Watashi ga Motete Dousunda – 12

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And so Kiss Him Not Me comes to an end, with the ending pretty much in the title all along. Mutsumi’s sudden realization of his romantic feelings for Kae make her other four suitors scramble to keep him away from her, but he eventually outsmarts them with a P.A. announcement calling Kae to the school roof.

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Mu, however, does not discourage the others from joining him on that roof and letting their feelings be known. With everyone saying they like her, clearly, and asking if she’ll go out with them, the onus is on her to choose.

Kae flees to A-chan with her predicament; A-chan is understandably frustrated with Kae putting everything in fujoshi terms, but the solution they come up with is for Kae to do things dating-sim-style. The scene is another hint that Kae simply isn’t ready for a 3D romantic relationship.

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She goes on dates with each of the suitors, and has a wonderful time with each of them, as each of their charms are laid bare before her. But it doesn’t make it any easier to choose among them; indeed, it only make the choice harder and more confusing.

All five are great, they’re just lacking that special something that would compel her to choose one over the others. Which is why, in the end, she chooses no one. The status quo prior to their confessions is the situation at the end, for Kae doesn’t “love” any of them the way she loves Shion, who may be resurrected in a new season of his anime.

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So there you have it. Kae has never subscribed to the notion that the princess belongs with the prince, or even that the princess belongs with another princess. She’s all about 5×7, tops, bottoms, and lords. Furthermore, she lives a full and happy life not with a boyfriend or girlfriend, but with her sixteen waifus.

“Sorry, that’s how it is,” she says to her shocked, former suitors. And I can’t really feel that bad for them. They’re all still friends, both with her and with each other. Hopefully they can get over the fact she’s not the kind of girl who’d date them, and never was.

It’s a fitting end to a satisfying, if not perfect show that centered on a genuine ‘unconventional’ girl (whatever that means) who may be a bit naive when it comes to romance, but in the end knows what she wants and what she loves, and isn’t about to conform.

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Watashi ga Motete Dousunda – 11

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Mu’s ill-advised attempt to convince his brother that Kae was already his girlfriend is undermined by everyone else, and only ends up emboldening Kazuma, who now knows that all of them are into Kae, and he’s only too happy to throw his hat in the ring.

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One by one, the group falls before Kazuma, who uses tactics that exploit the weaknesses of each person, be it Shi’s skittishness, Nana and Iga’s reputations, or Shina’s first doujinshi.

It feels a little Wile E. Coyote, in that each character gives up after one attempt to thwart Kazuma, but the point is that only one person can stop him, and he can only stop him by shedding the “meek little brother” act of always conceding everything to him.

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Kazuma is the way he is because Mu always gave him what he wanted. But as he demonstrates in the obscure Sengoku era-themed card game duel, Mu is not willing to cede ground to his brother. He cares too much about Kae.

In an amusing, if not particularly thrilling card duel (during which the gathered crowd and everyone but Kae constantly mention they have no idea what’s going on) Mu executes a just-barely-legal, gutsy move Kazuma did not expect, defeating him by all means at his disposal.

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Mu’s newfound intensity and confidence gets through to Kazuma, who accepts defeat graciously; not something I thought would happen after he locked and taped Mu in a locker just a couple days before. But Kazuma is happy Mu finally stood up for himself.

The group is happy Mu won…right up until the moment he capitalized on his victory by confessing his feelings to Kae, who seems to react positively. That naturally puts the others on edge, as with Kazuma (probably, hopefully) out of the picture, Mu is now back to being their rival for Kae’s heart. Even though she’s content to have sixteen fictional waifus.

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Watashi ga Motete Dousunda – 10

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This week marks another single guy-centric episode, but like Shinomiya’s, instead of the same Mutsumi we’ve gotten week-to-week, we get an overdone charicature, only not quite as overdone as the klutzy Shi. Combined with a somewhat lame first half involving a cave adventure that turns out to be pointless and a disaster of a second half, this was Kiss Him Not Me’s worst outing.

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The adventure is stale, and while the idea of Mutsumi not knowing whether he romantically likes Kae (like the others) is interesting, Mutsumi has always been the kind but rather dull one, and having him carry an episode, even half of one, just doesn’t do it for me.

Nor does his sudden intense fear of darkness, which is not much more than an excuse for Kae to take his hand and lead him through the cave. This is a guy who stripped both himself and Kae down to warm up her underheated body. It makes zero sense for him to be so flustered about holding Kae’s hand now.

