Happy Sugar Life – 05 – Crime and Punishment

Just as she senses something’s off about Shio, Satou finds her latest challenge at work in her kohai Su-chan. After expertly disarming an unruly customer, Satou notices someone’s been through her locker, and that’s when Su-chan tells her all of the obsessive things she’s done to try to be just like her, from copying her bag to wearing the same makeup and underwear.

But it’s not enough, and Su-chan thinks it’s because there are still pieces of Satou’s life she’s missing…her home life. For Su-chan, getting into that is like stepping on a pink macaron land-mine. But Satou has become very adept at dealing with people without violence (like that customer) as much as with. You can catch more bees with honey than with vinegar, after all.

So Satou calms down from the panic of Su-chan bringing up her home life…and proceeds to make out with Su-chan, confessing that she loves her “just the way she is” and ever-so-gently warning her to stop prying. Su-chan is so overwhelmed by the object of her infatuation all over her—and spooked by the warning—that she seems to fall in line. But who can be sure it will stay that way?

Meanwhile, Shouko is one of the only halfway decent human beings in this show. She takes a day off work and pays a visit to Taiyo’s house to see how he’s doing. She inadvertently enters his room, sees the dozens of Shio flyers, and freaks. Taiyo explains how the girl in the flyers is his purifying angel. Does that convince Shouko everything’s fine? Reader, it does not.

He then pushes Shouko against the door, grabs her too hard, and demands that she help him get Shio back from the one who is hoarding her all for herself: Satou. The unwanted physical contact and accusations towards her friend comprise the final straws for Shouko, who shoves Taiyo down and leaves, disgusted that someone “so hot” is so, well, disgusting.

But as she passes another Shio flyer in the street, the seed Taiyo planted begins to sprout—Satou couldn’t kidnap somebody…or could she? Shio’s brother Asahi appears behind her, no doubt to answer that question if asked.

Back home Satou finds Shio crumpled lying on the floor in the dark, talking about “punishment.” She confesses that while she was outside she did talk to someone, and believes her headaches and vision and need to draw a creepy image of her mother, who it seems was harmfully overprotective.

But Satou starts to think this bitter, bitter-tasting situation is her punishment, for lying to Shio. No, not about the people she’s killed, maimed, seduced, or extorted. Because she lied about loving someone else! That, to her, was the one and only crime she committed that is causing the bitterness.

After confessing, Shio forgives her, and the two seem back on the Happy Sugar side. But while Satou believes hiding and omitting things from her love isn’t lying, it ultimately has the same effect…especially if and when those lies are exposed. Too many people now have their eyes fixed on Satou’s life and Shio’s whereabouts. Her true punishment hasn’t really begun.

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Happy Sugar Life – 04 – This is Also Love

The blood from the beating of Mitsuboshi by two sociopath guys dredges up unpleasant memories for Shio: those of her mother saying she’ll never forgive her for letting go of her hand. Uh, that’s really unreasonable, Shio’s Mom! Why is everyone in this show have to be so goddamn INSANE smh.

Satou rolls the dice and manages to take out both of the guys with taser (which thankfully didn’t die on her; anime tasers are very fickle) and a knife (gouging out the eyes of one). She scoops up the unconscious Shio and whisks her home to her suddenly very insecure feeling “castle.”

It’s clear Shio had problems well before Satou met her, but Satou has similar traumatic memories of interacting with an adult guardian who was not okay in the head. In this case, Satou’s aunt, who was always covered in bruises and bandages, explaining them away to her niece as “another kind of love.” Yeaaah, notsomuch. Control is not love.

The next morning things seem to be back to normal, but the previous night Satou saw fit to install exterior locks to keep her Happy Sugar Girl “safe” (i.e. under control). Words of trust are no longer sufficient, not after last night, the outcome of which Satou is at least lucid enough to know was extremely lucky.

This is a show where it’s almost never good when two people are together (except I guess for Satou and Shio), but things aren’t much better when anyone is alone: Satou’s teacher is suspicious that her aunt isn’t answering the phone, but also just wants Satou to insult and punish him more.

