The Misfit of Demon King Academy – 04 – Live Like There’s a Tomorrow

Anos deduces that Misha and Sasha are actually the same person, since Sasha was able to break a Zacht unilaterally. Ivis Necron utilized “Division Fusion Resurrection Magic” Dino Jixes two create a more powerful race when the two beings fused into one on their fifteenth birthday. But Anos isn’t going to let that happen.

He’s going to make sure Misha lives on. He just needs her to believe there’ll be a tomorrow for her…because he said so. When they catch up to Sasha, she’s still pretending like she hates Misha, when in reality, she sets up two massive magical circles, one of which will be used to transform Misha into the original, instead of Sasha.

Sasha had been trying for years to get Misha to hate her so she’d reject her and welcome the transformation, but Misha never could. Anos proposes he send the two of them back in time fifteen years, which would cause two “new” sources to appear for a total of four, which would fuse into two separate beings: the two sisters.

That’s when Ivis shows up and stabs Anos through the heart in order to prevent him from disrupting his plan to create a vessel for the founding ancestor via Dino Jixes. Of course, Anos is the founding ancestor, so not only does Ivis’ attempt on his life fail, but he’s able to toss Ivis across the room with little effort.

Anos begins the Rivide spell that sends the sisters back in time, but his actions attract the attention of Eugo La Raviaz, the Guardian God of Time, who doesn’t take kindly to people messing with his domain. He lends his godly powers to Ivis, who stops time both the sisters and Anos’ initial attacks.

Even with Eugo’s power, Ivis again fails to do away with Anos, who stubbornly remains alive…because he’s the Demon King. He restarts time for the sisters, and urges them to declare their belief in him as the Demon King, which they do wholeheartedly.

Since this is all taking place within Anos’ castle, he’s able to summon the Magic Sword of Destruction Venuzdnor, which he not only uses to shatter Ivis’ time prison, but to purge Ivis of Eugo’s godly power. Anos is also able to remove the influence of the impostor and restore some of Ivis’ memories. He tasks him with investigating that impostor while letting him believe he’s still under his control.

With the sisters now secure as two separate entities and any threat of Ivis eliminated, Anos leads Misha and Sasha to the castle entrance to collect their perfect score, something that for all his power he’s never actually attained.

It’s all part in parcel of becoming weary of war and being glad to be resurrected in a world of peace, even there are only two people willing to acknowledge him. He gives Misha the magic ice ring for her birthday, while Sasha gets to keep her magic coat. All’s well that ends well, but damn did this episode throw a lot of jargon out there—Demons, gods, spells, weapons, and concepts, oh my! 

My head was spinning for a while, until I decided to let much of it flow over my head and simply enjoy the brass tacks, once the elaborate details are stripped away: Reality isn’t what others tell Anos it can or can’t be—it is what he makes of it, simply by being the most powerful individual in the world. In this case, that meant eliminating the need to sacrifice one sister to save the other.

The Misfit of Demon King Academy – 03 – My Castle, My Rules

Misha may be clear that she likes Anos because he’s kind, but Sasha is more hesitant to come right out and say it. All she knows is, he’s the first person she’s met with eyes like hers, and the only person other than Anos to look straight into her eyes was Misha, who’d take her hand and smile when Sasha was in the darkest of places.

Just all ’round great sistering, which results in all kinds of warm and fuzzy sibling feels that endure and last right up to the point they’re cut short without warning, like a rude record scratch.

When Ivis Necron, one of the vaunted Seven Elder Demon Emperors created by the “Founding Ancestor” visits class to give a lecture on great magic, Anos greets him like an old friend, making his teacher go apeshit. Ivis is more forgiving, especially after Anos uses magic to extract his lost memories from 2,000 years ago.

Anos isn’t sure what Ivis’ deal is (and vice versa), but Anos is intrigued by the name “Avos Dilhevia”, whom Ivis says is the Demon King of Tyranny who created him. An impostor who tampered with the Emperors’ memories, or the result of a two-millennia-old game of Telephone?

When their class participates in a dungeon treasure hunt at Demon Palace Delsgade, Anos takes his sweet old time, since he’s confident only he can reach the lowest level of the palace where they’ll be able to retrieve a scepter that will give them a perfect score. Why is he so confident? Well, first of all he’s the Demon King Reincarnate, but also Delsgade happens to be his old crib.