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Things only get worse when Mutsumi’s older, creepier brother shows up as a student teacher. Setting aside the fact that his bisexualism (if it’s really even genuine) is handled about as seriously as a show like this could be expected to handle it; this guy straight up tells underage kids he could totally sleep with any one of them. That’s a fireable offense at best.

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Not only that, he takes an interest in Kae, to the point he invites her to lunch after running into her in Shinjuku (despite her clearly being uncomfortable with the idea), then takes advantage when he has to catch Kae from falling to make a move on her. Mutsumi is able to stop him before anything happens, but the look on Kae’s face is all you need to know to determine that this guy’s a sketchy creep, and I’m not sure how else we’re supposed to see him.

That he intends to “bide his time” until he’s no longer teaching there to “pursue” Kae (without any input from her about what she’d think about such a pursuit) doesn’t make him any less detestable. Even if he’s only putting on an extra-skeevy act to try to motivate Mutsumi to ask Kae out, it doesn’t change the fact he’s being totally inappropriate with a student.

I can forgive this show’s dancing around the whole weight thing, but not this. The fact is, the show just isn’t that funny right now, and that’s a problem.

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Watashi ga Motete Dousunda – 09

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It’s a beach episode, folks, with a lot of familiar elements from that subgenre, including vertical pan up to unveil the ladies’ swimsuits. Shiny! It’s also a rare Shinomiya-centered episode, in which most of the inner dialogue comes from him as he struggles to impress Kae, and makes mess after mess of trying.

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From accidentally launching himself into her boobs on the beach to having to hide behind his bigger friends as they scare off some creeps, Shino’s feeling particularly inadequate this week. When he knocks her down trying to save her from a snake, causing her to drop all her kebabs on the ground, it’s the last straw, and he runs off in tears.

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Concerned for Shinomiya’s well-being, the gang chases after him, but he manages to get way far ahead of them for some reason, while Shina seems oddly un-knowledgeable about the environs of her family’s beach manse. The gag with the bridge that breaks but the gang (sans Kae) only “plummets” a little is funny enough, until you wonder how that fall (which is at least ten feet) didn’t hurt anyone. They can’t blame mushrooms this week!

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Some odd choices about the journey to save Shino aside, I did enjoy how the two fujoshis embrace him for his “klutz appeal”, which ties into the themes of the show thus far. But it felt like someone jacked up Shino’s Klutziness and Anxiety Quotients to 11 for this and only this episode.

In trying to deepen the character, the show turned him into a outlandish caricature of himself. Of the episodes thus far that have centered on a single guy, Shino’s has been the worst. It wasn’t a bad episode, but I know Kiss Him Not Me can do better.

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Watashi ga Motete Dousunda – 08

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Every time it looks like one guy, say Iga, has the inside track (gradually teaching Kae to be comfortable touching a guy with innocent handshakes), conditions allow for a shake-up. Enter Nana, who is concerned about being the least close to Kae of all the others.

When Kae, dirt broke from the pilgrimage, gets a job at a theme park dancing in a Puri Puri Moon show, it’s Nana’s time to shine, as he’s watched, danced, and sung every song in PPM’s repertoire every weekend with his adorable little sister Kirari.

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As such, Nana is the one and only one who can get closer to Kae this way. The others try, but the hiring staff of Usami Land find other part-time jobs that better fit their particular skills and circumstances. As for Nana, he puts everything he has into training for the role of the Dark Prince, even at the cost of his health, suddenly collapsing with fever.

Kae has him brought home, then takes care of him by cooking him food before he takes his medicine. She manages to bond with Kirari a little, but not to the point Kirari is willing to let Kae have her brother, whom she wants to marry. But their shared knowledge of PPM is a definite ice-breaker.

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Then things get dark, and I mean really dark, as a fever-addled Nana, essentially dreaming while awake, grabs, kisses, and holds down Kae, who isn’t strong enough to break away. If it wasn’t for an improbable Iga to the rescue, who knows what might have happened.

The show does not contend for a second that Nana was just getting the better of his hormones to awful result; he was well and truly not in his right mind. I have no reason to doubt that, and neither does Kae, but that doesn’t change the fact it was an awful and terrifying experience; one that makes her nervous about touching any guy again, including Iga, the guy she was making such nice gradual progress with.

