Demon Slayer: Kimetsu no Yaiba – 21 – Tragic Creatures

It’s always best to know about an enemy before they do bad shit and get killed for it, so Demon Slayer’s penchant for having the lives of demons flash before their eyes as their heads turn to ash isn’t the best approach for engendering sympathy.

Don’t get me wrong, Rui’s origin story is a sad one, especially how he misunderstood his parents’ intentions and how Muzan manipulated him, and I like how Tanjirou doesn’t apologize for sympathizing with demons who feel guilt and regret in their final moments, which Rui clearly does.

It’s less a matter of the content of Rui’s backstory and more a matter of timing. Call it Mount Nagatumo fatigue, but when Giyuu hacked Rui’s head off, I was ready to move on to other things. The episode, however wasn’t, and quite a bit of melodrama ensues.

Once Rui is gone, it’s basically cleanup time on the mountain, which is where the Kakushi come in. The unsung heroes of the Demon Slayer Corps, they provide a support role, treating injured frontline slayers like Zenitsu and Inosuke (who may now be facing a crisis of confidence) as well as the near-victims of the demons.

No sooner does Rui burn away than Shinobu swoop in to kill the only other demon in play: Nezuko. Of course, she’s not aware that Nezuko is different, and has been conditioned not to harm humans. She’s simply following her edict to slay demons, and when Giyuu stops her, she sites both the rules and repeatedly tells Giyuu that no one likes him.

Tanjirou and Nezuko makes a run for it, but they’re soon caught by Shinobu’s sister, who was part of the Final Selection and sports a very sweet boot-and-cape ensemble. Nezuko is able to get away and shrink herself to make for a smaller target, while Giyuu catches Shinobu and the pair prepare to fight each other seriously.

Thankfully, Crows from HQ provide fresh orders: they are to take both Tanjirou and Nezuko into custody and deliver them to HQ. That means for the time being, Nezuko lives. When Tanjirou wakes up, he finds himself surrounded by the Hashira (i.e. elite slayers).

Looking at these guys I couldn’t help but think of Soul Society’s Gotei 13 from Bleach, whose captains were a similarly eclectic, eccentric bunch who heavily personalized their shinigami uniforms. I look forward to meeting these weirdos and learning more about the Corps, while sincerely hoping the higher-ups don’t push for Nezuko’s execution or separation from her brother…

Rating: 4/5 Stars

Demon Slayer: Kimetsu no Yaiba – 20 – Arachnofamilia

It sure looked like Tanjirou beheaded Rui last week with his Hinokami Kagura Breathing, but alas; in the moment before Tanjirou’s strike hit Rui severed his own head with his threads, and soon reattaches it. He’s mad as hell, and Tanjirou is totally spent, but it’s okay that he can’t lift his hand, because Tomioka Giyuu arrives to finish Rui off with ease, using an eleventh form of Water Breathing.

From there we cut to the lone surviving member of the spider family, the elder sister, and we learn about how Rui built his family. Turns out all his family members were really weak demons with whom he shared his power—which also gave them the same spidery aesthetic. He used their fear to draw them in, an punished and even killed those who didn’t shape up.

The present-day sister once had an older sister who tired of Rui’s pointless charade, and vowed to run away, telling only her sister so she could join her. However, our present-day sister betrayed the other by leading her straight to Rui, who tortured her and strung her up to be burned away by the morning sun.

Back when Tanjirou saw Rui cutting his “sister’s” face, we didn’t know what was going on, but Sister’s face reverted out of fear once Mother and Brother were killed. It’s her first screw-up, but it isn’t her last. That honor goes to when she encases Murata in one of her yarn balls, which fills with digestive fluid that will liquify his clothes and eventually, him.

Murata is saved by one Kochou Shinobu, fresh off of curing Zenitsu. When Sister insists Rui made her kill the scant five people she’s killed, Shinobu has proof she’s lying, as she saw over a dozen of the yarn balls in which Murata is stuck, and estimates the Sister has eaten up to eighty humans. Shinobu agrees to be her “friend”, but only after she’s faced proper punishment for the people she’s killed.

Hayami Saori voices Shinobu like she would any sweet, friendly, kindhearted young woman, only the words she says are anything but sweet. I’d even say Shinobu relishes the chance to show off her unique Insect Breathing ability, whereas Giyuu is much more stoic and businesslike. You can hardly blame her; both her graceful dance-like movements, her delicate blade, and clouds of butterflies make for a hell of a show.

