with a healed Sujimoto sailing north to Sakhalin, accompanied by Lt. Koito, Sgt. Tsukishima, Private Tanigaki, and Cikapasi (who stowed away). In the Japanese town of Otomari (now Korsakov), Koito samples the hurep, a local lingonberry wine, and they learn that a little Ainu girl was there before them.

From there the team heads north into the forest where the girl headed, but the Ainu girl they meet is not Asirpa, but a similarly capable-beyond-her-years Enonoka, who fell of her grandfather’s dogsled. Its here where the soldiers have their first brush with a wolverine, an animal even more feared than bears, and which indeed is in the process of attacking a bear when it turns on them.

After wounding Koito, the others shoot at the nimble wolverine but hit nothing but air. Thankfully, Enonoka’s gramps Henke returns and gets them all out of there on his dogsled. The snow that arrives a month earlier, combined with beasts more dangerous than bears, indicates that Sakhalin is going to be even less hospitable than Hokkaido.

After a quick check-in on HIjitaka’s crew, who are headed to Kushiro on a new lead on the gold, Sugimoto & Co. arrive in Enonoka’s village, and we learn how Sakhalin Ainu have adapted to the harsher conditions by having separate summer and winter domiciles. Koito’s wound is treated with bear fat, and Enonoka tells Sugimoto that Asirpa visited them earlier (her “Hinna!” reaction to the salted hurep being a dead giveaway).

After hiring Henke’s dogs, the group sleds to a Russian town to the north, hoping Asirpa and Kiroranke’s trail heats up. But upon entering a tavern they only encounter unhelpful and lippy drunks. Sugimoto has no patience for this, and slugs the biggest, toughest mofo in the bar, while asking Tsukishima (the only one of them who speaks Russian) to translate the elaborate way he’s going to fuck them all up if he doesnt get his way.

When a distraught Enonoka reports that their lead sled dog (who is like family to her) has been kidnapped, Sugimoto & Co. learn that the tavern owner had money on the guy Sugimoto slugged in the next stenka, and that Sugimoto will have to replace him if he wants the dog back. That night the Japanese boys experience a stenka (Russian for “wall”) for the first time, and it’s a veritable testosterone factory—which is right up their alley!

Eager to teach the towering Russian fighters that they’re no slouches, all four soldiers enter the match and defeat their opponents convincingly (even Kaito is jacked as shit). This has the intended consequence of attracting the interest of another tattooed ex-prisoner, who only fights in matches he deems worthy of his skills.

Desperate to reunite with Asirpa, Sugimoto has been wrangled into a wonderfully over-the-top Russian beef-mashin’ factory. It would seem they’ll get the lead sled dog back with this first victory, but he’ll probably have to entertain the tattooed guy even more before he gives him any information.

In any case, Golden Kamuy returns in fine form, delivering its wonderfully unique blend of treasure-hunting, frontier survivalism, cultural education, supercharged masculinity, and slapstick comedy.

Golden Kamuy – 24 (Fin) – Skin in the Game

As Hijikata defeats Inudou by playing dirty (tossing the blood from his arm he let Inudou cut to blind him), and Tsurumi mows down the inmates with a Maxim gun (channeling Tony Montana), A heavily-wounded Sugimoto happens to cross paths with the very person everyone’s been looking for since before episode One: Nopperabo (AKA Wilk). There’s no mistaking those eyes, but it’s confirmed when he recognizes the makiri he made for his daughter.

Nopperabo won’t say anything about the gold until Asirpa is brought to him, but Sugimoto has a non-gold-related question first: Why? Why involve his innocent daughter in what he knew would be a horrible blood-drenched mess that would stretch beyond his life and possibly hers? Sugimoto could sense the fear and apprehension she felt about the possibility Nopperabo turned out to be her father. Why put her through this?

The answer doesn’t quell Sugimoto’s pain, and perhaps that’s because he has no children of his own. Nopperabo was entrusting Asirpa with the future, believing she’d become the leader of the Ainu in that future. All of the time he had with her, he spent teaching her the ways of the Ainu, how to take care of herself, and how to defeat overwhelming foes. Before she turned ten, Asirpa was able to kill a giant red bear all by herself.

