Shokugeki no Souma 4 – 07 – Battle of the Two Queens

After a brief repsite, we’re on to the fourth and deciding bout, with Elite Ten’s top three (and only three still standing) facing off against three of the four remaining rebels. Souma sits this bout out. He’s earned it! First up: Momo vs…Erina! It’s not often we get to watch the God Tongue in action, and even the Central-loyal crowds acknowledge her general amazingness.

That, and the nature with which Megumi went after her, all conspires to put Momo in a foul mood, a mood she intends to improve by baking and confectioning her tiny butt off. I have to say, she’s awfully “lucky” she keeps getting theme ingredients that are perfect for deserts! She goes into overdrive, erecting a massive and ostentatious castle of roll cakes decorated with animal designs and exquisite ribbon candy.

It’s not all about showmanship and “cuteness”, however. Like her basket of roses, “big ass cake castle” is a simple concept, but excels in he little details, as a perfectionist patissier like Momo is wont to do. She even employed soy sauce as a rich and salty element in the whipped cream to accentuate the sweetness, similar to the similar tactic used with salted caramel.

Because the castle is so big, Momo is able to enchant not just the judges and Urara, but the entire audience as well, turning the Shokugeki into another opportunity to promote her celebrity. The judges are certainly impressed, and Momo uses everyone’s approval to stare down menacingly at Erina from the battlements of her fortress.

But Momo is sadly mistaken to underestimate her opponent. I mean, we’re talking about the God Tongue here, daughter of the current and granddaughter of the former headmasters of Totsuki. Whether the dish is savory or sweet, Erina knows what she’s doing, and not even Momo’s preternatural ability to assess the cuteness of flavors is any match for Erina’s culinary instincts.

Erina’s dish is, as you’d expect, much smaller than Momo’s, but packed with refinement. It is, at the end of the day, two pancakes with red bean paste in the middle—a dorayaki, like Megumi’s. But where Megumi didn’t quite transform the elements enough to beat Momo’s rose basket, Erina infused her knowledge of cuisine with the resourcefulness and willingness to stray outside the bounds of “what is normal” she’s gained from Souma.

The result of that fusion is an easy victory over Momo, who in an arrogance that has been rewarded all her life, presumed that she ruled over all things dessert. In fact, there were entire nations, regions, and worlds she not only didn’t have dominion over, but didn’t even know existed.

Megumi gave Momo a taste of those worlds and irritated her, but Erina beat her with them. Erina even acknowledges Megumi’s inventiveness by using the French version of her name, “Grace”, in the name of her dish. As for Erina admitting Souma inspired her, well, she goes right back to her tsundere safe place. But it’s a good solid victory.

Next up: Takumi vs. Rindou in a spear squid battle. In a final twist to make it harder on the rebels, this and the battle between Satoshi and Eishi will be judged by Azami himself, meaning Takumi and Satoshi will have to prove to him that his philosophy is wrong.

Oigakkosan’s Summer 2019 Anime Season Wrap-up

Arifureta began as a grim, visually unremarkable dungeon crawler, hinting at global conflicts and structures of political and social control… before devolving into guy-shoots-monsters-gets-harem-rinse-repeat. Pitting guns, missiles and motorcycles against orcs and wolves is tricky to make compelling, and Arifureta’s mediocre animation, slow plot, and constant battles doesn’t help.

Worse shows aired this season but few featured dragons being anally raped by the protagonist with a giant metal spike, nor said dragon joining said protagonist’s harem afterwards. However, and I’m going out on a limb here, even if this is up your personal kink, Arifureta’s PG-13 sensibilities probably wont go far enough for you. Niche at best, Barely Watchable for the rest of us.

Dr Stone is delightfully consistent with it’s focus on science process, over the top characters, and methodical plot to rebuild society from the stone age up. While its medium term objective (defeat super-strong/ super evil antagonist with science) has taken a back seat to gaining support of the villagers Senko discovered mid-season, its not forgotten.

We’ve learned about electricity, food chemistry, and glass as much as human nature, motivation and weakness. Hand in hand with lovable characters and charming visual style, Dr Stone is probably my most recommended show of the season.

Given’s relationship story is lovely, thoughtful, and matured with deeper issues of loss. The wow is in the details. From taking a dozen buses just to stand by the ocean, just to stand where you once stood with a close friend, to walking off stage after only one song, Given doesn’t over explain itself with dialog.  It’s solid but, like real romance, the best parts come from getting to know the characters. So I called it quits after episode six. Still, highly recommended

Granbelm finally developed an emotional core: Mangetsu is a magic puppet created by Ernesta’s subconscious desire to have a friend who isn’t an effed up mess. Also, despite earlier signs that losing wasn’t that big a deal, it has been revealed that girls die all the time in magic fights but no one remembers because… magic amnesia.