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After apologizing profusely both on the phone and in a very public display of begging outside Kae’s bedroom window (much to the chagrin of her older brother), Nana regains Kae’s trust in the heat of a PPM show gone awry, when three otaku n’er-do-wells must be dealt with, requiring Kae to take Nana’s arm/hand on numerous occasions.

I’ll admit the frozen faces of the character outfits were a little unsettling (not to mention an obvious trick to save money on animation), but that’s often how such theme parks operate; the labor they have at their disposal isn’t always going to remotely resemble specific anime characters.

Indeed, the frozen faces served at least two laudable purposes: they provided a literal “padding” between Kae and Nana to facilitate healing between them, and it also served as a semi-biting commentary on the culture of such shows: play the right tune and bust the right moves, and facial expressions, to say nothing of plot and character, are all irrelevant.

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Watashi ga Motete Dousunda – 07

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In the most bizarre and surreal episode of WagaMoDo, the newly-restored duo of Kae and Shina suddenly declare they have to go on a pilgrimage to the resting place of Hyakki Sametora, the feudal lord upon which the Lord in their anime is based. The only truly enthusiastic guy is the history buff Mu, but the other three tag along nonetheless. Reasonably priced-but-not flashy hot spring innage ensues.

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The night they stay at the inn, Iga accidentally falls on Kae during a pillow battle, and her reactions indicate to Iga that she didn’t dislike that accident. When they end up on the same swan boat (to the possibly cursed island where the lord’s head is believed to reside), he takes her hand and tells her if she’s not used to being so close to a guy, to get used to it…and she does not protest.

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Unfortunately for Iga (but fortunately for us), when a sudden storm maroons the group on the island, Kae ends up rescued by Mu (while Iga has to give Nana mouth-to-mouth; an event Shina captures from many angles with her waterproof phone). When Kae collapses from fever, Mu has no choice but to get her to shelter, disrobe her, and use his body heat to get hers up. He does so with the utmost gentlemanliness, while Kae is too out of it to be embarrased.

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After that…things kinda go off the rails, as the show suddenly picks up a lot of supernatural elements. The ghost of the lord makes the others walk around in circles, then attacks Kae and Mu, who use the charms they bought at the gift shop to neutralize him. Eventually Kae “exorcises” Sametora when he realizes his legend is not a negative one (thanks in part to the anime that pretties him up and makes him either a top or bottom).

All the supernatural elements are (mostly) explained at the very end once the group gets to shore by a very unexpected and hilarious twist: the restaurant where they ate lunch accidentally used hallucinogenic mushrooms, so they were tripping balls the whole time, likely including during the storm and “lake whirlpool”. Overall a pretty fun episode.

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Watashi ga Motete Dousunda – 06

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This week’s WagaMoDo explores one of the pitfalls of fujoshi friendships: what happens when they develop opposing views on which guy in a new anime is on the left side of the shipping “x” and which guy is on the right. Kae is adamant that it’s Lord x Akane; Shina the opposite.

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Once the guys figure out what the heck the girls are actually on about, they set to work trying to mend fences. Igarashi in particular tries to counsel Shina on the error of her ways, but both girls remain ruthlessly stubborn, finally entering into a fan-fiction writing duel that Shina will likely win with her superior writing experience.

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Shina is so caught up in her “justice” that by the time she’s loudly gloating her (surprisingly narrow) victory, Kae is on her hands and knees on the roof, sobbing her eyes out, still not willing to concede Shina’s right. That’s when Iga brings the hammer down: Shina, who claims to love only what is beautiful, has done something ugly…and she knows it.

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We get a lot of Shina’s backstory, from when her talents were shrugged off as a product of her family’s wealth and status, to her need to “find a place for herself” in the world, to her interactions with Kae, whom she always thought was beautiful.

Reminiscing on the events that led to her friendship to Kae, Shina soon realizes she must make amends. Enter Iga once more, giving up Kae’s whereabouts when she won’t answer Shina’s call. Shina arrives just as Kae is also coming around to realizing that she doesn’t want her friendship with Shina to end just because of a relatively petty squabble.

They both compromise, stating Akane and his Lord to be “versatile.” A great episode that deepens our understanding of Shina and presents a very realistic situation in which something small and seemingly innocuous can turn into something big and destructive, but the two girls’ friends never stopped trying not to force them back together, but get them to see for themselves that together is where they belong.