When Inkarmat hands the binoculars for Asirpa and she lay eyes on her father for the first time in a long time, she weeps, and perhaps not because she doesn’t understand her aca’s motivations. After all, she knows she’s an Ainu Woman of The Future. Perhaps she’s weeping more for the simpler life she knows her father wanted for her, but could not afford to provide; weeping for the time she and their aca were apart.

Then, to everyone’s utter shock, Nopperabo and Sugimoto are both shot through the head and fall, both shots carrying the very familiar sound of Ogata’s rifle. Tanigaki later rushes in and saves them from further shots (getting shot in the wrist himself) then finds Inkarmat lying in her own blood, a silver dagger in her belly. She tells Tanigaki that Kuroranke was giving someone a signal once the shots were fired.

Shiraishi manages to get Asirpa safely away, but Tanigaki and the wounded Inkarmat are captured by Tsurumi and his men. After all that planning and getting so tantalizingly close to the answer to the location of the Ainu gold, everything seems to have unraveled, and the lives of key players are either gone or in hanging from threads.

Ogata and Kiroranke meet up with Shiraishi and Asirpa, and Ogata confirms that Sugimoto and Nopperabo are dead, sending Asirpa into a frenzy of grief. However, less than a minute later we see Sugimoto, heavily bandaged and resting in bed, scarfing down onigiri. Both his life and Inkarmat’s were saved by the expert ministrations of Ienaga (who may have removed and eaten some of Sugimoto’s brains – channeling Hannibal Lector).

Now “brain damage pals,” Sugimoto is back in Tsurumi’s custody, along with Tanigaki. Inkarmat tells them that Kiroranke and Ogata’s likely next destination is Karafuto, which is where they turn out to be. The two are also well aware that Sugimoto may yet still be alive (he is Immortal Sugimoto after all) and that he’ll surely want to kill them both the moment he sees them again.

As for why Kiroranke stabbed Inkarmat, it wasn’t what I initially thought. Turns out, it was an accident. Kiroranke was merely threatening her with a knife, but in the ensuing struggle he fell and stabbed her. Kiroranke’s intent was to share the location of the gold with his former guerrilla comrades in the far east. And with Nopperabo dead, Asirpa is a vital key in discovering that location.

That’s not to say she’s the only key, however. Before leaving Abashiri, Tanigaki manages to find a consolation prize inadvertently left to him by Inudou: information relating to the tattoos no one else has. With none of the interested parties having the complete puzzle, there will surely have to be more confrontations alliances, and/or betrayals for any one of the parties to find the gold (if it even still exists).

Tsurumi sends Sugimoto to Karafuto to find Asirpa. He’s accompanied by Tsukishima, Koito, and his transport provided by Vice Admiral Koito, the lieutenant’s father. The Admiral had seemed to be only a means to an end up to this point, but he shares insights crucial to Sugimoto’s understanding of why Nopperabo did what he did.

Being a father himself, Koito knew that he could not ask the fathers of those beneath him to sacrifice their sons, nor ask those sons themselves to die, if he did not have skin in the game. Whether he liked it or not, the success of the battles being fought required that he put aside a life of safety and comfort he wanted for his son to legitimize the sacrifices of other sons.

He believes it was the same for Nopperabo. He didn’t simply cynically using her to help craft his ideal of the future for the Ainu. He simply could not ask the Ainu to pay for it with only their blood. Honor, obligation, justice, and an eye toward the future: these are the things parents in positions like Nopperabo and Koito must consider when raising their children.

Still, Sugimoto also happens to love Asirpa, and as long as he’s alive, he will see to it she doesn’t become a murderer like him and his ilk. Indeed, the kamuy may well be helping Sugimoto stay alive in order to serve as her guardian, and a check to the designs of both her father and the unceasing tides of history.

Asirpa comes to believe this in a dream with Sugimoto, in which he promises he’ll come for her again. The Dream Sugimoto insists it isn’t the kamuy speaking to her through him, but him, Sugimoto himself. He hasn’t joined the ranks of the kamuy yet, and nor has she.

Upon waking, Shiraishi share’s Asirpa’s insistence they haven’t yet seen the last of that big unkillable lug. Sure enough, he’s aboard a ship, with a bearing brimming with purpose and resolve, steaming to their location to reunite with them.

Until Golden Kamuy Season 3.

