Subete ga F ni Naru: The Perfect Insider – 10

subf101

Last week came as close as Subete ga F ever got to being a 9, but this, its penultimate episode, finally breaks the threshold. It’s a great episode, make no mistake, but it wouldn’t have been possible without all of the careful preparations laid out by the previous nine. In the parlance of Sakurako-san, this episode is the product of “good bones”.

It begins with Saikawa communicating with someone he claims is The Doctor Magata Shiki, who invites him to “meet” her in the sensory deprivation chamber, which seems to be more than that, since it’s “hooked up” to the lab’s system in some way. Moe tags along, but notably, the environment she perceives is very different from Saikawa’s.

Where she sees a standard interrogation room—she wants answers from whoever or whatever this is, and justice; she is her police uncle’s niece to the core—Saikawa sees a idyllic beach cabana, complete with wicker armchairs and fancy cocktails. For him, then, this isn’t the harsh grilling of a suspect, but a casual and stimulating conversation with a very unique individual whose intellect he admires at least as much as Moe admires his.

subf102

Because “the game is over” now, Shiki is willing to answer whatever questions come her way, but would obviously prefer if Saikawa figured them out for himself; again, just as Saikawa prefers not to give Moe the answers. Saikawa finally determines what “Everything Becomes F” pertains to: in the hexadecimal code of Red Magic, “FFFF” is the highest number possible: 15 to the fourth power, minus one. This was the timer Shiki built into the system that allowed her crimes to take place.

And I say her crimes, because Saikawa is fully confident this isn’t Shiki’s daughter, though that’s who became her public face once she was old enough; and the face Moe saw in her interview. Instead, it was Shiki who killed her daughter, de-limbed her, then escaped (made possible when “everything became F”), went to the roof, and killed her uncle and lover, Shindo.

Why did she kill her daughter? She says she wanted to be “free”, as in completely bereft of all worldly or material considerations. The freest free there can possibly be (at least by human perception) is death; the release of whatever it is inside us from its vessel, or our bodies. The plan may have gone the other way, but when Moe asked her “Who are you” it caused her daughter to hesitate.

subf103

“Becoming free” was also something Moe considered in her darkest hour, but she didn’t go through with that, because, for one thing, she had Saikawa with her. Shiki’s daughter had only a choice: be the seed that thrives as the flower that bore her wilts, or die so that the flower can live on.

Saikawa is in awe of her whole plan, along with the place she “takes him” next. After revealing to Moe that the real Shiki is likely communicating with them from some remote terminal, Moe is kicked out of the fantasy, and it’s just Saikawa and Shiki on a sandbar, then in a clear, deep blue sea.

subf104

A part of Saikawa clearly feels kinship to Shiki in her “disinterest in the material world”, and wants to stay in that peaceful void with her forever. Shiki seems flattered, and impressed with how far he’s been able to figure out, but she eventually takes her leave of him, though promises she’ll “come to him” one day.

With that, Saikawa awakens to a worried, then relieved Moe. The autopsy of the body shows no signs of pregnancy, confirming the daughter was murdered.  Saikawa then asks Setsuko to describe the people she saw board the boat off the island. Looking back at episode 9, sure enough, a woman in a purple dress, Miki, was among those embarking. Only Saikawa now knows that Miki wasn’t Miki; “Magata Miki” never existed.

subf105

Returning to the room where he conversed with her in English (as Preston said back then, and I agreed: the content of their talk was wonderful, it was the bad English that really hurt the scene), Saikawa finds a note from “Miki” drawn on the painting with lipstick: “See you soon — Dr. Saikawa.”  As we’d suspected, Miki was really Shiki with a haircut, and the fiction that her isolation had halted her growth and aging was perpetuated by using her daughter as a decoy.

All Saikawa can do is step back and admire Shiki’s genius, as we watch how it all went down: how Miki arrived on the rooftop, how Shindo received her lovingly and knew exactly why she was there; and how they shared one last kiss before she drove the knife into his neck. Then she hopped onto the next boat off the island and disappeared, only to resurface at a time and place of her own choosing. As Saikawa says, nobody ever had a chance against her.

When everything became F, she had the perfect insider.

