Tanaka-kun wa Itsumo Kedaruge – 12 (Fin)

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Tanaka-kun ends pretty much the way it began: quietly, with neither too much flash or too much kookiness. Sure, we’ve never seen Tanaka more focused, intense, or quick on his feet, but when his precious classroom seat is being threatened, he makes sure he puts in the effort to preserve his ability to be listless in class.

Opportunities open up for him, but switching with Miyano (trapped behind the Great Wall of Ohta) means he’s also next to Shiraishi, who sees the switch as fate, and this week she turns on the effort afterburners to get Tanaka’s attention.

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Predictably, none of the classic girl moves work, save opening her shirt, and even then she’d get any teenage guy’s attention; she wan’ts Tanaka’s. But cracking the nut that is Tanaka isn’t something you can learn in a magazine, nor is it even something that can be achieve the way his cushy new seat was acquired, and how Shiraishi has accomplished so much to reinvent her image: hard work.

Indeed, all her hard work trying to get closer to Tanaka results in him very nearly crushing her dreams by telling her he prefers to be alone, even if it’s less about her specifically (which is its own problem) and more about him not wanting to trouble people other than Ohta.

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In the end, Shiraishi comes to an understanding and a way forward—basically, stop rushing and take your time—when her monologue in what she thought was an empty classroom at sundown is interrupted by Tanaka, who just so happened to be sleeping in there.

Tanaka isn’t sure what Shiraishi is up to, but he won’t let her accept failure as the end-all-be-all; to him, failure is a fact of life, and leads to lessons learned that can be used to overturn that failure. All it takes is time. If Shiraishi is meant to be with Tanaka, it will happen eventually, just not in this final episode. And that’s okay.

Of course, Shiraishi and Tanaka end up in a bit of a quandary when the latter’s friends see him walking home with her in glasses-and-braids mode, assuming she’s a different girl and his secret girlfriend. This leads to lots of teasing and unwanted attention, and Tanaka reacts by pushing everyone away.

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Despite Echizen’s desire for Ohta to sweep her off her feet, his offer to platonically carry her Tanaka-kun elicits only a swift punch to the gut. Just as there’s a proper, specific way to Tanaka’s heart, there’s a proper, specific way to Echizen’s, and that ain’t it.

As for Tanaka, while walking home alone he runs into all kinds of obstacles he wouldn’t have had to deal with had Ohta or another friend been with him. The whole system depends on the kindness of and proximity to others, a lesson he relays to a Rino who’d rather he only rely on her.

Just to drive that point home, the next morning all is cleared up thanks to Shiraishi talking with Ohta and creating a new, more plausible story for everyone that still preserves her secret alternate look. And while the ordeal has only made Tanaka dread having a real girlfriend, to Shiraishi’s dismay, I imagine given enough time that position will also soften.

Tanaka-kun was a hoot, and it did it by staying understated and consistent. It was head-and-shoulders above any other shows I watched this season, and the school-based rom-coms and slice-of-lifes that are coming this Summer have big shoes to fill. Naturally, I also wouldn’t mind another twelve episodes of this some day. But there’s no rush.

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Amagi Brilliant Park – 13 (Fin)

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Zane here, first-time ABP writer, long-time watcher (I’m actually watching it a second time around, it’s so good), just sticking my head in to offer some thoughts on the final episode. Oigakkosan will be along with his assessment.

I can sum up this episode with the phrase “Tricen makes a PV (promotional video) for the park.” No evil wizard redux; no new park crisis. It’s essentially a means for the excellent sprawling cast to take a curtain call.

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As both Kanie and Moffle note verbatim (proving that like minds often spar), Tricen can’t help but project his own bland personality onto the initial video. Kanie puts Sento in charge of helping Tri spice the video up, which they attempt to do by asking for everyone’s suggestions about what to put in the video.

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Moffle wants more explosions and action, Macaron wants better music, Tiramie wants more female skin (from his collection of covert skinpics), Koboli wants more male skin, Muse wants water, and Salama offers footage of Salama sleeping.

Tricen throws all this stuff into the video without any effort to mesh the wildly varying themes. Even as an art film, it’s a bit awkward. Then Latifah suggests he add video of the lower-tier cast members’ hobbies…and things get a bit weird:

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Whoa. (For the record, I couldn’t stop laughing at this scene. Who would’ve thought the mute dogu would be the most visionary of the bunch?)

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From Ashe’s skydive ironing, to Dornell’s dam enthusiast club video (and there are pictures of dams on the wall of his hideout way back in episode 5; nice continuity!), to Adachi’s footage of a horse giving birth, everything Tricen is given is put in, with no regard whatsoever for coherence.

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Predictably, Kanie is appalled by the resulting ‘masterpiece’ even as Sento weeps from the emotional impact. Frankly, Kanie should have remembered that while he’s softened her edges somewhat, Sento is still an imperial guard, and the wrong choice to assist Tricen. Not that there was a better alternative!

Kanie goes with Tricen’s original milquetoast cut, which underwhelms the cast, who is miffed their suggestions weren’t included. But Tricen gets the last laugh when he tells Kanie he uploaded the ‘unofficial remix’ to the web, where it went viral.

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There was thankfully no more Evil Wizard this week, but the possible negative fallout from the PV can’t be considered real conflict in this, the final episode. ABP seems to be running smoothly with Kanie at the helm and Sento by his side.

No, this was more a final check-in with the characters, who brought us to the table in the first place and kept us there with rapt attention as they worked their way through various dilemmas. I personally enjoyed this inconsequential but still entertaining epilogue.

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