Kasuga gives in to temptation and takes Saeki’s gym uniform home with him. The next day the teacher reports the theft and requests info. On the way to the bookstore, he runs into Nakamura, who knows he took the uniform. She wants a ride, but he runs away, leaving her with his bike. He contemplates fessing up the next day, but he can’t gather the courage. Nakamura makes him meet her in the library where she ambushes him with Saeki, pushes him into Saeki’s bosom, and then tells him they have a “contract”: she’ll stay silent, but she’ll take “something precious” from him in return.
We decided to watch Oregairu before this this week, and you know what? Aku no Hana was the better episode tonight. Last week was very much a setup of Kasuga Takao’s existence, but we were left hanging with only our assumptions about what would transpire. This week he springs into action, letting his hormones get the best of him, hating himself for committing such a heinous sin, and of course getting caught in the web of the quiet, weird, sullen girl who get’s a very devlish grin on her face when she’s about to torture him.
I’ll fess up. I’ll apologize before Nakamura can tell everyone. I’ll give Saeki her clothes back tomorrow.
Of course, Kasuga does none of these things. Even feaing Nakamura squealing, he just can’t face the consequences of confessing. Nakamura gave him the day to do so, but he didn’t. She calls him a coward and weakling, and then she has him. Sitting directly behind him, perhaps she’s jealous of all the attention Kasuga showers on Saeki from a afar; she who has done nothing to deserve such adoration. Perhaps Nakamura even likes Kasuga, but can’t express it properly, so she’ll choose to bully him. Or maybe this is just how she gets her kicks. The fact of the matter is, Kasuga did do something wrong, and she’s not going to let him off easy.
For the second straight week the series proves adept at building scenes fraught with tension, both by the somewhat unsettling character design and the understated ambient score. The rotoscoped characters are jarring (whoa! They’re human-looking!), but we won’t deny it’s refreshing to see such realistically-proportioned and naturally-moving characters. It sets itself apart visually from anything else we’ve seen this year, and fits well with the whole uncomfortable vibe of this world. And that ED theme…trippy as shit.
Rating: 7 (Very Good)