Lord El-Melloi II Case Files – 09 – Straighten Yourself Out

Gray and Caules are consulting with Olga-Marie about Hephaestion when the path of Rail Zeppelin is suddenly altered, turning into the infamous “Child of Einnashe,” or Forest of Dead Apostles, and stopping dead in the middle of a horrendous blizzard.

Some enterprising mages are quickly stabbed by the predatory trees. With El-Melloi still unconscious and most of the passengers locking themselves in their rooms, it falls on Gray and her allies to figure out how to get the train back on track.

In a rather abrupt transition, Luvia and Kairi visit the “Zombie Cooking” studio of Jean-Mario Supinerra. They ask him about the crimes involving beheadings, and he assumed from his Scotland Yard contact that such a case had been resolved. Trisha also contacted him about it just before she died in the same manner, suggesting she had some pecognition about her fate.

Melvin Weins, who had been following Rail Zeppelin by helicopter ever since meeting with Reines, joins Gray, scaring the crap out of her with his unorthodox, bloody entrance. Soon Karabo and Yvette arrive with the conductor, who asks them to assist in getting the train moving again, lest they be forced to cancel the auction.

Caules agrees to stay with El-Melloi, and Melvin plays his violin to tune the magical circuits of everyone, buffing them for the upcoming mission; judging by Yvette’s reaction, the tuning also happens to feel really, really good.

The eclectic, hastily-built party (a really cool combo, by the way) sets out into the bitter cold. Yvette locates the main Leylines and Karabo marks them for activation. Add warns Gray of trouble approaching, and hangs back, once again encountering Hephaestion, a Servant whose true name she knows but whose role—and Master—she doesn’t.

As Yvette, Karabo, and Melvin battle the forest’s defenses and finish activating the leylines, Gray and Heph spar, with the latter not at all interested in dialogue and the former hesitant, but not altogether unwilling to use force.

When the train starts back up, Olga-Marie happens to land on a dimensional pocket with an imaginary attribute; a signature spell of the Fellows family to which the late Trisha belonged. When Olga unlocks the pocket, Trisha’s head falls out, to Olga’s shock and dismay. Adashino enters the room, pleased the head of the victim has been found.

Even when the train released from the forests and ready to continue on its proper course, Gray isn’t about to let Heph get away, so she rescinds her first restraint, transforming her scythe into a giant hammer. Will they get left behind, or will the battle again be interrupted, whether by an awakened El-Melloi or someone else? Even standing still, with its titular character out cold, Rail Zeppelin continues to crackle with intrigue.

Fate / Zero – 11

Iris detects the massive mana of Rider heading towards the castle, and Saber suits up for a battle…only for Rider to show up in his t-shirt and pants with a giant barrel of wine. He’s not there to fight, he’s there to drink and talk. A Holy Grail “dialogue”, as he puts it.

Saber has no objection, and drinks from the barrel with Rider. Soon, Archer also arrives, on Rider’s invitation, and after rejecting Rider’s “swill” opens a portal to his treasury to draw out…a golden jug and three golden cups.

This would be absurd if it wasn’t also frikking brilliant, for Iskandar and Gilgamesh share one thing in common: they are hedonistic tyrants of yore.

Gilgamesh is such a tyrant he considers all treasures in the world to be his, since they all sprang from his treasury—a treasury so vast he isn’t even aware of all it contained.

Iskandar wants to be reincarnated as a flesh-and-blood man to take up his world conquest anew. Saber…wants to save Britain, in part by erasing all of the perceived mistakes she made in life as king. She wants a redo.

Archer laughs in her face at the fact she harbors regret for the deeds in her life, and Rider can’t help but agree. As far as they’re concerned, it’s the duty of the nation and its people to serve and sacrifice for their ruler, not the other way ’round as Saber would have it.

By insisting upon being a “slave to what’s right”, Saber might be able to save Britain, but she can never lead it, and so Rider ceases to see Saber as a real king.

