Steins Gate – 14

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As expected, Rintarou can’t stop Mayuri from getting killed. Either Moeka and her goons, or what he can only describe as ‘fate’ always gets her in the end. The show doesn’t get too gorey about the myriad ways Mayuri meets her end (though the sight of a Jelly Mayuri, half-stuck in the wall, possibly in the 18th century, is properly disturbing), but it gets the point across efficiently: Rintarou’s plan isn’t going to work. He’s missing a big piece of the puzzle.

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Not only that, but he simply can’t go on like this. I opined last week that even if using the time leap machine over and over had no major physical side effects, the trauma of watching Mayuri die over and over would eventually drive him mad. To his credit, he breaks the futile cycle of attempting to save Mayuri on his own before that happens.

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Or to be more precise, it’s Kurisu who breaks the cycle, by noticing something is not right with her friend and finally coaxing an explanation out of him, during which he even calls her by her real name.

I must add, this is Kurisu at her absolute best, and also the point at which she’s almost switched roles with Rintarou. Where before he was the wide-eyed dreamer, those time leaps have worn him down. Kurisu sees that, and decides to be the voice of hope and faith when she can tell he’s running low on both. She even strikes a baller chuuni pose that even gets him to crack a smile.

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When she smiles back and offers her hand. In a nifty bit of animation, Rintarou hesitates in taking it, but she gently tugs at his hand and guides it into her own. There’s so much in that simple gesture, which makes it all the more sad when she sets up the time leap machine and sends him back.

It’s sad because the awesome Kurisu she is now, who Rintarou calls “Kurisu” and proudly brags about her invention, will cease to be. Then again, this is nothing new; countless wonderful moments between these two have already vanished from time, both before and during Rintarou’s failed attempts to save Mayuri.

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When Rintarou is sent five hours back–to the time Mayuri finished her cosplay outfit around the same time Kurisu finished the machine–past Kurisu is a little harder to convince than future Kurisu told him she’d be. But when he repeats the keyphrase she gave him about “My Fork”, something very private and embarrassing, she’s on board too. Good. With Kurisu by his side, they’re much more likely to figure this out.

Also, “Screw you, future me” is one hell of a one-liner.

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Kurisu warns Rintarou that failing to build the time machine alone may not be what is causing Mayuri’s deaths. Suzuha joins them, actually backs up her “nemesis”, and sneaks them into the Radio Kaikan building where the satellite crashed.

A sprawling but surprisingly gripping infodump ensues, replete with visual aids like braided ropes (along with her own braids) and a divergence meter made from Nixie tubes she says Rintarou himself will build in the future (thus explaining those numbers we see whenever he leaps. I kept thinking about writing them down, but didn’t).

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I’m not a fan of infodumps, but I, like Rintarou, have thirsted for answers (some answers…not all) for so long I welcomed the explanations, even as I wondered who the hell this crazy-athletic, all-knowing girl really is. We learn that, too: SHE is ‘John Titor’, from the year 2036, and the crashed satellite is her time machine.

I was impressed with how swiftly the story has moved from Rintarou realizing his plan to save Mayuri on his own is a dead-end, to teaming up with Kurisu and growing a little closer, to Suzuha finally revealing who and what she is and introducing a new time machine that could expand their reach across the time continuum. Rintarou may be the one who saves the world, according to Titor, but he’s going to need a lot of help from his friends.

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Steins Gate – 13

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How to follow up a cliffhanger that belongs in the pantheon of cliffhangers (along with “Mr. Worf, Fire” and “Boomer Shoots Adama”)? The same way those were followed up: by dropping us right back into the same moment it left us; in this case, with Moeka shooting Mayuri in the head. Moeka is aiming at Rintarou when Suzuha bursts back into the lab and takes out all of the other gunmen.

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She left to go turn on the 42″ CRT downstairs, and then returns to buy Rintarou and Kurisu just enough time to activate the time leaping machine, during which Kurisu too is shot right in front of Rintarou. Right after Steins;Gate’s best ending to date, we get its best cold open. The adrenaline was pumping from start to finish, even though I was reasonably certain Rintarou would get away.

