Ore Monogatari!! – 13

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At the start of this episode, Takeo and Yamato prove not only that they’re an exceedingly awesome and adorable couple, but also a great team when it comes to doing nice things for people they care about. They’re also pretty proud themselves about how nicely their plan to surprise Suna goes, and are totally in sync, matching their gestures and expressions perfectly.

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Of course, Suna’s no fool, so he suspects something’s going on, but assumes that it’s just another case of his nice friends doing nice—and to his mind, unnecessary—things for him. But when the cake comes out and they remind him it’s his birthday, he suddenly gets it. Taken aback, he’s not sure how to react, until Takeo tells him simply to be happy, which Suna can get behind.

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From there, both Yamato and Suna get to witness Takeo at his job at the bro cafe (a job the owner wouldn’t let him walk away from, popular as he is). And here, we get the first sign of trouble this show has presented in some time, in the form of another guy looking for Takeo (but mistaking Suna for him).

Turns out this fellow, Oda Hayato, is a classmate of Ai’s at college, and wanted to meet the man she still clearly has feelings for, because he has feelings for Ai, and her unrequited love for Takeo is getting in the way. Still, she has no patience for him, and offers to take him to the station to be rid of him.

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When Takeo, flush with cash from his job, asks Yamato out to “MM Land” (Not Disneyland, lawyers!), Yamato gives a three-layer response of initial excitement, followed by the apparent memory of something, followed by a deflation of interest and a rejection.

It’s a complex response, one Takeo doesn’t have a hope of parsing. Thankfully, Ai is home for the long weekend right next door. Takeo meant to consult with Suna, but Ai proves even more helpful, as she says she’ll get to the bottom of it when the four go out for coffee tomorrow.

(I especially enjoyed Takeo’s inner embarrassment at storming into his best mate’s room, forgetting Ai was there, then reminiscing about how he’s done it often throughout the years, but she never seemed to mind at all.)

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The next day, Ai comes right out and asks Yamato about MM Land, and without wondering how Ai got the information, Yamato stands her ground. It takes the sudden surprise return of Hayato to wrench out the detail’s of Yamato’s hesitance to go: she’s worried about an apparent jinx that couples who go there will break up. (Hon, it’s not IKEA!)

So Hayato proposes all five of them go to MM Land tomorrow; since it isn’t a date, the jinx won’t apply. Yamato really wants to go, and go with Takeo, and vice versa, so they’re fine with it, while Suna goes along with whatever. The only one not 100% okay with this little plan is Ai.

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Later that night we find that Hayato is so serious about wanting Ai to come around to him, he came to her hometown without any plans about where to stay. Because Takeo is a great guy, and his family is totally chill and also great, he can stay at Takeo’s without any problem; an offer he takes with gratitude.

As they go to bed (way too early for his taste, but he’s a guest), Hayato talks with Takeo more about, who else, Ai, and what he says offers insight that’s in conflict with her standoffishness we see from her. She seemed genuinely concerned for him when he got in trouble, and helped him with a problem, likely saving his skin.

Like Suna, Hayato doesn’t have any trouble attracting ladies; it’s a matter of attracting the lady he likes. Right now, there’s an old flame in his way, keeping her from falling into his arms, and he wants to clear it. I don’t blame him.

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The next morning, Ai is shocked and pretty pissed off that Hayato took advantage of Takeo’s hospitality and ended up spending the night right next door to her, but in the hallway, after she threatens him with another fork (just like at the cafe!), Hayato informs her of the plan within the plan: at some point at MM Land, he’s going to separate Yamato and Takeo, giving Ai the opening she needs to tell Takeo her feelings.

Sure, it seems like this guy is barging in on Ai’s life and forcing her to do something she hasn’t done to this point, but when I consider that she’s the one who brought Takeo up in the first place (under hypnosis, mind you!) and the way he remains on her mind, tells me she may not necessarily decry an outside effort to break her out of her unrequited love cycle. The problem is she’s never told Takeo how she feels, and she should, so she can get real closure—because the closure she’s settled for isn’t cutting it.