He knows where all the treasure is, and also the location of all the “secret passageways.” I put that in quotes because when he reaches a solid stone wall, he simply casually walks through it and it crumbles around it. It’s the only major gag in the whole episode, but I was rolling since it was so damn unexpected.

On the way to the scepter altar, Anos learns from Misha that it’s almost Sasha’s birthday, and she wants to give her a gift. Distracting Sasha with the scepter, he leads Misha to a room packed with magical treasures. Sasha finds the perfect gift: the Phoenix Robe.

When Anos asks her if she’d want anything—it’s her birthday too, since she and Sasha are twins—she smiles and says she doesn’t want anything. She repeats that when she presents Sasha with a gift and her first response is to lament she didn’t get anything for her. Seeing Sasha happy makes Misha happier than she’s ever been.

When Anos goes into the next room so Sasha can try the robe on (which is odd, as she doesn’t actually remove any clothing), he returns to find Sasha has stabbed Misha and is preparing to flee with the scepter. She revokes their Zacht (something Anos didn’t think possible) and tosses a barrage of insults at the “magic doll” and her skin-crawling sentiments.

Sasha puts up an okay performance, but it’s clear she’s not as mustache-twirlingly heartless and evil as she’s presenting herself. For one thing, Anos considers her method of killing Misha to be well below “entry level.” Two, Sasha’s Demonic Eyes of Destruction are an open book, showing Anos exactly when she’s sincere and when she’s putting on an act.

Sasha is about to flee when Anos grabs her hand, deactivates her Rent spell, and reveals that he’d healed Misha the moment he saw her stabbed; the wounded Misha Sasha saw was only an illusion. Considering Sasha wasn’t sincere about the things she said about Misha, he wants to know her true feelings.

Only Misha comes to and tells him to let her sister go. Sasha flees with the scepter and likely the top score for the dungeon, but it’s unlikely that’s what she was after. Misha is finally ready to tell her first and only friend Anos the truth: at midnight on her fifteenth birthday, she’ll disappear. More than that, she never really existed in the first place.

Was Misha created in that dark place so Sasha could learn to live with her Demonic Eyes? Now that she’s coming of age, does that mean Misha’s work is done? Has Sasha been hostile to Misha in order to deny she has feelings for someone she’s destined to lose? The possibilities are many. This certainly wasn’t the funniest episode of DKA, but it was the meatiest, from a plot and character perspective.

Fruits Basket – 08 – All is Quiet on New Year’s Day

Everyone has somewhere to be for the New Year’s holiday…everyone but Tooru, whose parents are dead and whose remaining family is off to Hawaii. Yet no matter how hard Uo and Hana try to invite them to their places, she insists she’ll be fine, and that they should spend the time with their families.

After reveling in winter cleaning with the Soumas, Tooru learns the three are headed to the main house for the big banquet and other festivities. Tooru, not being a Souma, is not invited, but she’s content to hold the fort at Shigure’s house, even though it will mean ringing in the new year all alone.

Despite her insistence she’ll be fine, Yuki and Kyou are uneasy the whole time they’re en route to the main house. They know her well enough (it’s been four months) to know she can be a bit of a space cadet, and is prone to accidents. What if she gets hurt and no one is there to help her?

Shigure finds the two young lads’ worrying about her like their baby chick to be most entertaining, and so stirs the pot by saying there’s a burglar in their neighborhood who has yet to be caught. The final straw is when they run into Saki, who very simply and concisely asks them to consider how she’s feeling all alone at their house for New Years; to put themselves in her shoes, knowing both what she’s been through.

Yuki and Kyou bump heads rushing back home to her, cursing themselves for not realizing they accepted Tooru’s polite insistence far too easily. Saying you’re fine being alone and being fine alone are not the same thing, even with Tooru. Their suspicions are confirmed when they arrive to find her holding her mother’s portrait and crying while listening to Enka music on the telly.

Wondering what the heck happened, an exhausted Yuki and Kyou collapse to the floor and say, simply, “I’m home”…and Tooru tears right back up, only they’re tears of joy. Despite always smiling on the outside, Tooru is not always happy and cheerful on the inside; the lads were right not to leave her alone on the holiday; she’s happiest when she’s with people she cares about.

