Yuusuke sleeps on a bench near the place where his father was killed. A trio of roughs beat him until another good-size guy breaks it up. His name is Taisuke, and he’s the boy who Kyousuke saved from being hit by a car. Taisuke still remembers what the dying Kyousuke told him, and he gives Yuusuke the bag meant for his deceased mother, containing a watch and letters for both her and his not-yet-born son. We also see the circumstances of his mother’s death, as Akane loses control and hits a doctor, who delivers Yuuske but can’t save Haru.
Like most of Sket Dance’s serious efforts, this episode flat out executes. There’s nothing fancy here, its a nice simple story of a kid coming to terms with the fact that certain information had been withheld from him his entire life. The shock of this info still raw in his mind, all he can do is run. He finds himself at the park where his father died fifteen years ago, and he lets punks whale on him almost as a messed-up therapy session. While he works out these issues in his head, everything else just seems peripheral. He’s not even outraged that the first passersby to witness his beating do nothing about it; they’d help, but they fear death.
Last week wasn’t all that clear about when exactly this took place in the Sket Dance chronology, but we learn that Yuusuke isn’t Bossun yet, and he hasn’t met Himeko or Switch and formed the Sket-dan yet, either. This is a Bossun we haven’t encountered yet; one who spent his time rifling through his mother’s possessions. Once he learns about his father’s selflessness and desire to help others, even at the cost of his life, and also realizes he’s not alone as his mother and sister are still just that, well, let’s just say this whole two-parter journey is what made Yuusuke into the Bossun we know and love listening to as he yells at things.
Bossun has started watching old video tapes he found in his mother Akane’s closet of her life when she was a young woman, along with her friend Haru and a guy named Ryousuke who looks just like him. His mother takes the tapes away, but the day before his birthday, he finds albums with pictures of the same trio, except none of Akane alone with Ryousuke. Confronting his mother, she tells him Haru was his biological mother, and both she and Kyousuke were killed in separate accidents, Haru when Akane was driving her to the hospital while she was in labor with Bossun.
Let’s get a couple things out of the way. First of all, in this Sket Dance world, there are way too many people doing 50 mph in narrow alleys with no regard for life. Secondly, if Bossun’s mother really wanted to keep the secret of Bossun’s parentage secret, she would have at least kept the videos and albums under lock and key, if not destroyed them. She certainly wouldn’t have left them sitting around waiting to be found. Kids go through their parents things, that’s a fact of life. Finally, the emotional power of the last moments of the episode were somewhat diminished by the same ol’ horrible ending sequence. This episode did away with a cold open; it could have had a unique, more appropriate ending too All that aside, this was more Serious Sket Dance, and the above hiccups couldn’t derail and otherwise excellent dramatic episode.
It was Bossun’s turn to have his past filled out, and we have to wonder if he wasn’t better not knowing the truth. Obviously the truth must always out, but what a frikkin’ truth – his mother isn’t his mother, and his real parents were both killed?! That’s just ridiculously depressing. Still, there’s one thing Bossun’s mother didn’t lie about – she did end up raising him and later Rumi as a single mother. He can be mad at her for keeping thetruth from him so long, but he shouldn’t be anything but greatful for her raising him as if he were her own, which he now is anyway. He’s not suddenly ‘alone’ just because he now has this information.
Car Cameos: Lots of Toyotas: a Vista/Camry Prominent almost brazenly murders Kyousuke and a little kid, and a Land Cruiser, Crown, Starlet, and Celsior are at the scene of the accident. There’s also a Nissan Cube and Fuga in an establishing shot. All the cars save the Windom and Starlet are later generations that didn’t exist in 1994, when the flashback takes place.