Masamune-kun no Revenge – 12 (Fin)

Last week I predicted that Masamune would fill in for Kanetsugu in the Class-A play—a safe prediction, since that’s what came to pass. The show tries to be coy about it, what with showing Masamune arrive in the auditorium to see Aki already on the stage performing, and not immediately revealing his plan. But really, we all knew where this was going.

What I did not know was how much I would enjoy the performance scene, telegraphed as it was. Simply taking Kanetsugu’s place is no mean feat for Masamune in his ill and weakened state, but the well-rehearsed cast (which includes his master) catches on fast, as his fatigue is explained as the result of his “long journey.”

Back to another safe assumption: that Masamune would, in fact, give Aki a real kiss. I mean, how could he not, that’s what the role demands! But when Aki said the kiss would be “pretend” while waiting in her coffin, it all but confirmed to me that it wouldn’t be. It wasn’t a bad kiss at all, and it even compels Aki to do a little improvisation of her own, by decking him for stealing a kiss. Because he’s so weak, he’s out for the count.

Fast Forward to the conclusion of the festival (thankfully) as reps from both classes meet at a karaoke joint for the after-party. This is where the episode kinda stretches out and relaxes, and where it was clear, if it wasn’t in past weeks, that this whole Masamune’s Revenge thing wasn’t going to be wrapped up in just twelve episodes. The last half feels more like a self-contained OVA.

Which, yeah, makes sense. Masamune feels a lot of tension at the karaoke bar, and when his turn in the sing-off approaches, he’s hassled by Sonoka and Kikuon, warning he won’t be able to run away from humiliating himself at the mic in front of their mistress. But it’s Aki who scolds them and sends them off, taking his side. She later regrets it, as Masamune’s singing is so bad everyone looks dead by the end, and quickly clear out afterward.

At least that leaves Masamune and Aki alone together for one last scene, which is as nice way as any to close out the show. They exchange thanks and apologies, and Aki earnestly asks him what she should do as far as tokens of appreciation go. Masamune swings for the fences and asks for a kiss, and to his shock, she accepts.

Aki’s lips do come within less than an inch of Masamune’s, but she stops short and pops a baked yam (I think) in his mouth, provided by Yoshino, who just showed up to feed Aki. Aki feels they got “close enough for now,” and strides off, far more playful than aloof.

Thus, Masamune and Aki end this 12-episode run on pretty good terms. However, obstacles still exist. We know Kanetsugu is deceiving both Aki and Masamune, something Yoshino hasn’t informed her of. Neko doesn’t quite seem ready to give up now that she’s been given a new lease on life. And then there’s the whole matter of whether Masamune wants to actually exact his titular revenge and dump Aki once he’s earned her favor (eh, likely not).

I assume Masamune-kun no Revenge will be back…someday, to resolve these remaining issues. If it does, the show has earned my loyalty, so I’ll be taking a look. If it doesn’t, well…it was a nice, if incomplete, ride.

7

Masamune-kun no Revenge – 11

I’ll admit I am not the biggest fan of “school play” episodes, but MnR’s wasn’t just an admirably-paced example of the type, but also the most consistently funny and best episode of MnR yet. It’s a joke-laden, increasingly wacky series of unexpected events that build up to a denouement I can look forward to watching.

It all starts with Masamune worried about Class Rep Futaba’s sudden transformation into your typical overbearing director. At the same time, Kojuurou is just about sick of people treating him like a girl (even though he’s voiced by one, the great Hayami Saori), but glad that at least Neko doesn’t, leading to him kinda falling for her.

We also see more of Kanetsugu treating Aki so very nicely, but then revealing to us his true intentions. Obviously, he’s not the Masamune Aki knew as a kid (that’s the thin Masamune), so who is he? A fat kid Aki’s mom mistook for Masamune, assuming he’d never lose weight.

Because Kanetsugu’s once-rich family has fallen on hard times, he’s been tasked with restoring their financial standing to go with the prestige of their name, hence Kanetsugu pretending he’s the boy Aki once knew. It immediately makes his character much better because A.) now we know what exactly his deal is and B.) he’s not perfect, like everyone else in the show.

Everyone…except Neko. Neko is perfect. I guess you could call her health imperfect, but there’s nothing wrong with her personality. Back from her life-threatening illness and surgery, Neko hasn’t skipped a beat, and despite having her heart broken, would still like to be Masamune’s dance partner should he lose to the other play.

She also notices that he’s ill and takes him to the nurse’s office to rest (he spent a chunk of the night outside in his skivvies to prove how hardy he is, then caught a cold). Masamune can’t refuse her offer, should it come to that.

