Shimoneta – 07

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I must admit, I have my doubts about the show introducing a new semi-rival sex terrorist group, along with a new character to add to what is quickly becoming the “SOX harem.” But at the same time, introducing the 10-volume “Okuma x Goriki” BL series is a delicious way of ensuring even when he’s trying to hang with Goriki to avoid Anna, there is no peace for our protagonist. Goriki may not read anything into spending their free time together and making Tanukichi lunch, but Ayame and Otome read a lot into it!

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And like I said, that’s when Tanukichi is trying to avoid Anna, which is inherently difficult because she’s a lot craftier and more devious than Goriki, and is able to send him off on pointless errands just to get Tanukichi alone. Her desires are evolving from wanting her would-be lover to “eat” her to her wanting to “eat” him, and since she’s so much quicker and stronger than Tanukichi, he doesn’t have much say in the matter, and he’s only saved by Anna having a premature “crisis”…all over his goddamn face. Naturally, Otome isn’t far away in the bushes, furiously committing the tawdry scene to paper.

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There is also something to be said for, in addition to concealing themselves form authorities, SOX is charged with keeping their brand credible, which is hard to do when rogue groups like “Gathered Fabric” (led by “White Peak”) pull stunts that fail to inspire the oppressed masses, and indeed do harm to SOX’s reputation and squander its political capital. Tanukichi doesn’t see them as a big deal, but Ayame believes GF must be “eradicated” like the damaging knock-off group she believes them to be.

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That brings us to Onigashira Kosuri, who’s father is a wealthy and influential part of the Establishment. Kosuri, long suffering ennui in such a stifling environment, has an earnest desire to stir the shit, as we see when she launches yogurt balloons at the morality cops. She also reveals her dual personalities—one playing a pure and innocent girl, the other an excited pervert; complete with differing hairstyles—in her first deakings with Tanukichi.

At first, she suspects he’s exactly what he is on the surface—a goody-two-shoes StuCo member. But when he proves to her he’s a SOX member, she literally latches onto him with abandon, completely ignoring the impropriety of him being so close to someone much younger than him.

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Tanukichi helps Kosuri convince Ayame that she’s worth having around, as she can supply funding and materials that can facilitate their work, so the addition of Kosuri makes sense, and Hocchan does an okay job with her voice(s), but I’m still not enamored of yet another girl who is basically another love interest for Tanukichi, whose presence can only subtract time better spent in the core triangle of Tanukichi, Ayame, and Anna. But hey, show, prove me wrong.

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Shimoneta – 06

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With the porn of Yotsuga Forest successfully distributed, Ayame decides the next issue SOX should tackle is the development and distribution of sex aids, from lubes to mechanical vibrators. These things have to be made/built from scratch because they’re no longer in store. Their task is akin to building the pyramids with only the original tech on hand.

It’s tiring work, most of all for Tanukichi, who has to endure a constant stream of dirty talk from Ayame and Otome, but is called “sick” and a “pervert” when he suggest they focus equally on male and female “products for health and beauty.” It’s a hypcrisy that persists in Ayame, who at the end of the day is more naive than Okuma, who had a father in the trade.

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Tanukichi also falls victim to a misunderstanding when he pays a visit to Hyouka to pick up the wireless, remote control mini-vibrators she built for them. Not only is Hyouka naked under her robe (after accidentally falling into a water tank), but she wants Tanukichi to repay him by showing her how his “cucumber prepares for battle.”

They’re very close when Anna barges in, and Tanukichi has to come up with a lie to satisfy her in a hurry. He manages to succeed by offering one of the two vibrators to Anna, calling it a “Power Stone.”

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Anna makes a blingy pendant of it, but when the remote malfuncitons, it’s stuck on, vibrating her bust, resulting in what can only be described as a hilariously ridiculous spectacle. It also turns Anna on, to the extent she dismisses Goriki, locks herself in the StuCo office with Tanukichi, and proceeds to hold him down.

Tanukichi, about to be raped by someone who has no idea what rape entails, finds his own member barely able to withstand the onslaught of Anna on top of him, but he manages to “preserve his chastity” until the vibrator breaks from overuse, ending the immediate crisis.

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The longer-term crisis for Tanukichi, of course, is that Anna immediately demands a new “Power Stone” to replace the one that broke. Worse, whenever he so much as looks or speaks to another girl, Anna grows violently jealous. SOX has truly created a monster.

With the daughter of a high-ranking Morality official getting excited about SOX’s terrorist activities, it looks like he’ll soon have one more girl filling his ears with dirty talk and threatening to incur more of Anna’s wrath.

What had been Tanukichi’s Boring World Where the Concept of Dirty Jokes Doesn’t Exist has now become an annoying, stressful, often life-threatening world where dirty jokes—and acts—are rampant and unpredictable. But definitely not boring.

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Shimoneta – 05

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Shimoneta does not hold back (no pun intended) on the continuing unfortunate results of Anna’s accidental first arousal by Okuma; she is absolutely out of control from start to finish, frightening due to the strength of her convictions (read: delusions), yet also a profoundly tragic figure; a walking, talking, drooling example of everything wrong with her mother’s hardline stance against sex education.

Her mother has kept her bottled up all this time, and now the flood gates are open. Yet so ignorant is she to the basic biology of sex, Anna refers to her discharge as “love nectar”, first mixing it in the dough for cookies made specially for Okuma, then trying to get him to drink it straight from a  bottle where she’s been collecting it. Anna’s complete inability to cope with her lust has turned her into a dribbling, chain link fence-cutting psycho.