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Watashi ga Motete Dousunda – 05

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This week Kae quickly gains a lot of weight and puts her gang of boys on the spot about why they stay with her. It’s an episode that tries to have its failed Valentine’s chocolate and eat it too, and it almost worked.

First, I like the idea that Shina, whom we don’t know that well, may have actually planned to fatten Kae back up, even if it’s never explicit that’s the case. All we know is, she wan’t entirely joking in drawing a line in the sand between her and the guys for Kae’s heart. She likes Kae, and not simply because she’s thin.

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When Kae shows up at school back to her original self, the guys’ reactions are predictable: Nana and Shi don’t know what to do with themselves and what it to just be a bad dream, as they’re the shallowest and least adaptable of the guys. Kae’s weight has never been much of an issue with Asuma, but he barely makes an impression in the episode.

And while Kae is willing to train to lose weight back, Nana and Shi are overzealous and as a result she ends up overworked and exhausted, without any quick loss to show for it. That gets the protective Shina mad at them for having ulterior motives for her “re-self-improvement”, but she’s no saint herself, as she goes on record as saying she loves round cute things like Kae has become.

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I like then how neither Shina nor Nana are portrayed as right or wrong, only that they both need to think about what’s motivating their actions (their own desires), blinding them from what Kae might actually want herself.

It’s Igarashi who attains a certain level of growth this week, when after a whole day of being doted on by Shina, he takes Kae to the roof and her inner beauty of kindness and honesty is re-revealed to him. Regardless of Kae’s appearance, Igarashi is certain that he likes her.

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Where the episode kinda falls down is when Kae inevitably returns back to her rail-thin, magazine-gorgeous self by the end, returning things to the status quo. I liked how despite some very vigorous attempts by the guys, simply changing Kae back wasn’t as quick or easy as her regression-by-chocolate.

While Fat Kae really yuk-yuks it up with her exaggerated voice and movements, I still would have preferred a more gradual, less black-and-white transition that felt less “magic”. The first time she slimmed down, it was due to an extended fast. At least this time it was coming from a far more positive and healthy place, but it’s still rushed, moving us along without fully exploring the ramifications.

It makes me wonder if the show will bother with another “regression” to her original self, or if this has closed the matter of whether the guys will stick with her no matter what.

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Watashi ga Motete Dousunda – 04

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Because they all have the hots for her, the guys let Kae drive the itinerary for Christmas Eve, and because Kae is not your conventional young woman, that itinerary is similarly unconventional.

It also takes place at a convention center, but even that is unconventional because it’s Tokyo Big Sight, which to many looks like a conventional convention center flipped upside-down.

The plan is to attend Comiket, split up to buy everything on Kae’s list, and get out early enough to still have the “Cris-Pa” the guys want to have with Kae.

Only they sorely underestimate the popularity of Winter Comiket, and that the lengths required to get there and back take up most of the day and night. It takes six hours from the time they wake up just to get inside.

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Once there, however, the guys find that it’s not all bad. Even though Kae feels kinda bad she’s being so selfish, no one has a gun to the lads’ heads; they want to help her out, and also to make her stay there shorter so they can spend more time with her.

Not only that, but because all four guys are hot in their own ways, they attract quite a bit of attention from the female authors and artists, many of whom imagine (as Kae does) that they are BL couples, and swooning accordingly.

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Kae also experiences something at Comiket for the first time: a pushy creepy photog, snapping every angle of her against her wishes. She is eventually castigated, shamed and forced to apologize by an exceedingly debonair young man doing butler cosplay. Just as the guys arrive, late because they were lost, they see this butler all close and personal with their Kae, and they don’t like it.

In a nice nod to Kae’s years of “training” by going to these day-consuming things, the four guys are utterly spent by the end of it, and still not quite right the next morning at school. Kae on the other hand looks like she could sing karaoke all night, and seems, if anything, energized by the Comiket visit.

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Then she, and the guys, learn that the young butler who helped her wasn’t a guy, but a girl, and a student at their school: first-year Nishima Shina, voiced by Sawashiro Miyuki. Mind you, I knew she was a girl all along, because she’s in the OP as such, but the shock isn’t meant for us, it was meant for Kae and the guys.

And they are shocked. Kae, because she and Shina hit it off so quickly; the guys, because Shina swiftly and efficiently threatens to edge them out entirely, claiming Kae to herself by inviting her to her place. The guys invite themselves, and Shina doesn’t object…but like Comiket, they don’t know the magnitude of what they’re getting into.