How could he refuse? Fujinomiya Neko is THE BEST, and this warm, caring scene is more proof that she wouldn’t be a consolation girl. KOJUUROU knows what I’m talking about, though his attempt to assert his manliness by speaking in a weird dialect only serves to confuse, not woo, an oblivious Neko. I know it’s a bit late for his development, but I like how Koujuurou is trying to escape his typecasting…even if it’s futile.

Aki’s self-appointed “personal guard” hatches a plan to sabotage Class B’s play, in the silliest way possible: Kikuon kidnaps Masamune, ties him up in a big mattress, and imprisons him in a storeroom.

That’s…pretty lame, not to mention unsporting and even cowardly, which is exactly what Masamune tells Kikuon, who, to her credit, takes his words to heart and immediately starts to have a moral crisis about what she’s doing…until she learns from Masamune’s call to Mari (and his poor attempts to hide it) that their prince, Kanetsugu, has also been taken hostage. Masamune only knows that he’s missing from Mari, but he knows that it was Master Yoshino who nabbed him.

I like how Masamune knows this, and how he’s right that it was Yoshino. They’re operating on the same wavelength, it’s just that she thought to do it pretty much the same time as Mari (who pitches a hissyfit when she thinks she’s bested), while Masamune, who we know is a tourist in these kind of dark dealings, only of kidnapping his counterpart as a tactic once Mari mentioned it had already gone down.

Still, Masamune isn’t all brawn no brains…though Kikuon might be, as he manages to get the slip on her by pretending to leap out at least a third story window.  She leaps out to chase him down, only to fall into a pool below and somehow not break several bones, while he’s hanging onto the window sill. Call it Kikuon’s Wile E. Coyote moment.

But you know what? I’ll allow it, because Kikuon is, if nothing else, devoted to Aki, for without even knowing it, doing something that made Kikuon feel good after a tough loss to someone who cheated: Aki turned the guy down and called him a coward.

Mari and Sonoka doubtless have similar stories that lionized Aki in their eyes…but Aki didn’t ask for their loyalty and devotion; she simply has it, whether it’s in her best interest to have it or not. I say this because she, like Masamune, wanted to perform the plays and determine who would win fair and square. It’s their proxies who complicated matters by playing dirty.

Well, the show will go on for Aki, with or without Kanetsugu (she considers his sudden absence at such a crucial time to be a repeat of abandoning her when they were little kids). I feel bad that Kanetsugu is deceiving her, while loving the irony of Masamune’s extreme physical makeover actually forestalling Aki’s falling for him.

Of course, with Kanetsugu still absent and Kujuurou sick of being treated like a princess, the solution for both Class A and B would seem to be clear: pair up Masamune and Aki. I hope they finally go there (it’s the logical path) and I also hope Aki finds out about Kanetsugu, be it from his being found out or from his own mouth.

Masamune-kun no Revenge – 10

Turns out the mystery fatty isn’t some stunted clone of Masamune, but Gasou Kanetsugu, who is, at least according to an apparently genuine letter, Aki’s betrothed. For now, it appears to be just a coincidence that he looks a lot like our “Pig’s Foot” if he never lost weight (or gained height).

Aki’s household accepts Gasou’s sudden claim, and when the next term starts, he’s a transfer student at the school. Unlike the hunky baseball ace, Aki can’t contain her smitteness for the round lil’ guy, much to the shock and consternation of her fan club, which consists of Sonoka (twin tailed loli) Kikuon (tall and sporty) and Mari (serious/dark glasses).

Even more gobsmacked is Masamune, who just dosn’t understand how this could happen just when he thought the path was clear (in other news, Neko’s surgery went off without a hitch and she’s back at school, though no longer pursuing him).

To his surprise, even his master Yoshino is at a loss regarding Aki’s new squeeze, and feels like she’s let her apprentice down, even though he doesn’t blame her.

There’s a tension that runs throughout this episode, once once accepts the suddenness and coincidence of Kanetsugu’s appearance. On the one hand, I can’t deny I’m on Masamune’s side, even though I know he only wants to win Aki’s heart so he can immediately break it.

Kanetsugu is a huge obstacle to that, but I can’t help but admire Aki not abiding by the typical norms of attraction, confused friends, fans and suitors be damned. Kanetsugu is a good kid, too. When Neko first showed up, I felt like she was hiding a secret, which turned out to be nothing evil.