Mitsuboshi witnessed Satou making off with Shio, posters of whom he’s plastered all over his room, because now he’s a demented lolicon who has become fixated on the girl be belives to be his “angel” and salvation. Even Shio has her private secret: scrawling a crude drawing in the closet while in a trance and chanting “spinning.” 2018, AMIRITE?

Shio snaps out of it when Satou comes home early, which is because her cafe staff was sent home early due to the violent attacks in the vicinity. Still, Satou needs to keep working so she can keep saving to buy (hopefully not rent) a stronger “castle” in which to preserve her HSL. While she only speaks of an expensive dream to her co-workers, her brown-haired kohai is impressed by her dedication.

That night, after giving up on cleaning the blood off the wall of the murder room (maybe she needs to call The Wolf), Satou gazes at her account balance on her phone, which I may henceforth call Chekhov’s Account Balance on her phone, since, at some point, those savings could either be spent or vanished via some foul play. In any case, Satou doesn’t really love Shio; she just wants something all hers that she can control.

Meanwhile, the drawing of Chio’s mother lurks menacingly in the closet—another stain Satou can’t remove—while at the closed cafe the brown-haired kohai breaks into Satou’s locker and smells her clothes with alarming gusto. What can you say—she’s a psycho magnet.

Hibike! Euphonium 2 – 11

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All we needed was the slightest look from Reina to know, with relative confidence what was amiss and why: Thanks to Hashimoto, Reina learns that Kumiko knew about Taki’s wife before she did, and she’s angry Kumiko never told her.

Whether Kumiko was busy with Asuka and the other girls, and was going to eventually tell Reina, we’ll never know. But we do know that Kumiko hesitated as long as she did because she didn’t want to hurt Reina.

During Reina’s suitably elaborate procedure for confronting Kumiko – by going to the summit of the mountain that seems to accentuate Reina’s beauty – Reina yells at the top of her lungs, asks Kumiko why, and gets the answer she already knew.

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Reina turns out not to be that mad at Kumiko after all, but at herself: at the weakness she exhibits upon hearing this news; the fact she didn’t know. Her armor has cracked just as the Nationals approach, and while she can say she’s going to “forget about it” until they’re over, it’s likely she’s not 100% sure she can follow through.

Kumiko, for her part, tells her she’s still rooting for her, making sure Reina hears that Taki isn’t married anymore, even if it’s hard both to say and hear. She’s almost making up for not telling her to begin with.

It’s another wonderful scene between the two friends, and a very welcome one after Reina’s presence had dwindled in recent eps. Both the animation and the voice performances soar.

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In a quick flashback, we see a young Reina first lay eyes on Taki and fall for him right then and there. She quickly finds how hard it is to follow through, having an elaborate, warm daydream in which Taki compliments her playing and gives her a piece just for her to play.

She’s ripped from her reverie by the real Taki-sensei calling her playing “weak.” She needs to get it together. But how?

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Reina finds a way. While delivering the practice room key back to Taki at the end of the day with Kumiko, Reina asks him about his wife. Not about where she went to school or who she knew, but what she was like.

Taki opens up to her, and confirms what Reina had suspected, but wasn’t ready to face until now, when her playing is being effected by the doubt. There is not doubt; Taki still loves his wife, and he very likely became their director for his wife’s sake. He wants to go to the Nationals and win Gold for her sake.

And so, we see both Reina and Taki at their most vulnerable and emotional this week. I guess Christmas came early!

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Having gotten all the answers and confirmations she needed for the time being, Reina returns to normal, and starts playing the way she and everyone else have come to expect. Niiyama gives her the location of Taki’s wife’s grave, where takes Kumiko and prays.

That flashback was the beginning of Reina wishing time would move faster for her, so she could catch up to Taki. But now she has another goal to set her sights on, something that she wouldn’t have been able to accomplish if she was his age: She’s going to help Taki win Gold.

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