Saekano 2 – 06

Both the immediate (Eriri collapsing) and long-term (finishing the game) crises are resolved this week, with one major caveat: to rescue Eriri, Tomoya gave up on a full Winter Comiket release, even though that’s the reason Eriri ended up in such a state (that, and her obsession with quality with the threat of Hashima Izumi looming).

Ironically, it’s Izumi’s bro (and Tomoya’s chief rival) Iori who comes to Tomoya’s aid, offering a ride to Eriri’s villa. Tomoya finds Eriri really did get everything done, and more to the point, he believes it’s her best work and the best work he’s seen all year.

That brings a smile to the gradually-recovering Eriri, but she’s even happier to hear him say, categorically, that she’s his “number one;” that her new art is better than Izumi’s. She doesn’t mind that he doesn’t go so far as to tell her she’s beaten Utaha and Michiru, but she happily infers it.

After that, the two settle back into the same routine as when they were little kids: staying indoors, playing games and watching anime, which Tomoya both notes was because Eriri was so sick so often, but also doesn’t complain about.

He goes further in wanting to apologize to the others in Eriri’s stead, as he’s the director and all, but Eriri insists: if she can’t apologize properly, she can’t keep moving forward. So she does so, and the whole crew is on hand for Winter Comiket…albeit with only 100 hastily burned copies of Cherry Blessing.

It’s shocking how quickly all the work they’d done suddenly becomes a finished product, which sells out within 30 minutes due to lots of buzz about a new game with studs like Kashiwagi and Kasumi collaborating. At the market, Eriri also apologizes to Izumi for how she treated her, and explains why she did (fear of being surpassed).

Yet in the midst Eriri dispensing all of her apologies and the team dispensing every last copy of their game, something seems off. The camera uncharacteristically lingers on Megumi too often, and she seems to be hiding something that will certainly rain on the parade of the big release.

Content to quietly skip the post-release party and go home for the time being, when Tomoya forces the issue, she finally has a very Kato-ish “outburst”, one that cuts Tomoya to the quick, far more than if she had yelled or cried. In his haste to save Eriri, he neglected to tell her about anything that was going on, during the precise days she said she’d make sure she was available for him, no matter what.

Tomoya took her earnest promises and commitments lightly, and ultimately ignored them altogether and took everything on himself, keeping her in the dark until everything worked out. That is something Megumi cannot forget, nor easily forgive.

As happy as I am to see Tomoya and Eriri on such good terms again, I can’t say I blame Megumi. If getting out of the doghouse is even possible, Tomoya, with his famous lack of awareness, may find doing so even tougher than making a dating sim from scratch.

Saekano 2 – 05

After witnessing Megumi reject a request to date from another guy, Tomoya has to keep Utaha from being too harsh on Eriri, who has fallen way behind on the art despite a schedule extension.

Utaha now considers a Winter Comiket launch a “pipe dream” until proven otherwise, but Eriri promises she’ll make it, and Tomoya has her back…though saying “she’ll deliver exactly what you expect” probably wasn’t the best choice of words for an artist.

One morning, Eriri stops by Tomoya to tell him she’s going away to her family’s winter house in the woods to draw in seclusion, even skipping school to meet the deadline.

Tomoya seems more or less fine with this, but he—and I, for that matter—feel a foreboding atmosphere; like somehow Eriri won’t be coming back, or won’t be the same when she does.

Letting Eriri go “off into the wild” was a big, possibly fatal mistake, according to Utaha, who is ready with a whole “five-stages of creative deprivation” spiel with Tomoya and Megumi, predicting all the ways Eriri will stray from her usual self in her desperate attempt to make the greatest art ever with which to beat the Hashima siblings, ultimately leading to her dropping the project altogether and never being heard from again.

What with Utaha’s added “sixth stage” of Eriri finding another guy and another job and thus Tomoya won’t have to worry about her anymore (the implication being he can focus more on her), Tomoya is loath to take these predictions so seriously…even if they don’t sound so far-fetched.

Megumi proposes he and she go to the villa the Saturday before the Monday deadline, but Tomoya humbly declines, both due to the situation of a guy going away with two girls, but more importantly, because he has deadlines of his own to meet. Megumi lets the matter drop for now, but is already concerned that Eriri would go to such lengths to complete her work.

Just as Utaha foretold, Eriri starts exhibiting signs of stage one (rough language), and Tomoya is worried, since two (blaming herself) can’t be far off. Tomoya tries to play lip service by saying “he believes in her”, but what he’s asking Eriri to do has become increasingly unlikely, even for someone with her talent, because there’s too much pressure and not enough time to pull it off.

Tomoya’s attitude irks both Utaha and Megumi; and Utaha is doubly irritated that she has more respect for Kashiwagi Eri thant Tomoya right now. She puts a lot of words in his mouth, but he can’t or won’t dispute any of them. Tomoya is starting to look like a failing director.

But Eriri does eventually manage to make some progress in drastically changing her style, once it starts to snow. She and Utaha knew the grand route would need a different style, and Eriri isn’t the most versatile artist…but she works her butt off in that cabin and finally, apparently, has the necessary art ready.

Whether she actually does or not, I have no idea, honestly. All I know is, Eriri doesn’t look like she’s in a particularly good physical or mental state by the end of this episode. While Utaha got a degree of resolution in her episode, lying on the floor with Tomoya, Eriri finds herself lying on the floor alone, isolated in a snowy forest cabin, in need of food, sleep, and affection. Here’s hoping she gets all three, soon.