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All the while, Anna is apparently lucid enough to keep this erratic behavior secret from her mother, who either trusts her daughter enough not to stick her nose in her business (pretty hypocritical, considering how evasive X Prohibition will be to the rest of the Japanese youths) or she’s simply too busy with the PR campaign to bother noticing Anna melt down.

Public Morals begins a crackdown on the school specifically to dissuade students from storming Yotsuga Forest where the porn stash is believed to be located. Yet Ayame goes anyway, willing to storm the place on her own, no matter the consequences, as a matter of principle, and in hopes she’ll inspire others.

Her suicide mission is interrupted by the cavalry: Fuwa Hyouka found Otome’s lewd drawings Okuma dropped in her lab when Anna was chasing him, and she distributed them to the student body, which came to the forest en masse. She uses all the boys as a diversion against the morality cops, and sends the girls in.

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Sophia’s rally at her daughter’s school is ruined, so Anna goes to the forest and locates both Blue Snow and Okuma (who is in a light disguise). Ayame orders Okuma to save himself, but even when he lands smack-dab in the Cave of Porn, he decides he’s not going to let Anna unmask and punish Blue Snow. He probably realizes the ideal life he imagined with Anna isn’t going to happen.

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He emerges wearing woman’s lingerie, and the sight of his package is enough to make Anna hysterical, as they used to say in olden times. Unaware it’s Okuma behind the pantymask, she’s so ashamed of her body reacting so intensely to another man, she literally jumps off a cliff and flies away, leaving a love nectar rainbow in her wake. That’s right, a love nectar rainbow. I sure didn’t see that coming!

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Even SOX are rendered bewildered and speechless, but at the end of the day, they successfully got all of their fellow students to storm the forest, and scored a huge haul of fresh and diverse porn with which Otome can be inspired to create an ever-richer catalogue of illustrations for distribution. They even manage to switch the signatures from other schools with those illustrations, and Sophia makes the mistake of holding one up without looking at it first while on a live nationwide broadcast with no tape delay.

It’s a huge coup for SOX, who were on the cusp of being wiped out, because the scandal essentially stops the X Prohibition Law in its tracks, as well as gets Sophia in trouble. Thinks are looking good for the ero-terrorists, but more challenges lie ahead, one of which is named Anna Nishikinomiya.

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Shimoneta – 04

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At first, Anna seems to be processing her “experience” with Okuma last week by clamping down on school indecency, tightening her grip on public morality as her mother prepares to make a speech at her school on her “final solution” for nipping lewdness in the bud and preserving the purity of Japan’s youth, saving them from their own base urges. Anna is also straight-up avoiding Okuma, making him think she despises him now.

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With a vote on the X Prohibition Law looming, Ayame briefs her SOX team of Okuma and Otome on their next mission, which is to storm a forest where hardcore porn is known to be located (the forest was once the property of a famous pornographer) with a mass of “cherry” boys and girls from school, overwhelming the authorities with numbers. SOX is not the only dirty terror group, but one of several all working to free Japan from the shackles of artificial sexual repression.

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Anna’s mom ends up surprising Ayame by announcing the student vote for X Prohibition will take place the same time control will be lifted from the porn forest. She also unveils the future of oppression: heavy-duty chastity belts that prevent any fooling around in that area by either sex, further closing off that crucial part of the human anatomy to youth a a crucial time in their development. The image is somewhat humorous, but the idea behind it is truly chilling.

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Ayame is pissed off about her plan becoming far more difficult, but she still thinks she can convince the student body to storm the forest IF she can get Otome out of her artistic funk. To do that, Ayame exploits Okuma’s new stalker, who has stuffed his mailbox with love letters and left puddles of saliva on his patio, by putting a note telling her to come in, all while Otome hides in his closet and observes.

Okuma is convinced nothing will happen and Otome will see nothing interesting, but he ends up about as wrong as it is humanly possible to be, as his stalker turns out to be Anna, who is extremely sex-crazed despite having no idea what sex is. She enters Okuma’s apartment, tears his and her clothes off, mounts him, and starts licking him. All she knows is that this feels good, so it must be good, and right, and pure.

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Clearly having no idea the note on Okuma’s door would be so successful, Ayame walks in on this spectacle, and Anna basically grabs her clothes and runs out in embarrassment, yet still in a kind of trance in which she doesn’t think there’s anything wrong with what she’s doing. Why would she? Her parents never told her about this kind of stuff. Yet the burning in her loins cannot be denied.

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It took an accidental kiss during a stalker dust-up, but Okuma’s beloved angel Anna has well and truly broken out of her shell. Her ignorance is such that rather than admit her harsher enforcement measures at school constitute gross hypocrisy considering how she’s been behaving on the side vis-a-vis Okuma, she absolves herself by proclaiming that “love is justice”, and that the more she doles out on others, the more love she’s able to give to Okuma.

Absent any kind of proper education on romance or sex, Anna is quite literally making it up as she goes along. Even more troubling, her authority and pedigree are such that few can dare challenge her improvisatory philosophy. She’s suddenly become quite the hedonist, but she’s playing with porn-burning fire.

Most surprisingly, Anna put her money where dirty-talking Ayame’s mouth is, taking debauchery to levels that make Blue Snow herself blush. Or in baseball terms (Hi Preston!), Ayame has been shouting slogans from the stands, but it’s Anna who rounded second base and slid into third, naked and drooling.

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Cross Ange: Tenshi to Ryuu no Rondo – 22

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This week somewhat inauspiciously begins with Salia being spanked like an insolent child by Embryo, for letting Ange get away. But as painful and humiliating as this experience is, there’s still a glint of defiance in Salia’s face and words. Chasing after Ange the Chosen One like an obedient errand girl is not what she signed up for; in fact, it’s one of the very reasons she defected from Arzenal in the first place.