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He ends up in the memory of the cemetery where Mayuri is looking up at a grave, and we learn the significance of that memory. The grave is Mayuri’s grandmother’s, and she’d visit it every day. One day, Rintarou watched as she became bathed in Rembrandt Lighting he feared would lift her up and away, so he ran to her, embraced her, and told her she can’t go anywhere, because she’s his “hostage” now.

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The cemetery is only a temporary stop, however, as Rintarou wakes up just before 5:00 PM the same evening Mayuri gets killed. Without stopping to explain anything, he cancels the party and runs out to look for Mayuri.

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Of course, Kurisu, being a genius, figures out pretty quickly that Rintarou used the time leap machine, it worked, and now has memories of the, or rather a future. But he’s in too much of a hurry and can only promise to tell everyone everything later, even Mayuri herself; his curtness frightens her. Of course, considering he just watched her die, I can’t expect him to have acted any more calmly.

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It’s that emotional trauma he carries that makes him slip up, realizing too late the trains were stopped by a bomb threat, likely for this purpose. The Mad Scientist finally has The Organization after him, and always seems to be one step ahead. A chase, a take-down, and Rintarou and Mayuri separate. He tells her to run, and she does, right into an alley where a waiting car runs her over.

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Rintarou is close to home, so he’s able to use the time leap machine again, but at this point I’m starting to think about Waremete, a Fall 2014 show I watched but left the reviewing duties to Zane. Turns out the visual novel it’s based upon was released a year after Steins;Gate. 

Here, as in WareMete, a protagonist tries multiple times to save someone, but no matter how they change the events of the day that someone dies, the person always finds a way to die, as if the timeline is attempting to balance itself. That’s what seems to be happening here.

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I say that because the first two times Mayuri is killed, it’s due to SERN’s actions, but SERN couldn’t have made Nae run up to Mayuri, trip, and accidentally shove her onto the subway track. That’s not outside interference; that’s…something else. Breaking the pattern of Mayuri’s deaths isn’t as simple as isolating her. Maybe it’s the watch?

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And then, there’s the possibility that Mayuri simply can’t be saved, no matter how many times Rintarou is able to go back. Pair that with the fact the trauma of watching her die is cumulative, and it won’t be long before Rintarou is simply too emotionally broken to have the necessary wits about him, which is all the more reason to tell the others what’s going on.

It all comes back to the cemetery memory. Was Rintarou only reacting to the strange light, or was there really something to his fear Mayuri was about to disappear? When he embraced her, was he only delaying the inevitable? SERN and time seem to be conspiring against him, and he is in way over his head.

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S;G reviews are back!…but only once a week.

Steins Gate – 12

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Steins;Gate reaches its halfway mark with a disappointingly uneventful outing, as–oh, God, what am I saying? I’ll be serious, as Okabe Rintarou has started to become by necessity: this was an effing classic. It was the choice of Steins Gate that the wool be fully pulled from my eyes…and my heart be ripped out of my chest.

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For all its humble looks and composition, this thing is lit like a terrible world-upending weapon

 

Rintarou had already drastically cut down on his chuunibyou mad scientist silliness last week, when he was too damned shaken by the threatening text messages to be embarrassed about walking in on the girls in the bath.

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It’s a sudden change in his demeanor not lost on Kurisu. Even if Rintarou hasn’t told her anything, she knows. After fully explaining the completed Time Leap Machine, including the need for a living human subject—no more bananas—she turns to Rintarou for the Lab’s next move.

No maniacal laugh, no fake cell phone call: his decision is this: they’re backing out of this. They’ll announce their discovery and leave the rest to the ‘appropriate’ entities.

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It’s a tough call, and a very un-Hououin Kyouma call, but it’s the right call. Itaru agrees. On a grocery run, Kurisu sees Rintarou’s relief and admits to being a little disappointed, but she agrees too. Mayuri definitely agrees. Mayuri, whom they both agree has seen more than either one of them, and probably wanted them to stop a long time ago.

Things will be different, that’s for sure. The Future Gadget Lab accomplished something momentous. Kurisu fears her father’s reaction to her latest and greatest success; Rintarou assures her they’ll be able to visit him and work things out, because he takes care of his lab members. In this beautiful exchange, Kurisu refers to herself as his assistant, and he shoots back that she’s his dear companion. These two really were meant for each other.