9_brav2

Subete ga F ni Naru: The Perfect Insider – 09

subf91

This is Hannah filling in for the Magical Churl, Preston.

This week Magata Labs opens up; not only do the police arrive, but so does Moe’s rival in love, Gidou Setsuko, whom we hadn’t seen since the pilot. Not only does she make fast friends with Shimada (though later denies it as they get drunk together), but she also wastes no time effortlessly pushing Moe’s buttons by describing how Sohei uses her place “like a hotel.” Moe, a brilliant but very emotional young woman, finally purges the thought her man actually did as Gidou claimed.

subf92

With the police there, and unwilling to maintain the fiction that Magata isn’t alive for a week, the time to solve the locked room murder mystery grows short. After looking at the video files and the code that recorded and compressed them, Saikawa has a pretty good idea what happened, and encourages Moe to deduce it for herself rather than telling her.

She comes up with the theory that Magata Shiki entered the room with child, and the child she’d give birth to was the one who murdered her. But he still doesn’t know how that child left the room, when there’s no record of it. That is, until Moe provides a spark to a new line of thinking, as she promises she’ll solve the case “more or less” by 7:00 PM.

subf93

That “more or less” gets Saikawa thinking about how the release of Red Magic and the more recent blackout effected the labs’ clocks. Turns out they were delayed by a minute, so when the system went back on, a minute of footage was overwritten—the very footage of Shiki’s daughter leaving the room.

It was just a minute, but it was all she needed. Saikawa rushes to Shimada to confirm, to find her drinking with Gidou. And you have to hand it to Horie Yui and Hikasa Yoko, they know how to shoot the breeze while downing brewskis.

subf94

One of the final pieces of the puzzle comes when he and Shimada do some hacker stuff (I’m no expert) and find some suspicious code many tens of thousands of hours ago governing Dr. Magata’s door. Saikawa then avails himself of Moe’s talents, asking her to multiply 256 by itself, then calculate how long ago 65,535 hours before 7:00 AM two days ago.

It only takes her a few seconds to determine it was Feb. 10, 4:00 AM, seven years ago: the day and time Red Magic version 4 came online. And that version was always meant to go haywire exactly when it did, orchestrating the events that led to the murder of Magata Shiki and Shindo. This is one of the always-adorable Moe’s finest moments, and she savors all the profuse praise Saikawa sends her way.

subf95

When Moe’s uncle arrives at the lab, it’s past 7:00 PM and time for Saikawa to make his presentation on the locked door murder. Specifically, he intends to tell the killer herself, thereby inducing a confession due to said killer’s pride. That killer would be “Michiru”, the alternate personality of Magata Shiki, who now resides within the lab’s computers.

In effect, Shiki got what she always wanted: she shed her limiting physical body. And now she’s finally “meeting” Professor Saikawa. We’ll see if he’s able to impress her, as Moe impressed him (and me, and everyone else) with his brilliance. And let’s not forget this latest epiphany only came because Moe mentioned how it didn’t really matter whether his watch was off or not with regards to solving the case by or around 7.

8_brav2

Subete ga F ni Naru: The Perfect Insider – 08

subf81

After spending much of the previous episode apart, this episode almost revels in pairing up Moe with Saikawa once more. With dawn approaching and the police soon on their way, Moe believes she can get her uncle in the police department to keep Shiki’s murder a secret for the length of time the lab needs; that way no one has to lie. Moe goes to the roof to try to determine how Shindo’s killer could have gotten on or off the roof from the outside, but more than anything she’s just happy to be with Saikawa.

subf82

As for that sunset, it’s a really lovely scene during which the sky gradually lightens and the sun comes up over the trees as Moe and Saikawa lean on the rail, enjoying each other’s company. Moe talks about how she hurt her when she lashed out in her mad grief all those years ago, but Saikawa never held it against her; “glasses can be fixed.” It was more important to him that Moe knew she wasn’t alone, even though her parents were gone.

subf83

The pleasant domestic theme continues when Moe takes a shower and Saikawa makes a hearty breakfast of bacon & eggs, and then Saikawa lets Moe doze off for a few hours, then for the two to keep each other company during a slightly scary blackout as the lab’s computer is rebooted.

