Hitsugi no Chaika – 02

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In addition to serving up a delectable buffet of thief/ninja/saboteur action, acerbic brother-sister banter, and giant steampunk tanks during the severed hand heist and the escape that followed, this episode provided us with more context about Chaika and the world, as well as trigger the commencement of the grand journey that lies ahead, to which I for one am very much looking forward.

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Contrasting viewpoints were as numerous as backflips herein: Abarth may be a hero to many, but the Acura siblings see him for what he is: selfish, arrogant, vindictive, and a would-be murderer of children. The un-murdered child in question, Chaika, is seen as a threat to peace in Verbist, for the simple reason that she’s the daughter of the “Taboo” Emperor Gaz.

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Gillette’s team of valiant badasses (who nonetheless get schooled by the saboteurs) seek to apprehend Chaika and the hand to preserve the peace they’ve won, but we learn the only reason Chaika is after her father’s remains is so she can give him a proper burial. But as simple as that task may seem, the nature of the man she seeks to make whole, and the sheer scale of outside opposition to her actions, means it won’t be an easy task to complete.

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In fact, it probably would have been impossible for Chaika alone. I like the equitability in the Acuras siding with her: she’s getting much-needed support in her quest, while they’re escaping the boredom of their postwar existence. They are what they are—sleek, intelligent, efficient weapons. Tooru is tired of hanging on the wall getting dull and rusty.

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With the arrival of Chaika in his and Akari’s lives, they’re suddenly useful again. These are all motivations I can get behind, and I’m on board with the burial goal, but as they collect(read: steal) more parts of Gaz, we’ll see if Abarth and Gilette turn out to be right. Even if Chaika has the best of intentions, it’s possible Gaz conditioned her to unwittingly aid his eventual resurrection…which I’m guessing wouldn’t be good.

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Hitsugi no Chaika – 01

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Well, here it is: my favorite first episode of the Spring so far, slightly edging out Mahouka. It sneaked up on me, too; I had no idea what I’d be getting into, but I didn’t think it would be so stylish, plucky, vibrant, and witty—words with which I’d also describe myself. From the first scene where Chaika pops out of the bushes, surprising the plant-foraging Tooru, who though she was a rabbit—I was almost immediately on board.

I will note that people may find Chaika Trabant’s clipped, concise manner of speaking will charm some and vex others, but I fall into the latter category; she’s cute without being too cloying, and as someone who uses so few words, she chooses and arranges them with that much more care, often to humorous effect. There’s also a wealth of physical comedy inherent in the enormous coffin she lugs around.

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I also liked being introduced to Tooru and Chaika as apparent models of incompetence, only to see them exhibit exemplary competence (and badassery) in taking down a very unpleasant-looking unicorn, which mutters in a strange language and gallops through the air upon magic circles. There’s a hefty Final Fantasy vibe to the world that really drew me in, yet still exuded an original and novel feel; a new twist, rather than a ripoff. That’s hard to pull off.

Like FF, everyone’s donning super-chic garb and have specific “jobs”: Tooru and his cool, acerbic sis Akari are quick, deadly thieves/saboteurs while Chaika is a gun mage, requiring her to stay still as she prepares her magic, making her and Tooru a good pair in the unicorn battle, during which some pretty awesome boss music plays; I thought the music excelled in general.

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Akari’s violent introduction in the town tavern was, for me, the comedic centerpiece that also managed to provide a lot of exposition; we learn that Tooru hasn’t been pulling his weight of late, and the sight of him chowing down with Chaika sends her on a hammer(mace?)-swinging rampage. It has the look and feel of a far more serious confrontation, and yet not only does Tooru dodge every blow, but the bystanders take Akari’s side to a man.

He’s clearly a capable fellow (like Akari) but lacks motivation, and has to be threatened with taxidermy to agree to help Chaika steal an article from a lord’s palace. Chaika is apparently the wandering daughter of the land’s defeated emperor. When the lord does a double take at the sight of her when he catches them in his palace. While her ultimate goals remain unknown, her chances of success will surely rise with the two Acura siblings at her side, and I’m looking forward to following their journey.

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