Re:Creators – 13

One thing on which Oigakkosan and I can agree is that one of the best scenes of Re:Creators to date comes at the end of the very first episode: a smash cut from the serious end credits to the newly-arrived Meteora and Celestia going on a convenience store snack spree on Souta’s dime.

It’s a successful scene for so many reasons, among them that it establishes the clever fish-out-of-water dynamic that was later largely abandoned once the battle with Altair began in earnest.

It was also a strong indication that the creators of Re:Creators had a sense of humor, and unlike some Troyca shows, wouldn’t mind cutting loose and having a little fun from time to time.

Aside from some in-show commentary from Chikujouin Magane, Re:C hasn’t done as much as either Oigakkosan or I wanted with the potential established in that first episode’s final scene. Heck, they even killed off my favorite Creation at the time (Mamika), the one with the most ridiculous attacks and sound effects.

Fortunately, and quite to my surprise, that cheeky, mildly self-deprecating tack returns with a vengeance in this, the ostensible recap. It turns out to be more of an Osterreich recap, as Meteora delivers a fun and amusing fourth-wall breaking commentary, even embellishing her own importance and appearance in the story.

Where her potential had been somewhat dulled by being trapped in the show, with Meteora free to discuss things like the synopses of the various characters’ anime (often lifting it verbatim from the official websites), she morphs into a neat audience surrogate, and share her opinions on how things have gone thus far the normal format of the show wouldn’t allow.

The show’s willingness to pull Meteora, the talkiest of the talky creations, out of the world of the show and into ours matches the premise of the show, and reestablishes that first episode potential by making sure my smile rarely leaves my face throughout her recap.

Initially portraying herself as far “sexier” than she really is; taking great pains to explain why Celestia lost her first battle against Mamika so badly; criticizing Yuuya and Alice (AKA Grasshopper Glasses and Muscle Brains) for so easily falling for Magane’s deceptions; it’s all great stuff.

At the same time, we’re getting little glimpses and tidbits of their stories before they became a part of Re:Creators.

After appearing again as a statuesque, scantily-clad pool hustler (with the other characters represented as balls), Meteora saves her most biting verbal venom for the show’s villain, Altair, tearing her character design apart as needlessly, annoyingly complicated, and suggesting that the producers change her outfit to a tracksuit and sandals (which we unfortunately never see, but which I’m sure a fan will draw at some point). Badly karaoke-ing “World Etude” was also a nice touch.

In the final scene, we’re back in the conference room from the previous episode with all the characters assembled, everyone but (regular-looking) Meteora frozen in time while she walks around with a spotlight above her.

Here, before returning us to the “normal format” and those final moments of the last episode in preparation for the show’s second half, Meteora aims to assure those who are concerned about the future of Re:Creators that, far from a sign of diminishing quality and an “industry in crisis”, this recap was always meant to be.

As a recap, it succeeds in going over the various players, where the sides stand, and what’s at stake. But what makes it a far better recap than I could have imagined—and a more effective episode than some of the normal format ones that preceded it—is its willingness to let its hair down and have some fun with its admittedly cool premise.

In doing so it demonstrated bolder, more creative thinking, and gave me fresh hope the show will find its second wind. One thing’s for sure: I’ll never watch Meteora—or listen to her many measured words—the same way again.

Tsuki ga Kirei – 06.5

After Chinatsu’s request to confess to the same boy Akane is dating, Tsuki ga Kirei hits the pause and rewind buttons for a “the road so far” recap. BAH!

The only thing to note is that after six episodes of a highly-filtered live action Shinto cultural dance sequence in the middle of the OP, it looks like they finally got around to animating it (see above).

Alas, there’s no new story until next week. Booo :(

Sousei no Onmyouji – 14

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After last week’s big battle and catharsis, we were due for a break at the show’s midpoint. SnO tries to make the recapping medicine go down easier by surrounding it with Tanabata festivities, but they only comprise about half of the episode, making this a half-recap requiring lots of fast-forwarding.