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Of course, the way Hayato puts it—”separating” the inseparable couple—carries its own foreboding, especially when next week’s episode is called “My Jinx.” Will MM Land not care that Yamato and Takeo are with others and events conspire to threaten their bubbly relationship after all? How will Takeo take Ai’s confession (assuming she confesses)? Lots to ponder going into Ore’s second half.

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Ore Monogatari!! – 12

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It’s the halfway point of Ore Monogatari!!, so did the show do what anime of every genre typically do around this time and throw a new wrench into the works; a new conflict for Takeo and Yamato to overcome? Well, yes and no. But first, it was a pleasure to see Takeo’s athletic prowess on display in areas besides Judo.

He’s a literal wall of flesh at goalkeeper (and scores a goal on the other end by throwing it baseball-style), and surprisingly graceful on the ice rink; like a penguin underwater. The point is, Takeo is physically gifted; extremely gifted, and combined with his kind heart, makes him socially gifted; he’s always surrounded by friends.

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Yamato is just as popular with her peers, though not because she can perform awesome feats of strength. In addition to her kindness and general affability, Yamato is also pretty good at academics. In fact, it’s one thing she’s much better at than the hulking Takeo. So the “conflict”, if you even want to call it that, is borne out of the fact that eventually these two will go to college.

They both want to attend the same one, but Takeo doesn’t want to make Yamato enroll at a substandard one, so he has to study; exercising a muscle he rarely needs to simply because the rest of his body is so extraordinary.

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He initially enlists the help of Suna, but Yamato also starts stopping by Takeo’s place. When Takeo tells his mother Yamato is indeed his girlfriend, Mom and Dad gradually start to spruce the place up, even though Yamato would be the first one to tell them not to go through too much trouble for her.

What I like so much about Takeo’s parents is that A.), they’re both alive, which seems like a minority in anime; B.) they’re still happily married, with a baby on the way; and C.) they genuinely love their son and are both grateful for and protective of him. In addition, as Yamato remarks, Takeo really is a composite of his parents, with nearly equal parts of both of them in his physique and personality. Dad is tan and handsome and flashy; Mom is nurturing yet no-nonsense. Both are badass. Takeo is all of the above.

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The parents are so excited about Yamato that neither she nor Takeo can actually study, so they go to Suna’s When Takeo suddenly passes out from too much studying, it isn’t treated like any kind of serious emergency, but rather another opportunity for Yamato to snuggle with him. This time, to her horror, Suna walks in on her, but true to form he assuages her guilt, assuring her didn’t see anything and slinks out, basically saying “as you were.”

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This halfway point also didn’t provide any indications Sunakawa has any ulterior motives about being friends with Takeo, but is really just a caring, loving friend; a brother from another mother. This, again, goes against the usual anime romance archetypes, for which I’m glad. While the show was a smidge more ambiguous earlier on, it is now officially patently ridiculous to think Suna will one day try to steal Yamato from Takeo.

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Not only does he not seem to mind that this is the case, despite liking Yamato (in a non-romantic way, as a good match for his bro), but he doesn’t mope about it either. Suna’s not the most social or open guy despite his popularity, but that seems like a conscious choice rather than any kind of impasse or struggle he has to overcome. The show respects how he lives his life. Suna also derives quite a lot of fun and laughs from being friends with Takeo, as we see again when he plays charades during English study.

So the day of a benchmark (read: practice) exam for the three colleges Takeo and Yamato are trying to get into arrives. Both are bundles of nerves, but Yamato gives him moral support before they get started.

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Looking at the various subjects he studied as various enemies to vanquish, Takeo goes into the exam like a warrior entering a gauntlet. But like Yamato did in a previous test, his multiple choice answers are shifted, a mistake he feverishly tries to correct, resulting in a blizzard of eraser filings and a pool of Takeo sweat.

He gets a “D” in two of the three colleges he aimed for, and an “X” in the difficult-to-get-in one Yamato was trying for, but not only did she not get in either, in a nice bit of villainy from Suna, it’s a women’s only college anyway, so he was never going to get in no matter what!

