Kakushigoto – 12 (Fin) – Lifting the Veil

Kakushigoto’s finale is truly a crowd-pleaser, and I mean that in the best way. It spends its entire runtime in the “future” and painstakingly reveals all of the mysteries and answered all of the questions we might’ve gathered from the slow trickle of information throughout the season. It expertly released and justified all that built-up anticipation to deliver one satisfying reveal after another—including several secrets we didn’t consider!

For one thing, neither we nor Hime had any idea Kakushi was the love child of a kabuki actor and his mistress (though it explains a lot!). We didn’t know he had a half-sister, who had a son the same age as Hime, who visits her at the Kamakura house.

Among the other blanks of Kakushi’s story are also filled in, we learn that for ten years after his wife was lost at sea he spent a significant amount of his income on continued searches, not believing she was gone. When Hime was in middle school the tabloid article came out that killed his confidence in ever being able to make readers laugh again.

After finishing Tights and putting his pen down for good, Kakushi took on a number of menial labor jobs, culminating in perhaps the most ironic and symbolic accident imaginable: in a forklift accident he was crushed by a palate full of the very manga publication he quit drawing for.

Kakushi has been in a coma for over a year, but he same day Hime’s cousin visits her, he regains consciousness, and Ichiko and the Detective Agency escort Hime to the hospital, where they learn that he has amnesia—specifically,  he has no memories of the last seven years.

For Hime to finally see her father awake only for him to not recognize her seems almost too cruel, but I was confident Kakushigoto would find a clever way for things to eventually work out. Sure enough, the key to restoring Kakushi’s memories is the thing he loved doing for a living, despite keeping it secret from Hime.

Kakushi’s seven-year gap means he’s stuck in the time when Hime was ten (i.e. all those episodes that felt like the present at the time but are now the past). As such, he believes Tights in the Wind is still in publication…and he’s eager to get back to work.

His old team of assistants (including Rasuna, who is now an accomplished mangaka in her own right, with Tomaruin as her editor) gets back together, and turn the hospital room into a studio. Assuming Hime is a new assistant, he asks her to go to his house and make sure his daughter isn’t lonely. Of course, her daughter will always be least lonely when she’s with her dad.

Seeing her dad working for the first time is momentous for Hime; so much so that seeing him so happy doing what he loves makes her hesitant to continue efforts to restore his memories. He’ll get back the good times in the last seven years, but also all the heartbreak and despair.

What ultimately sways her is when she asks him if he’s happiest being able to continue drawing his manga, and he says no; the one thing that makes him happier than anything would be Hime growing up big and healthy. Hime rushes back to Kamakura, the Detective Agency in tow, and returns to the room with all of his manuscripts of the last seven years.

As Kakushi looks them over and remembers drawing them, he also remembers moments of Hime’s life that took place when he drew them. As the veil on those seven years of memories is pulled back, he watches Hime grow into the 18-year-old woman before him and finally recognizes his daughter. His first instinct, of course, is to try to hide the manga from her; to maintain the secret.

Now, as Kakushi prepares a comeback (perhaps with a story very similar to what we just watched…very meta!), we see the tables have turned: Hime has secrets of her own, like the fact that while she’s an accomplished and award-winning painter following her mother’s father’s footsteps, she also has a passion for drawing manga, something she’ll keep secret from her dad for a while. It’s only fair!

Kakushigoto was a beautiful blending of the clever, sometimes goofy, sometimes artfully intricate “miscommunication” humor of author Kumeta Kouji with genuine and powerful emotional stakes. It never felt too melodramatic or goofy because the drama and levity were always so well balanced. Indeed, that made it feel more real, despite how convoluted some of the mysteries and secrets turned out to be. The wit was sharp, while the heart was always warmed.

No matter how many walls or veils or feints Kakushi put up to keep his precious daughter from the truth of his livelihood, he couldn’t hide his true passion from her forever. Nor could the truth that whether he could feed that passion for a living or not was immaterial in the face of his overarching priority: ensuring Hime had a stable, happy childhood full of laughter and fun.

Hime is as stunningly awesome and beautiful an adult as she was an adorable, air-headed kid, and she has a bright future whether she pursues painting, manga, both, or neither. It can be said without reservation: Papa did good.

Kakushigoto – 11 – Out With a Bang

When Hime calls for a “family meeting”, the fact there’s no dedicated meeting room in their house becomes an issue. As Kakushi goes on a walk to ruminate about it, he encounters two others dreading their own meetings in Tomaruin and Ichiko.

Of course, when all three converge at a disused well (the ancient equivalent of a water cooler), they each assume the other two are talking about their own meeting, and come away with heightened opinions of each other. Tomaruin’s editor’s meeting results in him securing a fancy dinner for himself, Kakushi, and the Editor-in-Chief.

Kakushi interprets this as a signal that his manga is about to get the axe. The conversation remains vague and never gets to a point where Kakushi’s misunderstanding is resolved. When it does enter details, such as the EIC mentioning “colored pages”, Kakushi believes that’s finally being offered as a way for him to “go out with a bang”; in reality the EIC just thinks Kakushi wants colored pages after a long time without.

Kakushi then relays this misunderstanding to his assistance, and they not only take it well, they all believe the timing is perfect for them to travel, finish school, or work on their own thing. Because everyone thinks this is it for the manga and there’s nothing to lose, Kakushi goes all out, and both editors and readers respond favorably.

It isn’t until Hime’s friends’ detective agency locates a suitable spot for a meeting with her dad (i.e. another well) that Kakushi learns the manga isn’t going anywhere, and never was. Tomaruin loses the manuscript pages down a well, and when he’s counting them as he retrieves them, he sounds for all the world like a ghost.