Kingship, to him, has always been a wondrous gift, and throughout his rule he lived and fought as grandly and greedily as possible, living life to the extremes of both good and bad, that he might inspire men to fight and die for him. When Assassins surround them (a test by Kirei and Tokiomi), Rider transports everyone into a Reality Marble.

There, in the vast desert sands, Iskandar’s endless armies march, and when he mounts his trusty horse and orders them to advance, the Assassins are quickly routed. Saber, Iri and Waver can only sit and watch in stunned awe, while Archer does his best to look unimpressed. It’s the biggest spectacle since the port battle, and it is well and truly momentous.

When the battle is over and everyone’s back in the courtyard, Rider takes one more drink, then takes his leave, which is just as well, as I don’t think anyone’s ideals could have been shat on as thoroughly and mercilessly as Saber’s (If I didn’t know better, I’d say Rider was a cruel drunk). Archer remains to mock Saber, urging her to go ahead and continue believing in her ‘backwards’ philosophy so he can laugh at her some more.

Their words cut as deeply as any blade, as Saber remembers one of her Knights of the Round Table stepping down because he didn’t think Arthur understood his people…and Rider and Archer’s words only served to reinforce her growing crisis of confidence.

But while it doesn’t end well for Saber, like at all, it was fantastic to see three Servant Kings simply sitting in a courtyard, drinking wine, and shooting the breeze…and for Rider to show that he can back up all his big talk, and then some.

Fate / stay night: Unlimited Blade Works – 19

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For that rare cohort of viewers of whom I am a member, the realization that Archer was Bitter Future Shirou cam gradually, but even after watching the OP for the first time since learning it for certain, there were plenty of clues for a novice to follow, and naturally, it all holds up quite well. I also liked how relatively casually it’s finally revealed to our Shirou, because like us, spoilers or no, he kinda had an inkling at this point.

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Oh hey, here’s Matou Shinji, being about as awful as one can be, though I guess it isn’t really his fault, it’s just who he is: a wholly despicable, irredeemable punk with designs on making Rin his sex slave, or something. My skin was crawling like a house centipede, so I was relieved when my favorite bro Lancer marked his arrival with a vicious punch that, if I’m honest, I kinda wish had fractured Shinji’s skull.

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Lancer left Shirou to rescue Rin because his Master’s orders were to see to her safety, not fight beside Shirou. As for Saber, she’s only there to bear witness, promising not to interfere. But by being there, Archer is able to use her past as She-King Arthur (my guess for her true identity) to make his point about regrets, and the desire to right past wrongs, which was to become a heroic spirit in the first place, after becoming a Guardian after death.

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While Archer is largely standing around talking to Shirou and Saber, the sheer atmosphere of the scenes are enough to drag us in as we listen, rapt. His is a truly tragic tale, in which his seemingly good intentions and desire to be a “hero of justice” were twisted by the realities of the deal he made. Guardians are removed from the cycle of life, death, and rebirth—by time itself—to appartate into a human conflict and end it swiftly, without discriminating between good or evil.

Enough of that—and Shirou certainly seems to have done enough of that—will corrode even the best-intending souls. Being the “hero” he wanted to be meant there had to be people who needed heroes; which means there had to be suffering. He killed a few to save many, but those few added up over the years/decades/centuries.

Now that he’s told Shirou what his ideals have led to, Archer tosses him a sword and asks him to end it. Saber submits that because of Archer’s Guardian status, he won’t disappear even if he kills Shirou, but he’s going to kill him mind, body, and soul, and pray for the best.

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As Shirou stares death in the face, Rin suddenly finds her savior Lancer cowed by his two-faced traitor of a Master, who is finally revealed as Kirei Kotomine…which, well, I wasn’t expecting that, but then again it’s not like there are a lot of characters left that we know, and if it was someone I didn’t know, there wouldn’t have been as much impact.