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Aboard the Aurora, Embryo finally manipulates Emma Bronson to antagonize what looks like the beginning of a Norma/Dragon alliance, in the midst of Riza’s report that Embryo is trying to merge both their worlds to form a new one, destroying them in the process. Even if Salako & Co. are Dragons, Hilda can relate Salako’s friendship to Ange. Roselie, meanwhile, isn’t looking forward to killing Chris, but it’s her or them; something she laments with great sadness.

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Embryo expounds on his grand plans for the world by stating it will be ruled by “strong, intelligent women.” He leaves out “pliable women who will acknowledge his unlimited power and know their place below him.” At the same time, he takes no pleasure in watching Ersha grovel and beg him to restore the lives of her children. He really never intended those children to survive the merging at all. Rather, he intends Ersha to become the mother of the new world’s children, which has some pretty messed-up ramifications if you think too long about it, which, judging from Ersha’s expression, she does.

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Like Salia, Embryo essentially warns Ersha that she’s not acting like the “intelligent women” he needs for that world. Unlike Salia, he basically casts her aside and tells her to stay out of sight, whereas he at least gives Salia one more chance to prove her loyalty. Salia won’t be doing that, though.

It looks like her spanking was the straw that broke the camel’s back; she won’t prove her value to Embryo by finding Ange; she’ll prove she’s stronger by besting and killing her, going against Embryo’s wishes in a desperate bid to win his approval.

This is not the best plan, considering Embryo can bring people back from the dead at will, but even if her judgement-quashing inferiority complex is still as strong as ever, at least she now realizes how much of a sack of shit Embryo is. Ripping up her Pretty Salian cosplay is as strong a symbol as any that she’s done playing the heroine.

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Ersha, meanwhile, realizes how appallingly naive she’s been, and how easily she allowed Embryo to win her obedience by manipulating her powerful maternal instincts. In both her and Salia’s case, they were girls with ambitions (albeit very different ones) that got their way, and now that they’ve seen how thin the veneer of Embryo’s goodness extends, They’re both well and truly disillusioned, and will no longer follow him.

Chris is different, in that nothing happened to her this week that suggests she’ll be going against Embryo. Embryo is her best bud, after all; the one person who would simply be her friend the way no one else ever did. Her ambitions are far smaller by comparison, and so easier to both fulfill and maintain. Are Chris, Roselie, and Hilda doomed to try and kill one another without ever reconciling the often twisted shit they’ve all been through? Or will something Embryo does cause CHris to revolt as well? I hope it’s the latter.

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Meanwhile, Tusk’s chopper-thingy deposits Ange on his island and releases her, and it doesn’t take long for the same crushing loneliness Tusk must have felt in the years he was here to sink in for her, combined with her grief over losing both Tusk and Momoka. Ange can’t see the purpose of trying to save a world she can’t share with those two very important people.

She even considers taking her life, before remembering Tusk’s final words to her about her having to live. But reading Tusk’s diary, including the entry when she arrived (not Ange’s best outing), at which point he’d already chosen to be her knight, only makes Ange more upset. She may have spared her own life for now, but she still can’t see the point of sparing it indefinitely.

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And then, all of a sudden, as she remarks on how she’d have gone all the way with Tusk if she’d known he’d sacrifice himself, Tusk pops up behind her, alive and well! She thinks it’s another of Embryo’s illusions at first, but I had a pretty good idea it was Tusk. Am I going to defend this ridiculous plot twist? No, but I can understand it: You don’t know what you have until you’ve lost it; we never saw Tusk actually die in the explosion.

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Having tasted the bitterness of losing Tusk, Ange isn’t going to side-step the issue of the furtherance of their relationship any longer. On the contrary, she has sex with Tusk right then and there, under the stars, to prove it’s really him. Afterwards, it’s as if all of that sexual tension had simply melted away, leaving two far calmer, less distracted people.

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Momoka’s back too, because Hell, why not? She had a frying pan in her clothes that stopped a bullet. I’m more on the side of happy than angry they’re back, even if it’s very sudden. The why isn’t really important, only the that. And that Tusk and Momoka are alive means Ange has far stronger motivations to stop Embryo.

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I just don’t see how she’s going to do it considering how easily he dispatched them last time. Maybe these two finally getting laid was the key?

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Kiseijuu: Sei no Kakuritsu – 21

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Parasyte has been listing badly for the better part of a month, starting with a overly tidy, unsatisfying end to Tamiya Ryouko’s arc, followed by a tiresome, by-the-numbers numbers SWAT battle in the dark that seemed like it would never end. Even the majority of this episode’s A-part is devoted to wrapping up that story.

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Hirokawa turning out to be an ordinary human who just happens to espouse the parasyte philosophy is an interesting little twist, but as he’s killed in the process, it feels a bit like a dead end, especially when his faceless audience all ends up dead by Gotou’s hands (or rather claws). Even Yamagichi’s last stand on the building’s roof ends in his beheading, in a decidedly shrug-worthy end to a long slog of a battle.

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The episode only starts to show signs of righting the Parasyte ship when Shinichi is again involved. Then Gotou (whose muscle mass seems to vary greatly in every shot), has plans on killing him for “closure”, but there are a few more cops still alive, so he retreats, and…Wait….what? Why doesn’t he simply waste those cops like he wasted all the others and Shinichi with them? “Too much interference,” he says. Seems like a thin reason, after how powerful and efficient a killing machine the show just made him up to be.

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However, both the battle and Gotou’s promise of another meeting in the near future have a profound effect on Shinichi that we really weren’t able to see until now, when the cameras finally turn on him in the aftermath. He’s scared shitless, and very aware that all of the dozens of men who fell that day did so because they were between him and Gotou.