This freaks out both Hime and Kakushi, postponing their meeting, and Kakushi has Roku pull Hime to safety before discovering it’s just his editor. Once he has the right of things, he informs the assistants, who were all gung-ho about moving on, and a dark cloud settles over their heads.

Ultimately the meeting Hime wanted was about learning to make karaage to bring to a friend’s birthday. Since she’s too young to deep-fry, she wants her dad’s help, and Kakushi warmly accepts. Fast-forward six months, and the eleventh episode portrays not one but two parties for Hime’s eleventh birthday.

The first one is a cookout with both Hime’s and Kakushi’s friends and associates, and a good time is had by all. The second is just for Hime, Kakushi, and Roku, with a cake and a gift of a music box. Hime looks forward to spending more years with her dad, thinking these good times will never end.

But at some point, we know they did, and Hime and Kakushi became separated…somehow. The show is still coy about the particulars, but the day Hime turns eighteen is decidedly grey and morose.  With a big old Roku beside her, Hime wistfully flips through the album of good times past and secures her music box.

Then there’s a sound at the door, and when she answers, a key and a map were left behind, along with a note stating “secrets lie here”, referring to the marked location on the map. With just one episode left, we’re sure to get the last pieces to make the clearest picture yet of What Exactly Happened between her eleventh and eighteenth birthdays, and—hopefully—What Will Happen Next.

Kakushigoto – 10 – Prayers, Secrets, and Ghosts

Kakushi gets his team to aim for completion of a new issue in order to score a longer period off, but he only becomes truly motivated when Hime wins an Izu hot springs trip for the period he was aiming for. We get a glimpse at the class division between artists (who can only manage “cheap, close, and short” vacations) and editors (who can go overseas, like Tomaruin to Hawaii). Kakushi ends up working so hard for Hime’s sake, he comes down with a fever, something not at all uncommon among artists who put their work before their health.

When Hime wrote the kanji for “crab” a hundred times and then won a vacation that includes all-you-can-eat crab, Kakushi’s friends decide to draw up some sutras, choosing to believe in the power of prayer. Mind you, Hime wasn’t trying to write a prayer, but punish herself for eating all the chocolate butter biscuits (which, for the record, never last long in my house). But the crab connection was too enticing to ignore particularly for Kakushi’s three suitresses, whose sutras are marriage themed.

Once the Gotou party of three arrives at the Izu onsen (the inn graciously allows pets, so Roku gets to come), the dog starts growling at the adjacent room, which has a suspicious “under renovation” sign and strange aura. Kakushi is also anxious about Hime going to the woman’s side of the baths all alone, and so recruits Rasuna and Ami to accompany her. Only when they’re about to go in, Hime comes out, having already enjoyed a nice bath, and showing that she’s a more responsible girl than her dad gives her credit.

Kakushi observes that inns such as this that once hosted classical Japanese writers and other people of note must have its share of secrets. However, while in the restaurant he watches as everyone starts confessing their secrets one by one, from revealing they’re older or have had work done or that a dog is a mutt and not a Chihuahua. Peer pressure starts building around Kakushi, but he’s saved by a scream from Rasuna, who saw a creepy shadow in the empty room where the famous writer died.

Both the shadow and Roku’s interest turn out to be an ordinary civet peeking in the window. In the morning, Hime learns of the ghost sighting, and while she maintains she’s scared of ghosts, she’s also glad they’re around. She then muses on the reason ghosts are rarely seen and can’t be touched, one of the possible reasons being there are so many ghosts of those who died the world would simply be too crowded for their corporeal forms. It’s Hime’s usual childish whimsy combined with a wisdom and a poetry beyond her years.

Speaking of beyond years…Future Hime remembers all the times her dad came through the veranda trying to put up a brave front, but her being able to sense that he was anxious or depressed about something. Now that she knows of his manga, she assumes that was the job he quit. Then we return to Future Tomaruin and Rasuna. Tomaruin mentions the book that said Kakushi quit because he wasn’t popular, but in reality, he put his pen down willingly.

Why? Simple: his wife was lost at sea in a highly-publicized accident. Rasuna posits that such a horrific tragedy was anathema to a gag manga artist’s mystique, and Kakushi came to believe he couldn’t make anyone laugh anymore due to the tremendous grief in his heart from the incident in his private life. Yet, as we see in the present day, he kept creating gag manga after his wife’s death, hid his grief from his readers (which obviously tracks with both his name and the show’s title).

So did the public reveal of his wife’s loss not come until the period between the present and future timelines? And if he’s not dead in the future, could he be searching for her? With two episodes remaining, some key connecting pieces of this bittersweet puzzle have yet to be revealed.

Kakushigoto – 09 – The Time Traveling Virtuoso

We’re nearing the end of June IRL, but in the world of Hidden Things December has come. That means the harrowing end-of-year grind when editors crack the whip on the creatives. So why is Kakushi’s team so upbeat? Because they’re expecting the reward of a fancy hotel Christmas party at the end of the tunnel. Kakushi was originally not going to go, but will use whatever methods of motivation are needed to get through the grind.

Leave it to Tomaruin to pop everyone’s balloon of motivation by informing them that due to the publishing recession the company will only be holding a modest bar-and-karaoke gathering. Still, Rasuna scrounges up an invite from a rival publisher Kakushi worked for a while ago, and they are having a fancy party they can attend. Kakushi can even bring Hime, since it’s unlikely anyone there will recognize him as a mangaka.