Also, the “D”s aren’t even that big a deal, because it’s just a dry run. He’ll keep studying, Suna and Yamato will keep helping him, and I have every confidence he’ll get to go to college with Yamato, and maybe Suna too.

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Ore Monogatari!! – 11

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I used to dread beach episodes, but that was before I started watching great anime. I knew there was nothing to fear from an OM!! beach episode; on the contrary, I knew it would be a perfect opportunity for both Rinko and Takeo to take another step in their relationship: seeing each other half-naked.

One thing that’s so great about this show is that the straight-laced looking Rinko is the wild one, while the wild-looking Takeo is the straight-laced one. To him, the beach is about swimming and splitting watermelons and crabbing. To Rinko (and the rest of the guys), it’s mostly about the bods.

Rinko’s intense physical attraction to Takeo often overwhelms her, so it’s good she has a safety net of girlfriends who pick out an appropriate bikini for her, with the goal of getting his heart to skip A beat…not stop it!

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For all of Takeo’s words—both spoken and in his head—Rinko is convinced she must be at least as hot as she believes Takeo to be, or else she’s somehow not good enough. That inherent, presumed inferiority makes it tough for Rinko to reveal her swimsuit to Takeo. In fact, she reveals it to him when the sight of his rippling, sun-dappled muscles put her into a trance and she walks right into the line of fire of his watermelon-splitting stick. Thank God Takeo listens when Suna tells him to stop.

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When Takeo removes his blindfold to see what’s amiss, he catches a glimpse of his girlfriend in a bikini for the first time, and while Rinko doesn’t quite realize it, it’s Mission Accomplished. Takeo himself enters a wild hallucinatory episode, and only Suna’s calm words are able to snap him out of it. It takes effort for Takeo not to totally lose his shit over Rinko’s apocalyptic cuteness, and remind himself she’s dressed in clothes suited for the beach, just like him.

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Things continue to go bumpy for Rinko, though. When she daintily approaches him from behind at lunch, intending to snuggle up against him (something she both wants and her friends urge) his turn back at her causes her to execute Shunpo and retreat behind a column. Later, when she tries to casually grab his arm on the beach, she nearly steps on a sand castle.

Ironically, it’s Takeo who ruins the castle, when Rinko runs off, embarrassed. But thanks to Suna, whom the girls building the sand castle are more than willing to let take over, Takeo can go after his girlfriend.

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As the sun starts to set, Takeo finds her, sulking by the water. Rinko thinks she’s been “really bad” today, thinking only of herself and causing trouble for others. She’s obviously being too hard on herself, so it’s nice when Takeo sits beside her, she can stop worrying about that and draw one of those Japanese love umbrella things in the sand (which Takeo valiantly protects from the rising tide).

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Takeo doesn’t know if it’s the sunset, the swimsuit, or something else, but Rinko looks particularly beautiful to him there and then. The animation sells it, making great use of color, light, movement, and intimate close-ups. We see Rinko exactly as Takeo does, just as we saw how she sees him.

So in awe of the beauty before him, Takeo finally says not “I love her” in his head, but “I love you” out loud, to her face. She reciprocates the sentiment, adding the modifier “lots”, and if it wasn’t for Takeo’s asshole friends (not Suna mind you, who knew to stay the hell away), they’d have definitely shared their first kiss (with both of them awake) right then and there. That’s okay though; I didn’t feel cheated. That kiss will come.

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After fireworks, they board the bus home, and Rinko and Takeo make plans to hang out again, this time at a fireworks festival, where Rinko will try to get his heart to skip with a yukata, believing she failed to do so in a swimsuit. But she couldn’t be more wrong.

As Takeo looks on, he remarks to himself how these two are so rarely on the same page. Yet it likely doesn’t matter, because they’re both so happy. We the audience know that nothing in either of their heads would change that.

Part of what makes romance so exciting, especially early on, is not knowing everything going on in your lover’s head…and the later realization that what was in their head was everything you wanted anyway.

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