Tsukimichi: Moonlit Fantasy – 09 – Into the Woods

As two forest-dwelling sisters named Aqua and Eris bring ruin upon any intruding adventurers, Makoto celebrates the anniversary of the establishment of the Demiplane by meeting one-one-one with its denizens, from Akina the Alke (who has learned to perfectly mimic humans) to Liddy the Lizardman (who still looks like a lizardman). He also learns that when he pats the head of Tomoe’s fragment, she feels it too.

After a night of meeting, greeting his many admirers from Demiplane society, Makoto goes off on his own to practice his archery. Only both Tomoe and Mio suddenly feel his presence vanish, and find that by focusing on archery, he’s dying and being reborn over and over again. By being continually reborn, his mana continues to expand, as does the demiplane. Tomoe worries it will lead to the Goddess ordering his elimination.

Thus Makoto must learn to mask his enormous mana even more, both with his own magic and the gear the dwarves make for him. In the meantime, he still has a business to get up and running, which means returning to Tsige, where he helps a demihuman in need who also happens to look  a bit like him.

A prostitute witnesses his kindness and decides to reward him with a night of fun, but a jealous Tomoe and Mio come out of nowhere to drag him off. He doesn’t want to tell them he loves them like family—as the ED indicates, they’re basically surrogate sisters. But by not saying so he creates a misunderstanding, and both women feel they need to make him a man immediately. Thankfully, he cools them off with an ice spell before they can assault him.

The next day Tomoe, and Mio in particular, regret how aggressive they were, and Makoto lays down some boundaries. That said, he’s happy to have Mio accompany him to Tinarak Forest to check out the ambrosia flowers that grow there. Makoto slips into the habit of his previous life in his world by offering to “hold handsies” with Mio, like he once did with his sister. Mio, obviously elated, takes his hand without hesitation.

Alas, she only gets to bask in the loveliness of that moment for 31 scant seconds before she and Makoto are rudely interrupted by two different parties: a trio of human adventurers led by the prostitute, and the pair of forest-dwelling sisters. Obviously Makoto and Mio are more more than a match for either, so it will really come down to how Makoto will de-escalate the situation and come to an understanding.

To Your Eternity – 02 – I Don’t Don’t Wanna Grow Up

I’ll tellya, you can have Tsuda Kenjirou read the friggin’ phone book paired with an epic Kawasaki Ryou score and I’ll be entertained, but TYE gives the man far more stirring things to say. It manages to achieve what the doomed poor boy whose form he assumed could not: escape the tundra and reach a lush, fertile land.

It doesn’t do so without incident, dying six times by starvation, exhaustion, or infection, and a seventh when it’s eaten by a giant white bear. But as Tsuda’s smooth, smoky voice proclaims: It died again…but that was not a problem. With each death, It regenerates faster and faster. It learns.

The episode becomes far more conventional than the first, by dint of featuring more than one character speaking. It’s also not a self-contained mini-film but the first part of an arc in this new green setting. Neither of these differences are bad things, mind you. In fact, it feels like Peak Ghibli a la Princess Mononoke.

A large part of that is due to March, the vivacious, instantly endearing heroine of this arc. Voiced by Hikisaka Rie with a nice balance of cutesiness and precociousness, March has a “family” of eight stuffed animal “children” with her “spouse” and big-sis figure Parona. But March wants to grow up ASAP so she can be a real mother.

Her village could use more mothers, too: she’s one of only three children, which makes her fate that much more maddening. One day, March hears a clanging bell, and Parona grabs her and runs off. They’re caught by an menacing, matter-of-fact warrior priest named Hayase and four guards who hide their faces with Beefeater hats.

Parona and March’s village has been chosen (I assume by the elders) to provide the next offering to Oniguma-sama, a god-beast who lives atop the nearby mountain and demands an untarnished female sacrifice every damn year. Seems like a bad idea if you, I dunno, don’t want to die out as a people.

March makes clear this is bullshit and she doesn’t want to die, because that means she’ll never grow up or be a mom. But both her reasonable words and her tiny punches fail to move Hayase from her absolute devotion to tradition. Hayase warns March that if she runs, Lalah will be killed in her place. If Lalah runs, they’ll use her infant sister. Real piece of work, this Hayase!

The preparations proceed, and while March’s parents hid their despair upon learning their daughter would be chosen, they don’t spare their grief and anguish when her procession commences its climb to the sacrificial altar atop the mountain.