Throughout this talk of parties is a discussion on the use of titles like “sensei” or “virtuoso” to describe mangakas. Those on the rungs below a manga artist use them as terms of respect; editors use them mockingly or as an expression of resentment. Naturally, Tomaruin calls Kakushi both, and for both reasons!

Kakushi likes the idea of showing Hime the “dignity” of his fake office job through a fancy party, and to correct her misapplication of the word “chandelier” to more lowly disco balls. He even digs himself a bit of a hole by calling December by its old Japanese name, Shiwasu, describing it as a time “when all the senseis are running” (due to the end-of-year grind).

Hime’s penchant for misinterpreting words means she starts to believe that all runners she sees are senseis, even though all senseis are runners—including her dad when he runs to get her after a misunderstanding regarding party invitations.

Tomaruin (perpetual thorn in Kakushi’s side, him!) invites Nadila to the lame party, so she take Hime there instead of the fancy hotel. Having already seen a “chandelier” at the karaoke, Hime assigns the term “Cinderella” to the real chandelier at the hotel, since it resembles that character’s flowing dress.

Kakushi learns he’s safe in his suit (no higher-ups at the rival publisher will suspect a mangaka of wearing one), but he has a different problem: that’s right, Tomaruin. He crashes the party hoping to poach an artist, and looks for one based on their outward appearance. In this case, since female artists are popular, a girl in a frilly dress flanked by a man in a suit.

The first such person to match that description…is Hime. She thankfully doesn’t recognize Tomaruin, but by taking back the business card given to her, Kakushi learns that it’s not the first Hime has gotten. Despite Hime’s misgivings, she actually attracts a lot of attention as a child magazine model.

When word spreads that there’s a poacher from a rival publisher, the exits are blocked. Tomaruin is dressed up dingily by Kakushi and the assistants in order to escape safely, but Kakushi himself is briefly suspected as the poacher—he’s wearing a suit, after all!

The misunderstanding is cleared up when a higher-up recognizes him. He’s reimbursed for his destroyed suit, but the bare-chested Kakushi needs some covering to leave, and must settle for the same embarrassing loli shirt Tomaruin wore to pose as a mangaka.

It’s a night of books incorrectly judged by their covers, but Hime still had a lot of fun, and Kakushi’s true profession remains a secret, so we’ll call it a win for him. Before heading home, the father and daughter encounter the “virtuoso” of chandeliers: a dazzling LED stylized Christmas tree Hime calls a “Super Cinderella.” Kakushi wisely doesn’t try to correct her…let her have her own adorable terms for things!

The ever-so-brief obligatory flash forward provides one more clue about Kakushi’s future status in the form of another incorrect term: “disappeared”. His former assistant Shiji, now working at a bookstore, sells a book to a customer about three mangakas who disappeared, one of whom is Kakushi, before quietly declaring that a lie. My first thought? He kept drawing, but merely changed pen names. In any case, I’m fearing the worst about this future less and less.

Domestic na Kanojo – 12 (Fin) – Turning Pain Into Art

When Hina is caught, she doesn’t hesitate to be the adult and put herself at the mercy of her superiors. Sure, it probably wasn’t a good idea to sleep with a student in front of a window while on a school trip, but she doesn’t want that to affect her stepbrother’s future.

So she leaves the school, accepting a transfer far away, and then moves out of her apartment, all without telling Natsuo—who would have obviously tried to stop her and likely made things worse. That’s the second good move Hina made: not letting him have a say in the equation.

After reading a note in which Hina pours her heart out onto the page, Natsuo goes into a state of deep anguish, holing up in his room and not leaving. When Fumiya reads the note, he castigates Natsuo for basically wasting all of the pain and trouble Hina went through for his sake.

On a bathhouse trip with Kobayashi, the former yakuza and cafe owner tells him from experience that you can’t turn back time, and moving forward and continuing to live while shouldering his pain is the only way. But Natsuo manages to find an outlet for all that pain he’s shouldering: writing.

He stops his weekly short stories and instead starts pouring his heart onto the page, as Hina did with her farewell letter. At first it’s such a compulsive thing he doesn’t eat or sleep, but after his talk with Kobayashi he starts accepting Rui’s kindness in the form of cocoa, late night snacks, and other food to keep his health up.

On New Year’s Day, Natsuo finishes his novel, though he also lost track of the days. Rui takes him out where he meets with his friends from the lit club who were silently supporting him as he worked his shit out. Then they go to Kiriya-sensei’s house to deliver the first draft.

Some time later Natsuo is invited back to Kiriya’s on a Sunday, wondering what’s up. Kiriya has him meet Tsutaya, an editorial staff member with Shinkosha, and they go to a ceemony celebrating Natsuo’s first-place amateur award for his novel, which Kiriya secretly submitted.

Just as Hina had hoped, her quick action secured Natsuo’s future and ability to achieve his dream of becoming a novelist, even if it also broke both their hearts, those wounds heal, while a public school sex scandal…notsomuch!

When he gets home, Natsuo is shocked to find Hina waiting there for him…or at least he thinks it’s Hina. Turns out it’s Rui in a wig. She runs to her room to cry, because now she knows how Natsuo’s loving embrace felt to Hina. After congratulating him for his award, Rui has a proposition.

She’s done pretending to hate Natsuo, and she’s done “holding back” for Hina’s sake. When she and Natsuo made love for the first time, she didn’t think much of it, but she seems reasonably sure a second time will feel different to her, now that she has feelings for him and all.

Natsuo looks a bit overwhelmed, but if Hina truly is gone from his life forever, it’s a good idea to move on. Probably not with Rui…but I like Rui so, ah, well there it is. As Picasso said, “Art is born of your dad marrying the mother of the first girl you slept with and your longtime teacher crush.” Or something like that.