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Shina is perfect. She’s perfect-looking, she does everything just about perfectly, and she’s obscenely wealthy, having not just a room but an entire wing devoted to her many hobbies, many of which are also Kae’s hobbies, only on steroids.

Kae quickly falls under Shina’s “spell”, and at times, all Shina has to offer, and how earnestly complimentary she is, the guys drop their guards one by one.

Shina is also the perfect otaku; someone for Kae to look up to, even though she’s the senpai here. The “small favor” Shina requested of the guys in exchange for letting them come over turns out to be a private BL photo shoot, which is of course heaven for Kae.

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The thing is, the guys are nervous and a little confused about what’s going on, so they’re not that great at posing. So Kae, who knows far more about the subject than they do, demonstrates the proper way to do it, using Shina as her partner. She gets so into it, she doesn’t realize she’s actually turning Shina on.

That’s right: Shina isn’t just competing for Kae’s time as a friend. She’s after her heart, like they are, and she won’t stand for them not taking her seriously. When Kae presents an opportunity by play-acting, Shina can’t help but pull her in for a long kiss.

Like the guys, Kae is initially confused. But it’s quite simple: her gang of four is now five, and while the guys have their various strengths and weaknesses, Shina is poised to outshine all of them with her perfection, wrapped in a feminine package Kae is much more comfortable with.

It will be interesting to see if this competition remains diplomatic, or if another, less perfect side of Shina comes out when provoked. Until then, Shina is an interesting new wrinkle in this milieu, and Sawashiro Miyuki brings her characteristic sultry wryness to the role.

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Sousei no Onmyouji – 13

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Yes, this show is still around, and yes, I’m still watching! Who would have thought that Benio not only had an evil overpowered brother who needs to be defeated down the road sometime, but also both their parents were killed by an overpowered Kegare that’s the equivalent of an Arrancar in Bleach: a kegare with human (or humanoid) form. This girl just has the worst luck.

But hey, someone’s looking out for her, and that someone is Rokuro. After getting the lay of the land, he peaces out of Magano with Benio at his earliest convenience, since Benio is in no condition to fight.

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He uses a med-talisman on her, and she wants to head right back in there, but he tells her to eat first and cheer up, assuring her that her late parents would much rather she kept living than die trying to avenge them.

As he goes in to get a better idea of who they’re up against in Kamui, Benio actually listens to Roku and eats his stone-cold oyakodon, which actually isn’t that good at all, but Benio still scarfs it down. As she does, she really does cheer up, remembering all the positive reinforcement and support Rokuro has offered her over their time together.

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Back in Magano, Rokuro learns that Kamui is primarily concerned with being “entertained”, and with his demon gauntlet thingy, Rokuro seems able to provide the absolute minimum quantity of entertainment for Kamui to reconsider killing him quickly. Roku has potential, after all, and anyone or anything that can land a blow on Kamui is someone he isn’t in a hurry to kill. That would be boring!

Of course, it isn’t long before Kamui turns up the difficulty level a tick, and Rokuro is shot back and bloodied with ease. That’s when a reinvigorated Benio returns (albeit hopping on one leg) to relieve him.

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Benio certainly has a head full of steam, but it’s been abundantly clear for a while now that neither she nor Rokuro can accomplish much on their own; they have to combine their power in order to make progress.

And progress that make, as Rokuro catches Benio from out of the air, the two combine their spiritual energy (or whatever), her sword gets bigger and meaner, and they deliver an epically crushing blow to Kamui.

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Kamui survives, but a limb lighter, and decides he’ll withdraw for now and wait for these two to become stronger, or, if they produce a Miko, send him or her to face him. It doesn’t really matter, as long as he’s entertained.

I actually like the guy’s philosophy; it’s at least more interesting that just a mindless killing machine. Guy’s got a code, and he’s got priorities. He even remembered Benio’s ‘rents, and how they were one of his only victims who actually sacrificed themselves for someone else, namely their daughter.

Turns out the encounter between Rokruo+Benio and Kamui was all but set up by Arima, to further bring the two together, and you can hardly argue that it worked like a charm.

Benio wakes up in bed with Rokuro, in the lovenest Arima prepared for them, no more willing to follow through with the plans Arima made for them than before, but still no less grateful for Rokuro’s support. Her parents told her being scared is okay, because they’re not alone. And she’s not alone here.