Parona stood with the other villagers looking helpless, but that was only an act. While she is absolutely terrible at archery, one of her wayward arrows manages to smack Hayashitbag right on her haughty nose, and Parona uses the opening to tackle her. At the same time, March runs off as fast as her little legs can carry her, and is eventually aided by gravity.

She ends up face down in a pond, where she encounters It. It is also face down, and dead, and a mangled, decomposed corpse. But while Hayase’s pursuing guards turn tail upon seeing his grotesque form, March stands fast and watches with wonder as the husk of a boy reconstructs itself. March washes off the ink on her face—which in her village is done when a girl officially becomes a woman—and follows the wordless white-haired boy.

She grows increasingly frustrated with his complete lack of communication, but soon their speaking the same language: rumbling bellies. March climbs a tree and grabs him a fruit, which he proceeds to eat like he did when he was a wolf: ravenously and greedily. Every fruit March picks for herself ends up in his stomach until he’s had his fill and curls up to sleep.

After she eats and falls asleep beside her, March dreams of coming home, only to learn that Lalah and her baby sister Lisa were sacrificed to Oniguma-sama in her stead, and then, because this is To Your Eternity, we are shown the small child and infant being eaten by the great bearlike beast.

Upon waking, March heads back to her village, not willing to let the other kids die in her place. It knows to stay close to her if it wants an easy meal, so it follows her like a lost puppy.

Despite all the suffering and duress she’s had to endure the last few days, March can still maintain a sense of humor about things, turning around, flashing a gentle smile, and telling It “I’m not your mommy!” But she’s wrong: she is It’s mother. She became quite by accident what she’d always dreamed of becoming. How long will it last? Hopefully, as long as it can.

To Your Eternity – 01 (First Impressions) – A Dog and His Boy

Happy Monday Everybody! Are you ready to…bawl your fuckin’ eyes out?! I know I am. Welcome to To Your Eternity, one of the Spring’s most anticipated series. As always, I enter completely in the dark, unsure of what’s in store for me. Yippee!

It is sent to Earth, a tabula rasa of an entity that can take the form of things it encounters. First it’s a small and basic white sphere, then a rock, then the moss on that rock, then a white wolf that dies on that mossy rock. Fantasia and 2001 came to mind. The visuals and music are epic, and given greater gravitas with Tsuda Kenjirou’s narration.

Then, the wolf reaches a small settlement. Of the handful of huts, only one is occupied by a single boy. The last boy. He knows the wolf; it’s his wolf, Joaan. He welcomes him home, glad he’s no longer alone.

The boy makes dinner and shows Joaan how to eat. He talks of the others who left the village to find “Paradise” but promised to return with gifts. He stayed to take care of the elderly. That was five years ago. Some days pass, and the boy decides it’s time to stop waiting, leave the village, and head to paradise himself, with Joaan in tow.

The boy leaves his home with a sense of finality, like he won’t be returning. He drew pictures of everyone who lived there to show others that they lived. He trudges through the snow, following helpful arrow markers, camps for the night. His nose and fingers gradually become raw and red. One day, he falls through the ice.

He manages to avoid hypothermia, but he has a nasty gash in his left thigh. He dresses it, but the wound swells and festers. Joaan can only watch. The boy speaks for Joaan, carrying on a conversation with himself to keep himself optimistic. But the frozen tundra and his wound continue to wear him down.

The boy is in a very bad way when he comes across a final arrow marker X’ed out with blood, and close by, a host of graves and the ruins of a wagon. With nothing but more frozen tundra everywhere he looks, the boy grapples with the fact the others never reached paradise…or maybe they did, but had to perish to do so.

With no further markers, the boy has no choice but to return home. The weather worsens, as does his health. He feverishly crawls back through the door he so confidently closed for good when he first set out. He manages to get one more fire going, but the cold outside and his leg have already decided how this ends. We’re now firmly in Grave of the Fireflies territory.

The final choice the boy has is how to die. He does so sitting in a chair with the faces of the village, along with himself and Joaan, drawn on the wall. With one final smile, he hunches over and dies, his suffering at an end, and his journey to paradise complete as he reunites with all the other villagers. Triggered by the boy’s death, It transforms from Joaan to the boy, in search of more stimulation. From death, rebirth. But rebirth to something not quite what it had been.