They all died tiring Gotou out just enough that he decided not to kill him today. As inept as they might have been tactically, they saved Shinichi’s life. And now that Shinichi realizes the life they died to protect, Gotou’s face appears everywhere he looks, poised to pluck that life away.

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Faced with this crippling fear of being watched and hunted, Shinichi goes to the only place where he feels he can be comforted; Satomi’s. She allows him to embrace her and feels him trembling, but when he squeezes too hard it frightens her, and her reaction causes him to run away again. But Satomi knows what she felt, and she’s not willing to leave things there.

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That night, in a park, Shinichi contemplates running away from it all, hoping Gotou won’t bother chasing him across Japan. Satomi finds him, knowing he likes parks as she does, and seeing that he’s calmed down, invites him to come to her house so they can “talk”. This leads to their having sex for the first time, in another significant milestone in a relationship that hasn’t gotten a lot of screen time, but in hindsight explains a lot about the trouble Shinichi’s been having.

Whatever horrors Shinichi has gone through, or subjected Satomi to (possibly including his foreplay…but I digress), she’s going to stay by his side, because she loves him. She wants to know everything, so he doesn’t have to suffer alone anymore…even if it means she’ll suffer too, at least they’ll suffer together.

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She may still not have a very good idea and the full scope of the shit Shinichi’s in, but scale and scope don’t matter: this is a matter of absolutes for her. The shit they’ve pulled through thus far, and the fact the Shinichi she loves is still in that mangled body Migi repaired and souped up, are all the proof she needs to have faith they’ll pull through whatever’s to come.

Getting Shinichi and Satomi back together and having them take the next step was a vast improvement over the tedium of the last few episodes, but also makes clear how lost and rudderless Shinichi was without Satomi by his side. She instills, comfort, confidence, hope, and above all, a desire to live. And whether living is running or fighting, he’d be wise to keep Satomi close from here on out. She knows what she’s doing.

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GARO: Honoo no Kokuin – 19

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The amount we didn’t know about Ema Guzman had always outweighed what we did, and while that made her more cool and mysterious, it also kept her at arm’s length. Whenever she’s darted into Leon’s story, she’s made an impact, but she’s never been on screen long enough. That injustice is corrected this week…and then some.

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All the while Leon and Herman and Alfie have been through a diverse array of adventures, Ema’s basically been on the same single mission: she’s hunting for a powerful horror named Luciano Guzman. When Garm tells Leon Ema is going to die, Leon goes after her, which is a good move, because had he not intervened, she may well have died. Not because she’s too weak to defeat Luciano, but because she doesn’t particularly care if she dies.

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That’s because Luciano was once a man, a fellow Makai Alchemist, and her beloved lover and husband. As a pair they were unstoppable, but Luciano wanted more than to just hunt horrors; he wanted to save them. When not out fighting, he was in his lab, working furiously to find the spell that could prevent humans from turning, or turning them back, but got nowhere. The pain of his powerlessness eventually overcame him one night, when he sprouts giant black wings and disappears into the night…

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…Leaving poor Ema crushed by the wreckage in his wake. More than anything, she wants to take out the horror who did this to him, put him out of his misery, but the Makai knights she worked beside wouldn’t let her, only to end up slaughtered. She deems ending Luciano as her right and duty, and no one else’s.

Leon trades Zaruba’s knowledge of Luciano’s whereabouts for this story. Little does Ema know that, as it did for me, that story only made him care about her more and want to protect her, both from Luciano and her own obsession to destroy him even at the cost of her life.

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She doesn’t dare show a softer side to Leon, but privately, after sewing up her own abdominal wound (this chick is seriously badass), she seems intrigued, flattered, and a little impressed with Leon’s words. She caught a glimpse of him with Lara, but she still regarded him as naught but a boy, untouched and untested by the true horrors of the world. And we know that’s not true. Leon is no longer a clueless whelp. Now he has the strength of body and conviction to back up his big words.

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The night of the final showdown with Luciano commences, and to my surprise, it’s a thrilling aerial battle, calling to mind Last Exile or Pilot’s Love Song. Familiar vibes aside, Ema’s elegant system of gliders she hops to using thread and hooks, and the sleek alien stealth fighter design of Luciano’s horror form, are all very creative touches.

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The fact the battle weaves between cloud systems and is lit by the full moon gives it that much more of a dramatic, artistic flair. Ema has always been an acrobatic fighter, so it stands to reason when she gets really serious she takes to the sky itself. Especially when Luci opens up a barrage of red particle weapons at her, this is mostly just immensely fun stuff to watch.

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And Just as Garm foresaw, Ema does end up in a position where she really should have died. Using a spell of her own, she’s able to awaken a part of Luciano that still loves her, and he catches her before she’s impaled on a church spire. But he’s still a horror, and Ema doesn’t possess the ability to change him all the way back, any more than he did, so as he prepares to eat her, she’s ready with a giant sword made out of her thread. With the only thing keeping her suspended over that spire, killing him means her death too…if it weren’t for Leon, that is.

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A younger, less seasoned-by-life Leon would have surely tried to put an end to the fight before it began, but especially after hearing her story, he holds back until it’s over, only swooping in to save her after Luciano is gone. He does it because Ema is a friend, and she is someone he can protect, so he does. 

But his actions means more to Ema than he knows. She was willing to give up on her own life to release Luciano, he wasn’t. All of Ema’s disdain for Makai Knights was borne from the way they’d always swoop in like scavengers while undervaluing what she and Luciano did, and more importantly, when those same knights detained her, preventing her from taking care of Luciano a long time ago.