Shigure meets with Hatori, Hatsuhare, and Momiji, informing them Yuki and Kyou have skipped. Hatsuhare can understand, as he himself contemplates running from things he’d rather not engage in. But Shigure tells him this wasn’t about running away from Akito (in Yuki’s case) or Kagura (in Kyou’s); not this time.

Instead, it was about running to someone, someone both in greater need and more deserving of their presence. That’s hammered home when Shigure checks in on a morose Akito. Shigure is actually glad to see the family head reaping what he sowed. Shigure is the one harboring Yuki and Kyou during their self-exile, after all; it makes sense he’d be on their side with this…situation.

Meanwhile, by spending New Years with Tooru, keeping her company, sharing mochi (and chewing carefully!), and finally climbing up the roof together to watch the gorgeous first sun rise out of the horizon, the guilt Yuki and Kyou initially felt about abandoning their formal family obligations eventually melts away.

No, Yuki and Kyou needed Tooru every bit as much as Tooru needed them. Far from being a night they’ll regret, it turns out to be a night—and morning—the three of them won’t soon forget. They get to see Tooru smile without a hint of weariness hidden behind it as she looks forward to another year with two of the four people (along with Uo and Saki) most important in her life; her real family.

Noragami Aragoto – 10

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Answers to our questions last week come quickly. Will that kiss really work? No, it didn’t; Hiyori doesn’t seem to have any interest in Fujisaki. Will Hiyori become even more troubled by her inability to remember? Yes, most definitely. She rubs at her lips until they’re red, and she walks around with a cloud over her head. Will someone be able to jog her memory before it’s too late? Thankfully, yes, albeit accidentally.

When Yukine first approaches her, she can’t see him, which is bad, but his voice and his smell bring all the memories of him and Yato rushing back. Simply beside herself with relief, Hiyori embraces Yukine tight enough and long enough to make his nose bleed. Who can blame her? She never wants to come close to losing him or Yato again.

She was in a kind of hell, one she’d experienced before, but was so sure—arrogantly so, she believes in hindsight—she’d never experience it again. Now she knows: she’s not immune to forgetting; she must be vigilant in remembering. But first thing’s first: Find Yato.

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Down in the underworld, Izanami has caught up with the fleeing Yato and Ebisu, and sends legions of naked blue beldams to drag the men back to her so she can play with them for all eternity. Hiiro acts independently by shoving one of Ebisu’s regalia into the beldams to distract them and save her master and Ebisu, who are all she cares about.

But when Yato learns Ebisu retrieved the ablution brush not for his own selfish reasons, but for the sake of protecting humanity by controlling phantoms, it changes Yato’s entire perspective of his charge—and mine as well.

With Bishamon and Kofuku also still away, Yukine joins forces with their exemplars Kazuma and Daikoku to seek out Yato. They ask Tsuyu—who isn’t a regalia but the spirit of a plum tree who serves Tenjin—to speak to the trees, and she finds one that saw two men matching the description of Yato and Ebisu entering the underworld. Hiyori hears this too; now she knows where to go.

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Meanwhile, in Takamagahara, the six other gods of fortune along with Bishamon are being held captive by High Sentinal Oshi, who tells them that by “interrogating” several of Ebisu’s regalia (many of whom turned out to be Noras), they’ve determined he’s the conjurer they’re looking for, and will seek to execute him for his crimes.

That doesn’t play so well for Okuninushi, who shows the adamant, haughty Oshi one of his more terrifying forms. But before any god or sentinal blood is shed, Kazuma arrives with Kuraha, restrains Oshi, and frees Bishamon, who make a beeline to the underworld to retrieve Yato and Ebisu.

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Even though Yato is still missing, Hiyori is clearly in far higher spirits now that she’s remembered him and Yukine. Yukine remains weary, mostly because he doesn’t want Hiyori to get involved in anything hazardous. Her scrape with the whole Bishamon business was a close enough shave for him. But Hiyori tells him she needs to find Yato and hear his story face-to-face, so Yukine agrees to let her accompany him.