These are solid reveals and Mangetsu’s heart filled good bye to the cast (almost all of which immediately forget she ever existed) was strongly delivered. It just took way too long to develop. Combined with a dull pure evil villain, power levels that swing at the whim of the story, and Granbelm’s misunderstanding of what a mystery is (as opposed to just being confusing) and the show is only watchable.

Maou-sama, Retry! started off so absurdly bad, so generically Demon Lord/Isekai, that it had a certain charm. As it strolled forward, it took no greater objective than to introduce new characters to Maou’s harem, and forget about previous characters and potential destinations for the story. Aku hasn’t even been in the previous two episodes. The result is powerfully without purpose. It doesn’t care. You shouldn’t either. Barely watchable.

UchiMusume also suffers from a lack of purpose and follow through. For a show that features a central character who’s past is a mystery, and a hero who occasionally kills people for political gain, there’s an awful lot of wandering around aimlessly and eating food!

The result is harmlessly cute but smidgens of world building do not make up for a four episode long trip to and from a village to buy a new trench coat. It’s Barely watchable.

Arifureta: From Commonplace to World’s Strongest – 01 (First Impressions) – The Pit of Misery, Dilly Dilly!

Arifureta doesn’t bother with any light-hearted introductions or explanations into how Nagumo Hajime and his class ended up transported to a new, fantastical world, it simply plops us right beside him as he wallows in an abyss of despair. He’s weak, ineffectual, and his only magical skill is transmuting the rock in his immediate vicinity.

He was underleveled way further up in this labyrinth; now he’s prey for prey. When a giant polar bear-like monster with a tanuki face slices his left arm off and eats it, he retreats into a cavern of his own making and passes out under a healing holy crystal, bleeding and waiting for death.

Then and only then do we get some insight into how he ended up in this situation: he was on a quest in the labyrinth when a careless classmate touched something that transported them to a far more dangerous level.

He manages to save his classmate Kaori from a rampaging behemoth, but while the others cover his escape, one of them targets him directly, sending him plummeting into the abyss where we first meet him.

Kaori, who may not see Hajime as a love interest but still looks out for him, warns him not to come on the quest after she has an awful dream about him meeting his doom, but he convinces her to help protect him, and he’ll be alright.

Turns out her dream was prescient, but when Hajime wakes up in the abyss, in pain but still not dead, he decides to change his tune and pump himself up into Survival At All Costs Mode. First, he drinks holy water, then he captures a smaller monster and eats its raw meat, which ends up poisoning him and turning his hair white.

But that’s not all: in addition to his badass hair, Hajime’s muscle mass and stats have all increased, and he’s gained the skill of the monster he ate. Much like Rimuru Tempest when he first arrived in a new world as a Slime, Hajime uses the ample resources around him to continue leveling up and build weapons that will let him defeat ever more powerful foes.

It’s a very A-leads-to-B-leads-to-C procedural process, but one thing’s for sure, Hajime’s seiyu Fukamachi Toshinari stops sounding so annoyingly whiny and adopts a cooler voice to go with his cooler appearance and upgraded skill-set. It’s as if he had to fall into the deepest abyss (and get betrayed by a classmate) in order to awaken the will to become a stronger person in this world.

Armed with a pistol and grenade, Hajime locates the bearlike monster who ate his arm, and utilizes all of his new skills to tear its arm off and eat it, then puts a bullet between its eyes. Hajime is no longer messing around; he’s going to survive and get home, and he’ll kill anyone “in his way.”

Isekai shows are like American crossover vehicles: there are a lot of them, and most of them are exactly the same, but still others are actually good. I’m not quite sure what Arifureta is quite yet, but it at least distinguished itself nicely by putting us right beside a protagonist who had already literally hit rock bottom.

Aside from some glimpses of his elaborately kitted-out classmates and the awakening of a starving, red-eyed Loli, this was a stripped-down and minimalist outing that focused on one young man shrugging off death and despair and improving himself to the point he can climb out of the darkness.

I’ll see where he leads…especially since Youjo Senki taught me the dangers of passing judgment on a show after its first episode.

Akagami no Shirayuki-hime – 03

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As Shirayuki pays a visit to an overworked Zen and studies by his side as he catches up on some sleep, I’m reminded of a lovely scene from Whisper of the Heart in which the lead couple is simply quietly enjoying each other’s company in the library, exchanging looks of happiness and contentment. The connection is made stronger with orchestral music that calls to mind Nomi Yuji’s score from that film, one of my favorites.