Domestic na Kanojo – 11 – There’s Always Someone Better

After lying and keeping secrets for so long, Natsuo finally tells Rui everything, from his long time love of Hina to his determination to be with her in the future. But just because it’s the truth doesn’t make the words sting any less. After sharing one last kiss and an evening of private sobbing, Rui is also determined to move on from Natsuo.

Of course, since it’s impossible for Rui to not handle such things in an odd way, she announces to Natsuo the next morning that she’s decided to “start disliking him.” I can’t say I blame her, as Natsuo has grown more selfish and insufferable with each passing week, but in her case it’s a defense mechanism. She’ll still treat him like family, but otherwise, she’s done.

At least Natsuo gets to talk to Rui; Rui freezes out Hina both on LINE and at school, where Natsuo and Hina misguidedly meet up once again to discuss it. The episode suddenly makes a hard right turn from the love triangle to…the “Natsuo Striving to be an Author” plot, when Rui wins an award instead of him (or Miu, for that matter).

This shakes Natsuo to his core, despite the fact, if he’s honest, he’s spent far more time lately being a horndog with Hina than he has crafting brilliant narratives. Still, he believes the solution is to go to Akari’s house announced and beg him to make him his apprentice. It’s not any more pleasant than Natsuo begging for sex.

His sensei turns him down in this case, because becoming his apprentice is not the way to go about becoming a good author; it takes actual struggle and hard work, not just connections. Natsuo takes this to mean writing one short story per week. Then, in another bit of whiplash, the episode makes another hard turn to School Beach Trip territory.

This means not only Rui and Miu and Momo in swimsuits, but Hina as well, and as she plays volleyball with the students, she looks more like a teacher than a student. Rui takes her aside to remark on the inappropriateness of her swimsuit, but Hina is so happy she’s not ignoring her anymore, that it leads to the two making up.

Rui isn’t interested in Hina breaking up with Natsuo if she still has real feelings for him; instead, she’s prepared to concede him to her and pursue other options. Honestly it’s probably a good move by Rui…if she can stick the landing. But Rui’s assurances don’t dissuade Hina from deciding to break up with Natsuo anyway, since it’s just not a tenable relationship.

It’s disappointing to see Hina’s position so callously overruled by Natsuo thanks to a cheap ring and a promise that he’ll make an honest woman of her for sure, even proposing marriage. Their two positions couldn’t be further apart, but there’s no compromise, Natsuo simply gets what he wants, again. 

While he may talk about caring about the future, it’s Hina who was looking out for both of them by suggesting they end things while they still can. Instead, they make out in front of an open window during a fireworks display, then have sex and apparently spend the night together.

These are not good decisions, as Hina learns on the first day back at school, when she’s summoned by the principal, who presents her a photo of her, and Natsuo, kissing by the open window, during the fireworks display.

She and Natsuo were so caught up in being together that they got sloppy, never stopping to think how others (who weren’t Rui) mind think and feel about them together. In the school’s case, it’s likely a fireable offense, and certainly a black mark on its reputation. Suffice it to say Hina is well and truly fucked.

Domestic na Kanojo – 10 – Cowardly Lion

This week’s cold open features Hina cooking for Natsuo at her place—or rather trying to cook while he paws her. They look cozy, comfortable; lived-in. It’s clear he’s been coming to her place a lot. Cut to what must mercifully be the shortest cultural festival I can remember (they usually take up 2-3 episodes in shows like this!) followed by the concerned lit club members paying Kiriya-sensei a visit.

Turns out Kiriya is not just a famous author, but one of Natsuo’s idols. He presents Natsuo with the opportunity to submit his work for an award that could get him on the fast track to a professional writing career. Later, Natsuo teases Miu about liking Kiriya, and she accidentally shoves him down some stairs, fracturing his leg.

Natsuo’s physical “crashing down” is a portent for another imminent and unavoidable collapse: that of his half-assed web of lies!

I was very cross with the whole Natsuo x Hina situation last week, but I’ve moved on to the acceptance phase: I like Rui better, but it doesn’t look like it’s in the cards for her, so better to move on and see where this goes. But just because I’ve moved on doesn’t mean Rui isn’t going to use Natsuo’s injury as an excuse to act as his nurse—a role she embraces with gusto, including washing him in the bath while nude (and accidentally mistaking his little Natsuo for a soap pump).

It’s when Rui mentions how much she’s missed Natsuo being “at Fumiya’s house” so often recently that we learn how he’s gotten away with his visits to her under Rui’s watchful gaze: He’s just lying to Rui, because he’s a coward. Just like the Cowardly Lion in the school play. When Rui tells Fumiya about Natsuo’s leg, he says he hasn’t been by in ages. When Natsuo is caught in a lie and confronted by Rui, he lies again, saying he was going to Momo’s.

But the next time Natsuo is at Hina’s, and things start to get hot and heavy despite the cast, there’s a ring at the door and it’s Rui. When she sees Natsuo on the floor, clearly having been up to no good with Hina moments before, her eyes well up with tears and she storms off into the rainy night. The mood ruined, Natsuo goes home. But Rui isn’t there.

After a long time looking for her on his wet, muddy cast, Natsuo finally finds her, and she has a slap in the face ready for him. Turns out she was awakened to the possibility of where Natsuo might be (if not Fumiya’s) when she read his novel (which is presumably an extremely fast read). It’s the semi-biographical story of a student falling for his teacher even though he had a girlfriend.