It doesn’t really matter who shows up to the underworld first, as long as someone gets there fast; Izanami and her harem is proving too much for Yato and Ebisu, and all the exits are sealed with powerful-looking magic. Ebisu remembers his childhood—a childhood he’s had often because he dies and reincarnates so much. He’s a popular, well-known god with many shrines and books and oral histories about him. So if someone has to stay down there with Izanami and die, it should be him.

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Yato disputes that logic, much to the chagrin of Hiiro. Now that he can see Ebisu’s formidable will, which causes him to press forward in his purpose no matter how many times he dies, and he wants to be a god worthy of that kind of respect; worthy of Hiyori. This is how great and immortal gods are forged, he believes; not by simply going with the flow and doing whatever his father and Hiiro tell him to do.

This time he makes his stand, and convinces Ebisu to use the brush to punch a vent into the very fabric of the underworld with phantoms. Suddenly, something that was a big no-no in past episodes is crucial to their survival; the ramifications can be dealt with later.

Even though Yato gets snagged by Izanuma and pulled back down into the abyss, with a huge host of gods, regalia, and Hiyori about to descend on the underworld in quick succession, his number is far from up…especially if Ebisu, who escaped, tells the others of Yato’s selflessness.

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Ore Monogatari!! – 24 (Fin)

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All good things must come to an end, whether it’s the most charming and engaging romance in recent memory, or a lovely but ultimately dead-end relationship between two incompatible people. Yes, that’s right, kids, this also marks the end of Rinko+Takeo, as Ichinose swoops in, sweeps Rinko off her feet, places her on a bed of maringue, and drizzles caramel sauce on her.

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…PSYCH! They remain a couple to the end. Ichinose is unsuccessful in stealing her away, despite his firm believe that A.) Rinko is his muse, and B.) he’s a better fit for her. Takeo, as usual, is a worrywort who finds it necessary to prepare for a life without Rinko should Ichinose succeed, as dense to the depths of Rinko’s love as Rinko is of Ichinose’s feeling.

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Even though we knew there was no way in hell this couple would break up in the last episode, it still managed to maintain a respectable tension, as we basically absorbed Takeo’s anxiety. But despite his worrying, he puts up a brave front, and doesn’t despise Ichinose. In fact, for all their differences, he can relate to him simply because he too likes Rinko. Suna, meanwhile, is just glad to see these new sides of Takeo; it means he’s growing as a man.

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Takeo also suspects, quite correctly, Rinko has no clue about Ichinose’s feelings, but is simply helping him out because she’s a good person, because he asked, and because she loves cakes. When Ichinose forgets his tools (no doubt distracted by Rinko), Takeo has no problem answering the call and bringing them with his superhuman speed. And as he watches Ichinose work, Takeo is rooting for him to win. He can win the pastry competition; Takeo is simply hoping he’ll lose the competition for Rinko’s heart.

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Ichinose himself can’t help but regard Takeo as a good man too, even if he feels he’s the better match for Rinko. It’s a great dynamic, with no one overtly evil or villainous or ridiculous. Even Ichinose’s extreme bluntness in his intentions as expressed to Takeo and Suna make sense, considering Ichi is a far better pastry person than people person.

He wins the Gold with a pastry containing all of the same qualities as Rinko, even naming it after her before confessing his love and asking her out—in front of Takeo and Suna, no less!

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Rinko is shocked and taken completely by surprise, but it doesn’t take long for her to formulate her response: She’s fine helping him out at the pastry shop, but she’s no muse, and her heart belongs to Takeo, as it has always belonged since she first laid eyes on the big lug. All of Takeo’s anxiety washes away in the warmth of that pronouncement, and shortly afterwards, Takeo gives her a big ol’ hug and does something he’s been working hard to do since they became a couple: call her Rinko.

Appropriately, it’s as big a deal for her to hear him say her first name as it is for him to say it, so when Takeo promises he’ll learn to use it more casually, I was also thinking Rinko would, at the same time, learn to hear it without her heart melting into goo.

An there you have it, peeps: My Love Story!! (Well, not mine…theirs). It has been quite a fun ride, and I’m not exaggerating when I say I’ll dearly miss this day-brightening, mold-breaking show, which is the first this Summer to have the good sense and manners to thank the audience for watching at the very end! Trust me, show: the pleasure was all ours.