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Things are peachy for Zen and Shirayuki…until, of course, they aren’t. Shirayuki isn’t kidnapped this week, but she is looked down upon by one of Zen’s liege lords, Haruka. A stern, authority and class-obsessed man, he will not tolerate Zen bringing in towngirls of low birth, and considers her hair color “vulgar”.

This guy has clearly painted a picture of a girl who wants to get something from the prince, and honestly believes he’s protecting the prince and his reputation, from her selfish feminine wiles. In other words…he’s a conclusion-jumping asshole.

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This asshole, and a lithe, ninja-like fellow named Obi he’s loosely allied with, conspire to keep Shirayuki out of the castle, but she manages to get back in before they warn the guards, to grab a book she forgot in the prince’s chambers. Once she realizes people who don’t speak for Zen and aren’t acting according to his will are messing with her, and her answer to that is to simply blow past them.

When Lord Haruka bars her way and tells her to leave, she invites him to join her to meet with Zen. He then draws his sword and names her an intruder…but asshole he may be, he doesn’t follow through on his threat to cut her. In fact, he seems downright flummoxed by Shirayuki’s utterly badass defiance. Despite having a sword in her face, she keeps advancing, until Haruka can only sheathe it, defeated.

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It is as Prince Zen told him: this girl is not the kind of girl to continually rely on the strength of others. She has her own strength, too, and she means to use it to become Court Herbalist so she can enter the gates of her own accord. She may be low-born (at least as far as we know), but Haruka saw a nobility in her resolve.

One could say her birth and her hair make Shirayuki someone who “makes enemies easily”, like Zen. But she couldn’t call Haruka an enemy, nor he her, because he didn’t know her, or what she was really doing in the castle. Now he knows: Shirayuki is a resolute badass.

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Akagami no Shirayuki-hime – 02

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The OP presages Shirayuki as a Court Herbalist of Clarines, but we’re not quite there yet; this episode opens on her job hunt as a new resident of Wistal, capital of Clarines. She learns there’s an annual exam to become a Court Herbalist, but she wants to educate herself about the herbs of Clarines, knowing that good medicines need good herbs need good land.

Prince Zen is delighted to get out of stodgy paperwork when she visits the palace, and he escorts her to the dock where she’ll travel to the mountain isle Koto to explore, but not before Zen remarks how their desire to learn more about their world and become better at what they do is very similar.

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But when two townsfolk talk about how unusual Shirayuki’s hair is (and what it could make them if sold), along with Shirayuki saying “she’ll be back by nightfall”, it’s pretty much a given that things aren’t going to turn out peachy for her on this trip. Sure enough, she’s captured by a young rogue named Mihaya, who—you guessed it—wants to make money off that hair.

Just when I was hoping Shirayuki would attempt escape as soon as she could, she does just that, sawing at the ropes, locking Mihaya in the cell, then using her knowledge of herbs to make a smoke that temporarily paralyzes him. This captivity represents a roadblock on Shirayuki’s self-decided road, with a detour to a road not of her choosing. And she simply isn’t gonna have it.

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She makes it out of the seemingly abandoned, labyrinthine castle, only to get cornered once more by Mihaya, who is now pissed off. He then gives her patter about how he’ll sell her to someone rich so she can live a comfy life of luxury. Unlike the last time she was kidnapped (by Prince Raj), she doesn’t give in, replying with a “Fuck That Noise” expression.

For this defiance, she’s about to take whatever punishment Mihaya is about to dish out, when Zen appears in the nick of time, which is just when we thought he’d arrive. Yes, the guy is rescuing the girl again, but Shirayuki is hardly a damsel in distress, demonstrating she did everything an unarmed person could have done in her situation. Also, she made things a lot easier for Zen by escaping from the castle.

I’d like to think if Zen hadn’t been able to make it, Shirayuki would have kept fighting Mihaya until she either escaped his clutches or he let her go out of exasperation. That’s how much faith I place in Shirayuki’s strength and resolve to travel her own path. She’s a fighter. I really like her!

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Zen also makes it clear, he’s saving Shirayuki not so he can use her as a tool, or a means to recoup a lost family fortune like Mihaya (I don’t particularly care about his story, he abducted someone, he deserves prison), but because he considers himself Shirayuki’s friend. And friends help their friends out when they’re in trouble.

Sure, I can see things being taken further than friendship, but like Shirayuki’s appointment to the Court, that’s yet to come. For now, Shirayuki resolves to watch her back, as her hair really does cause trouble; yet I like how there’s no discussion of dyeing it. Shirayuki isn’t trying to hide, she’s trying to better herself and live a free and fulfilling life doing what she loves.

Even before her trusty friends show up, those who threaten he freedom will find her a wily, resourceful handful. Bottom line: don’t mess with someone who doesn’t want to be messed with…and knows fifty ways to poison you!

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