Elaina fondly remembers a story from the Travels of Niké about a country separated into two halves by a wall. She shows the chiefs on both sides how to market themselves as the superior side: by having tourists and visitors etch their praise into the wall with blades.
Seeing Niké in this flashback resembles Elaina, I’m inclined to consider it further evidence her mom and Niké were one and the same, especially as her mom encourages Elaina to visit the country to find out who won the contest.
The thing is, over a decade later it’s Saya who makes it to this split country before Elaina. By then the outer coating of the wall has been weathered away by tourist praise, but the chiefs want to shake things up. Saya ends up etching her undying love for Elaina into the wall, and suggests that the townsfolk on both sides should do the same…it’s their wall, after all!
A little later, Elaina finally arrives, eager to see the wall and the results of the ongoing contest of the two sides…only to find a giant heap of rubble where the wall was. Turns out all that etching and erasing of messages by the townsfolk on both sides eventually causes the two sides to break through and meet each other.
By then no one remembered the source of enmity, and so decided to finish demolishing the wall.. This is great, right? Witches of two different generations (Niké and Saya) ended up being the catalyst for reunifying the country. The wall may be in ruins, but everyone looks happy. The sole exception is Elaina, who is disappointed she never got to see the wall, and also that the final score was an exact tie.
In a way, you could say Saya ruined Elaina’s childhood dreams. And in a final mark that the two are fated to reunite someday, the piece of rubble Elaina claims as a souvenir just happens to be a piece Saya etched “ELAINA” into!
A community separated by enmity is the basis of the second story, though instead of tracing history back to Niké, Elaina’s story is being told by a village chief who met her to his young son, while his wife stomps grapes in the background. Back when Elaina visited, the village was split into two: This and That. A bit on the nose, but fine!
Now of legal age, Elaina visited to sample the area’s famously delicious wine, but learns that That has begun dominating sales with a new label featuring Rosemary, a beautiful, buxom Grape-Stomping Maiden, and declaring the wine in the bottle to be made from grapes “lovingly stomped” by her.
Simply put, the villagers (or rather the male villagers) of This wish to recruit Elaina as a rival Grape-Stomping Maiden. Why don’t they just pick one of their own maidens? That’s never explained, though the women of the village are always in the background stewing ruefully (I imagine if they all agreed to withhold sex from their men, this childish nonsense would stop pretty quick!)
Elaina is given a charming red outfit to counter the green of Rosemary’s, but when she stops by the This side with a retinue of loyal That men carrying her on a litter, she most heartily laughs at Elaina’s “childish”, “thin” figure, deeming her unsuitable to lovingly stomp on grapes. That’s when Elaina’s confidence and competitive spirit kick into gear.
Technically, Rosemary is right: Elaina doesn’t lovingly stomp on the grapes…she hatefully stomps on them while screaming “DIE!”, as if she were stomping on Rosemary’s head. After a whole day of stomping, Elaina’s legs and feet are a wreck, but she only stomped enough grapes for maybe half a cask.
That’s when she becomes Witch Detective Elaina, thinking it fishy that That’s wine sells in so much higher numbers. Even if Rosemary stomped all day, every day (and she clearly doesn’t, since she had time to stop by This and trash talk them) she wouldn’t be able to stomp enough grapes. Elaina and the This Chief discover she’s sitting back and relaxing while all the men stomp the grapes at factory scale.
With Rosemary’s verbal barbs still stinging in Elaina’s side, she has a little revenge by tying up Rosemary and exposing the scam. But as she samples That’s wine for the first time, she admits it is indeed delicious. Then has another glass…then another, and before long, she’s drunk.
By this point the villagers of This and That have begun a grape-tossing fight, and when she’s hit in the grapey crossfire, she responds by launching a magical counterattack. Surely there are regulations against witching-while-intoxicated, but thankfully Elaina’s “grape bullets” only knock everyone out; no one is killed!
The morning after the grape fight, Elaina is gone, but the villagers of This and That eventually reconcile. The chief of This and Rosemary fall in love and marry. In the present-day where he’s telling the story to a kid, Rosemary is still stomping grapes, as beautiful as ever, and the grape-tossing festival is a tradition.
While Saya ended up essentially tearing down walls with her intense and heavy love, Elaina does so by getting lit and escalating an epic food fight. The grape maiden fetishism aspect is pretty gross all round, but both tales are lightweight, fun, and the visuals, as always, were beautifully executed, earning the episode an extra half-star.
Crow’s Episode 7 review is here!