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Ore Monogatari!! – 23

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Quite unexpectedly, we enter the penultimate episode of this lovely series with the most profound and troubling dilemma yet to face the lovely couple of Takeo and Yamato. The former has encouraged the latter to work part-time at her favorite patisserie, Les Cerises. In the process, he may have just handed his girlfriend over to a superior potential mate. At least, that’s the feeling he gets once he learns that the young, up-and-coming patissier, Ichinose, is on first-name basis with “Rinko.”

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At first, Takeo is intent on being happy and supportive of Yamato as she pursues her passion; a craft she’s very good at but until now hasn’t gotten professional exposure to. It’s also a craft Takeo doesn’t share with her, and it isn’t even something he can talk with her that much about. Ichinose can, and he’s able to dazzle Yamato in ways Takeo can not: with his pastry expertise.

That lack of a shared passion (ignoring their passion for each other) combined with the ease with which Ichinose calls Yamato Rinko (and the difficulty Takeo has even thinking about doing the same) combine to create a profound inferiority in Takeo, as he watches things unfold from afar without fully understanding the full context…nor the fact that Yamato may not actually like Ichinose that way, despite her respect and admiration for his mad skillz.

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While Takeo considers that Yamato could well be falling for Ichinose, Suna all but confirms Ichinose is falling for Yamato, judging from his careful analysis of Ichinose’s stare.

As abruptly as Ichinose enters the Ore Monogatari!! world, he’s still given a fair hearing and development all his own. He’s a talented fellow, but up to this point been a bit of a lone wolf lacking a certain…something that deprived his work of warmth and love. The more time he spends with Yamato, the more he comes to think of her as his muse.

So when Takeo comes by the shop and Ichinose learns he’s Yamato’s boyfriend, I can understand, considering his inexperience in dealing with such matters, why Ichinose is so curt and abrupt in running up to Takeo and demanding he break up with Yamato immediately, as he sees himself as the better fit. And Takeo understands too.

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Takeo put Yamato in the position to meet someone who might be better for her, and he can’t dismiss that possibility out of hand. It’s pretty devastating how effectively and succinctly Ichinose wraps up Takeo and Yamato’s unlikely relationship, even if he’s oversimplifying and underestimating the depth of Yamato’s love for Takeo.

It’s not a coincidence that right after Takeo concedes that “there may be others who are better” for Yamato out there, that we cut to someone who’s been tossed around by the show as someone who may be better for him in Suna’s big sister Ai, who may even understand him more than Suna. Takeo’s greatest strength, throughout his life and the show, has been putting others before himself, to make those others happy.

This week we see why that’s a weakness, as he puts himself and Yamato in a pretty good position to destory everything they’ve built these last twenty-odd episodes. But again, that’s only if we take Takeo’s inferiority and Ichinose’s desires as the law of the land. While things are in a precarious position, we have yet to hear how Yamato—no, Rinko—feels about things. And I wouldn’t be surprised she has no intention of switching boyfriends.

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Ore Monogatari!! – 22

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YAY! It’s Suna and Yukika’s time to shine! It’s their turn for falling into love and floating around on a cloud like Takeo and Yamato! It’s time for Yukika to create a new PURAIMUTAIMU to replace the one from Kindergarten! They go to the zoo with the show’s lead couple, and both seem to enjoy themselves. We’re headed towards a foregone conclusion, right?!

Well…not so fast, there.

Yes, they do have a good time at the zoo; initially Yukika talk to Suna or even be too close to him without becoming paralyzed, but when the other couple encourages her to make some memories, she pipes up, gets them into an animal trivia competition, and singlehandedly wins it, but only because they were counted as a couple when Suna takes her hand. It all looks very fun and pleasant and awkward in all the ways first dates can be.

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But the problem isn’t whether they had fun; it’s a matter of magnitude. Suna had a nice enough time; he didn’t not enjoy himself. But from Yukika’s perspective, it was categorically THE HAPPIEST DAY OF HER LIFE. It’s the same with how they feel about each other: Suna doesn’t dislike Yukika, but Suna is the love of Yukika’s life and has been for most of her conscious life.

She’s placed him on so high a pedestal that his comparative wishy-washiness actually ends up hurting her. Last week I entertained the possibility Suna actually liked Yukika, but she didn’t let him finish his sentence, but in the absense of further evidence, we have to conclude he doesn’t like her enough. As much as we may want it to work out, and for Suna to finally start dating a nice girl, it’s just not going to work.