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But Leon is proof that not every Makai Knight is necessarily a shithead. He tends to her wounds and comforts her. In every encounter, including the early ones this week, Ema had mockingly referred to Leon as a boy, but suddenly, in that dimly lit room she realizes he’s no longer that boy in her head, but a man; the first man she could truly let her guard down and trust in a long time.

It’s a huge epiphany for her, which is why I don’t remotely begrudge her going in for a kiss. This new matured Leon proves her instincts were right by neither blushing or recoiling but kissing her right back, even taking things further, the risk of wounds opening be damned. It’s a very sexy scene,  and a great note to close on…and it’s earned.

For so long on this show Ema stood apart, out on the periphery, with us not knowing exactly what she was after or why. Now we not only know what she wanted to do; but she did it. Leon saved her, finding someone new to protect in the process. Now they’re standing a lot closer together, and the show is all the better for it. The question now is, do the two go separate ways the next day, or stick together for a time?

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Stray Observations:

  • With Lara, Ximena, and now Ema, we are officially in Garo’s Feminist Period. Seriously, it’s loaded with badass women.
  • On that note, let’s not forget Octavia, who’s still lurking in Alfie’s palace. Wonder if she’ll get a fleshing out.
  • I’ll admit, there were a couple poorly-drawn moments, but the episode more than makes up for it with that dogfight along with its usual stylishness.
  • Ema’s thief’s outfit in the flashback reminded me of FFXIII’s Lightning’s Ignition garb.
  • Ema kinda has to tell Leon about Luciano, since Zaruba is in a particularly chatty mood this week. “I’d rather say it myself than have a ring blab about it!” I LOL’d.

Cross Ange: Tenshi to Ryuu no Rondo – 15

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As Tusk and Ange (who were allowed to dress) get carted off with Vivian to somewhere they know not where, this week begins by acknowledging that yes, it was cruel for the dragon girls to interrupt them in flagrante delicto. The episode certainly makes it up to him later (er…sorta?), but Ange’s “There’s no time for that now!”, while both practical and funny, is utterly unsympathetic to male biology.

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Still, there really isn’t time for sexytime. After taking it easy and exploring this strange new world on their own, they now find themselves in the clutches and at the mercy of the dragon girls, who I must say have one exquisitely picturesque capital.

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Fish-out-of-water culture shock ensures, as Ange and Tusk are brought before a council of priestesses who all shout questions at her. Our fiery Ange is having none of it and refuses to cooperate, which is great. Why the hell should she? Because they have swords pointed at her and are threatening execution? Pfft. Been there, done that. “Bring it on, if you can.”

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The dragon girl Ange once fought, a princess in her own right named Salamandinay (which I’ll henceforth shorten to Sala) emerges from behind a curtain. Amused by Ange’s brash impudence, Sala steps in to take responsibility for Ange and Tusk’s lives. She’s immensely proper and polite, showing the two to comfy quarters and offering tea, but when her subordinates deign to make her repeat her orders to leave, you see a tinge of her own hellfire lurking beneath that serene visage.

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With no reason to trust Sala, Ange repays her kindness by breaking what was probably an antique tea bowl and using a shard to initiate a standoff. You have to hand it to Ange, she knows how to handle herself, and has had it with waves of pleasantries obscuring the truth she seeks, whatever the hell it is. She’s also willing to test if Tusk is truly ready to die for her at the drop of a hat.

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Sala defuses the situation and bids that Ange accompany her to the bowels of the ruined Dawn Tower (called Aura Tower here), where Sala proceeds to lay the truth on her: There are two worlds, this one being where humans originally came from. After war, some left to create Ange’s world, while others stayed and fundamentally changed their genetic makeup in order to repair the planet’s damage, and their own.

The most damning truth is the fact that the first dragon, Aura, who is essentially mankind’s savior in this world, is no longer there, but being imprisoned on Ange’s world beneath its Dawn Tower, and is the source of the Light of Mana (thanks to Embryo). The Light isn’t infinite, so the powers that be replenish it by slaughtering the DRAGONS who stray into their world.

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Ange finds all of this fascinating, but it doesn’t change the fact that the world she’s from and the battles she’s faught aren’t “false” to her, and she has to go back. Sala won’t let her, and demonstrates the gap in power between them by choking Ange out. Sleep, fair, spastic princess.

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Ange awakes nude in last week’s hotel room as Tusk brings her coffee, and they have a perfectly casual talk about her dream, and then Tusk morphs into an evil Sala and Ange wakes up again, to find Vivian is back in her human form. The double dream is a nice indication that Ange has just ingested a large about of stuff, and she’s still trying to make sense of what’s real. She also probably wouldn’t have minded if the dragon girls had given her and Tusk just five minutes…

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The rank-and-file dragon girls were not idle as Ange slept: Tusk is the first mature male in human form any of them have ever seen (all the males here are big dragons) which is a pretty big deal. As such, he is stripped down and used as a live, unwilling subject for a sex education lesson, which consists mostly of a bevy of scantily-clad dragon girls poking and prodding him every which way.

Ange bursts in, suddenly Tusk’s knight in shining armor, only to trip on a bottle. In doing so, she learns just how easily one’s face can happen to land right smack-dab in someone’s crotch, and just like that, we’re tuned into to Cross Ange: Fellatio of Angels and Dragons.

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Obviously it’s not shown, but it’s implied that Tusk’s erection goes straight into Ange’s mouth, after which she swallows, dusts herself off like nothing’s amiss, and then asks what the meaning of all of this is. She blames and fumes at Tusk for this predicament, even though she was out cold, he was all alone, vastly outnumbered, and tied down; and all of this with blue balls. So I ask you: what the heck was Tusk supposed to do?