It’s a triumphant glimmer of hope after an episode that was largely watching a happy-go-lucky kid die in agonizing slow motion as his unrelenting environment ground him into dust. This show absolutely wrecked me, but I’m glad to have watched it. It isn’t often anime—or anything on a screen—moved me to this extent. I hadn’t gone through so many tissues watching a single episode in quite a while!

Was this perfection? No. The music is almost uniformly excellent (and the OP is an absolute banger) but there was one out-of-place track that sounded like it was from a far older and less serious show. As good as some of Joaan the wolf’s expressions were, the animal modeling was all over the place, esp. in wider shots. Finally, as invested as I was in the poor doomed kid, he talked a lot. More Cast Away-style silent storytelling would have been welcome. Then again, boundless optimism was literally keeping him alive.

But those are minor quibbles. To Your Eternity is primo prestige shit with the potential to be a classic. It made me feel just about fucking everything! It’s a hell of a neat concept: a completely neutral “entity” that observes, then meets the conditions for transformation—a kind of Kino’s Journey, only Kino is a full-on alien. Considering the next episode involves some kind of child sacrifice, I fear we’re in for more misery than jubilation. But it doesn’t matter…I must watch on.

DanMachi III – 04 – Seeking the Surface

Hestia Familia’s Xenos hosts provide food and beverage to celebrate the meeting of humans who will accept them. As Bell and the others drink, eat, and dance, they learn a lot more about these intelligent monsters. Like them, they collect loot from the enemies they defeat, be they adventurers or “dumb” monsters.

We also learn that while Lyd is presently the Xenos’ de facto leader, a stronger Xenos has awakened who could challenge his claim as the strongest of them. On top of that, there’s a faction of the Xenos who want no part of the humans, distrusting them every bit as much as the townsfolk on the surface.

Like last week once they reach the Xenos’ hideout, this episode spends most of its time explaining the bigger picture, with “former human” and sage, now skeleton Fels being a useful font of information while Ouranos tells Hestia a lot of the same stuff.

Just as Ouranos hopes Bell and Hestia’s Familia will be the bridge to make people acknowledge the existence of intelligent and peaceful monsters, Dix Perdix and the Ikelos Familia is working to maintain the status quo, killing, capturing, and smuggling the monsters without a moment’s thought to their intelligence.

But neither Fels nor Lyd brough Bell & Co. here to ask for their help, so much as to lay out their plight, as well as their most common desire: to reach the surface and see the sky (and in the Siren Ray’s case, fly in it). Ouranos even posits that it could be the Will of the Dungeon itself (which the Xenos call their “mother”) for Xenos to emerge and yearn to reach the surface.

This is because just as humans die, go to heaven, and are reborn in the lower world, monsters also have a cycle of death and rebirth that starts and ends in the Dungeon. This means someone like Wiene, who learned to speak and act like a human so fast, could have died and been reborn hundreds if not thousands of times.

It’s a lot of fascinating food for thought, but if there’s one demerit to this episode it’s that it is, a the end of the day, one in which everyone is sitting around either talking or listening to people talk about things, rather than watching much in the way of action. The information may be fascinating, but the manner in which it is relayed is somewhat rote.

That aside, the smaller but no less significant immediate ramification of Bell & Co. meeting the Xenos is that Wiene won’t—and shouldn’t—return to the surface to their home. This comes as a surprise to poor Wiene, who cries and screams for Bell not to leave her even though he must, with only a promise he and the others will return at some point.

As Bell & Co. return to the surface and meet up with Hestia to pool share what they’ve learned, the group of Xenos caring for Wiene fall into a trap set by the Dix and the Ikelos Familia, using a brutally tortured Ray as bait. What looks like the strongest of the Xenos charges Dix, and is swiftly killed.

Dix has a huge host of humans and demis under his command, and he clearly relishes the monster hunt to come. He and his ilk represent the extreme challenge any attempt at human-Xenos co-existence, as it will be everything the Xenos can do to simply continue existing period!

There’s also the matter of Hestia being reluctant to risk her children and Familia being branded enemies of their own kind and in league with monsters, thus destroying all the progress the Familia has made and resigning them to ostracization and worse. But if they don’t do anything to help Wiene and the Xenos, who will?