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Rintarou’s decision calls for a party, and a party is what they have. Suzuha even comes along, and after some posturing and growling between her and Kurisu, Mayuri defuses the situation with her usual eloquence: “Mayushii…doesn’t like fighting…when we’re all together, I think it’d be more fun if we were all friends!”

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And so they are friends this night, as Kurisu helps Suzuha beat Rintarou at Rai-Net Battler, simply by knowing the kind of personality Rintarou has. When Rintarou skulks away in defeat, Kurisu has Mayuri go after him, telling her how both she and Rintarou believe she’s always had the clearest view of the lab.

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Mayushii approaches Rintarou on the roof armed with a lightsaber Cyalume Saber. They talk about how much fun everyone is having, and about all the things they’ll be able to buy once they go public with the discovery (Chairs! Utensils!).

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Then Mayushii brings up the Spring (it’s August at this point), when it was just the two of them, but Rintarou seemed really lonely to her, and how the club has grown so much that it’s okay now, even if she isn’t his ‘hostage’ anymore.

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As Mayuri is saying this last bit, he has a flash of his daydream from the cold open, which may well have been far more than a mere daydream: 70 million years in the future, he and Mayuri are alone in the middle of a wasteland, about to die. She tells him they’re the originals, but there are infinite other Rintarous and Mayuris in other world lines that will carry on their legacy even if they crumbled to dust then and there.

So…it’s okay. It’s all okay. Until it isn’t.

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Itaru dashes up to the roof (yes I used dash and Itaru in the same sentence): there’s a bomb threat; all trains in and out of Akiba are stopped. So the party becomes a sleepover now…Yay, right? Nay. When Itaru confirms he’s deep into SERN, Suzuha seems on the cusp of telling them to do something very important, but instead she bolts out of the lab without an explanation. That’s not good. There’s no way that’s a good sign.

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Then Rintarou notices sand has stopped flowing down an hourglass. Mayuri’s recently-wound pocketwatch stops. Something is extremely wrong.

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A group of masked gunmen in casualwear race up the stairs and bust into the lab. If they didn’t have the guns and masks, they’d look like ordinary people. Is this SERN? Was Rintarou too late in giving up the game?

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It’s a volatile situation, made even more surreal by the arrival of the apparent leader of the gunmen: Kiryuu Moeka, donning black leather from neck to toe, stylish as always, as Mayuri once remarked. “SERN will take the time machine”, she mutters softly. She’s taking Kurisu, Rintarou, and Itaru as well.

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As for Mayuri? She’s…”not needed.” Shining Finger puts her finger on the trigger, muttering “For FB…FB…FB…” and puts a bullet in Mayuri’s head. Just like that, the beating heart and warm, fuzzy soul of the lab, Rintarou’s dear childhood friend, is gone, and the fun and games are over.

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I expected something to happen in that standoff, but for the life of me I didn’t expect that. But why the hell didn’t I? It was all here, in previous episodes and all over this one: she was pulling out death flags like there was no tomorrow, because for her, there wouldn’t be.

And what’s so crushing about this is that in a twisted way, Moeka was right: Mayuri was no longer needed. As Mayuri said, “it’s okay”: now that he has friends, he’ll be alright, even if she isn’t by his side anymore. The close-ups of Mayuri in her last moments are painted with neither shock nor fear, but expectation; of inevitability. 

This is the closing of a chapter and a time of new and terrifying trials for Okabe Rintarou and the rest of the lab. But perhaps, with Kurisu by his side, he’ll be okay. But I just can’t see it yet. No one could ever see as clearly as Shiina Mayuri.

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P.S. With twelve episodes down, twelve to go, and Winter season starting to pick up steam, now is as good a time as any to exhale and take a break from the show. How long a break? I won’t be sure until Winter settles down and I have a better idea of which parts of the week are the slowest…but probably not long. In any case, I have yet to watch anything after this, so spoilers in the comments are strictly prohibited. Finally, it cannot be said enough, thanks for reading as I play catch-up with a classic—H.B.

Steins Gate – 11

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Suzuha’s feeble attempt to distract Mr. Braun results in Okarin getting punched, but all is not lost: Okarin discovers the lifter the phone microwave is using: the 42″ CRT in the store. And while Kurisu is still against sending physical objects to the past (they’ll only turn into goo), she thinks she’s cracked a way to send people’s memories. 