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The Tanabata content also rehashes Rokuro’s triangle with Benio and Mayura, but there just hasn’t been enough of Mayura for me to harbor any hope whatsoever that Mayura will have any success in that arena, despite the wish on the back of her tanzaku.

As for “Ohagi-Man”, the bit is funny at first (especially Rokuro’s running commentary), but grows repetitive fast. Checking in on the various adults guiding Rokuro and Benio doesn’t really result in any new insights; they’re just here to recap what’s happened.

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The episode ends on a nice note, with both Rokuro and Benio, having procrastinated what to wish for all night, gaze up at Altair and Vega, and both privately wish for the same thing: to become stronger with one another.

It seems they will certainly have to become stronger, with many foes and battles looming on the horizon. But whether they’ll ever become a true couple capable of producing a child—the Miko—is not addressed here.

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Attack on Titan – 13

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The episode that marks the end of the first half of Attack on Titan also, mercifully, marks the end of the interminable Battle of Trost. It’s an episode full of big, great, “Hell Yeah” moments. One of those is when everyone, believing they’re all at death’s door, suddenly stops what they’re doing and listen to the steady, ominous footsteps. Clearly they’re from a Titan, but it’s when they see the boulder moving that they know it’s their Titan, Eren, finally doing what he’s supposed to be doing.

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Finally, with the mission on the right track, everyone knows what to do: Eren must be protected at all costs. If he is swarmed by Titans again and God forbid, drops that boulder, it really is all over. Mikasa for one, is clearly not going to let any Titans get near him, belting out a primal war cries as she cuts them down one by one.

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Another great moment is when Eren finally gets to the broken gate and slams the boulder in place, kicking up a huge cloud of dust. All the torment of the arc’s past episodes seems to be worth it; for the first time, the humans can truly claim victory over the Titans (albeit thanks to another Titan). Rico admires Eren’s handiwork and is staggered by the enormity of what just happened. An most importantly, none of the hundreds of soldiers who fell today died in vain; they all died so that the gate could be sealed and the district saved.

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But there are still a good number of Titans still within the walls, so as much as everyone wants to stand down or pass out from exhaustion, there’s still a battle to be won. Fortunately for Mikasa, Armin, and a freshly-extracted Eren (it seems to get tougher and tougher to separate him from the Titan…uh-oh), the cream of the Scout Regiment arrives, confused by what the hell just happened, but ready to mop up. Captain Levi’s movements in particular are like nothing we’d seen in the battle before, even from Mikasa.

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With the last of the Titans dealt with, the butcher’s bill comes in: over 200 dead, nearly 1,000 wounded. It’s up for the soldiers like Jean and Sasha to gather up the bodies (or what’s left of them, having been horrifically spit up by stuffed Titans) and burn them before an epidemic finishes what the Titans started. It’s a ghoulish, traumatic business that ensures there won’t be any celebration for this first victory; not while one is surrounded by the stench of the burning remains of comrades.

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The final big moment of the episode, which paves the way for the second half, is when Eren wakes up behind bars, chained to his bed. He may have been the linchpin of the operation that saved Trost District and Wall Rose, but he’s still a potentially dangerous and unstable element, so the bars and chains are a wise precaution.

Fortunately, it would also seem that his captors hew more towards Pixis than Woerman, with actions driven by reason rather than fear. The commander of the Scout Regiment, flanked by Levi, simply asks Eren what he wants to do. If they’re to investigate Dr. Yeager’s secrets, hidden in the basement of Eren’s now-destroyed home in Titan-riddled Shiganshina, having a Titan on their side could prove as decisive as it was in the battle of Trost.

Eren wants to join the scouts and drive the Titans out. That impresses Levi enough to decide to take him under his wing. With a clear path set for the second half, and an interesting new master-student dynamic, I’m looking forward to seeing how things shake out with Eren, Levi, Mikasa, and Armin.