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Knowing the meter is running, the episode promptly tables the smut, and after Ange has calmed down, Vivian is reunited with her dragon mother. Vivi isn’t interested at first, but her nose knows: this is someone she used to know. This underlines the fact that the war between the two worlds isn’t as simple as Us vs. Them; there are children of both sides, and innocents on both sides that must be protected.

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That night, Sala spearheads a pretty lantern-launching shindig to celebrate Vivi’s return, Sala’s subordinates relay her wish that Ange and Tusk enjoy their stay and consider joining her crusade of acceptance, forgiveness, and restoration…and Ange finds it in her heat to forgive Tusk for letting himself get captured and sexually assaulted.

A lot happened this week: some of it intriguing, some of it downright silly; but Ange is still faced with the same basic situation she was in last week: she finds herself in a new, less messed-up world where she could live and forget about the messed up world she came from happily ever after, with Tusk (assuming she can keep the other girls off of him).

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The difference is, now she knows all the details with which to inform her ultimate choice, which Tusk will surely go along with whatever it is, because he’s her knight. Does she stay here? Does she go home and resume the fight against Vivi’s people (not easily done, considering how tough Sala is)?

She can’t really deny her world is a world of theft, greed, destruction and despair. On the other hand, it’s her world. If there’s a way to eliminate those things, as they’ve seemingly been eliminated in the dragon world, she’s going to want to be on point in that effort, because she’s no longer an the idle Princess Angelise with her head in the sand. She’s Ange.

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Stray Observations:

  • Sala is voiced by the ethereal Hocchan (Horie Yui).
  • Sala heard about Ange from Riza Randog, who we know is a dragon lady. That means the dragons have had one of their own in the emperor’s bed for some time. I imagine she was going to betray him eventually.
  • I was able to shorten Salamandinay to Sala because Salia wasn’t in this episode, but it makes me wonder if their names sound similar and they look similar for a reason, as Sala is the chosen magical girl heroine Salia has always fantasized about becoming.
  • No matter how much sympathy for their cause Sala manages to build, there’s a part of me that thinks we still don’t know the complete picture. These dragons may yet be the bad guys. This is Cross Ange we’re talking about.
  • The mind races to fathom which sexual acts will accidentally befall AngexTusk in the weeks to come. Will the show ever let them just have regular, okay sex?

GARO: Honoo no Kokuin – 08

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This week’s Herman-centric episode was as good as last week’s Leon-centric episode was bad. Because both took place over the same period of time, Garo could have structured it as a more integrated two-parter, in which Herman’s and Leon’s scenes would be woven together. But if that had been the case, this second episode would have suffered for it.

One way to think about it is that Leon lost, and learned he’s not as ready as he thinks he is, so it stands to reason his episode would also lose to Herman’s in terms of story, action, and especially comedy. This week repaired all the damage to my faith in the show last week caused.

Keeping the two sides separate let us experience All Herman, All the time. Mind you, if Herman’s horny roguishness and rubs you the wrong way, you probably didn’t enjoy this episode any more than last week’s…but I did.

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I really like how comedy was such a persistent presence this week, in contrast to the stiff joylessness of Leon’s dealings. One source of that comedy is the fact Herman is naked as his name day for most of the episode. Ironically, Herman was talking last night’s conquest about how he prefers his birthday suit to any clothes, let alone armor.

Then universe grants his wish, along with one hell of a taxing day in which he just can’t seem to stay out of trouble.

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Mind you, the trouble he gets himself into is all his fault, for letting his little Herman lead him around. No one makes him disrobe; he does it of his own volition once he’s confident the pretty damsel in distress he rescued from three goons will sleep him…which isn’t the most unreasonable assumption, but it is an assumption; made in haste in hopes of satisfying his libido.

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The damsel turns out to be in cahoots with the goons and rob him blind, and since he already helpfully removed his clothes, they decide to go ahead and take those too. Thanks to some quick thinking and resourcefulness (as a Makai knight, he’s used to fighting larger opponent) he manages to escape.

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But must escape naked, which gets him into trouble fast in the busy city. It’s great how fast his plight escalates, until there’s literally an army chasing after the guy. Mind you, this is really just one drawn-out hassle for him; he’s not about to take any of this misfortune as some kind of lesson in being more cautious with women. Herman is who he is, and sometimes shit like this is going to happen.

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This is illustrated perfectly when Herman borrows a sheet from a washerwoman’s line. A crossbowman with terrible aim corners him and accidentally loses a bolt, and Herman catches it before it hits the lady. In effect, this was a transaction: Herman takes the lady’s sheet, and pays for it by saving her life. Though he put her life was put at risk in the first place, I still think she got the better end of the bargain.

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Herman loses his sheet almost immediately while being chased by mounted soldiers, but is rescued by Emma, who always seems to show up at the right time. But she doesn’t just vanish in ten seconds like last week; she reports to Herman what she witnessed: Leon losing to the Black Knight, Bernardo Dion.

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With that name drop, the mood gets more serious (you almost forget he’s nude but for a junk-covering pink bonnet), as you can tell from Herman’s and Emma’s Serious Faces above. Knowing Leon is alive, however, Herman isn’t in a hurry to go to him; he’s a teacher as well as a father, and a teacher can’t always be bailing out his student when they run into adversity.

Heck, part of him is relieved Leon lost; after all, he was never going to believe his carefree horndog dad telling him he’s not ready to storm the castle. And Leon didn’t just fall short in strength here; a Makai knight’s duty is to protect, not fight or to dream of taking revenge and defeating nemeses. A Makai knight must float above all that, or risk being turned by the darkness inherent in their business; ‘one who studies horrors is studied by horrors’, and such.