It involves her showing the other lab members an issue of SCIENCY magazine (and boy how I wish a magazine with such an amazing name existed) with her damn picture on the cover, and explaining how a kind of “time leap” (not travel) could be accomplished by translating nerve pulse signals to electrical signals. Lest we forget, Kurisu is very, very smart.

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But I also appreciated how Mayushii doesn’t simply fail to immediately understand the concept because she’s dumb or slow. She’s more hung up on the why than the how. Sure, scientists will ‘climb mountains’ simply because the mountains are there; but Mayushii has a very different, very Mayushii take on it: that if she sent her memory of the conversation she’s having with Okarin back to herself, only she would remember that memory. And to her, that’s scary and sad; it speaks to her fear of Okarin ‘leaving’ her.

During their errands, Okarin and Mayushii run into Moeka again, but she too seems put off by the lab’s newest goal, and they part ways. They also encounter a still midriff-baring Suzuha, who has brought Mr. Braun’s adorable little daughter to apologize on her dad’s behalf. And then Suzuha mentions in passing that Kurisu is working for SERN. Whaaaaa?

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When he gets the jump on Kurisu lurking on @channel, he dismisses, or at least sets aside the accusation—how could such an open book be trusted with espionage?—but I’m not as quick to shrug Suzuha’s words off. Suzuha seems to know more than any other lab member what’s going on, or possibly what will go on. Maybe she meant to say Kurisu will work for SERN, or worked for them in a previous world line?

Never mind all that, though…it’s time for another Intimate Okarin+Kurisu Talk in the Dark®; in which Kurisu lays bare her the reason for her hesitation in building the time leap machine. That heated phone call was with her estranged father, a fellow scientist, who has come to hate her, not just because she surpassed him before puberty, but because he’s certain she pities him for it.

She fears the time leap technology will only drive him further insane, even though her scientist instincts will probably press on anyway. She’s looking for validation and support, and Okarin eventually provides it, agreeing to accompany her in an attempt to reconcile with her dad.

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It can’t be said enough: these two are the best part of this show, and considering all the other excellent stuff going on around them, that’s saying something. But theirs is a topsy-turvy romance, so as soon as they’re out of the moonlight and under the fluorescent lights of the lab, they’re once again bickering like an old married couple. And hey, I sympathized with Okarin: it sure looked like “Makise” was the brand name of the pudding, rather than a hand-written label.

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Perhaps eager to stay close to Okarin, Mayushii arrives fully-loaded for a cosplay-making sleepover, and I’m sure she’s disheartened by the fact Okarin and Kurisu are so invested in their lover’s quarrel she has to say “maybe I should go” before they realize they’re being rude—cruel, even—and stop.

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Speaking of cruel, this show can certainly be that, and fucking sneaky to boot, as Kurisu allows Okarin to stick around that night if he goes shopping for them. While he’s gone they exchange a couple of sweet texts, but the next one is from that anonymous foe, saying “he knows too much” and attaching a picture of bloody doll’s head (or what dearly hope is just a doll).

In any case, Okarin suddenly gets the devastating feeling that something terrible is afoot in the lab, drops his groceries and runs there, in a thrilling sequence employing a different art style that all but certainly portends the very doom he fears…if we hadn’t already seen Kurisu and Mayushii safe and sound, preparing for a bath.

Don’t get be wrong; the sequence still works, in that at one moment while he’s in the dark and silent lab, it feels almost 50/50 something bad has happened. The show is simply too good at exploiting conventions and painting a picture of dread, even if it’s all in Okarin’s head.

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Except…it isn’t. This was a false alarm, but the text wasn’t. Real alarm is indicated, a fact driven home when Daru shows up unexpectedly to find that while he’s hacked into SERN’s severs, it could be a two-way street, and SERN could be looking at them. Kurisu can’t even stay mad about Okarin barging in on her and Mayushii naked, because Okarin is still so damned freaked out. It would do him good to let his friends know about these ominous messages; their ignorance of them doesn’t make them any safer.

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Steins Gate – 10

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This episode gets off to a rather…ahem…inauspicious start, with Okarin, still convinced Ruka is a guy, does terrible things to her to prove that fact, only to cower in terror at the fact that yup, she is, in point of fact, a girl, then accept whatever off-camera punishment Kurisu arranges for him, because frankly, he’s lucky he gets to keep that hand.