Ascendance of a Bookworm – 03

Bookworm Here! I’m just making nice baskets during the winter, failing at papyrus, inventing pancakes and crochet to make my older sister a pre-baptism hair ornament, and correcting math errors at the guard house! Everyone around me is starting to notice… how this is different from the Myne I was before but what evs? At least there was some character building around me this episode…

As generic Isekai go, Bookworm’s choice to show things being made, and explain process, elevates it from the mayonnaise-eaters at the bottom, but not by much? Coupled with Myne’s father’s miss-reading Myne’s feelings for Otto and the awkward conversation about marriage that followed, and the episode gets a pass. The framing and scene blocking were good too.

Better than Prodigies in a 6/10 sort of way.

Watashi, Nouryoku wa Heikinchi de tte Itta yo ne! – 02 (Second Impressions)

Off to a rocky start, Mile settles on “It’s a family secret” as her default answer to Mavis, Reina and Pauline’s probing questions. This does not sit well with the other girls, nor does Mile’s attempt to lie about her backstory by telling them a tall tale… which turns out to be the narrative of the kingdom’s current best selling book. Fortunately, Mile is ‘saved by the bell’ and the quartet heads for their first orientation.

Mile continues to fail at her life goal of low-key living, while succeeding by every other measure. During armed evaluation, she one-hits her opponent for snarking on her flat chest. During magic evaluation, Mile intentionally mimics Reina’s fire spell, but at half-output… only for that to backfire too. Reina’s spell is a custom spell, and being able to cast it after only having seen it once, is beyond comprehension!

After an awkward tea-time interrogation, the girls choose to party-up for the first group assessment: kill 10 horny rabbits, the lowest level monster in the kingdom. To Mile’s consternation, this task proves difficult, as Reina and Mavis’ skills emphasize strength over speed and accuracy. Mile’s solution? Put on a turtle-house master beard, and go old skool dragon ball training montage on her team mates’ assess.

10 dead bunnies later (and a few surprise stone golems) and Mile’s team is the only party to clear hunter prep school’s challenge. What’s more, Mile’s fears that her secret re-life and genius skill rating would prevent her from making friends are proven unfounded. Mavis is inspired by Mile’s demonstration of human potential, Reina finds Mile’s practical examples quite helpful, and Pauline quietly takes note of magic x merchant-trade opportunities.

Little do they know, the B-Rank adventurers they beat last week have been sprung from prison and are will, no doubt, be looking for some payback later in the season…

As a specimen of the reborn in another world with great power (as a reward and not to defeat a global threat) Isekai sub-genre, WNwHdtIyn! further distinguishes itself by forcing Mile to face conflicts her broken power level cannot immediately resolve. Namely, making friends and overcoming her anxiety about being too good in the first place. It’s this anxiety, coupled with Mile’s slightly selfish touristy nature, makes her infinitely more interesting as a main character than other examples of the sub-genre.

Where Mile and Smartphone’s Touya both go out of her way to help and share her skills with strangers, Touya has no motivation beyond “being a good guy.” Toya literally jumps into a conflict between people in a dark alley without knowing what’s going on because… girls? At least Mile has met the inn keeper’s daughter, and formed a report, before being swept into the search for kidnappers.

TL;DR Mile’s character has faults, which grant her nuance. This makes her more of a person and less of an empty proxy for viewer escapism. Considering how played out Isekai escapism is at this point, WNwHdtIyn!’s choice is the right one.

Ascendance of a Bookworm – 02 (Second Chance)

This week Myne rides an older boy while pondering being ridden by his younger brother. Also, she’s thinking about parchment and how to get her dirty peasant hands on some. Also she invents shampoo from an avocado fruit. Also she faints while a pig gets slaughtered for her winter sausage. Also she gets a fever again and flirts with the solider who works for her father that is teaching her to write.

Bookworm’s slice of life where nothing of consequence happens format plays out like a run-on sentence. It’s almost watchable, if I’m honest, largely thanks to ongoing character introductions and world building, but Myne remains a barely likable character. We did not learn anything more about her past this week, nor has she recognized the impact of hollowing out her host vessel, nor does she entirely care about anyone around her. She just wants her god damn books and, even though we know she will eventually get them, each moment we wait until she does, will feel like an eternity.

Watashi, Nouryoku wa Heikinchi de tte Itta yo ne! – 01 (First Impressions)

12 years ago Kurihara Misato was a Japanese high school girl with good grades and no friends. She died pushing a younger girl out of the path of a speeding car cliché amd a god-character offered to re-born her in another world +plus give one gift. Feeling her grades contributed to her lack of school friendships, Misato opts for ‘being reborn with totally average powers.’

