The doctor tells Bainos that Maya is not normal; she appears to be a Natura clone, not one of the designer clones called “Ideal Children” the population of Theseus is composed of. Bainos confronts Maya as Sam shows her around the shelter. Sam tells Maya he wants to defeat the Ozuma – the great sand whale – as a tribute to his older brother.
Not wanting to get Sam or the Bardanos crew involved in her problems, Maya sneaks away in a Fluke Fish. Sam follows her, but they’re intercepted by a Theseus submersible, and Gido recaptures her. Her cries seem to be answered by the Ozuma itself, but Gido escapes before it can do anything, leaving Sam to flee. He wakes up in the sand, and Mimei finds him.
Some of Maya’s many mysteries are revealed this week; as expected, her genetic profile is crucial to the future of her people, who are all clones (as opposed to Natura). As such, she has physical characteristics of Natura, only, different. The Bardanos’ doctor is concerned to the point she may believe Sam has brought them more serious trouble than they thought. She’s not just the president’s daughter, for instance. She may be their last hope.
We also got a clear look at the infamous Ozuma, which appears to be a massive machine of some kind (or perhaps something cybernetic). Sam wants to defeat it, but we don’t see how, unless they get that Monokeros thing working. It’s less of a quest for vengence than a quest to see if Sam has what his older brother (not father) had. He feels like he’ll never live up to his bro’s greatness unless he gives this Ozuma hunt a try. Maya, meanwhle, wants to meet with it for some reason, perhaps to tell her what to do.
In a future where the world has become a desert and oceans are sand, humans cling to survival in remote oases. Sand pirate Sam Coin seeks to bag an Ozma, the gargantuan sand whales that lurk beneath the surface. Instead, he comes across a woman being pursued by the Theseus military. He rescues her and brings her back to his home of Port Oase, and aboard the ship he serves on, the Bardanos. After a tour, Theseus ships return in force to collect Maya. Maya surrenders, but Bardanos Captain Bainas refuses to give her up, and orders the ship to dive into the sand using its Quantum Transition (QT) drive.
We’ve been watching sky pirates and space pirates, so why not sand pirates? The sci-fi world of Ozuma is bleaker than Aquarion, Lagrange, or Moretsu. When we first saw Sam Coin on his flying contraption, we immediately thought of Princess Nausicaa on her jet-glider. His hometown of Port Oase, with its windmills, is similar to the Valley of the Wind. The huge Ozuma, well, they’re like Nausicaa’s ohmu; mysterious and awe-inspiring, much like ocean whales. Sam Coin’s a archetypal good guy; if he sees someone weak being bullied by the strong, he’s going to help. Doing so nets him a beautiful but potentially troublesome fugitive in Maya (voiced by none other than Lacus Clyne), and irks his childhood friend Mimei (who also voices Aquarion’s MIX and Bakuman’s Iwase). We also like the tough Captain Bainas, who decides to protect Maya – who may have important info. It’s also a chance to thumb her nose at authority.
Frankly, we don’t have a problem with Ozuma’s borrowing of elements from Nausicaa, along with Gundam and Dune. Its character design and score are decidedly, unapologetically old-school. Side characters come in every shape and size, while the core characters all have different color eyes. It looks and sounds like the eighties, only the picture is crystal clear and in widescreen, adding majesty. Whether the nostalgia is intentional on the part of the producers, they’ve regardless crafted a wonderful setting and a fun and colorful cast. The throwback aesthetic is the icing on the cake. Ozuma will only run for six episodes, and this first one was also very efficient and got much of the introductions out of the way. We’re definitely looking forward to whatever comes next.