Saikawa notes how differently he and Moe think: he sees the path and carefully walks along it to find the answer, while Moe grasps at random facts and tries to make connections. Saikawa implies Moe has much to learn, but can’t deny that she presents ideas that he wouldn’t have come up with. They make a good team.

subf84

With Moe, who feels much lighter since  by his side in the dark as he puffs away at a cigarette, Saikawa comes upon what he believes to be a truth that may turn everything on its head: the Magata Shiki Moe spoke to via teleconference wasn’t really Magata Shiki. The episode also brings up the possibility of passing Miki off as Shiki, despite being taller and more filled out…but what if Miki IS Shiki?

What if that whole English conversation Saikawa had was with Shiki? Could the whole “sister” thing be one long con? Or, even more distrubing, did Shiki cut off Miki’s longer limbs to pass her corpse off as her own, thus faking her death? Shiki considers bodies mere containers, so she’s definitely capable of it.

All this time I’ve been operating under the assumption Shiki was definitely dead, even if a part of her still existed in, say, the computer system. But now even that fact is in dispute. If Miki is Shiki, that’s a whole new ballgame.

8_mag

Subete ga F ni Naru: The Perfect Insider – 03

subf31

I went into this episode hoping for some answers but prepared for more questions, and got both. First, the indisputable answers: the figure in the wedding dress on the robotic cart is, in fact Magata Shiki. Magata Shiki is dead, and because her arms and legs were amputated, someone murdered her.

The rest—how she was murdered when no one went in her room, nor did she ever leave, in fifteen years—remains, well, a mystery. To say nothing of the identity and motive of the killer.

subf32

As a result of encountering Shiki’s delimbed corpse, everyone, including Saikawa and Moe, are in a bit of shock; not knowing quite how they feel, let alone how they should feel. But Saikawa and Moe are also two uncommonly smart cookies, so they soon find a bit of solace from the horror before them in trying to unravel the mystery that comes with it.

The geography of the room and its apertures (one big, one small); the impeccably-kept surveillance tapes spanning a decade and a half (they didn’t rewind-and-reuse, like convenience stores); the custom security system called “Red Magic” that is so flawless, last week’s error seems planned; there’s a lot to sift through, and Saikawa attempts to do so; sucking down cigarette after cigarette in the process.

subf33

Then Director Shindo arrives on the island via helicopter with Shiki’s younger (but notably more adult-looking) sister Miki, who is shocked to learn Shiki is dead. Moe, while going over in her head the part of her video conversation with Shiki relating to her feelings for Saikawa, thinks it somewhat coincidental that Miki, the last surviving Magata, should arrive around the same time her sister is found dead and mutilated.

For the record, we also learn how Moe met Saikawa (when she was a fifth grader) and why she developed feelings for him (he was the first adult she ever met who was smarter than her). The implication is, her towering intellect had made her hunger for stimulation; for a challenge.

While she initially hated Saikawa for being smarter, she clearly now sees him as a means for her to exercise her intellect. He expanded her humdrum world, by doing nothing at all but existing.

subf34

It seems like Moe is about to mention something about her (deceased) parents, but Saikawa is concerned with how late Shindo is; when they return to the helipad, they find him dead from a knife to the back of the neck. It’s another surefire murder,  and just as Shiki never left her room, he never left the helicopter cockpit, and only used thumbs-up from inside. Perhaps the killer was there all along. But then what’s Mika’s part in all this?

Even more intriguing—and more than a little, well, wrong—is another monologue by the director accompanying another flashback (the one in the car last week was indeed a flashback involving a younger Shiki). This past Shiki is confirmed as only thirteen, but as he puts it, it’s “a long thirteen years”, in which she absorbed and retained everything she possibly could, and now wanted to “lose” something…which is pretty heavily implied to be her virginity.

It was up to Shindo, the adult in this situation, to put a stop to whatever was going on in the car and Ferris Wheel, but for various reasons, he couldn’t. Now both he and Shiki are dead; murdered…by who? How? Why? We’ll need quite a bit more ‘expository dialogue’ to find out.

7_brav2