Misato’s final request is processed more literally than you might expect and “Mile” is born with power equal to her fantasy world’s mathematical mean. That is, exactly half way between the strongest living creature (elder dragons) and the weakest. To Mile’s mild annoyance, that pegs her 6,800 times more powerful than any other human…

Didn`t I Say to Make My Abilities Average in the Next Life?! proudly announces what it is from the get go: a completely self0aware reborn in another world style Isekai, featuring a fourth-wall-breaking protagonist who is eager to share her absurd experiences via narration. From her amusement over the gimmicks of her new world (magic is actually thought translation via nano machines!) to screwing with the NPCs (pretending to get her hand eaten by a lifeless gargoyle) Mile and the constant monolog are there to explain the hours away. The result is oddly welcoming and a pleasant reversal of fish-out-of-water Isekai standards.

While you could be excused for groaning about a fifth Isekai running this season, this show is cute and chuckle worthy. Misato was no jaded Tanya the Evil, but there’s just a little snark to how she see’s her new fantasy world, and how she describes the characters living there in terms more familiar to us. (The fire mage is totally a tsundere) In purely Isekai terms, the vibe is enough to make it enjoyable to watch. Far more than Bookworm or Prodigies.

Ascendance of a Bookworm – 01 (First Impression)

Myne was a little peasant girl until she got a fever and God hollowed her out to make room for a recently deceased book enthusiast. Now Myne is a highly educated, book hungry, little girl living in a middle-ages Europe style ‘other world,’ and she JUST! CAN’T! EVEN!

While it’s kinda funny that the librarian was killed off camera by an earthquake/falling bookshelf, the whole indifference to ‘punting’ a little girl’s consciousness and New Myne’s disinterest in Old Myne’s family sorta sours the fun for me?

However, AoaB’s central failure is its utter lack of conflict. We know Myne will gain access to books – not just because, duh, anime – but because the story starts way ahead with a priest talking about her already having done just that! The fact that AoaB is a little wordy, a little slow, and the protagonist is a little hard to feel for doesn’t help. For a rebirth Isekai, I’m just not feeling it.

Youjo Senki – 12 (Fin)

The Gist: Topping all but the second episode, this week’s Tanya outing owns some lengthy, thoughtful and horrifying dialog. Despite what high command may think, the war will not be over and that is strictly because humans are too animalistic — too emotional — to follow the rational path and surrender.

The Republic rises in Africa, joined by survivors from the Kingdom and Alliance. The Kingdom mobilizes at home, and we see weapons of war rolling along the rail tracks in the Russian federation and in America as well. (Even Anson’s daughter has volunteered for service, yellow magic eyes and all!)

It all threatens to swallow Tanya and her fragile battalion. But Tanya is having none of it. In a fiery speech to her recently deployed African troops, she vows that the battlefield is no place for God. That her soldiers will put him out of work and that she will slice him into pieces personally and feed him to the pigs.

Back at home, among the frustration and angst of high command, the leadership has come to believe in her. She IS a monster in the body of a little girl and, no matter what, nothing will stop her from her goals.

Dun dun duuunnnnnn!

The Verdict: I have tremendous respect for this show ending on a largely talky episode, and in a so very Tanya-talky way. From her cold, calm, and horrifying explanation to high command on why they are wrong, to her frothing mad rant to her soldiers, it’s all very off putting and terrifying.

I do wish Serebryakova got a bit more screen time, and I do wish I had a sense of where any of this was going, or that it had gotten to this point 2-3 episodes earlier, but, if a second season will come our way, I think it will deserve your watching.

At it’s lowest, Tanya is a combat procedural with an unusual aesthetic. At it’s height, it transcends nihilism and delves right into an antagonistic relationship with God, and man’s own nature. Good stuff, that.

Youjo Senki – 11

The Gist: In a lovely bit of symmetry, Colonel Anson tears through Tanya’s forces, followed by a suicide self-destruct gambit when Tanya finally over powers him. Fortunately, the ever loyal Serebryakova is there to save the day and Anson is out of God’s game for good.