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Soon Yukika becomes unable to continue working towards something she can’t imagine ever working out, due to that magnitude problem, and resolves to cut herself off from not only Suna, but Takeo and Yamato, cold turkey. This is an obvious overreaction,but an understandable one considering where she’s coming from socially (there’s a reason she’s so good at zoo trivia; she spends much of her time reading). What I like is that Takeo and Yamato don’t try to force the issue or over-meddle, they just give Yukika the opportunity to reassess her next move.

In the end, she too thinks severing all ties with the three others would be too sad, and Suna meets with her to give her a gift for her ten years of chocolates, and they reach a kind of closure, agreeing to remain friends. I appreciate the show didn’t try to hard to force Suna into what in hindsight was a pretty long-shot relationship. Suna is, despite his forelorn appearance and lack of girlfriend, actually a pretty content fellow, and it would take a much more powerful romantic spark than the one Yukika was capable of mustering to convince him to leave that place of contentment and try something new.

And so it is with a sense of logical resignation we consign Yukika to Ore Monogatari!!’s roster of “Losers”, joining Saijou and Ai and underlining that sometimes even when conditions are right things don’t always work out as perfectly as they did for our lead couple.

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Ore Monogatari!! – 21

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For White Day, Takeo gives Yamato cookies he baked. You heard that right: gives her cookies he baked. And while he’s his own toughest critic on said cookies, the fact that they even exist bowls Yamato over; she declares them too precious to eat—and meaning it—but still takes a bite and is delighted with them. Finally, Takeo gets to experience what she’s been able to since they met: watch someone he loves enjoying something he made.

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The Valentines/White Day proceedings were an effective and logical segue to the next arc, “Find Love For Suna.” Turns out there was no one to find; someone was watching him and circling him from afar all along, becoming a little bolder every year, especially after Valentines, and possibly borne out of the knowledge she’s running out of school years to follow Suna. This girl, Amami Yukika comes close enough that she enters Takeo’s keen “follower radar”, misjudging her as someone with malevolent intentions, then rescuing her letter from the river.

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If any show can make a stalker girl sympathetic, it’s Ore Monogatari!!, as well as the talented voice of Kayano Ai, who gives Amami the right blend of delicate femininity and forthright determination. Judging from Suna’s photo album, Amami has literally been in the background of Suna and Takeo’s lives since kindergarten when she fell for him when him after he saved her from a thrown dodgeball. The trouble is, she hasn’t made any moves to get him to acknowledge her (all her Valentines letters were anonymous), so she hasn’t been acknowledged.

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“Takeo Cupid” wants to help in any way he can, but he also realizes it’s Amami who will have to do the heavy lifting like, you know, talking to Suna. All she really needs is a push…or rather, several pushes, as she’s so overwhelmed by suddenly being in the foreground with Suna (rather than watching him from afar) it’s hard to breathe, let alone talk. Still, when he not only refers to her by name but the fact he’s known of her existence since kindergarten, she confesses her love to him right there in the street, with Takeo looking on. Then she runs.

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This is where a second nudge by Takeo is needed. He brings her back to Suna (who almost seemed to be waiting for them), where she tells him she wants him to watch her and learn more about her before he gives her his response. I thought this was overly cautious on her part, since it wasn’t completely outside the realm of possibility he’d say “sure, let’s go out.” Suna isn’t opposed to going out with girls, just girls who talk shit about Takeo.

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They exchange cell numbers, and an initial bond is formed, to my relief. But Amami needs a couple more nudges, as she finds it hard to break out of her usual routine of stalking-kinda-not-stalking. Takeo sends Suna off to walk her home, but she still can’t talk, so Takeo then brings in Yamato for a female perspective on the thing. She shares her experience having difficulty making moves toward a relationship, but as we’ve seen the benefits of making those moves have been more than worth the stress involved.

Ultimately, they determine the best way forward is for Amami, Suna, Takeo and Yamato to do a double date, in this case to the zoo, which Suna promptly agrees to. Takeo tells him he doesn’t have to, but Suna knows that, and wouldn’t say he’s going if he didn’t want to. That doesn’t mean he’s going to say straight-up “Yes, I want to go on a double date with Amami to see if it will work out because she seems like a genuinely good person and possibly a good match as well.”