Only instead of a girlfriend, Natsuo has Rui, the first person he slept with. Only he was never in love with her, but with Hina. Just because Rui has developed strong feelings for him doesn’t change that fact. It’s just a shame she had to find out the way she did, and that Natsuo had to lie to her not once but twice. This was the the wake-up call he needed to stir up some of that “nerve” the Cowardly Lion yearned for…it just came too late to spare Rui.

Domestic na Kanojo – 09 – Cavalcade of Unpleasantness

Time to go on the record: I am not a fan of the Natsuo x Hina route. It made sense for Natsuo to be infatuated with his beautiful and kind teacher, and for those feelings to remain even after their parents married. But as for Hina returning those feelings? I’m just not buying it, and Natsuo isn’t doing himself any favors with his incessant brooding, whining, and stalker-ish behavior that blows past any and all decent boundaries.

He’s also apparently decided to utterly ignore and move past the fact Rui was coming to his room to make out, without considering why she may have been doing that. Rui is thankfully less concerned with Natsuo than with her big sister leaving the house right now, blaming her and Natsuo’s shenanigans for being the primary factor in her move.

A serendipitous encounter with Hina’s ex who we learn is underclassman of Kiriya-sensei (which…who cares?) properly apologizes to Rui (with a $45 parfait), and doubts Hina is moving because of Rui, but because she genuinely wants to strike out on her own. That night, Hina is surprised to find Rui in such distress, but her lap is there for Rui’s head, and she assures her she’ll visit home when she can. It’s a nice sisterly moment, but obviously fails to address the Natsuo-shaped rift between them.

It was disconcerting enough when Hina said her move would make “meeting” with Natsuo more convenient, but when she gives him a key to her new place, she’s truly playing with fire. As she’s been fond of saying, Natsuo is still a kid, which basically means he lacks experience, emotional maturity, and above all, self-control. Give a kid an inch, and they’ll take a mile.

Predictably, as soon as he is able (and after coldly rebuking Rui) he rushes his horny ass to the apartment she’s still moving into, lets himself in, then sits by her bed until she wakes up (she’s exhausted from unpacking). They make out a bit, but thank goodness Hina pumps the brakes, because Natsuo “isn’t sure he’d be able to stop himself” from going all the way. Ugh.

You can tell Hina is being torn apart by the opposing forces in her heart—she knows she should be a good adult, teacher, and older sister (and thinks she’s failing at all of those). For whatever reason, she loves Natsuo more than that, and wants him in a way normally impossible—and certainly problematic—for those other three roles. So she delays, telling Natsuo there’s no need to rush; they have all the time in the world to do…whatever it is they’re doing.

I must also go on record in voicing my extreme displeasure at the sudden and baffling introduction of Alex, perhaps the most annoying and cliched character of any of the shows I’m watching this Winter. Did the show forget about Natsuo’s actual best friend in whom both he and Rui confided and relied upon? Why are they wasting so much time with this…creature? Whatever they have planned for him can’t be good…unless they plan to shoot him out of a cannon!

That brings us to Natsuo’s worst moment of the episode, which is saying something: confronting Hina at school about how he felt she was being too distant towards him, at school. She takes his hand and leads him somewhere presumably more private, but it’s still a window-filled hallway, and the vice principal is not far away. She once again appeases him, and kisses him, I say again, AT SCHOOL.

Some words to the wise, Natsuo: Hina isn’t your property, and if you get her fired, she won’t be able to afford your lovenest. Shape the ef up my dude! And Hina: stop enabling the bastard!

Domestic na Kanojo – 08 – Keep It Together

Natsuo is bowled over by the Japanese American transfer student Alex, who is biking indoors, and the two end up apprehending an underwear thief who stole from Rui, among others. At the police station, Al sees Rui and immediately asks Natsuo (who calls her “a friend”) if he’ll set him up with her.

This, when Natsuo is still trying to figure out how he feels about Rui, who is affectionate when they make out but otherwise her usual stoic, hard-to-read self. While making dinner, Natsuo comes right out and asks Rui if she’d want to hang out with him and Alex. she sees right through his feeble ploy, and storms off, positively furious.

He visits her room later with a peace offering of yaki-udon and an apology, but Rui wants him to apologize by kissing her. The two are closing in on second base when Hina enters the unlocked, slightly open door and sees the two embracing.

After a long, agonizing pause, Hina flees to her room, and when Natsuo tries to explain, she tells him she’s not in the state of mind in that moment to believe anything he says. Instead, she declares that she needs to stop living there.

Rui visits Hina and explains that she initiated things, because she’s pretty sure she likes Natsuo. When Hina brings up the fact they’re family, Rui doesn’t see a huge issue, since there’s no blood relation. Nevertheless, Hina thinks their mother would be sad.

Al gives Natsuo the advice that nothing will ever be solved if nobody talks to each other plainly and honestly about how they feel, but the next day Hina announces she’s going to move out and live on her own. Her mom and stepdad buy her explanation, but Rui and Natsuo suspect they’re to blame (obviously).

The entire family goes to a night festival while Hina is still around, and Rui wonders if she and Natsuo should cool it with the kissing for the time being. Meanwhile, Natsuo can’t stop looking at Hina’s nape. When Hina loses her cell phone, Natsuo takes her by the hand and leads her to a private place where they can talk.

But Hina remains evasive, other than to say it’s necessary for her to move out for both their sakes. Natsuo’s attempts to force an honest conversation backfire badly, when he refuses to let go of a Hina who’s clearly had enough, and she bites his hand. The manager listens to Natsuo and holds Hina in place, noting how ugly she looks when she’s angry (his response when she says she’s always ugly is both brutal and hilarious).