It’s a genuinely exciting fight, with vibrant colors, and remarkably effective use of space considering much of it is 3D models rendered over clouds. It’s also full of lovely details, like the Kingdom Mages, who ride steampunk brooms, reinforcements arriving ‘in 600 seconds,’ and Anson’s use of outlawed weapons.

On the emotional front, the battle reasserts an ongoing question in Youjo Senki: “Despite her name and actions, is Tanya truly any more evil than anyone else?” Given Anson’s shallow thirst for revenge, his use of illegal weapons, and the Kingdom troops’ indifference to the war, the answer seems to be ‘not much?’ for the time being…

Following the battle, we get a happy ending of sorts. All 11 of Tanya’s troops have survived, the Republic surrenders, and celebration awaits. At least, until Tanya realizes the Empire is walking into a trap that will cost them the war in the longer term…

The Verdict: despite a general familiarity with World War 1, I’m actually unclear on exactly what Tanya has realized (too late). However, the narrative implication that she now sees the Empire as doomed and, therefore, herself as well, are quite clear. Her faith in the one, logical institution she believes in is shaken and only Serebryakova knows it. What this means for next week, I have no idea?

That said, I see no coherent way for Youjo Senki to resolve itself in a single half and hour. Likewise, the first season has been sluggish enough that I don’t think it warrants a second season. Will it get one anyway? I have no idea.

Will I watch it if it does? …Maybe.

Youjo Senki – 10

The Gist: Team Tanya successfully wipes out the Republic’s forward command, which allows the Empire’s plan to unfold without a hitch. A massive explosion is set off under the Republic’s southern position, Empire tanks surge through the scattered survivors, and the Republic’s main force is encircled.

From inside their submarine escape vessel, Team Tanya has every right to pre-celebrate victory. However, little do they know, Colonel Anson and a boat full of Kingdom Mages is about to run into them, putting their lives, and indeed the success of the entire plan in question.

Following the credits, we flash back to Serebryakova being an un-wakeable weirdo sleeper on the submarine for some humor. Will the improved Anson finally match Tanya’s output? Will her team of 10 stand a chance against a full regiment of broom-riding mages? Beyond this battle, what’s Youjo Senki’s end game? Only a few episodes remaining to see…

The Verdict: Like the battles it features, this week’s episode landed a string of successes, with the caveat that things may go off the rails, structurally, by the end. The flow of battle and strategy was easy to understand and visually interesting, and we got a broader emotional range from Tanya and crew while on the submarine.

However, there’s an over arching haphazardness of editing throughout Youjo Senki. On one hand, it tries to cram a lot in per-episode but what it crams in isn’t always relevant or impactful. The Empire’s board meeting between government officials and the military didn’t really add to any tension over the success of the plan for example. Anson’s scene on the Kingdom ship reduced the surprise impact of his arrival at the end of the episode for another. There are plenty of other short moments in hallways and at tables where characters repeat information we already know too.

Combined, these little delays and wheelspin shave time off of other moments, not always for the better. In some ways, the opening attack from Team Tanya didn’t even feel like a scene in it’s own right, since it was so brief and the potential failure was so brief as to add no tension (It would have been far stronger to end on that in the previous episode, and leave us guessing what Tanya will do if her target was wrong to begin with).

Youjo Senki – 09

The Empire devises a plot lure out the Republic’s main-force, crush it, and end the stalemate in the Rhine. This involves railway logistics and a lot of leg work (flying work?) on Tanya’s troops’ part to deceive the Republican troops, and it looks like there are casualties amongst her unnamed ranks.

However, the big push is that Tanya and eleven of her troops will be riding V1 rockets behind enemy lines to launch a surprise attack against the Republic’s three possible command centers. If her team takes them out, which is likely, the war with the republic will be over in an instant.

Ultimately, this episode is yet another strategy and battle presentation, with an emphasis on setting up more battle for next week. We get a cameo from Tanya’s classmate and Doctor Schugel, and Serebryakova gets a little character development via Tanya’s lieutenants (who see her as bizarrely unflappable and charming amidst what should be horrifying, and what horrifies them) and there’s even a bizarrely lengthy joke after the credits, regarding one of Tanya’s men being removed from active service because he ate a rotten potato.

Unfortunately, the result falls in with Youjo Senki’s more mediocre offerings. It’s not bad, just a straight forward war and internal workings of an army storytelling. Without a focus on Tanja’s inner workings, or giving her agency over the intrigues of the day, or without learning more about God, that makes for a purely watchable experience.

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