Golden Kamuy – 23 – Ainu Nothing Like The Real Thing

Turns out Inkarmat was working with Lt. Tsurumi…which is why Tsurumi has arrived with a flotilla of four-stack destroyers. With the prison alarms sounded, she declares Sugimoto and Shiraishi to have failed, and Tsurumi is the only one who can get Asirpa and Nopperabo out now.

When a shocked Tanigaki says that means he’ll get the Ainu gold, she tells him neither she nor he particularly care who gets the gold, further unsettling Tanigaki. The ships open fire, blasting holes in the wall, but also collapsing the entrance to the tunnel where Tanigaki and Inkarmat flee. Tsurumi and his large platoon of around sixty men get into small boats and arrive on the beach, fully armed and ready to rumble.

When Inkarmat is trapped by rubble, Tanigaki forgets who she was working for and bursts every button on his shirt to save the woman he loves. Fortunately for both, Ushiyama arrives to save the both of them, and just when you think it’s goodbye for Ushiyama, he casually tosses away the entire roof of the collapsed structure, then dusts off his jacket.

Tsurumi and his men storm the prison and kill everyone in sight…until he spots Sugimoto with “Nopperabo,” promising to kill him if they don’t lay down their arms. When the fake Nopperabo warns the others of a growing fire in the cell with loud grunts, they mimic the grunts. Like Tanigaki’s buttons, the show effectively tempers all the action and drama with moments of absurd, often pitch black comedy.

Meanwhile (there’s a metric F*CKTON of moving pieces in this episode) Toni Anji promises to take Asirpa to Nopperabo’s true location, but not without meeting up with Tanigaki Genjirou, whom Toni was always loyal to. Sugimoto realizes that Tanigaki wanted him out of the picture lest he cause trouble down the road.

On top of that, Nikaidou disobey’s Tsurumi’s order not to shoot, unknowingly hitting “Nopperabo” in the head, killing him. Shiraishi starts sawing through the floor so they can slide down into the crawlspace below. A wounded Kadokura releases all 700 deadly prisoners, unleashing them on Tsurumi’s outnumbered platoon, and, well, all hell breaks lose.

As soon as Asirpa sees that Warden Inodou is keeping Nopperabo in the chapel, she waits for another volley from the ships to escape from Toni and Hijikata (who applauds how tough the young woman is). But he still has the photos he had taken of himself with Asirpa to show Nopperabo.

It isn’t long before she runs into Kiroranke, and then Shiraishi runs into them, having dislocated his shoulders to exit the prison crawlspace. Kiroranke uses grenades to get Sugimoto out (as he has no clue how to dislocate his shoulders) and Sugimoto tells Kiroranke to meet the others at the front gate, while he takes the dagger Asirpa gave Kiroranke (and which was made by her aca) and heads to the chapel.

He’s stopped by Nikaidou, and the two have a vicious, bloody duel, with Sugimoto taking a blade through his mouth and left cheek and a bullet to the leg from the gun hidden in Nikaidou’s false leg. He manages to wrest that leg away and beat Nikaidou half(?) to death with it. I must say, if he survives this, Nikaidou might deserve the “Immortal” title as well…

In the chapel cellar, Inudou orders the real Nopperabo out of his cell, but Hijikata and Toni are waiting for him upstairs. Toni and Inudou shoot each other, but the latter plays dead so he can shackle Hijikata and lock him into a duel with katanas.

This allows Nopperabo to slip away. Outside the chapel, Sugimoto, crawling on the ground, spots him, and his unmistakable big, blue eyes. If only he could get Nopperabo to the front gate, where Asirpa and the others await.

All this time, mind you, Tsurumi and his men are completely occupied trying to fight off the wave of violent inmates. Like I said, a lot going on. One could even accuse it of being too busy, but I for one loved the sense of building chaos, with every character the show fleshed out playing a role.

It just worked, and was yet another example of the payoff tasting doubly sweet thanks to all the painstaking setting-up. After such a powerhouse penultimate episode, next week’s finale will have some big shoes to fill.

Golden Kamuy – 22 – And Finally, on a Black, Moonless Night…

For twenty-one weeks Golden Kamuy has been slowly building to this: the night Asirpa and Sugimoto finally infiltrate Abashiri Prison and meet with Nopperabo, to see once and for all if the one who killed the Ainu and stole the gold is her father. Now that the show has set up all of the various players and their various histories and motivations, it’s finally time to set things in motion.