As for the other members of the 104th? Well…aside from Sasha and Jean, they haven’t made much of an impact for me, and even those two are a bit muddled. IMO AoT has most effective when it has resisted the urge to give every single character their two minutes in the sun, and instead focused on the core trio.

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First Half Pros/Cons:

Pros:

  • Richly-rendered world with well-defined scale and complexity
  • Palpable atmosphere of large-scale despair, desperation and futility
  • The Titans stike a weird balance of terrifying and cute
  • The Eren/Mikasa/Armin dynamic works very well, with each character contributing a unique strength
  • Mikasa is the undisputed star, cool outside but all churning emotions inside, making it all the more awesome when they break out

Cons:

  • Front-loading of episodes with recapping and retracing to start episodes
  • I’m sure the creator/producers thought through the 3D harnesses, but it still took a while to get on board with the fact they actually worked, and how
  • The supporting cast is generally bland, amorphous, and served mostly to steal valuable time from main triad
  • Excessive explanation combined with camera cutaways from overt gore suggest the targeted audience is younger than me
  • The show suffers from inconsistent pacing; the Trost battle went on far too long

Attack on Titan – 12

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After another extremely long and annoying (for someone semi-marathoning) recap of What’s Happened So Far on AoT, we return to the situation in Trost: Eren has transformed into a Titan, but he’s useless. All he manages to do is blast both of his fists off going after Mikasa, who insists to her CO Ian that Eren is “family”, not her boyfriend. Your blushing says it’s more complicated than that, Miss Ackerman.

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She suspends herself in front of his face and tries to reason with him, to no avail, so the episode, like many others before it, is more about what happens when things go wrong than what happens when they go right. But to the credit of Ian and the elite squad with Mikasa, the mission to protect Eren, even though he’s currently useless, takes precedence over their own lives.

Rico is angry about it, because he doesn’t think Eren is worth it, but he still obeys orders. He doesn’t let The Fear overcome his discipline. Instead, he resolves to go out fighting, showing the Titans what they’re made of. Elsewhere in the district, Jean tries to keep it together and prove—more to himself than the others—that he has what it takes to be a good soldier.

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Every minute Eren is out of action, dozens of soldiers both fit and unfit are being slaughtered and/or eaten by the growing horde of Titans. Pixis admits that he and he alone is responsible for these deaths, but is willing to be called a butcher if his actions save humanity.

Even though the elite squad signaled failure, he’s not throwing in the towel. Of course, one could say a great many of these soliders were going to die whether Pixis hatched this cockamamie plan or not, and one would be correct. If they do nothing, humanity is eventually going to be toast, to a man. So why not try something?

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Speaking of which, when Mikasa’s verbal pleadings fail to rouse Eren (who is stuck in an idealized dream in their old house in Shiganshina with his still-alive parents), it falls to Armin to try something else. Remembering the location from where Eren emerged was the same as the weak spot of all Titans, he digs his sword in, nicking Eren in the arm, and yells at him through the opening to wake the fuck up.

Again, AoT demonstrates why Eren and Mikasa alone can’t survive; it takes Armin’s extra perspective. Mikasa never would have risked harming Eren by stabbing him in the neck, but that’s exactly what needed to be done to snap him out of his blissful but self-destructive fantasy. Now that he’s awake, we’ll see if Eren’s able to exert enough control to pick up that boulder and seal the gate. Better late than never, right?

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Takanashi Rikka Kai: Chuunibyou demo Koi ga Shitai! Movie

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So, we finally got around to watching this movie, which is a suitable substitute for the first season, as it’s pretty much the first season (our reviews here) on fast-forward, complete with a few awkward cuts from one episode to the next. The conceit is that in the time before Rikka knows whether she has to move away or will be able to live alone above Yuuta, she retells her story to the audience from her perspective.

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The only problem is, aside from the sequences that bookend the film and a couple narrations, there’s nothing different from the events that take place here and the way they unfolded in the first season. It would have been interesting to see more new material from that time, rather than simply rehash it all in abridged form. Thus, this film is kind of a let-down, but only for those who went into it not knowing what it was going to be.

