Sagrada Reset – 05

If you’d have told me prior to this week’s episode that we’d not only go back to Asai and Haruki’s first job as high school service club members, but that that first job would involve a student stuck in the reflection of a marble, I’d have thought you were off your rocker. But that’s Sagrada Reset for you: full of surprises and unapologetically weird in its execution of those surprises.

The non-Patema, yet still Inverted Sera Sawako serves as a fresh lens from which to view our lead couple, and she’s candid in her assessment, as you can see above. But she doesn’t think that’s a bad thing, just as she’s not particularly panicking about being stuck in a marble’s reflection, despite the inconveniences.

She even inadvertently gets Haruki to start using the same vocal patterns as Asai, which Sera finds even weirder, while Asai can see the upside, but would rather Haruki spoke like Haruki, which was a clever (if oh-so-subtle for a non-Japanese speaker) bit of voice acting by Hanazawa Kana.

As this is the first job, it’s not a particularly difficult one, and certainly less bloody than the one involving Murase later on. They only need one reset, and even though Tsushima tells Asai to reset immediately, the fact they were to meet with Sera-in-the-Marble (during an expensed meal) tells Asai that Tsushima is hoping the duo will do more, and they do.

That includes contacting Sera’s middle school friends and learning her unwanted nickname from then was “Student Monitor” due to her perfect attendance and penchant for warning students who broke the rules. It all stems from a conversation she had with her elementary school teacher about the “pure object” within her that lets her see only pure things.

Sera’s ability is to transport her consciousness into the reflection of something pure, but Asai surmises the ability only activates when she desires to do something impure—like not worry about being late for the opening ceremony. In exercising her right, nay, responsibility as a youngster to be irresponsible at times, she literally and figuratively ends up in an stange, inverted new world, and she doesn’t really like it.

Asai also picks up on the fact that despite the strife it may have caused her, Sera wants to stay true to herself, and continue to have that impossibly “pure object” exist within her. In that regard, her foray into the marble is almost a punishment for not being true to herself.

When Asai tells Haruki to reset, it’s at the very last moment, once he has all he needs to resolve Sera’s predicament. The next time she spots a marble in the street, Asai beats her to it, so she’s not late for her bus, and arrives at the ceremony on time.

Still, she heads to the field instead of the auditorium so she can eat a   lollipop, which she assumed was against the rules (causing tears to well up), only to learn from Asai that it isn’t (since they’re technically between classes).

Asai isn’t 100% sure Sera will never end up in a reflection of something again, but he and Haruki did as much as they could, and she’s out of the marble, so it’s first mission accomplished. And just to bring it all together, as the cold open showed, the one to lead Murase upon her introduction to her class in September is none other than Sera Sawako; both of them beneficiaries of Asai and Haruki’s services.

Sagrada Reset – 04

Occasionally, I like a show that keeps me engaged; that challenges me; that even leaves me in the dust if I’m not sufficiently aware. Sagrada Reset is all of those things so far, and there’s a genuine thrill in not knowing just what the hell is going to transpire from one episode to the next, in addition to being emotionally invested in the characters—something that didn’t seem feasible in episode one.

Sagrada is also dense, and if you blink you might miss a reset or a vital piece of information. For all its seeming randomness, it builds, so far, off every little event and detail it’s presented thus far. It doesn’t insult the audience’s intelligence, it demands it, and it won’t hold your hand. That can make it hard to follow, even frustrating at times, but despite getting a little lost at times I felt it still holds together.

This week is a particularly bloody and violent episode, as Asai promptly learns that Minami Mirai was killed by Hisuchi-kun, hence her becoming a ghost that haunts him to start the episode.

Of course, she wasn’t just shot or strangled, she was killed when Hisuchi, who gains nourishment not from food (he’s an intense germaphobe) but from information he sucks out of others like an intel vampire. Minami had too much, and he went to far. He didn’t mean to kill her; it just happened.

But just when Asai and Haruki are wrapping their heads around the murder, they are confronted by Murase Youka, whose sudden violent, homicidal outburst would be out of character if we knew her character. I didn’t realize it at the time, but we later learn there’s a very good reason for her very odd, violent behavior, and it all comes down to Haruki’s Reset ability.

Asai orders Haruki to reset before Murase kills him. Back at school, Haruki is glad when Asai tells her they haven’t gone to the festival yet (girl wants her DATE). They visit Tsushima for answers, and he tells them more about the “MacGuffin”, which enables anyone who possesses it to control all the special abilities in Sakurada…only to then tell them exactly what and where it is, obviously trusting his students won’t take it.

Someone does take it…or rather, ends up with it by chance. That person is Minami, who isn’t killed by Hisuchi-kun this time because Asai and Haruki visit him. They’re joined by Murase, whose knowledge indicates to Asai that she’s able to remember two resets back, but not one. He also learns about her M.O.—her desire to destroy and remake the bureau into something more effective after it failed to save her brother.