When the Sister realizes she hasn’t been beheaded, that Shinobu lacks the strength to do so, she believes she still has a chance to gain the upper hand. But she’s wrong, because while Shinobu didn’t behead her, she did poison her with Wisteria, resulting in a slower and arguably more gruesome and painful death. She doesn’t burn to ash, either; she’s simply dead, and Shinobu can’t be bothered to do anything but leave her corpse to rot.

With that, we jump back to Rui’s final moments, when he looks back to how he tried to regain memories of his humanity by creating a pretend family. But by now it’s a bit late to engender any sympathy for the guy, nor his treacherous sister who led her sister to a horrible death.

Unlike Nezuko, who has yet to even accidentally kill a human, these demons have long since forfeited any chance of mercy by preying on untold numbers of humans. They were living on borrowed time, and that ran out when they ended up on the wrong end of Giyuu and Shinobu’s blades.

Rating: 4/5 Stars

Demon Slayer: Kimetsu no Yaiba – 19 – The Unseverable Fire

Shinobu praises Zenitsu for holding out administers the antidote to the spider’s poison, Giyuu ties the injured Inosuku up for his own good, and that’s literally it for those four characters. The remaining runtime is spent exclusively on Tanjirou, Rui, and Nezuko, resulting in Demon Slayer’s finest episode to date.

After getting his head cut by Rui’s threads, Tanjirou tries to get close once again, refusing to take back what he said about Rui’s familial bonds being false. Rui reveals he is one of the Twelve Kizuki and unleashes a web of threads, forcing Nezuko to leap out of her box to shield her brother from wounds that would surely kill him.

This changes the entire complexion of the battle, as Tanjirou is no longer on his own, and now that Rui knows that Tanjirou actually does have such an unassailable bond with his sister, he carries her with him even though she’s now a demon. Naturally, Rui wants that kind of bond, but knows no way of attaining it except by stealing Nezuko.

When both Tanjirou and Nezuko protest and fight back, Rui suspends Nezuko in a web of threads that squeeze her limbs so tightly they threaten to slice her into bits, pulling tighter when she won’t settle down until she passes out.

Of course, Tanjirou can’t bear to see his sister so viciously treated—especially under the guise of Rui asserting his newly-established familial “bond” with her. Tanjirou digs deep into his Water Breathing and manages to unleash the Final Form, which is just enough to slice through Rui’s threads.

The only problem is that the threads are not at their maximum strength, and even if they were, they’re not as tough as Rui’s skin. Tanjirou simply cannot spin the water fast enough to be a considerable threat to Rui; worse, the attempt only makes Rui grow tired of the battle, and he strengthens his threads with his own blood to ensure Tanjirou will get sliced.

With Nezuko out cold and those deadly threads about to close around Tanjirou, his life flashes before his eyes, something Shinobu told Zenitsu earlier could be a person’s way of trying to find some way, any way, of delaying death by looking back on one’s life.

In Tanjirou’s case, he looks back to when he and Nezuko were happy little kids, both watching and imitating their father’s Hinokami (fire god) Kagura dance. Despite being frail, their dad was able to dance beautifully in the freezing cold thanks to a specific type of breathing which, along with his distinctive earrings, he vowed to pass to his eldest son.

Tanjirou only remembers that he has inherited Hinokami Kagura Breathing now because he has to; because otherwise death is imminent. Blue water turns to red fire which Tanjirou uses to slash away Rui’s reinforced threads on his way to the demon’s neck. However, he needs one more push, courtesy of a familial bond Rui doesn’t have, and thus could never truly defeat the Kamados.

That bond is expressed when Tanjirou and Nezuko’s mom urges the unconscious Nezuko to wake up, because she has to save her brother. In another first, Nezuko unleashes her own Blood Demon Art, “Exploding Blood”, which is exactly that. Her blood travels along the threads until it reaches Rui just as Tanjirou makes contact with his neck.

The combined powers of true loving brother and sister successfully decapitate Rui, who never knew what hit him. ufotable pulls out all of the visual and musical stops, from dad’s fluid Kagura dance to the climactic decisive strike. It all plays out like the crescendo of a full-length feature film, complete with epic orchestral score, and transitions into a unique credit sequence with images of the Kamado family united as one.