That being said, Kirei is a bit overly campy-villainous and cruel in telling Rin just how much he’s betrayed her and for how long, having raised her up to be a  pawn (hence those chess pieces in the previews) after killing her Dad in the previous war. Rin is pissed and flies off the handle with a very Tousaka Rin-esque screed about how neither heaven, hell, or purgatory will have his slimy ass.

Things get more serious when Kirei orders Lancer to kill Rin, and he disobeys. Rather than use a command seal (one of what looks like far more than three) to force him, he uses one to order him to kill himself, which he d oes in short order, causing my heart to drop to the floor with a clang. Now Rin is really in deep shit, and her thoughts of “leaving the game” before Shirou really hit hard. Surely this isn’t the end for her…or for them? (Don’t answer that.)

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As for Shirou, he’s not going to accept this future Him who regrets everything he ever did and wants to negate it all by disappearing his past self. Shirou is determined never to have any regrets, come what may. And there seems to be a lot coming, with blades tickling everyone’s throats.

Will Shirou’s positive outlook prevail over his older, more experienced, but more beaten-down-by-life-and-the-world counterpart? Will he get to be the hero of justice he wanted to be, but not the one he became, delivering the justice Kirei and Shinji deserve? Boy, that would be nice, wouldn’t it? Trace on.

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Fate / stay night: Unlimited Blade Works – 18

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I’ll confess: while doing a little research on Archer, I accidentally found out who he really was, so I somewhat spoiled myself for this landmark episode which starts to put all the pieces together. Even so, the weight of its revelations and sheer beauty and spectacle made this the best and most engrossing episode of UBW’s second season.

While it wasn’t explicitly stated, it’s certainly looking like Archer isn’t a servant summoned from the past like the other heroic spirits, but from the distant future. Specifically, he’s a future version of Emiya Shirou, the tortured manifestation of the endgame of his ideals…and he’s looking to put his past self out of his misery.

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The newly-freed Saber takes exception to that goal, but without a current Master she’s no match for the more independent Archer. Shirou summons twin swords very similar to Archer’s and tries to fight him back, but that only puts him in a more convenient position for Archer to kill him.

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That’s when Rin, Badass Extraordinaire, forms a pact with Saber right then and there, and just like that Saber is back in business, and in a matter of moments, has Rin freed and Archer at her mercy. Despite not having any contract with Shirou, Saber is still very much devoted to protecting him, even if she wasn’t Rin’s Servant now.

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Archer then plays his trump card, the titular “Unlimited Blade Works” we’ve caught glimpses of throughout the show’s run. Like Gilgamesh’s treasury, it is a reality marble housing every weapon he has ever seen or used. But it’s only a facsimile of the treasury, and the weapons only magical projections. It’s also very pretty, if a bit morose.

Here, he tries to finish Saber off with a copy of her own holy sword, the contact with which would result in a wide swath of destruction that will blow any humans in the vicinity (i.e. Shirou and Rin) away. Before he can, Shirou, recognizing how the UBW works, is able to match blades with Archer long enough to break free of the reality marble.

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From there, Archer snatches up Rin and flees to Ilya’s castle. While she’s out cold, Rin narrates the sad tale of Archer, who wanted to save and grant peace to everyone so badly he sold the peace he would have gotten in death. He is, in a way, the very model of a servant: one who lives only to serve others, without the slightest regard for himself.

As we can see, this has twisted him into a regret and angst-ridden wreck of a fellow, and he knows it, to the point I’m sure he considers it a mercy and a favor to put Shirou out of his misery. Archer is the embodiment of what happens if Shirou continues on his path, and it pisses Rin off to know she can’t save either of them.

And yet, she still finds Shirou’s reckless heroic side sweet. And back home, Shirou is planning to bring Archer down himself, while Saber (with help from Lancer!) rescue Rin. Has Shirou’s course already set, or can he change it ever so slightly so as not to end up the way Archer did?

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