The manager, one of the waiters, and her young son all join Natsuo and Hina in another secluded spot so the latter can cool down, but she’s tired of being the adult, and starts acting like a child. The son offers her a lollipop to cheer her up, and it largely works.

The manager, waitress and son depart, and Natsuo listens as Hina explains how it was just as much jealousy as shock when she say him with Rui. Rui has always been a free spirit, so Hina always felt she had to be the “normal” one who “kept it together”, not simply shooting from the hip like her little sister. She sacrificed her grasp on her identity, in part, to protect Rui’s.

Even though Hina rejected him, she did so because she felt she had no choice; as the adult in the room, she couldn’t give in to her feelings, no matter how real or strong they were. Hearing that his love isn’t unrequited after all is a revelation to Natsuo, who embraces her and asks nothing more than to be able to hold her like that and say that they love each other for that brief period of time.

As the family heads home together, while Rui isn’t turned around and looking, Natsuo and Hina hold hands. So it would seem that Natsuo is choosing a sister, based on his longstanding feelings for Hina. But just because he now knows those feelings aren’t one-sided doesn’t change the fact that Rui has fallen for him, and he’s going to have to address that every bit as earnestly as he and Hina addressed where they’re at. Because one thing is certain: Rui ain’t dating Alex!

Domestic na Kanojo – 07 – Advance and Retreat

We begin with Natsuo and Hina going on a “date” to Kamakura. The teahouse lady mistakes them for a couple. They see the sights and have a lot of fun; their chemistry is unassailable. Then they head for the beach, and Natsuo brings up Hina’s “child” comment from earlier.

Hina admits she was just trying to say the thing that would hurt Natsuo most, since she was already in a relationship with Shuu and she and Natsuo were now siblings. Then she tells him how she met Shuu: like Natsuo with Hina, he was her teacher and first love.

When her friends shunned her for being too cute and flirty, he was her only friend. When they met up by chance years later, he was wearing a ring, but she couldn’t turn him or her happiness down when he said they should get together.

When Natsuo hands her his newly-completed novel, whose heroine is modeled after her, he confesses he’s been in love with her for a long time. Hina’s reaction follows the general pattern of their incident in her bedroom: she draws closer, taking his hand, and proposing they go out together, keeping it a secret from their family and everyone else.

But then, as when she basically teased Natsuo’s lack of experience, Hina brings the hammer down, taking Natsuo a bit too far into the surf to make a point: for them to be together when they’re family will most certainly backfire stupendously. She likens it to double suicide, be it socially or literally.

Natsuo knows it’s not possible, but merely asks they stay in the surf a bit longer so he can hug her and cry it out. That night after they get back home, Hina reads the whole book in one night, and it brings her to tears. Through the pages she can probably feel Natsuo’s longing, because it’s exactly how she felt with Shuu. She can hardly blame him for something when she knows full well we aren’t in control of who we fall for.

Things seem to return to a friendly sibling relationship between Natsuo and Hina, but Rui’s crush on Natsuo continues, culminating in her visiting Natsuo’s room one night. She notes that on the day they met (and did it), they never actually kissed. She wants to try doing so now.

Despite things being cordial with Hina, Natsuo is still a wreck, and it’s at least partially his desire to prove Hina wrong about something like them being utterly impossible that leads him to acquiesce to Rui’s request. To hear Rui so earnestly describe how calm and at rest she felt while kissing him, well…it certainly complicates matters for young Natsuo.

At this point Miu seems to be the best bet for him in terms of romantic interests who aren’t related to him, while Momo would obviously welcome his company anytime. Still, with Rui stating her intentions to keep continue their kissing sessions on the downlow, it’s clear that it’s not going to be as easy as going out with Miu or Momo.

After spending the evening with Natsuo and Rui tutoring them for their upcoming exams, Rui brings up Ashihara and his apparent rapport with her, intriguing Hina. Later that night, while perhaps going to visit Rui’s room, Natsuo sees that Hina’s door is open.

Before he can knock, he hears a…a noise, and when he peeks through the crack in the door, he sees Hina pleasuring herself, letting out Shuu’s name when she finishes. I’m not sure why she didn’t completely close the door, but never mind; the deeply private moment Natuso witnessed can’t be unseen or unheard.

As disturbing as it was to see Natsuo linger by the door as long as he did, he saw in Hina what she sensed in him: an unbearable longing for the one they love. She may have broken things off with Shuu but she’s most definitely not over him. No doubt that will evoke some guilt in Natsuo, who, along with Rui, gave Hina such a harsh “him or us” ultimatum.

Domestic na Kanojo – 06 – Exalting In Life’s Freedoms

With all the women he’s juggling, Natsuo has barely had any time to work on the novel he’s writing. During a study period, he reads on the roof, and discovers Kiriya-sensei up there smoking. Kiriya is happy to see a student reading literature, and when Natsuo tells him who he’s reading, he tells him he has good taste, then proceeds to…flirt with him? Whatever the case, Natsuo has piqued Kiriya’s interest.

Natsuo also seems to have inadvertently drawn the mild ire of one Tachibana Rui, who reports that Momo loved the yukiudon he made her while pointing out that he never made it for her at home. Natsuo assumes Rui doesn’t know what a jealous face she’s making, but wishes she wouldn’t make it. Rui is also there to ask him a favor—and not a sex favor, this time! She just wants him to accompany her as she checks out clubs. Natsuo’s guy friends tag along, but only to watch the girls playing sports.

Both Rui and Natsuo seem to find a cultural club with promise in the Literature Club, but no one is there to greet them. Natsuo sees a book on the shelf both he and Rui are interested, and so “borrows” it. When he returns to return the book, he hears a tiny voice within the stacks, and spots Kiriya-sensei seemingly kissing a female student.