Anyway, below is the exchange that ends the episode’s A-part, and from the delivery of the lines to the pause between them, followed by an abrupt cut to commercial, it’s pretty much goddamned perfect:

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I Lol’d.

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Herman ends up paying a visit to Garm, someone we haven’t seen in a while but seems to be a kind of Makai Supervisor who never wants for fruit. She also knows a lot more than Herman does, which pisses him off when she doesn’t inform him Dion turned ‘dark’ and attacked Leon.

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This is important because he and Dion were once on the same side, despite being complete opposites in personality-wise. Herman was pretty much the same outwardly carefree horny guy back then, while Dion was sterner, more serious, and the look of being weighed down by something. Herman, Anna, and Dion stuck together as the witchhunts raged, and one night when the three were cornered, Dion stayed behind to cover the escape of the other two.

It’s a valiant, honorable thing to do, but it spells doom for Dion, as in order to save his friends, he puts himself in the position of losing himself to the darkness he always felt lurking within him (that ‘weight’ I mentioned). Herman and Anna may well have been the last two people Dion protected as a Makai Knight. Now he works for Mendoza.

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I didn’t think we’d ever return to that barn where Herman was cockblocked and robbed, but we do, and this time Irene is genuinely upset and in need of rescuing, as one of her associates has turned into a Horror. He’s not a particularly tough horror, and Nude Herman is able to dispatch him without even donning his armor.

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Heck, when he ends up back in a situation where he must protect Irene — for real this time — and it’s suggested they sleep together after all, it’s as if the universe is balancing things out, just as he expected they would. Though he still needs to go pick up his clothes at the pawn shop, which means he needs coin, and last week’s final scene of a naked Herman is thus fully explained.

Yes, I much preferred separation Herman and Leon’s stories to their being meshed across two episodes. I’m glad Leon’s story was over and done with so it didn’t have to stink this up. Throughout most of last week I was frustrated, lost, and a little bored, to the point of wondering “Hey, I wonder what his dad is up to!” Now we know. We got the Full Monty, and it was glorious.

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Gokukoku no Brynhildr – 08

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After returning from Akiba, Ryouta drops Kazumi off and tells the other girls he’ll take care of the rest on his own. But in the wake of their “first date”, Kazumi isn’t satisfied. Under the pretense of helping him pinpoint the location on the device, she ends up at his house, ready to take the next step with him.

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While she rightfully tells him she doesn’t need a logical reason to want to sleep with him, the truth is she has one, and it’s the same reason she enjoyed their Akiba date so much: Her time on this world is cruelly short, and his could be too when he goes on the next wild goose chase. Going forward, her first time for many things could well also be her last, so she’s in a hurry to have them.

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Kazumi continues to cement her role as the most compelling and endearing of the girls, the one who embraces her mixed-up adolescent tendencies and raw humanity with abandon. She knows she may never reach later stages of life, and she’s clearly terrified. But she’s also scared of actually doing it, so when Ryouta accidentally causes her to make a strange, “freaky” sound, she halts the proceedings, admitting it’s all probably too much for him (and her too, if she’s honest).

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After a night of innocent spooning, Ryouta heads off on his own, and quickly finds he’s in over his head. Fortunately for him, the girls didn’t heed his call to hang back. For all his good intentions (and photographic memory) he’s still too weak to protect them on his own. So Kana gets a death vision, Neko storms in with her destructo-powers, Kazumi jams the radio, and when the chief has Ryouta pinned, Kotori teleports him away.

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It’s a good full team effort, but they were never going to struggle that mightily against normal humans. Nanami, the next girl sent after them (Neko, specifically), will be far tougher. Kazumi revels in her humanity and femininity by shedding clothes all the time, but Nanami’s status as a captive tool is accentuated by the belts and a hood she’s wrapped up in when not in use. Still, like the others, she wants to live, so she’ll obey her bosses. And because we know full well her bosses won’t let her live, you can’t help but empathize with her too.

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Golden Time – 19

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Is Tada Banri really The Worst? Nah, but he’s certainly quite fallible. This week he keeps his friendship with Linda a secret from Mitsuo, doesn’t tell Linda that Mitsuo would be at festival club filming, doesn’t even know what Linda is mad about, and later disgusts Chinami, who happens to catch him being all too friendly with the girl Yana-san likes. He even jokes that he doesn’t know who Koko is when she rushes to his arms upon his return to town, and…all right, we’ll admit that was pretty funny. But it wasn’t very nice.

So yeah, Banri messed up here and there this week, but one can’t place the blame entirely on him. After all, when you’ve decided not to run form your past anymore, difficulties and missteps come with the territory. Doing what he’s decided to do was never going to be easy, especially he isn’t even sure he can coexist with his past self; it could come back and take over at any time. It’s all to easy to shrink in the midst of existential fears, and thus it’s understandable he’d overlook the affairs and feelings of others now and again.

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That being said, his actions have consequences. Mitsuo is really into Linda and wants to make a go of it, while Linda is unsure of how to react to his interest in her. She’s a lot of fun to watch this week, as we get many a hilariously angry-face and scary voice out of her. It’s a little goofy, but her tangled emotions are strongly felt.

As for Chinami, we’ve never seen her so pissed off, and while it’s true she was being a bit nosy and doesn’t have the whole picture, she’s not wrong that Koko would not have liked the scene of Banri and Linda she witnessed. Linda and Chinami form a tag-team of punishment on Banri, and it’s oddly satisfying to behold.

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Speaking of Koko—she’s decided it’s time for her and Banru to become one. Her gift of the Eiffel Tower sculpture (which beyond its obvious phallusy bears a resemblance to many an ancient fertility statue), and its subsequent role in the failure of her mission (along with her full stomach) are all brilliantly dorky, cute, and very Koko. It’s also notable that she presents him with the tower as he’s debating whether to give her his mother’s ring.

