The day before New Year’s Eve, the girls set up their second annual “We” Exhibition. They fall behind, but finish strong with help from Shimokamiyama, Dougou, and Yakusa. Kanae is sad about the fact that come next year she’ll have to focus on exams, and that she’ll have to leave the photography club. The next day, a large crowd awaits when the doors are open, and the exhibition is a resounding success. After ringing in the new year, Sayomi picks everyone up before dawn to see the sunrise by the seaside, where everyone yells out their hopes for the new year.
There were times during this episode when we were worried that Kanae was going to disappear in a wisp of vapor on the stroke of midnight, so apprehensive she was of the coming new year. Part of us wanted to jump into the tv screen, give her a shake and say “Honey…everything will be fine!” She’ll always remember the past year as the year she broke out of her shell, inspired and supported by Fuu and her friends. As Maestro says, Kanae and Fuu shaped each other in that year, and they also enriched each other’s love for photography, and life in general. We like how their year is documented in photos and exhibited in chronological order, so that anyone who cares to can see the progression of their friendship along with their growth as photographers.
When the bells chimed midnight, the new year began, Kanae was still there in one piece, albeit having closed the lens cap on her camera. The series pulls out all the stops for the tearful, heartwarming final scenes that take stock of the past year and all it meant to everyone. We especially liked the sweet “parent meeting” in which Potte’s mom and grandma and Maon’s folks marvel at how far their kids have come since deciding to move to Takehara. Sayomi shows up to make sure the girls don’t miss the first dawn. Kanae makes sure to savor her last moments with Potte as her president: when the sun rises, she’s aggressive and pulls her in for a big ol’ hug, thanking her for a wonderful year. Potte tears up and reciprocates, which makes everyone else tear up…including us. A bit.
Rating: 8 (Great)
Potte hands in an application to start a photography club, but is weary of becoming its president, but Kaoru, Norie and Maon encourage her. Komachi shows them a magazine in which a photo of Potte was selected, taken by one Mitane Kanae. At school, Mr. Dougou informs her that her club was approved, and a new teacher, Ms. Shimokamiyama is her adviser. She confirms that Mitane is a third-year at the school and shows Potte to her club room, where Kaoru, Norie, and Maon present her with club-warming gifts. The photo studio owner tells her about the photographer who inspired her dad. Mitane shows up to join Potte’s club.
The new “aggressive” theme of Tamayura continues this week in its characteristically soft and fluffy way, as Potte is nudged by friends (and nudges herself) towards presidency of a photography club, which she is hopeful will help her grow as a photographer and as a person. When she’s confronted with the possibility of a superior photographer at school; someone who was “aggressive” enough to not only enter and win a contest, but do it snapping Potte of all people. How could soft, fluffy Potte possibly compete with that? Well, the answer is, it’s not a competition, and Mitane isn’t necessarily a better photographer, she’s just different.
Like her dad, Potte takes very candid and naturalistic photos that just happen to come out very lovely. But with the steps she takes in this episode, photography is becoming more than just a hobby to connect with and better understand her dad, but a means to discover the person she wants to become. She’s found her passion and she’s going to give it her all, even if the monthly club president meetings are a little scary. They’ll get less scary. When she gets her club and a fresh, empty room, it’s like a blank canvas, full of possibilities. It’s a canvas she never would have seen had she not been “aggressive.”
Rating: 8 (Great)
- Maon was on top of her game this week; first with her stories of captaining an adventure club, helming a fairy, plus her camera-camel thing. She’s an endless font of very random but sweet comedy.
- While it’s clear Komachi wanted Potte to see Mitane’s picture, she also seemed pretty proud of her photo of Potte’s brother Kou, complete with a blurry smear of Norie in the background!
- Shimokamiyama seems to be one of those stereotypical ditzy young teachers. We weren’t that impressed. At least the advisor in Free! has those obscure sayings…
- Proud of their Potte, Kaoru, Norie and Maon’s heartfelt gifts were products of their own passions: scents, sweets, and drawing, respectively.
- All we know about Mitane Kanae at this point is that she’s a third-year and she’s not a bad photographer. It will be interesting to see whether she fits in or clashes with Potte and/or the others. On this show, after so long, a new main character is a pretty big deal.