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For those who want to be brought up to speed on how Yuuta and Rikka fell for each other and ended up living alone together (however briefly), this film does the trick, though certainly nowhere near as efficiently as, say, Kill la Kill’s excellent cold-open recap. For those like us who thought there’d be more original material, it was still enjoyable to go back and be reminded why we liked the franchise so much we eagerly awaited its sequel, which is proving just as good.

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As for the original material, the ending, in which Yuuta (along with Touka) have to go to bat against Grandpa Takanashi, and it was great to see Rikka’s moment of jubilation upon learning they succeeded. But the star of this film is the entire pre-opening credits sequence: a gorgeous, lavishly-animated wedding-slash-battle that’s really just a Rikka daydream. If you’re not interested in a gorified season recap, we still recommend watching at least this first bit of the film, which is a great microcosm of why we love the franchise so much.

Monogatari Series: Second Season – 06

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Unfortunately, this episode is naught but a recap of the 4-part OVA Nekomonogatari (Black), our reviews for which can be found here.

Potentially even more unfortunately, this episode referred to itself as “Summary 1”, saying “Summary 2” was to follow. Another recap? Ugh…

(No Rating)

Ginga Kikoutai Majestic Prince – 12

Kugimiya Kei, Irie Tamaki

Izuru, Asagi, and Suruga have days off while Tamaki and Kei go on a PR tour with Peko. Izuru works on his manga and tries to show it to the pit crews. Asagi spends the day shopping with his pit crew member Anna. Suruga spends the entire day doing EVA with his crew, waiting for a countdown to end and a ship to appear. Tamaki and Kei go from photo op to photo op, wearing various costumes and helping to promote the GDF.

It would be…generous to say anything of consequence happened this week. This is a two-cour series, which means there’s going to be lightweight episodes like this, particularly after the revelatory, action-packed battle of last week. These kids need a break, but interestingly two of them don’t get one. The ladies are pressed into P.R. service, which strikes us as a little unfair. Why do the guys get to do what they want while Tamaki and Kei endure a dizzying schedule of photo ops? We don’t know, but the ladies do perform admirably.

The only thing we can say about this episode is that we’re glad it wasn’t just a straight recap. We hate recaps, and while there were a few recap moments, the episode had enough new material not to just fast-forward through in disappointment. There were some nice character moments, both between Tamaki and Kei and Asagi and that random girl on his pit crew, while repeatedly cutting back to Suruga out in space gave a nice slight sense of mystery to the episode, even if it’s never really explained what that ship is and why he was waiting for it.


Rating: 5 (Average)

Zetsuen no Tempest – 13

Mahiro is out cold for an entire month, during which time he dreams about the events that have unfolded thus far, his childhood with Yoshino, his life with Aika, and the day he found her dead. When he awakes, it is to a world in which cities are being swallowed by the Tree of Genesis. Samon asks him if he’d be able to kill Yoshino.

If that seems like half the length of our usual pre-review synopsis, that’s because we were only given half an episode to work with. The other half was a recap, told from Mahiro’s perspective and sprinkled with bits of new material here and there, along with the pretty flimsy conceit for subjecting us to said recap: Mahiro is having a very long, very intricate dream, and has a lot of time to think about things thus far. The recap was a bit deflating after a week-long hiatus, but we should have seen it coming.

We’re at a crossroads: the Tree of Genesis is awake and kicking hard, devouring chunks of civilization and humanity with impugnity. Giant branches popping out of skyscrapers is a very irrational thing, so you’d think the Kusaribe clan would be on top of things, trying to restore balance to the world. Meanwhile, we have this slightly unstable looking guy Hanemura showing off some kind of magic. Is he part of another clan? Good? Bad? Who knows. Here the plot merely thickens; it doesn’t solidify.


Rating: 6 (Good)