He tells himself and Koko they have plenty of time, but what’s so agonizing is that we simply don’t know if that’s really the case. When we saw that ring, we immediately considered the possibility that it may never see Koko’s finger. We hope we’re wrong. In any case, Banri can’t be careless with his secrets, his omissions, or his time. This is his golden time.

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Rating: 8 
(Great)

Aku no Hana – 06

Kasuga Takao, Nakamura Sawa, Saeki Nanako

The next day at school the class is abuzz with the news Saeki and Kasuga are dating, and Saeki comes right out and confirms it. Kasuga walks home with Saeki, eats lunch with Saeki, and they promise to take their time building a relationship. While having lunch with Saeki, Yamada and Nakamura, Nakamura passes him a note to meet her in the library after school. She tells him Saeki wants to have sex with him, just as Saeki walks by outside. The next day Saeki is absent, and Kinoshita gives Kasuga the day’s handouts to deliver to Saeki and warns him about hurting her. Kasuga hesitates to ring the bell to Saeki’s house, but Nakamura jumps him, wishes him good luck, and rings it for him.

I’ll be reborn as a decent human being and spend eternity bound in noble and sublime love with Saeki.

If Kasuga truly believes this is how things are going to down based on what’s happened so far, he’s even more devastatingly naive than we could have imagined. Of course, only part of him wants to believe this ideal scenario. The fact is, his life isn’t a book, and there’s more to him than that naive side. There’s the darker side within him, which he’s struggling with; the side with a voice we hear for the first time, telling him he doesn’t deserve an Angel. Building a relationship with Saeki with the gym uniform thing looming is not only untenable, but hypocritical to his claims. He cannot be reborn when things still tie him to the old, weak him who sinned. This week Kasuga reaps the rewards of becoming Saeki’s boyfriend, baffling and impressing their class and spending time with Saeki. Everything that’s good is out in the open.

Saeki also does her damnedest to play precisely the part Kasuga wants her to play: the innocent, pure Virgin Mary. She wants to take things nice and slow, and wants to learn more about Kasuga. But then Nakamura befriends her, and this is where we are on the same side of the narrative wall as Kasuga: did Saeki confess to Nakamura that she wanted to sleep with Kasuga? It’s pretty true to Nakamura’s character to lie about it, but perhaps Saeki really did tell her that, and Nakamura then decided to use that info as ammo in her Kasuga Project. Saeki has shown to be very much into Kasuga, so until proven otherwise, we’re going to assume Saeki does want Kasuga in that way, going against Kasuga’s idealized version of her. Just as she doesn’t yet know the whole Kasuga, Kasuga – and we – don’t know the whole Saeki. That will change soon.

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Rating: 9 (Superior)

Stray Observations:

  • Throughout this episode, even during Kasuga’s moments of joy, Nakamura is always at the end of a shot, in the back corner of the frame, just out of focus or partially hidden. Nakamura started out merely sitting behind him, now she’s virtually his shadow.
  • We’ll see next week if Saeki actually heard what Nakamura said to Kasuga, or if she mistook the scene as something else.
  • In hindsight Nakamura’s strategy of allowing Kasuga+Saeki relationship to go ahead looks like it’ll pay much greater dividends to a deviant such as herself than prematurely ruining it by dropping the bomb (her knowledge of the uniform theft). 
  • As long as Kasuga believes the uniform will destroy him, Nakamura will have power over him. It would be intriguing to see how he might theoretically go about turning the tables on her. Then again, she has nothing to lose.
  • There’s a quote that  accompanies an animated version of series.creator Oshimi Shuuzou at the end of every episode. This week he says “The next one’s gonna be even better.” We have no reason not to believe him!

From the New World (Shin Sekai yori) – 05

Rijin is killed fighting the blowdog, and the queerat horde returns. Without Cantus, the kids are powerless, and must flee. Saki trips and falls down a hill, and is found by Satoru, but they’re captured by the queerats. In their tree prison they start to vent their stress an anxiety with intimate behavior, but the guard is watching. Satoru gives it a haythatcher egg, which it eats and is killed. They excape, and are led into a rival queerat colony by a talking queerat named Squealer. He begs the two “gods” to help them against the invading queerats, who attack the colony that night. Satoru and Saki use the confusion to escape, and Satoru ignites poison gas to take out their pursuers. Satoru pokes a hole in the liquid-like ceiling of the cave, which collapses on them.

When Saki and Satoru are taken prisoner by the roving queerats, they find themselves up a tree in very close quarters, and they start to feel very…amarous. They’ve been friends for a long time and both probably find each other attractive, but that isn’t all that’s going on. In a very carefully-animated scene, Saki realizes as she’s with Satoru that she’s doing exactly what the library slug said she’d do if faced with undue stress and anxiety: engage in intimate sexual behavior, like bonobos. She’s doing what her genetic makeup programmed her to do, not what she wants to do. She stops herself.

Before she learned about humanity’s bloody history and the nature of the society she lives in, Saki was into Shun, not Satoru. If she’s going to be intimate, it’ll be with someone she truly likes like him, not whoever happens to be nearby in order to blow off steam. Her mind fights her body. But this is just the first of many situations she and Satoru face this week that puts them into survival mode. She also learns that humans and kids in particular should steer clear of queerats, because they’ll be exhalted as gods and brought into their wars – and war is something most humans can no longer physically wage.


Rating: 9 (Superior)

P.S. Saki’s adventure garb is really cool-looking, giving off some serious Nausicaä vibes.