Indeed, it’s Murase who helps them find Hisuchi’s house, using her ability in a way I didn’t expect (while explaining the hand-shaped hole in the wall last week). Hisuchi tells them about Minami ending up with the stone, and he helped her because he was guilty for killing her.

I’d say that that never happened, but it actually did, and Haruki’s ability didn’t negate that fact, it merely rewound and, well, reset things to her last save. Murase ends up stealing the MacGuffin from Minami, lightly wounding her in the process, but Asai assures Haruki they don’t have to go after her. All will be taken care of in due time.

In the meantime, Tsushima gives Asai a new job: to convince a truant, Murase, to come back to school. To do that, Tsushima believes Murase needs to be utterly defeated, to show her that she still has more to learn before starting a revolution against the Bureau.

Asai visits Nono Seika with some takoyaki, to muse over the Murase situation in a calm place. And he thinks of Souma Sumire, who told him its better to say something than nothing, even if it’s bad, and to not be afraid.

After that, it’s his big little date with Haruki, who is resplendent in her yukata, and doesn’t just smile but blushes upon receiving the gift of a hairpin. It didn’t look like Asai was paying attention to her when she spotted it, but clearly he did. I loved that little detail.

He asks Haruki for a favor, and the next day we see she’s joined him beside the river to confront Murase. She thinks they’re ready to join her cause, but Asai wants to test her abilities first. Haruki saves, then she obliges, and Asai offers almost no resistance as she puts her finger through his hand. During the fight he suspects she attacked them the first time because she wanted a reset for herself, to forget Minami Mirai’s death.

An increasingly agitated Murase is certain she has Asai in checkmate, even noting that if Haruki resets, he’s only two steps away from her, and she could easily defeat him before he had time to do anything. But it’s Murase who’s in check, as Asai moves his head into her hand, which goes through it, killing him horribly. He does this before ordering Haruki to reset…so she doesn’t.

Then something I didn’t expect happened: Nanako Tomoki beams his voice into Haruki’s head, then Asai’s voice comes through—in that moment, a ghost, just like Minami was—giving Haruki the reset order. She resets, and Minami remains where she is: exactly in a location where when Asai said “Bang”, it looks like he struck her down.

Stunned by this course of events, Murase promptly concedes defeat, which means she’ll honor the terms of their agreement, return to school, one day join the bureau, and make it better that way. Asai also tells her the cat is fine, chilling with Nonoo. He holds out his hand to shake hers in order to celebrate their new friendship.

He’s quite sure that her ability has worn off, making it safe to touch her, but the episode still ends just before they touch, so good it is at messing with us. Still, it’s mission accomplished—and what a baller mission it turned out to be.

Sagrada Reset – 03

Two years have passed, as has Souma Sumire, and Asai Kei is a lot more careful about changing the future after losing her. But when client Murase Youka comes to them requesting they revive her cat (recently killed by one of the anime world’s infamous murderous drivers), he dives into the mission with what passes for him as enthusiasm. It would, after all, prevent the client from shedding tears (though she doesn’t strike me as the emotional type) and that’s the reason Asai got into this business with Haruki.

As Asai and Haruki investigate (which leads them to a cat-loving and cat mind-inhabiting informant) there’s an ongoing flirtation being carried out, mostly by Haruki. Sure, Haruki is kind of muddling through, and Asai isn’t the most receptive (he’s seemingly put off when she talks like a cat or asks if she should wear a new yukata or miniskirt), and it might be the stealthiest romance of the season…but it’s a romance in play nonetheless.

That, and Hanazawa Kana’s measured but increasingly warm delivery, keeps me from going all Seika Nono and falling asleep over this show. I’m not going to make excuses, it is slow, and deliberate, and sometimes boring. But last week showed that if one is patient with Sagrada Reset, one has a tendency to be rewarded accordingly.

So it is that Asai’s classmate Minami Mirai (a fan of the occult) ends up suspended above his bed on a (second) saturday morning. Somehow saving the cat resulted in a present very different than the one Asai wakes up to at the start of the episode. And it all has something to do with what Murase was doing while Asai and Haruki were saving her cat. We know she can fly, so that’s a start. But so far, this show solves mysteries in episode pairs, so we’ll have to wait until next week to see where this is going (or where it’s gone).

Sagrada Reset – 02

Just when Asai determines Mari is the result of her mother’s ability to create a clone of her never-born daughter, an agent of the “Bureau” (or “Kanrikyoku”), Tsushima, arrives to take her away.

The father left town, and now the mother will do the same, leaving the virtual Mari a virtual orphan. That doesn’t sit right with Asai, so he has Haruki reset, and the formulation of a plan commences.