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Sousei no Onmyouji – 12

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Rokuro and Benio’s relatively placid domestic life continues this week, with Rokuro working hard to control his gauntlet in the cellar while Benio prepares dinner.

Only “dinner” turns out to be your classic steaming purple witch’s brew, which all bad cooks throughout anime are able to replicate exactly. It would be one thing if that was the only point of the joke – but Rokuro goes too far in asking “what kind of family” Benio had that led to her thinking ohagi and curry, and Rokuro apologizes.

He’s also grateful Benio made him some goop, even if he can barely choke it down. He decides the only way they’re going to be able to live together is if they rotate cooking duties, and he believes he’s the better cook, and aims to prove it.

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Seems like a pretty tame episode, right? Well, I thought so too at first, but as soon as Benio went out running on her own, I almost immediately assumed a kegare would appear; one powerful enough that she couldn’t take it on alone, and requiring Rokuro to step out of the kitchen and let his culinary masterpiece go cold in order to rescue her, yet again proving that neither she nor he do well taking on foes by themselves, but fare far better when working as a single unit.

And that’s exactly what happens. But you know what? I’ve never had a problem with this show’s derivative-ness or predictability, because as I’ve stated in previous reviews, I like the slow but steady growth of Rokuro and Benio as twin protagonists of equal stature that I’ve come to be emotionally invested in. That, and the aesthetic, and the awesome soundtrack.

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Before Benio runs into the Kegare-of-the-Week, while on her run the talk of proper dinner and family sticks in her head, and she recalls the day six years ago when she watched her parents fighting and purifying Kegare, a duo like her and Rokuro, only with the same masks and twin swords. We also learn where she gets her love of ohagi from (her Dad).

Unfortunately, that’s also the day her parents were killed, by a Kegare that could talk, and offered her the grim choice of which parent he’d spare from death. Obviously, she couldn’t choose in the ten seconds he gave her, and he crushed them both.

And whaddaya know, that smart Kegare, known as Kamui, just happens to be the Kegare who crosses Benio’s path here. Not only that, he’s specifically searching for the Twin Star Exorcists. That’s a lot of coincidences!

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But whatever, Rokuro and Benio were only brought together because of a prophecy, and because the head honcho believes they’re fated to be together and conceive the Miko. By fighting Kamui alone to get revenge for her parents, Benio is going against that prophecy, as well as getting into the very same situation as six years ago: with Kamui giving her ten seconds to choose—only this time, it’s how he’ll kill her.

Naturally Benio isn’t going anywhere, but she can’t do anything here, so it’s up to Rokuro, who delivers a furious punch that blasts Kamui away long enough for him to cheer Benio up and tell her everything will be okay. They’re going home; she’s getting patched up; and then he’ll wow her with his gastronomic excellence.

But, of course, that one punch doesn’t keep Kamui down long. If anything, he’s only lightly annoyed a human was able to do such a thing to him. The fight isn’t over, but with Benio in such bad shape, how on earth is Rokuro going to be able to deal with him alone? More importantly, that oyakodon has to be stone-cold by now, right?

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Sousei no Onmyouji – 11

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I’m enjoying the bold, colorful aethetic of this show. I’m enjoying the galaxy of crazy expressions being doled out by both Rokruo and Benio on a regular basis. And I’m definitely enjoying ridiculously scenarios in which Benio causes a self-upskirt by sucking at embroidery as much as Rokuro and sewing her hoop into her dress. That’s some creative flashing right there!

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Sure, this wasn’t the most serious episode, but it still had serious undertones, and the notion that Subaru isn’t going to train them the way they expected, and that inability to expect what she’ll say or do next is actually part of their training.

Most of the episode is a game of hide-and-seek, with Subaru using magic, but it isn’t an unwinnable challenge: Roku and Beni simply need to hunker down, focus, and discover the clues that will lead them to Subaru.

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Granted, Benio isn’t very practical about looking for Subaru at first, and ends up looking everywhere, including the fridge and Rokuro’s porn stash, but what’s so great about these two is that there’s a good give-and-take; push-and-pull dynamic. Benio isn’t always on Rokuro’s case or vice versa; that would be boring. Instead, both are sometimes on each others’ cases.