He tries to flee but his shoe squeeks, and Kiriya introduces the girl, Ashihara Miu (voiced by the very talented Kohara Konomi of Tsuki ga Kirei fame), who explains that she was helping sensei with an eyelash. Considering how earnest Miu turns out to be, I’m mostly able to go along with her explanation. Natsuo is thus caught having “borrowed” a book, and Kiriya blackmails him into joining Miu as the second and only other member of the Literature Club, of which he is the faculty adviser.

Natsuo’s first duty as club member is to help Miu hand out flyers to recruit other members. It takes him until sunset but he manages to distribute all of his share, only to find Miu in the back entrance, having failed to hand out a single flyer. Natsuo reassures that her there are some things some people just can’t do, and it falls upon those who can to do them. Miu is definitely grateful for his kindness.

The next day in club things get a little weird, when Kiriya-sensei, basically reading from his two students’ face that they are romance novel writers with very little if any romantic experience, and suggests that the two gain some by…kissing each other. Yeah, you read that right.

[Slowly raises hand] Um, I’m sorry, but that’s kinda fucked up? Even a suggestion coming from an adult in authority can sound like an order a kid can’t refuse, and indeed, Miu goes along with it, closing her eyes and dutifully awaiting Natsuo’s kiss. He leans in, but ultimately can’t do it when he sees a tear welling in Miu’s eye. It just feels wrong…because it is. Kiriya doesn’t force the issue and moves on, but still…this guy has serious boundary issues, and might need a good arresting.

That night, as Natsuo works on more flyers, Hana gives her two cents about Kiriya (he’s “a bit odd”—no shit, Sherlock!—but performs his faculty duties “flawlessly” and so is given a wide berth). As for Rui, watching Natsuo become so invested in something leads to her deciding to join his little club right there on the spot. (BTW I did enjoy Hana playfully feeding both Natsuo and Rui chocolates to cheer them up).

The next day Natsuo and Miu exchange apologies and move beyond the previous day’s strangeness, not by talking but by exchanging notes in the library, thereby upholding the silence rule. Natsuo does, however, manage to make Miu laugh with his artist’s impression of Kiriya (whom Miu assures him never made her do anything like yesterday before, which again, I hope she’s right).

Miu is glad to hear Natsuo has an “acquaintance” interested in joining, and even more delighted when he shows up with two new members: Rui and Momo (who tagged along because…she felt like it?) Far from threatened by the presence of two cute girls flanking Natsuo, Miu transitions seamlessly into a pleasant chat with Natsuo, which has an particular affect on Rui she can’t yet identify.

One Sunday, Rui just needs to get out of the house, and ends up at the cafe, the teenage equivalent of going day-drinking, asks her barista why she’s felt so “off” lately, before proceeding to recite the textbook definition of falling in love. Since Rui’s never done so, she worries there’s something wrong with her, but the owner (a former yakuza who fell for a rival lieutenant at first sight) assures her it’s perfectly normal.

He doesn’t go so far as to tell her she’s feeling what he felt, but encourages her to listen to her heart and follow where it leads. So yup, despite being the person to sleep with Natsuo and then drop him like a hot potato, there’s a lot to indicate Rui has real feelings for him.

That’s probably bad news for Rui, as she was so clear so often that the sex they had was without feeling and only to gain experience, Natsuo may be infatuated with Rui the least of the now four women in his circle.

Before and after sleeping with Rui, he loved Hana, after all, and he’s probably not 100% over her. With Shuu out of the picture, now Hana seems interested in spending time with Natsuo (and only Natsuo) but whether she has any romantic intentions or simply wants a good relationship with her stepbrother, we shall see.

I assume Natsuo sees Momo more as someone he needs to look after (and out for) lest she descend into her worst impulses—which we learn cause her to drop in class rankings, as she’s as voracious a studier when she doesn’t have a man as a slacker when she does.

Finally, there’s the newcomer Miu, who actually looks like the healthiest, best fit for Natsuo (it doesn’t hurt that she’s adorable as all get-out).  They share a passion for reading and writing, have great chemistry right out of the gate, and most importantly, she’s not family! Natsuo certainly has no shortage of choice when it comes to women. It will be interesting to see how he reacts to being pushed and pulled by all their opposing interests.

Domestic na Kanojo – 05 – There Was No Going Out

With Hina breaking up with Shuu and the family back together and humming along nicely at home, Rui is enthusiastically approached by a classmate named Kashiwabara Momo. She asks if Rui will be her friend,  insists on first-name-basis, and gives her one of the dozens of plushie dolls she has tied to her bag, which…Yikes!

When Rui’s lunch group sees the doll, one of them promptly tosses it in the bin, warning Rui not to catch Momo’s “flirt bug.” There are all kinds of rumors about her sleeping with one guy after the other; even multiple guys at a time. Rui calmly gets up and retrieves the doll from the trash; rumors or no, it’s up to her whether she hangs out with Momo.

Rui’s decision is to hang out with Momo (who’s already made a doll in Rui’s likeness) after school and try to get the proper measure of her. By Momo’s admission she’s been with a lot of guys (thirty by her count), but never more than one at a time, and always in proper relationships that almost always seem to end badly (including one case where the guy locked her up) Yikes!

While at the bookstore, Rui and Momo happen to bump into Natsuo, whom he’s introduced to Momo as “something like” a friend of Rui’s. Then we see first hand how Momo goes about pursuing a guy: she expresses interest in the books he likes, accepts his offer to lend her one, and is then fully smitten when he draws her close to protect her from an errant biker. And that’s pretty much it: she’s totally into him, and asks Rui if it’s okay to ask him out.

