Made in Abyss – 12

This week, while waiting for Riko to heal, Nanachi teaches Reg the “true nature” of the abyss, calling it, essentially, a physical, if invisible, trap of barbs that are easy to descend through but quite difficult to ascend. The Abyss itself is both something that doesn’t want anything going in, but also won’t let anything that does get in get out easily, or without exacting a toll.

That toll would seem to extend all the way tot he surface, where lil’ Kiyui (Kiwi) has come down with an awful fever; a growing trend that is claiming lives. When Girou (Gilo) takes him off the island onto one of the ships of the “Caravan Fleet” docked there, he recovers immediately, without any medical treatment.

It would seem that all that was needed was to get further away from the Abyss.

And yet Riko, like her mother Lyza, her mentor Ouzen, and Nanachi and Mitty, couldn’t help but get closer and closer. The longing to reach thebottom of the netherworld and discover its secrets is far more agonizing than any trap, predator, poison, or curse. It’s a curse in and of itself; an infinitely seductive world beneath the surface, simultaneously beckoning and warning.

Good News: Mitty isn’t trying to eat Riko, she’s merely being friendly, and as Nanachi says, uncharacteristically “emotional” toward a visitor (though it’s doubtful they have many other visitors). She also points out Mitty was once a girl like Riko, then demonstrates to Reg how terrible her cooking ability is, prompting Reg to commit to cooking for RIko once she wakes up.

Meanwhile, Nanachi uses a thin, transparent “fog weave” to very effectively demonstrate the physical qualities of the Curse of Abyss; how it morphs to take the shape of whatever it covers, and the consequences of recklessly bursting through it.

Back in the hut, we’re “treated” to one of the more disturbing sequences in the show: Riko, covered in a fleshy film of her own, sits in the pitch black darkness but for a hole, through which Mitty’s eye peers. Riko peers back, and hears not the cooing and moaning of the present Mitty, but the more lucid cries of the girl Mitty once was. Chilling.

Continuing her lessons, Nanachi places a device in Reg’s helmet so she can communicate with him in real time from afar as he responds to a call for help from a Black Whistle, who then bristles when he sees a mere child has answered and begs him to flee.

Of course, Reg isn’t an ordinary kid, and he has a score to settle with this particular piercer, so with Nanachi’s aid he reaches out and grabs the curse, (which the piercer uses to predict the future with its red “nose”) and fires Incinerator at point-blank range, forcing the beast to shed 80% of its quills and withdraw.

Reg calmly asks the stunned Black Whistle to relay a message to Girou up at the Belchero Orphanage: “They are continuing their adventure.”

Even being almost killed won’t sate Riko’s longing to continue, and Reg knows that, so whenever she wakes up and is well and strong enough to do so, they’ll resume their descent. Reg, grateful for all of Nanachi’s help, asks if she’ll accompany him and Riko on their journey.

It’s not that Nanachi outright refuses their offer, but has a request of her own that is more pressing: she asks if Reg will kill Mitty for her. We heard through Riko the misery Mitty lives in each and every moment; almost gone but not gone enough for it to not matter.

Barring some kind of miracle that could save her, killing Mitty would seem to be a mercy; it’s just that after what happened with them and Bondrewed, Nanachi hasn’t been able to herself do what she know needed to be done. She hopes there’s enough emotional separation for Reg to do it instead.

Hai to Gensou no Grimgar – 09

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This week wasn’t under any illusions about what it was: a day off, slowing the life of Haruhiro and his party to a crawl as they all take to the day in different ways. Ranta is off early to fish; Moguzo makes breakfast like he always does, and plans to see to his armor and sword maintenance; Shihoru feeds the birds (like Manato used to do); Yume sleeps in.

Haru is a little restless. After all that fighting and action and the routine they had established, he’s not sure what to do with this sudden glut of free time. So he visits Mary, who he finds resplendent on the balcony of the women’s lodgings, where men are okay to be.

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Mary recommends if the party members move out of the ratty default volunteer lodgings, the girls should come live with her. It’s hard to argue; it’s a sweet place. But she still thinks fondly of the old lodgings as the place where she started out with her previous party.

While waiting for a bite in the river, Ranta spots a figure on the cliff face: Yume is mountain climbing. Is this a skill she picked up as part of her hunting job, or is this a relfection of a hobby she had in her previous life? Regardless, Ranta looks spellbound, and along with Haru’s newfound comfiness with Mary is more evidence of how the couples would pair off.

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After wordlessly admiring the sun setting into the sea, Mary and Haru join the rest of the party at Sherry’s Tavern to plan their next move. Demuro is out for various reasons, and Haru is worried too much of the same thing could breed boredom and carelessness.

He’s thinking like a volunteer soldier: don’t get too comfortable, don’t get soft; find new challenges and become stronger. However, the place that comes to mind as a suitable new hunting grounds is the Cyrene Mine, and the mere mention of the place gets Mary upset to the point she has to leave.

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Whereas many times before he would have let her go, Haru is now in the habit of following Mary, not letting her think she’s alone in anything. When he comes, she’s clearly glad, but worries she’s become a burden to the party. Like Haru with the place where Manato was killed, a part of Mary wants to forget the mines ever existed.

But she also wants to move forward and face the mines, for herself and for the party. She just doesn’t think she can do it alone. If she had help from others, she might be able to do it. And she wants it to be him and the others. When she says she’s just causing trouble, Haru actually starts tearing up, though not, he thinks, because he’s sad.

Rather, he’s happy Mary wants the same thing he does, and she’s only mistaken if she thinks it’s not possible. When he brushes the tears away and says he feels stupid, Mary tells him he’s “fine just like that,” and thanks him for his support. Sorry shippers, no hug or kiss.

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The bulk of Haru’s physical contact this week, rather, comes from his master, Barbara, who beats the hell out of him in order to teach him her Spider technique. In the process of all the wrestling (and while sitting on him even as he takes a breather), Barb tells him to make one of the girls in his party his, preferably all of them.

Haru changes the subject to his ability to see enemies’ weak spots, and perhaps out of frustration from his inability to candidly talk about love, she goes at him even harder. Presumably some time passes and he masters the Spider skill, because the next we see the whole party in the mountains, poised to enter the Cyrene Mine.

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