In his defense, Okarin is understandably having increasing difficulty keeping track of all the changes, and while Akiba’s flavor has fundamentally changed, his relationships seem to be pretty much the same, so he must have assumed their genders stayed the same as well.

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It’s not surprising then, for Okarin to take up Suzuha’s offer of a bike ride, even if he’s to do the pedaling: some fresh air will do him good. But instead of clearing his head, it introduces a fresh dilemma which his D-mail technology may be able to solve: Suzuha’s absent father.

His mad scientist schtick is fooling no one: Okarin is a nice guywho will do everything in his power to help his friends, and Suzuha is one of them. So he makes her Member #008 and orders her to come to the lab and text her father not to leave. Sure, her dad may not have had a cell phone back when he left, but maybe he has a pager.

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Suzuha is touched by Okarin’s offer, but departs on her own, in a gorgeously-composed shot that just screams “Sayonara.”

Okarin musters the rest of the lab to arrange a party for Suzuha. He gets a troubling text from an unknown sender saying he’s being watched, with a photo of red jello attached (apparently aware of Okarin’s experience with green jello). But he can’t be troubled too long, since he has a feeling Suzuha won’t come back unless he follows her. Kurisu forbids him to do this, and sends him out to the stores with Mayushii.

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While on the way home, Mayushii reminisces about a time years ago when Okarin had a fever so bad she feared he’d die. She believes her prayers to the sky saved his life (though he gives Steins Gate credit). Is it just me, or are Okarin and Mayushii’s one-on-ones are getting more and more…wistful? It almost feels like she’s trying to remind Okarin how important he is to her, so he’d better not leave her behind.

But it’s more than that: Okarin’s behavior right after Feyris sent her D-mail reminded Mayushii of when he had the fever. Okarin takes that to mean that time he had the fever must have been when his “Reading Steiner” ability first awakened.

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Back in the lab, we get some lovely slice-of-lify dinner prep, with the implication that Kurisu isn’t the best cook despite her scientific genius. It’s fluffy, but it’s good fluff that reminds us how tight-knit a family the Future Gadget Lab has become.

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When futzing some of the lab’s other invented gadgets, the power goes out, which nets us a very intimate exchange between Okarin and Kurisu. It’s as if the darkness has given her cover to say things she wouldn’t say in the light. Again, the camerawork excels, as we get awesome closeups Okarin and Kurisu’s barely lit faces.

When the lights come on we see that for a lot of that time, their faces were merely inches apart, and those shots of them were from their own points of view. For all we know, Kurisu could have been leaning in for a kiss; really nice stuff. Okarin said his relationships have remained the same through all these world lines…but I’d argue that his relationship Kurisu is steadily growing.

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I also find Okarin’s rationale for continuing the D-mail experiments even in the face of all the risks: He’s a mad scientist, dammit, and he’s not going to let Ruka becoming a girl, Akiba ceasing to be an otaku haven, or even threatening red jello texts stop his march to destiny. But really, as I said, he wants to help his friends out, and more to the point, simply wants those friends around, and happy.

To that end, when Suzu is a no-show, he D-mails himself to keep tabs on her, and the next morning learns she attended the party after all. Even though she doesn’t know her dad’s phone number, she had a lot of fun. But what did this latest favor to a friend cost him? The beauty of S;G is that changes need not be immediately apparent; indeed, it’s more fun when they sneak up when least expected.

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Steins Gate – 09

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Holy crap…now he’s gone and done it.

This masterful episode, in which Okarin makes the ill-fated choice to allow Feyris to send a D-mail to the past, confirmed some of my floating theories, refuted others, and generally blew my mind. I had to stop myself from rewatching this episode immediately after watching it.

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No review of this episode is complete without thorough discussion of Okarin and Kurisu. To put it mildly, they were on their A-game here; to put it more elaborately, this was some of the most entertaining sustained interaction between two characters within a single episode of anime I have ever seen.

It all starts when Okarin happens to encounter Kurisu on the roof in the midst of an upsetting phone call. She retreats, but later tries to convince Okarin that she wasn’t really crying, even though her eyes are still red.