Thanks to the salmon spawning, Kiroranke and Huci’s sister’s people can build a hut beside the wall of the prison. They can bribe the guards with fish, and within the hut they begin digging a tunnel under the wall to a precise distance indicated by Hijikata.

Before the big night, the whole crew settles under one roof an enjoys the bounty of the river: chitatap made from salmon gills, cartilage, and other normally harder-to-eat parts the Ainu never waste. Sugimoto is stoked to be having true chitatap, and Asirpa is delighted to hear not only Hijikata but even the normally mirthless Ogata not only make chitatap, but say “chitatap” while doing so. There’s also mouth-watering grilled salmon and side dishes laced with tasty roe.

During the meal, Ushiyama asks Inkarmat if she has a man, and Cikapasi forces the issue by giving Tanigaki’s half-eaten meal to Inkarmat, which is a kind of Ainu betrothing. Tanigaki leaves the hut, but Inkarmat follows him, and tells him she’s not hoping to reunite with Wilk for any romantic reason, but simply to settle her past. Tanigaki is the one she wants to spend her future with; he feels the same way about her, and once he gets Asirpa back home to Huci, he’ll give her his half-eaten bowl for real.

When the tunnel is complete it ends right in the quarters of Chief Kadokura, whose father fought beside Hijikata and thus feels loyalty to the old samurai, and will help the group achieve their audience with Nopperabo.

When a moonless night arrives, Asirpa, Sugimoto and Shiraishi, the infiltration team, relies on Toni Anji to guide them through the darkness to Noppy’s cell block. So naturally, they’re caught immediately, as in the first ten feet of their infiltration. The first play of the big game, and they fumble it.

No matter; the guards who spot them are dealt with relatively quietly, and they continue on, accessing the prison ward interior the only way they can: from the roof. The interior is a loving reproduction of the real Abashiri Prison, now a museum and Important Cultural Property—right down to the ceiling and cell latch designs.

Asirpa is lowered in (in a somewhat undignified manner), Shiraishi picks the lock to cell 66, and just like that, Asirpa is face-to-face with Nopperabo…or who she thought was Nopperabo. While the inmate’s face is indeed burned off, she can tell: this is not her aca (father). It’s an impostor; and they’ve been set up.

The fake Nopperabo starts screaming and a prison-wide alarm is sounded. Warden Inodou wakes up and mobilizes his men, and Sugimoto has Toni Anji pull Asirpa out of there, the two separating at the worst possible time. Still, Toni intends to take Asirpa to the real Nopperabo before they escape.

After that, the shit truly shits the fan, as Tsurumi, possibly tipped off by Inkarmat, arrives at the prison at the head of a flotilla of navy destroyers, blowing up the only bridge to the prison island. He orders his men to capture both Nopperabo and Asirpa, and will presumably need that gold in order to pay for such a lavish assault.

So a plan that had so many capable players involved goes pear-shaped almost immediately, scattering those players and leaving many wondering who among them betrayed them. But one way or another, this story is going to end in just two episodes. Here’s hoping Asirpa and Sugimoto and a few others make it out of this mess in one piece, hopefully with some of that Ainu gold…

Golden Kamuy – 21 – The Naked Truth

While visiting Asirpa’s relatives, the crew learns of a band of blind bandits who were once sulfur miners on Mount Iwo. Those who weren’t killed by the acid ended up sightless, and attack anyone they can in the dark. They’re led by a former Abashiri inmate, Toni Anji, who also has tattoos. They head to a local hot spring, but while all the guys are relaxing in the bath, the blind bandits snuff out all the light and attack.

As a result, Sugimoto, Tanigaki, Ogata, Kiroranke, and Shiraishi have to fight an enemy they can’t see with their dicks out. The enemy can “see” them just fine thanks to echolocation by tongue-clicking; a clever tactic that also creates an unsettling atmosphere.

As with the aphrodisiac sea otter incident, the beefcake is strong with this episode, with tasteful angles and shadows preventing everyone’s manhood from being exposed. Only Asirpa and Inkarmat remain clothed. Golden Kamuy has proven quite adept at creating compelling action set pieces, and taking away both the clothes and eyesight of the combatants is yet another example of that proficiency. It’s also pretty hilarious.