It’s actually pretty impressive how quickly and efficiently Asai directs the service he and Haruki are likely going to be providing throughout the run of the show: “erasing tears” by resetting and fixing the cause of those tears.

Their classmates assist with their own abilities, but when the one who allows Asai to share his memories with Haruki bristles at the prospect of defying the Bureau, Asai cuts himself with a broken ramune bottle until Tsushima gives permission.

Everything works out perfectly: Asai, with the help of the rest of the group, is able to show Mari’s mother the error of her ways; to stay and continue raising the girl who may not technically be her real daughter, but loves her nonetheless.

With Haruki and his classmates’ combined powers, Asai has gained the power to “erase sadness.” In the process, he’s also managed to awaken some feelings in Haruki, though the road is long.

He discusses this in great detail with Souma Sumire, who is a tough nut to crack: you get the feeling she’s glad Asai may have found his calling, but a part of her also regrets bringing him and Haruki closer together.

Mind you, the relationship between Asai and Haruki doesn’t become a romance overnight. After all, Haruki has only gained back a small portion of the full spectrum of emotions most humans carry and experience. She cuts her hair at his suggestion, but also confuses trust with love. Asai proves it when they kiss and there’s no spark.

Then he undoes the premature kiss by asking her to reset. After seeing what they managed to accomplish with Mari and her mother, Haruki believes following Asai’s lead is her “zeroth rule”, so she complies.

But in the period between Haruki’s Save Point and her Reset, Souma Sumire falls from the bridge, into the river, and dies, as we witnessed at the end of last week’s episode. Seeing her wearing the dress and holding the red umbrella rendered her a dead girl walking, and gave her last conversation with Asai far more significance than he could comprehend at the time.

When Haruki finds Asai quietly mourning on the rooftop, she demands he instruct her to reset…unaware she just did, and it’s too late. When she sees Asai crying, she can’t help but do the same. She’s following his lead, but also realizing that this is what the two of them have to stop from happening to others at all costs.

There’s a huge jump of two years to when Asai and Haruki, now high schoolers, are recruited by Tsushima into a Bureau-sanctioned “Service Club”, where they can erase sadness in an official (and supervised) capacity.

It’s a pretty jarring time leap, to be honest, but it means the first two episodes were always meant to be a prologue in which the pairing of Asai and Haruki was made and their shared calling revealed. Now the real work begins: both the sadness-erasure work, and the emotional-awakening-of-Haruki work.

Sagrada Reset – 01 (First Impressions)

Asai Kei is introduced by class rep Souma Sumire to Haruki Misora, a stoic and seemingly emotionless girl who has no friends. Because Haruki has the ability to “reset” the world up to 3 days into the past, and Kei has a supernatural five-sense memory, Souma believes they’re perfectly suited to joining forces for good.

Sagrada (or Sakurada) Reset is a bit of an odd duck, like its two leads. On the one hand, it subtly, delicately paints the picture of a small town that is totally normal except for the fact that half of its residents possess supernatural powers. It also delves, if not too deeply, into some interesting philosophical ideas about what constitutes “goodness”—Sumire’s story of Zen and Gizen to Asai being one of the episode’s high points.

But there are a few issues. First of all, this episode felt like it took forever to run, and although it accomplished a lot, it just didn’t feel that eventful. That may be okay in a 24-episode show, but the earlier a show can impress me and draw me in, the more likely I am to commit to such a show.

I also don’t mind a matter-of-fact, stoic duo, but that comes with the caveat that sometimes scenes are going to feel slow and listless. It didn’t help that this was a very talky episode, and neither Hanazawa Hana nor Ishikawa Kaito ever raise and barely modulate their voices throughout all this talking. Yuuki Aoi breathes some energy into Souma, but I wager she’d be the quiet character on any other show.

The episode also seemed reluctant to demonstrate the characters’ special abilities (and didn’t even name one for Souma, who may well not have one); indeed, if one were to blink when Haruki whispers “Reset” in the wind, you’d miss her ability altogether. Yet on another level, it’s intriguing that such powerful abilities are presented so plainly and elegantly, rather than, for example, a CGI light and effects show, or even worse, floating TV screens.

Two things at which Reset excels is its ambient sound design, and it’s awareness of its leisurely pace, which it uses to drop a sudden twist at the end: that the little girl Haruki has been sitting with recently has actually been dead for seven years. I definitely want to learn what’s up with that and how such a predicament will be resolved (presumably by our duo), and so there’s a hook for continuing to watch.

The “cold close” apparently showing Souma (same hair and eyes) falling off a bridge to her death compounds that desire to see what happens next. Like Akashic Records, there’s potential, but I’m banking on the fact that neither show’s strongest episode was its first. Unlike Akashic Records, there’s a stiltedness to the cast that exposes the fine line between ‘subtle, deliberate’ and just plain dull and tedious. So we’ll see.