Yet she still sits beside him, as if to give him a chance to comfort her. He does, sort of, in a very Okarin way: first with the affirmation that she’s a ‘valued ally’, and if she wants talk he’ll listen…then pretend-talking on the phone about his kindness being some kind of ruse. We’ll give this round to Okarin.

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At the next round table, Kurisu and Okarin pretend their last encounter never happened as far as anyone else is concerned (and anyway Daru is distracted by Mayushii’s real school uniform, which he insists is a super-realistic school uniform cosplay).  Kurisu even has a nickname lined up for Okarin when he asks why physical time travel is impossible: “gel-Okarin”. Score a point for Kurisu.

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When Kurisu suggests the lab stick to more realistic goals, Okarin dismisses that stuff as “boring”. Kurisu, points out that science is 99.9% boring. It has to be that way; otherwise it’s 100% exciting, as in BOOM. Okarin reminds her he’s a MAD scientist, which she responds to by turning away and saying “Epic Fail”, which everyone has a strange reaction that puts her on the spot. Okarin goes in for the kill by repeatedly calling her “4channer” in the most obnoxious tone he can muster, thus gaining the upper hand.

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After that exchange, Mayushii gives Kuri…a look. I’m not sure if it’s a look of support, solidarity, pity, jealousy (she confided in Feyris earlier that she’s scared of Okarin “leaving her”), or some combination of those, but I really enjoyed this wordless exchange.

I was so focused on these two, in fact, that I wasn’t paying attention to what Okarin and Daru were discussing. Okarin talks about the IBN 5100 as if they had it…but it turns out they don’t have it; he and Kurisu never found it and carried it to the lab.

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It’s the clearest example yet of the butterfly effect, in which even minor changes to the past can cause major changes to the future. My tentative theory about the changes being cumulative is history, but I won’t miss it. The butterfly thing means higher stakes. There is no ‘minor stuff’ when it comes to changing the past.

Okarin quickly calls Ruka—who appears to be an actual girl now, judging from the uniform—who says the 5100 was donated to the shrine, but now it’s gone. Okarin goes over who else was involved in procuring the PC, and decides talking to Feyris is the next step.

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On the way there, Mayushii admires a metal upa figurine in the window of one of Akiba’s many collectible stores. Okarin, remembering how she got one from a gumball machine and promptly lost it, asks if she “still” wants one, but Mayushii doesn’t remember, because those events were many world line splits ago.

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He also hears a docile voice say “IBN 5100”, and spots Moeka across the street, and finally catches up to her in a dark alley. She seems more desperate than ever to find the 5100, but Okarin can’t help her now. More surprising to him, Mayushii knows Moeka now, as she’d visited the lab at some point, meaning the last D-mail restored relationships that were lost in the D-mail before it.

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Do sooner does Okarin’s enthusiasm begin to strain beneath the increasing weight and complexity of his plight than he arrives at Feyris’s urban palace high above Akiba, where the view of the “ants” below him provides some comfort. Feyris, whose real name is Akiha Rumiho, explains her monumental wealth to Okarin and Daru by revealing that her family is the “Akiha” in Akihabara, and that she claims to have been personally instrumental bringing the “culture of cute” to the district.

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Before she tells Okarin about the IBN, she requests that she be able to send a D-mail to the past. The timing is particularly bad, but Okarin grudgingly agrees, naming Rumiho Member #008.

However, in order to activate the phone microwave from there, Okarin must call Kurisu. He also quickly learns that she’ll keep hanging up on him unless he phrases his request in a manner to her liking. That we only hear and don’t see Kurisu during this exchange makes their performance—and her stunning come-from-behind victory—all the more fantastic.

I thought there was something fishy about Feyris’ replied to being asked what one thing she’d change from her past”. She said she doesn’t look back on her past, but clearly, in this case, she does.

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Flanked by the loyal and smitten Daru on one side and Feyris’ friend and co-worker Mayushii on the other, Okarin is forced into a very risky proposition: sending a D-mail without even knowing its contents.

Once it’s sent, Feyris’ dad arrives, and tells Okarin he never donated his 5100 to the shrine. But nothing can prepare him for the most dramatic change since Kurisu’s stabbing: the slow, devastating reveal that Akiba…isn’t Akiba anymore, as in, it’s no longer a vibrant center for otaku or culture and shopping. No comic stores, no maid cafes…nothing.

