Maoyu Maoyuu Yuusha – 09

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Maid Ane prepares to act the part of the Crimson Scholar. The plan is for the Winter King to deliver her into the custody of the messenger sent by the Central church who claim Maou to be a heretic. As she is paraded out, placed in stocks, and whipped, Yuusha is poised to save her, but she deviates from the set plan and delivers a speech to the masses assembled before her, drawing from what she’s learned from the Head Maid, about not being an insect. She moves the crowd to turn against the messenger, and even inspires the Winter King to place her under his protection, and orders the Centrals to skedaddle.

What we thought would be an action-packed rescue mission in which the hero saves Ane from a public stoning in the knick of time, turned out to be something more akin of a one woman play – and that’s totally okay with us. As Ane was shoved around in stocks and whipped until her back is raw and bleeding, something awakensin her, and she decides to improvise a passionate, rousing, incredibly powerful speech to the people the church want to stone her, and it’s the church officials who end up getting stoned. So Yuusha doesn’t have to lift a finger (though it was nice to have him there just in case things went sour.)

When the head maid called Ane and her sister insects, it was cruel, but it was also true. Though they were serfs – two of seven siblings, the rest of whom were raped or killed or died of disease – they were also humans, and had the ability to choose their fate. They could choose to fall in line and obey whatever master or noble or priest came along, or they could choose to become better than they were. Ane and her sister gained the awareness of that choice and made themselves better. And now the serf, who was so close to death when she first met Maou, has found her voice, and as Yuusha puts it, her words have the power to cause entire armies to withdraw.


Rating: 9 (Superior)

 

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Maoyuu Maou Yuusha – 02

Maou decides to begin agricultural experiments and education in a small village. Yuusha meets Maou’s longtime Head Maid. One night two serfs – sisters – break into the stables. The Maid is ready to turn them in, but Maou and Yuusha let them spend the night, and the maid eventually offers them jobs as maids. Maou begins enriching the land and educating the village youth, the first small step in her and Yuusha’s crusade.

Whenever characters have such well-defined traits and limitations – be it a queen, hero, maid or serf – there’s the risk of them becoming mere allegories in service of the plot, at the cost of emotional connection to them. Indeed, every character here is a manifestation of an idea/worldview first and foremost. The Maid is cold, logical, and unyielding, but tempered by her master’s authority. While she may sound cruel in making no distinction between serfs, slaves, and insects, she knows no other way to express these concepts. Her role doesn’t require her to distinguish between insects and humans who can’t or won’t determine their own fate.

But there’s something very weird and cool going on here: despite the characters being such strong archetypes, the sense of order that ensues is comforting and reliable. And Maou and Yuusha remain a cute, warm, and surprisingly witty couple; even if Yuusha doesn’t seem to be doing much yet, it’s clear just his being with Maou lends her emotional and moral support. We like how she gets into the nitty-gritty of agriculture and illustrates just how much careful, intricate preparation will be required to achieve their ultimate goal of peace.

On top of all that work, Yuusha isn’t even sure what peace is and where his place will be in that peace, other than by Maou’s side. After all, who needs heroes in a perfectly resolved world with no enemies to defeat or battles to win?


Rating: 8 (Great)