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The rest of the time, they’re downright normal and decent with each other, which is typically when they’re not overthinking their interactions. Rokuro praises Benio’s good guess about Subaru’s dieting, and Benio likes it. But When Rokuro goes further in trying to read her mind by guessing she wants to eat ohagi (which is probably correct, by the way), she gets cross and tries to step on his foot.

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They’re right back on the same side when they end up in Magano, and in a boss fight with a giant octopus Kegare that’s obviously been set up by Subaru. Their initial separate attacks have no effect, and when it’s Octy’s turn he unleashes a giant cloud of miasma that amounts to a “darkness” spell.

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No matter; Rokuro and Benio realize the only way they’re getting out of this is by intuiting what each other will do and when. Benio guesses that Roku will move first (not a stretch there), while Roku knows Benio will back him up.

They lay some serious slashes on the octopus, and to their and MY surprise, its dispersal isn’t prefaced by a giant pentagram. Instead, it explodes in a cloud of tiny fans, indicating it was not a Kegare at all, but a familiar cooked up by Subaru. That was a neat little “switching-up” moment that capitalized on the patterns we’d come to expect from Magano battles.

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Subaru congratulates the couple for thinking outside the box and trusting in one another. Even though her training was unorthodox to say the least, when she departs, neither Rokuro nor Benio can deny that they learned a lot. Unfortunately for Rokuro, one of the things Benio learns is the location of the rest of his girly mags!

The episode ends with a reveal of anothe rpotential antagonist, but I was far more bowled over by Tatara’s navigation face, making up for the fact that Subaru’s Talbot-Lago has no SatNav. That’s just a really neat little detail in a brisk, boisterous, cheeky, and very entertaining episode.

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Sousei no Onmyouji – 10

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Remember English Tea Lady? Turns out she’s not English, and her name is Mitejima Subaru. Benio’s former master shows up unannounced and the Twin Star Exorcists wastes no time asking her to train them (since Seigen’s too busy). I for one was glad to hear Sawashiro Miyuki, and her sidekick Tatara was pretty funny with his bread crusts and emoticon face veil.

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Subaru agrees to train them…almost too easily, and we learn why pretty fast: they never stipulated HOW she should train them to become stronger, so she institutes her own regimen, one based on getting the “newlyweds” closer, from dressing them up in sharp threads to challenging Rokuro to properly compliment Benio (which he can’t).

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Subaru pulls up dangerously in her stunning Talbot-Lago to check on the non-lovebirds’ progress (or lack thereof), and before long even Benio’s blind faith that her master knows what she’s doing erodes, once she remembers Subaru mostly talked about how awful most men are, and how to defend against them. That being said, the romantic tension between Roku and Beni is wonderfully palpable, even with something as “easy” as holding hands.

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Things escalate from hand-holding to heart-pancake-feeding to flat out kissing, and Rokuro taps out, with a disillusioned Benio joining him in withdrawing from Subaru’s “training” for the day. These two just don’t do well when being forced, but their chemistry is such that they can coexist just fine on their own. Rokuro gets Benio some ohagi (on Arima’s dime), and Benio offers him one (of hundreds). Roku also seems genuinely charmed by Benio while she’s blissfully gorging.

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Naturally, some Kegare have to show up, and the effects of Rokuro’s encounter with Yuto means his gauntlet is still… a bit unruly. But rather than ignore it and fight on her own, Benio spends a good deal of her mana in order to calm his right arm.

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But because she’s so spent from the effort, Rokuro has to face the huge horde of Kegare on his own while protecting her, which means, without thinking, he draws her close and holds her. Still, things look grim, but just as naturally as Kegare always show up on SnO, someone shows up to bail out the original combatants.

This time Roku and Beni are the rescuees and Subaru showing off her impressive arsenal of spiritual firearms, a shtick that owes much to Mami from Puella Magi Madoka Magica (much like Magano’s aesthetic). “Scatter, Endless Rhapsody – Disperse beautifully” are some pretty slick callouts!

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So, lesson learned: Rokuro and Benio are closer than they normally think, depsite being standoffish towards each other most of the time, when shit hits the fan they come together, and the closer they get, the stronger they’ll become, together.

And since Arima also sent Subaru in order to help get the couple’s romance flowing a little better, they’ll be stuck in her “training sessions” – including the intriguing “nighttime marital activities” department – for the foreseeable future.

That’s fine by me; I love watching the two squirm and blush as much as I love watching them kick Kegare ass. But most of all, I like it when they simply get along; not sniping, but just enjoying each other’s company.

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