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Was this an unintended, unfortunate circumstance of Feyris’ secret D-mail…or did she intend for this to happen, perhaps secretly disillusioned with what Akiba had become? As they always seem to be with this show, the possibilities are endless. Good lord…how did people actually wait a week in between these episodes?

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Stray Observations:

  • I wonder who Kurisu was talking to…
  • So Ruka is a girl now…right? Wait…don’t answer that. I’ll find out.
  • Daru borrows Okarin’s “Steins Gate” line when referring to limited edition merch, upsetting him.
  • Moeka mentions an “FB” again.
  • Mayushii sees a cosplayer in everyone
  • “What a sad attempt to escape reality.” – Okarin’s highly hypocritical reaction to Daru covering his ears when Feyris’ real name is mentioned.
  • Feyris: “Do they not like each other?” Mayushii: “I think it’s the opposite.” Daru: “Agreed.” Well said, all.

Steins Gate – 08

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As S;G is a slow-burn sci-fi mystery with an absolutely kick-ass cast and world-class dialogue, I’m quite content with only incremental changes to the status quo. Big changes too soon mean we risk losing the people we’ve come to know and love. But as the rabbit hole widens, it seems more and more likely that we’re working towards that kind of result. After all, the changes the D-mails have been cumulative…at least so far.

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While John Titor’s words about powers and messiahs unsettled Okarin, it’s still way too soon to start confronting something of that magnitude yet. He sticks with science, which is repeating a process over and over, observing and recording the changes, and forming a theories around that data. In other words, we’re still in trial-and-error mode.

To her credit, the Kurisu of this new world line Okarin finds himself in doesn’t doubt what he says about the D-mail already being sent. One thing that can often bog down time travel themed shows is when the time traveler has to continually explain and re-explain to others what is going on, without being dismissed as crazy.

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Kurisu may think Okarin is crazy anyway—among other things—but she trusts him in this, especially because there’s concrete proof. So they press on with the experiments, with Moeka enthusiastically volunteering to send a D-mail to herself, warning her not to buy the new phone she presently wishes she hadn’t bought. Just before they begin, Ruka stops by with a watermelon to apologize for screwing up the lotto numbers.

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Once the phone microwave is activated and the d-mail sent, Okarin ‘travels’ yet again, to a world line where Moeka is absent from the lab and no one’s ever heard of her.

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Okarin is initially worried she ceased to exist, but the change was far more minor: she’s still around and still knows him, she just never visited the lab and thus never became Member 005 or met the others.

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Kurisu picks up on his behavior quicker this time, suspecting another d-mail was sent and puts the pieces together. But she’s still incredulous about whether his power to retain memories across world lines “Reading Steiner”, is real. Okarin himself can’t be sure yet, nor can he take everything Titor says as the gospel. More experimentation is needed.

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Ruka does come by in this timeline, having actually come by before with the watermelon, but turned back home when he accidentally eavesdropped on Okarin’s outburst about Moeka being missing (accidental eavesdropping seems to be a common thing on this show).

Mayushii pounces on him and makes him try on cosplay outfits, but Ruka is eventually able to tell Okarin his real reason for coming: he wants to send a d-mail. Specifically, one that will make him a girl.

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Kurisu is confused by his request, because all this time she thought Ruka was a girl, and was the only lab member still in the dark. Her reaction to learning the truth is suitably priceless, with simple yet effective comic timing.

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Okarin isn’t opposed to sending a text to Ruka’s mother asking her to eat more vegetables (which some believe increases the chances of having a girl), and officially recruits him Member #006, but they run into an interesting technological hitch: Ruka was born in 1993, three years before cell phones took off in Japan, making a typical d-mail impossible.

The gang arrives at a very elegant and clever solution on the fly: paring down the message so it can be sent as a sequence of numbers to his mom’s pocket pager.

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The D-mail is sent, and the world line changes (a previous mail Daru sent to himself doesn’t cause this effect). For a moment, Okarin appears alone in the dark lab. Did Ruka’s D-mail end up negating all of Okarin’s relationships as well as the Future Gadget Lab itself? 