But Kanetsugu doesn’t give off that vibe. There’s no ulterior motive here, beyond fulfilling his obligation as 17th-gen-whatever. In fact, he holds Aki in such high regard he dare not even entertain the possibility of getting romantic with her, either in the present or the future. He thinks he’s too far beneath her; in reality, she’d be just fine with that!

In any case, though she’s mistaking Kanetsugu for the younger, fatter Masamune, the fact is Aki likes what she sees, and her betrothed seems to have completely usurped thin Masamune from her thoughts. Her fan club, who gets a lot of screen time, also ends up allying themselves with Kanetsugu when he promises he has no intention of touching their goddess.

That alliance is somewhat undermined by Class Rep Futaba, who insists her class put on a performance of Snow White with Masamune and Kojuurou as the prince and princess, respectively. Mari, fan club member, and her class are putting on a Snow White of their own, only with Aki and Kanetsugu.

Masamune helps the two warring classes come to a compromise: both performances will be held, and the school will get to vote for the one they like best. It will also determine which “prince”; which Masamune gets to dance with Aki (though she herself isn’t informed of this wager).

If the pro-BL caucus propels our Masamune to victory in the drama battle, what then? How will he be able to wrest Aki from Kanetsugu’s pudgy clutches?

Sore ga Seiyuu! – 07

sgs71

More jobs have come for Futaba, Ichigo and Rin, to the point that they’re busy enough to end up in the same studio on the same day, not for their Earphones work but for three separate gigs: Futaba is dubbing a zombie movie with veteran Koyama Rikiya (and the rude guy who said she stunk way back when), Ichigo is reading for an audiobook, and Rin is doing voice work for a video game.

sgs72

Futaba is scared of the film’s horror theme, especially the fact one of her roles is a zombie, but eventually finds her footing, inspired by the always professional (and veggie juice-drinking) Koyama. Ichigo must adjust her voice to something less urgent than anime yet emphatic enough to get the point across. Rin has the strangest and most abstract job, simply firing off all her lines with no one else around, and even making noises for when her character receives small, medium, and large punches.

sgs73

While all three were nervous going into their respective jobs, by the end they’re all happy and confident in their performances. And while it’s raining when it’s time to leave the studio, Futaba and Ichigo remembered to bring umbrellas, proving they’ve grown since the day they had to share Rin’s due to poor preparation. That preparation and growth is also apparent, as both the rude guy and Koyama say Futaba did well, raising her spirits even more as they head to the wrap party.

So ends another funny, informative, and charming episode about the day in the life of new but increasingly successful seiyus.

7_ses

Sore ga Seiyuu! – 06

sgs61

Earphones are about to go through a very busy gauntlet of dancing lessons, recording, music video filming, events, and promotion for their first single, “Into Your Ears.” But before that, Futaba recalls the her of last year, who recorded a Drama CD with Kugimiya Rie (the show is on a mini Toradora! tear).

When she passes a video store and sees a display for an anime adaptation of the CD, she gets excited about having to budget her time even more, which feels pretty premature; it’s practically assured at this point she’s going to end up disappointed.

sgs62

Sure enough, she doesn’t hear from the producers of the CD when she should, and it’s Rin who inadvertently breaks the news to her in the middle of one of their radio shows: she, not Futaba, will be voicing Kugimiya’s little sister in the anime version.

Futaba is able to keep it together long enough to finish the show, but after that, she just needs to get away from Rin, and Ichigo, and everything. The show really lets us feel the sting of rejection, garnished with the extra shock of her friend and unit partner being the one usurping her.

It falls to her senpai Shiodome to talk her out of her funk, and I’m pleased to report Shiodome, while kind, isn’t overly or conspicuously kind, and it seems from her body language she’d prefer not to be so hands-on with her juniors, lest they not learn the lessons they need to learn. But in this case, Futaba had her idea of being a seiyu being a dream burst.

sgs63

Shiodome clarifies that it’s the audience that sees and hears the dream, not the seiyu. The seiyu make the dream possible through their commitment and professionalism, performing with everything they’ve got no matter what’s going on with their personal lives. And all seiyu, even TsundeRie and Hocchan, have felt the sting she’s feeling.

Futaba listens to her drama CD again and learns that the her of a year ago actually sucked, but realizes the fact she can tell is proof she’s grown, and demands more of herself. Expressing to Rin her jealousy and frustration with not getting the part, but also her excitment by what Rin will bring to the part, help clear the air.

For now, Futaba must focus on Earphones, singing and dancing her heart out. If she does well, she’ll get noticed, and other jobs will come.

7_ses