While she’s still weary of Kiroranke, Inkarmat still joins him and Tanigaki on a boat to try to escape the bandits, but Toni and his cohorts toss stones to gauge distance before he opens fire, shooting Tanigaki and capsizing the boat. Inkarmat can’t swim, and starts to sink, and even has a vision of a circle of bears coming to claim her soul.

But Tanigaki, who was only shot through the butt, dives into the lake and rescues her, and she rewards him with a kiss. She thought for sure she was a goner, but he showed her that the fate her fortune-telling portends can be changed.

As dawn starts to peek out of the horizon, Sugimoto and Ogata (the only one of them with a gun) infiltrate the bandits’ hideout, but soon find the windows are all nailed shut, and another ambush ensues in the pitch black. Toni goes after Sugimoto, and the two grapple and come to a standoff.

That’s when Hijikata suddenly appears to greet his old fellow inmate, and Ushiyama tears through the walls to let the sun in. The threat is over, with Sugimoto & Co. leaving Toni Anji to Hijikata & Co., provided he can get a copy of the tattoos he bears.

As the now fully-reunited supergroup heads into town to take their pictures taken, of all things, Tsurumi “punishes” his Abashiri mole, Private Usami, by drawing stick figures on his symmetrical face moles (a mole with moles, heh heh). Usami, like so many young men, is so smitten with the Lieutenant that it’s hardly punishment at all.

As for Sugimoto, he is compared to a young Hijikata by the old man’s photographer friend: “like a demon, but also kind.” But while locked in battle in the darkness, Toni Anji said sensed something else those with sight couldn’t: that Sugimoto could never return to who he was. I guess we’ll find out.

Golden Kamuy – 20 – Inkarmat Holmes

Ah, the seaside. Warm breeze, giant sunfish, sea otter meat, and…swarms of locusts?! Golden Kamuy brings a lot of people together, but then immediately splits them apart, both with the swarm, and with sudden clashing stories about who is dangerous and who is (still) working for Tsurumi.

When Sugimoto, Shiraishi, Ogata and Tanigaki seek refuge in a building and proceed to cook the sea otter stew, they all start to get very horny and see sexier versions of each other (including the latecomer Kiroranke), resulting in a ridiculous sumo orgy. There’s more serious activity afoot outside, as a highly suspicious Asirpa demands Inkarmat tell her how she knows her father.

According to Inkarmat, Nopperabo they’re seeking isn’t her father at all. Her father is a man named Wilk, whom Inkarmat befriended and even fell for (though he only regarded her as a child). Wilk, Inkarmat tells her, was murdered by his best friend…Kiroranke.

That night, just as the others are coming down from the sea otter, Inkarmat mounts Tanigaki and disrobes. While there are any number of reasons she decided to sleep with him (including genuine attraction, which is definitely there) she later attributes the lay with the sea otter’s legendary aphrodisiac effects.

Once everyone is reassembled on the beach, Asirpa immediately confronts Kiroranke with what Inkarmat just told her. When Kiroranke plays innocent, Inkarmat produces evidence in the form of fingerprint matching.

Then Ogata draws his rifle on her, accusing her of working for Tsurumi, but she says she was only using Tsurumi. Tanigaki puts himself between Inkarmat and Ogata’s gun, and Ogata accuses him of letting himself be seduced.

It’s a big mess, with multiple people suspecting each other of murder, or conspiracy, or some such foul play. This week Sugimoto not only gets the horny sumo orgy started, but also plays the role of peacemaker (after all, no one is pointing any fingers at him for anything).

He tells everyone that their mission remains the same: go to Abashiri and meet with Nopperabo for answers. He half-jokingly warns that whoever “makes their move”, resulting in another member of the group suddenly meeting their maker, will share the fate of their victim. Call it Mutually Assured Justice.

Tsurumi’s intel network is formidable, and he is informed the moment the reunited group is headed to the prison. He even has a mole there, posing as a greenhorn noob. His superior officer is ordered by the warden to “feed him to the pigs” when his duplicity is uncovered, but the young lad make quick work of the two inmates who ambush him. Looks like our friends are heading straight into a hornet’s nest. What else is new?

As for the post-credits sequence in which a wagon is robbed in the night by a crack shot with a pistol…not enough info to form an opinion one way or another, except to assume the able gunman in question will probably cross paths with either Tsurumi, Hijikata, or Sugimoto & Co.