Then he turns around, and no, they’re all still there, just in different positions. Whew. Ruka is still wearing androgynous clothes, too, so he can’t discern whether his gender changed to female (and Kurisu scolds him for starting). But if he asks them, it’s a good bet they’ve still never met Moeka, and Daru still lost the Feyris cup, and Ruka still lost the lottery by one number.

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So far, the effects seem to be cumulative, though I may be grossly oversimplifying things. The bottom line is, D-mails sent for one specific purpose end up causing totally unpredictable side effects. Okarin can’t even immediately detect what changed, only that something must have changed.

If the timeline he’s familiar with is a sheet of ice he’s treading upon, the D-mails are creating small cracks. How many more will that sheet bear before it collapses under his weight? Or are D-mails just as likely to seal cracks as create them?

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Steins Gate – 07

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‘Cursed with success’…that is where we find Okabe Rintarou at this stage in the game. He wanted to open “Steins Gate”…well, now he has. The question becomes, what to do with this new-found ‘power to change the past’…and how he handles the humongous burden of responsibility that comes with it. Oh, and how to deal with a new lab member who texts him a constant stream of questions with the odd request snuck in.

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Naturally, Okarin decides to use the Phone Microwave try to win the lottery! Not the 200 million-yen jackpot, but the 700K one two tiers down; less conspicuous. But what I like about this is that it’s not just about money. It’s far easier to send lottery numbers to the past to prove the system works than attempting to send, say, instructions for achieving world peace. There’s a much bigger margin of error with something complex like that.

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Mayushii and Kurisu object, but can’t think of a more practical means of testing the phone, so they go with that. During the expeiment, the same hesitation that led to Okarin requesting a lower-tier lottery takes grip, and he wonders if this is really okay after all. Just because one can do something doesn’t meant he must, right?

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In the end, he sends the text…and something happens, something only he is aware of: he finds himself in a time when the experiment they just tried never occurred. This is the first time since the stabbing incident that time has moved to such a dramatic extent. This is no longer the exclusive realm of gel-banas.

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It’s confirmed that this is a brand-new timeline (or world line) when Ruka arrives to report that the lotto ticket Okarin told him to buy was off by just one number. A glance at the coffee table shows a Dr. Pepper, when previously Kurisu said it was sold out and bought veggie juice instead. Yes, a character’s beverage preference factored into his assessment of the timeline changing.

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Far from jubilant or pumped up over another momentous victory, Okarin seems lost and disoriented, and probably due in no small part to the fact that only he remembers the previous timeline, when he sent the lotto numbers back. Just like before with Kurisu being stabbed, he’s all alone in possessing that knowledge.

Suzuha notices he’s not quite right, and even takes the extraordinary step of closely examining his eyes for ‘chips’ or other evidence of brainwashing, finding nothing. If he’s looking for some stability and answers, she suggests he contact John Titor.

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Okarin does just that, but not before shutting down all experiments until further notice and dismissing the lab staff; only Kurisu stays, perhaps worried about Okarin. In the dark the two sit; Kurisu skimming a magazine, Okarin sending a detailed text to Titor and eagerly awating a response. He gets one from Titor, but not before he gets a string of messages from nearly everyone else.

From Ruka’s apology to Daru calling about leaving his wallet in the lab (big mistake!) to a loving chat with Mayushii (curiously nothing from Moeka in that time), it’s almost a showcase of the bonds he’s forged thus far, along with Kurisu being right there in the room with him. Bonds that could crumble or cease to exist if he fiddles too much with the past.

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Titor’s message does little to allay Okarin’s anxiety. His talk of Okarin’s apparent ‘power’ to maintain his memories across world lines and the ‘freedom’ that lies beyond Divergence 1% causes Okarin to slam his phone down in incredulity, half-unwilling to listen to any more (ironic, considering the weird crap he always spews. But then again, he and everyone know that’s nonsense. In this case, he’s not sure.)

The kicker: Titor wants Okarin to become ‘the messiah’ and change the future. He should have added at the end: “No pressure, dog.”

At this point I can see Okarin going in one of two possible directions. He could either press forward, having faith in his abilities and leaning on his friends, or retreat from the whole enterprise, inviting SERN or others to futz with the future in his stead. Neither path is without risk, but I’m hoping he takes the former. Better the devil I know.

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