Even if asked directly, he won’t answer that directly, but the seeming lack of enthusiasm can’t be taken as an actual lack of it. I imagine he’s just as interested to see where this goes as Takeo, Yamato…and me. Lord knows Suna has demonstrated throughout the show that he deserves a good woman, and not just because he’s good-looking.

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Ore Monogatari!! – 20

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In a show full of romantic firsts, it’s pretty amazing OreMono!! has kept the Valentine’s Day/Chocolate episode in its back pocket…where one would assume it would melt! But here it finally is, with only four more episodes to go, and I think holding out was a good move, what with Takeo and Rinko so well-established as a loving couple.

I like how once more Takeo’s secondary friends come to him looking for help by having a group Valentines Day with Yamato’s friends. Suna, ever the stalwart best mate, deflects them, saying they had their fun for Christmas (and one of them, Osamu, even ended up dating one of the girls).

Even better, while Takeo appreciates Suna standing up for his right to be alone with Yamato, the truth is he doesn’t mind making it a group thing at all, nor does Yamato, for they are always looking for ways to spread the love they already have in droves for each other. Suna calls him a “do-gooder”, but c’mon now…so is he.

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Yamato is also eager to spread her wide knowledge of baking chocolate-making with her girlfriends (including Nanako, who wants to make something for Osamu) while working on a secret side-project specially for Takeo. It’s great to see both the boys looking so forward to getting chocolate while the girls look forward to giving it.

Valentine’s Day arrives, and we’re reminded how popular Suna is with the ladies when a small avalanche of chocolate pours out of his locker. Takeo asks a question on my mind as well—what does he do with it all—and he simply says he accepts it, gives reciprocating gifts on White Day to those who gave him their names…and that’s it. As much as Takeo may want his buddy to find love, no one has “clicked” for Suna the way Rinko clicked with him. That many of the girls who pursued Suna talked ill of Takeo behind his back surely contributed to that lack of clicking.

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The after-school Valentine’s Day group date goes swimmingly, with the guys convincing the girls to distribute the chocolates they made as if they were giving them to guys they liked. Each successive group event has had the girls gravitating less towards Suna alone and more evenly to the other guys. In a perfect world, each girl would click with each boy like Rinko x Takeo and Nanako x Osamu, but for now they’re content to exchange contact info and hang out sometime even without Takeo or Rinko around. Progress!

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But Takeo is confused—stunned, really—when Rinko suddenly says she’s in a hurry and scurries off. He’s so shocked he can’t quite walk in a straight line and mistakes a vending machine for his front door, because he expected to get chocolate from the girl he liked, for the first time…and didn’t.

Now, I was pretty sure, with so much time left, Rinko was “busy” getting Takeo’s chocolate. Then Takeo remembers two things: she actually did give him cookies at the cafe, and he simply neglected to savor them; and she spoke with great longing for fancy expensive chocolates.

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Takeo then decides to make up for the fact he didn’t properly enjoy Yamato’s chocolate buy buying her the chocolate she said she wanted, a nice subversion of the whole “Girls give on Valentines/Guys give on White Day” system.

But on his way out—and thank GOD Rinko was a safe distance from the outward-swinging door, or she would have been launched off the balcony—she’s standing out there with the biggest, prettiest chocolate dessert she’s ever made for Takeo.

And while they don’t end up locking lips, Takeo does send one hell of an air kiss off his balcony to Rinko, who catches it with giddy elation.

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So all in all, it’s a great Valentine’s for Takeo. The next day, he gets one more surprise (as do we!) when a very pleased-looking Mariya presents both him and Suna with obligation chocolate, a day after Valentines out of respect for Rinko. After she takes her leave Suna says she’s a good person, and that people who fall for Takeo—his sister, Rinko, Mariya—tend to be good people.

That gets Takeo thinking that a good person is what Suna needs, not just some fangirl who thinks it’s cool to talk shit about his friend. And as they shuffle off to class, someone who is potentially another one of those good people watches them go from around the corner…a silver-haired girl who must’ve given Suna chocolates. Could love finally be on the horizon for our boy Suna? I’d be down for that!

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