Momo is being courteous to her friend by giving her the opportunity to decline the pairing, in the instance she likes Natsuo that way (Momo doesn’t know their domestic situation). In the moment, Rui simply tells her there’s no problem, but it leaves her uneasy later, no doubt due to feelings related to Natsuo she can’t quite process.

But she said no problem, so Momo goes ahead with her pursuit … and rather aggressively, I might add, presenting him with her LINE ID and a note asking if he’ll go on a date with her later, then incidentally presenting her side-tie panties in a quick spin move. But something comes up, and even if Natsuo used LINE (he doesn’t), that something is more important: Rui suddenly develops a severe fever.

No one else is home, so it’s up to Natsuo to nurse her, which means wiping down her sweaty body (“Younger sister, sick person” is his mantra) and even administering a suppository. (Yikes!) Without trying, the two achieved a much deeper level of intimacy, and there’s no hiding anything…which is likely why Rui (normally very direct) feels comfortable brings up Momo’s crush on him, and her uneasiness about that.

The next day Momo isn’t mad (she’s relieved his lack of LINE, not the fact he didn’t like her, was the reason) and has prepared an extremely elaborate homemade lunch with him. They don’t get through that much of it when Momo invites him to her place, and before Natsuo knows it, he’s in her bedroom making out.

They’re interrupted by a text from Rui saying the rest of the fam will be home late again and asking what he wants for dinner. It would be sweet and comforting, if it didn’t so amplify Natsuo’s self-consciousness about his present situation.

The plot further thickens when Momo tells him she never has dinner with her parents, who are virtually never home, before asking him to unbutton her top. Natsuo steels his resolve: sleeping and going out with Momo will help him get over Sensei.

Then Natsuo notices the scars on Momo’s wrists, essentially ending Natsuo’s advance despite her saying they’re “not recent.” Those scars are the final piece of the Kashiwabara Momo puzzle. The compulsive doll-making,  lunch-making, sex, and her scars: they all point towards an emotionally vulnerable and above all desperately lonely young woman.

She’s trying the best she can to exist in this world, perhaps the only way she knows how, by offering all of herself to anyone who will acknowledge her existence. But the world has not been kind to her in return. She assumes Natsuo will be the latest guy to freak out about her scars and leave her alone again, but instead he asks for the location of the nearest grocery store.

He whips her up the one dish in which he has reasonable confidence in making, and while it’s hardly haute cuisine, it’s all in the feelings and intent with which he made it. Natsuo didn’t make her dinner something out of it in return, like many if not all the other people Momo’s ever known. He just wanted her to experience what it was like to eat with someone else, something he realizes he’s taken for granted with his new bigger family.

The meal and sentiment bring Momo to joyful tears, as no one has ever made such a gesture to her. But Natsuo insists he won’t go out with her, because he doesn’t want either of them going out with “people we need to depend on.” He sees in Momo a little of the part of himself that feels desperately lonely and incomplete without Sensei, after all.

Casual sex with Momo wasn’t going solve his problem, any more than it ever solved Momo’s problems—it was only going to be a temporary salve. But a lasting friendship? That just might do the trick.

Domestic na Kanojo – 04 – This Is How It Should Be…Right?

Deciding they can’t just hole up at Natsuo’s friend’s house, Natsuo and Rui spend the better part of half this episode stalking Hina, but coming up with absolutely nothing. They even steal her phone while she’s in the bath so Rui can try to imitate her sister’s voice and break up with Shuu. It all fails. But then something fortuitous happens: Hina and Shuu come to them, at the very cafe where Natsuo’s friend works and where Natsuo and Rui are discussing their next steps.

Things accelerate quickly, as Natsuo comes right out and demands Shuu end it. Shuu is non-committal, and when he tells Hina he still needs more time before he can divorce his wife, Rui throws a glass of water in Shuu’s face and runs off. Natsuo catches up to her, to be a shoulder to cry on. This whole process of confronting Hina’s affair has definitely brought Natsuo and Rui closer together. Neither of them are happy with how things turned out, and both are in agreement that they want Shuu out of the picture.

Ultimately, however, it’s up to Hina to make the choice. Shuu seems fine with the status quo being maintained indefinitely, where he’s with both women and doesn’t have to take responsibility one way or the other. The next morning, Rui’s eyes are puffy from crying all night, and doesn’t speak to Hina when she suggests they go shopping together for a birthday gift for their mom.

Natsuo, meanwhile, is off to visit his mother’s grave. We get a flashback to ten years ago: Natsuo was in first grade, and a crybaby. Worried about, well, worrying his mom once she passes away, he resolves not to cry, even at the funeral where it’s expected. He wishes she were still alive, and wonders how life would be if that were so.

Then he’s surprised to find Hina and Rui join him at the grave. They’ve come to formally introduce themselves to his mom and give offerings. Hina also informs Natsuo that she’s broken up with Shuu. Natsuo is delighted, and Rui is beaming. Hina even says she’s been thinking about doing it anyway due to Shuu’s half-year-long reluctance to leave his wife.

What stopped her from leaving him was her genuine love for him…but ultimately family came first. She couldn’t go on with Shuu knowing it made them so unhappy. The show seems to be taking Natsuo and Rui’s side in this instance, but will things really be that simple as Hina pulling the plug? And what of Shuu’s observation that Hina doesn’t seem to treat Natsuo like a kid? I forsee more potholes on the road of familial bliss. This is a drama, after all—not…some kind of…“constantly happy times-having” show…